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Tuesday 10am - 6pm Wednesday 10am - 6pm Thursday 10am - 6pm Friday 10am - 6pm Saturday 11am - 6pm

Ricco/Maresca Gallery

Name: Ricco/Maresca Gallery
Address: 529 W 20th Street, Fl 3rd, New York, NY, 10011, US
Telephone: (212) 627-4819
Price range: $$$$

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Ricco/Maresca Gallery

For 35+ years, Ricco/Maresca Gallery has specialized in Outsider, Self-Taught, Contemporary, and historically important American Vernacular Art.

Following in the footsteps of the legendary New York dealer Sidney Janis, Ricco/Maresca champions and showcases the art of self-taught masters working outside the continuum of art history. The gallery specializes in Outsider, Self-Taught, Contemporary, and historically significant American Folk art in various media. Over a period of more than 35 years, Ricco/Maresca has helped blur the lines that

have habitually separated conventional art-historical categories and “marginal” art. The gallery has carried out this mission through a pioneering program that emphasizes crossover between vernacular and mainstream traditions, the management of key estates (William Hawkins and Martín Ramírez among them), and seminal books produced with publishing partners such as Alfred A. Knopf, Little Brown and Company, and Pomegranate Press. Ricco/Maresca Gallery was founded in 1979 on Broome Street, within New York’s then-emerging SoHo gallery district. The gallery relocated to TriBeCa in the 1980s and later moved to Wooster Street in SoHo—which had by then become an established contemporary art hub. In 1997, Ricco/Maresca became one of the first galleries to move to the new Chelsea art district and is currently located at 529 West 20th Street. The gallery participates and has participated in the Armory Show, the Outsider Art Fair (New York and Paris), Metro Curates, Art Chicago, SCOPE (New York and Miami), and AIPAD. We work closely with major museums and collectors, and offer services that range from curatorial advisory to collection management, installation design, and conservation.

03/13/2026

. “We’ve Been Expecting You,” 2026. Acrylic on wood panel. 16 1/2 x 11 3/4 in. (41.9 x 29.8 cm).
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We’re excited to include five new works by in Ricco/Maresca’s presentation at the upcoming (March 19 - 22 • Booth B10).
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This painting recasts the clinical ward as a coolly deranged stage set, where nursing becomes a choreography of possession rather than care. The disembodied head, metronomic timepiece, and didactic “Mind” diagram conspire to collapse psychiatry, spiritualism, and domestic ritual into a single, meticulously patterned hallucination, leaving the viewer unsure whether they are witnessing treatment, collusion, or initiation.
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A self-taught painter and psychiatric nurse based in London, Sarah Theresa Lee (b. 1980) conjures domestic interiors that dissolve into unsettling theaters of psychological suspense. Her figures—masked, doubled, or disembodied—hover between mischief and menace, costume and confession. Lee’s motifs accumulate with ritual force, transforming ordinary objects into charged emblems of unease and desire. Drawing on pulp illustration and mid-century horror cinema, she has developed a visual language where the comforts of home slip into surreal ritual and macabre humor. What Big Eyes You Have captures the thrill and dread of looking too closely—paintings that seduce, disturb, and refuse to let the gaze turn away.
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03/07/2026

Thanks to everyone who joined us last Saturday for an unconventional talk led by writer and scholar Matthew Spellberg on the life and work of William Kent. Full recording coming next week.
Today is the last day to see “William Kent (1919 - 2012): Trust the Peeple!”
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02/28/2026

Join us today, Saturday February 28 (4-5pm) for an unconventional talk with writer and scholar Matthew Spellberg. An exploration of the life and work of artist William Kent (1919 - 2012)—at once a passionate American patriot and an otherworldly hermit—who spent fifty years alone in a barn in rural Connecticut producing a vast body of prints and sculptures. Over that half century, Kent articulated—in wood and satin rather than words—a philosophy and a radical politics rooted in a disarming proposition: if we can free manmade objects from man, then they can free us from ourselves.
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02/26/2026

Ricco/Maresca presents The Russi Hive, a new filmed podcast launching on March 5. 🔗 Subscribe everywhere at the link in profile.
Every other week, Alejandra Russi, our Media Director (.Russi), sits down with creators across mediums—and singular minds from unexpected corners—to talk about how ideas arrive, how taste gets trained, how work survives doubt, and what happens in the long middle, when nobody is watching.The set roams throughout the gallery, rebuilding itself each time—an ephemeral architecture—with our exhibitions as a living backdrop. True to Ricco/Maresca’s 40+ year history of championing the overlooked and challenging the usual hierarchies, The Russi Hive follows creativity wherever it shows up: in art, in work, in obsession, and in the way a life is made.
🥂 Special thanks to the teams at for brilliantly bringing the brand identity to life, and to .Music for their luminous interpretation of the podcast’s sonic world.
T-minus 7 days till launch 🚀*�*�*

02/04/2025

Born in Buenos Aires to Italian parents, Domingo Guccione’s journey into art was unconventional and deeply personal. A trained classical guitarist and instructor, Guccione lived much of his life immersed in music rather than the visual arts. Remarkably, despite his color blindness and lack of formal training, he produced an extraordinary series of works characterized by their intricate interplay of geometric forms and restrained palettes. Working privately and describing his process as channeling a “mysterious force,” Guccione created over 200 artworks between 1930 and 1955. He relied solely on graphite, colored pencils, thick paper, and a small wooden straightedge to craft his kaleidoscopic compositions.
“Rhythmic Abstraction” situates Guccione within the larger context of geometric abstraction, a movement that flourished across Latin America during the mid-20th century. While luminaries such as Joaquín Torres-García and the artists of the Madí Group were formalizing the principles of abstraction, Guccione’s private explorations ran parallel, untouched by the conventions of academic discourse or artistic collectives. His work recalls the optimism of modernist architecture, while its labyrinthine complexity suggests a world in flux—evoking the turbulent interwar years and the postwar period, when global shifts in culture, science, and politics inspired new ways of seeing and creating.
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“Domingo Guccione (1898 – 1966): Rhythmic Abstraction” is on view in our Gallery Two space through February 15.
Pictured (all works)
. Untitled, ca. 1930 - 55. Colored pencil and graphite on paper. 25 1/2 x 19 5/8 in. (64.8 x 49.8 cm).
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01/18/2025

Hydeon. “The Bottomless Stairs,” 2024. Gouache on wood panel. 10 x 8 x 2 in. (25.4 x 20.3 x 5.1 cm).
On view through February 1 as part of our current Gallery One exhibition: “Hydeon: Adrift in the Corners of Time.”
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Hydeon (b. 1985) is the professional name of the artist Ian Ferguson. He was born in National City, CA. and grew up in San Diego. He began showing his work in the early 2000s at various art venues across the West Coast. In the years that followed, he moved extensively around the country, eventually settling in 2014 in a tiny apartment in Brooklyn, New York, where he currently lives and works. He has shown widely in the U.S. and has had solo shows in Paris, Berlin, Brescia, and Monte Carlo. The artist’s current practice seamlessly integrates influences spanning ancient civilizations to contemporary and speculative futures, crafting narrative-driven works pulsating with action. Populated by characters and creatures that are both recognizable and mysterious, Hydeon’s work draws inspiration from medieval, baroque, and Victorian art, as well as art brut, age-old myths, video games, and science fiction.
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01/13/2025

. “VR Mission,” 2024. Gouache on wood panel. Work in two parts (total dimensions): 20 x 8 x 2 in. (50.8 x 20.3 x 5.1 cm). On view in our current Gallery One exhibition: “Hydeon: Adrift in the Corners of Time.”
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01/11/2025

. “Aperitivos,” 2024. Gouache on wood panel. 30 x 22 x 2 in. (76.2 x 55.9 x 5.1 cm). On view in our current Gallery One exhibition: “Hydeon: Adrift in the Corners of Time.”
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01/02/2025

“The Mausoleums,” 2024. Gouache on wood panel. 30 x 30 in. (76.2 x 76.2 cm). On view as part of our current Gallery One exhibition “Hydeon: Adrift in the Corners of Time.”
The gallery is now open with regular hours:
Tuesday to Friday: 10:30 AM – 6:00 PM
Saturday: 11:00 AM – 6:00 PM
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(b. 1985) is the professional name of the artist Ian Ferguson. He was born in National City, CA. and grew up in San Diego. He began showing his work in the early 2000s at various art venues across the West Coast. In the years that followed, he moved extensively around the country, eventually settling in 2014 in a tiny apartment in Brooklyn, New York, where he currently lives and works. He has shown widely in the U.S. and has had solo shows in Paris, Berlin, Brescia, and Monte Carlo. The artist’s current practice seamlessly integrates influences spanning ancient civilizations to contemporary and speculative futures, crafting narrative-driven works pulsating with action. Populated by characters and creatures that are both recognizable and mysterious, Hydeon’s work draws inspiration from medieval, baroque, and Victorian art, as well as art brut, age-old myths, video games, and science fiction.
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06/20/2024

Abstract Blocks Variation Quilt. Tennessee (probably African American), ca. 1930-40. Mixed fabrics. 74 x 63 in. (188 x 160 cm).
The images following the front of the quilt are details from the back, which is made up of feed sacks.
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06/16/2024

. Unique Voting Booth Curtain. Midwestern United States, ca. 1920-30. Paint on canvas. 43 1/2 x 29 1/4 in. (110.5 x 74.3 cm).
This amazing object, painted with the colors of the American flag is included in our current Gallery Two exhibition “Coming Attractions Vol. 1.”
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Address

529 W 20th Street, Fl 3rd
New York, NY
10011

Opening Hours

Tuesday	10am - 6pm
Wednesday	10am - 6pm
Thursday	10am - 6pm
Friday	10am - 6pm
Saturday	11am - 6pm

Telephone

(212) 627-4819

Website

http://www.riccomaresca.com/

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