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anonymous gallery anonymous gallery operates in both New York and Mexico City anonymous is a platform for contemporary art, public art, and community involvement.

Since 2008, the gallery has been committed to presenting ambitious projects featuring international emerging, mid-career, and historically significant artists.

Dozie Kanu𝙜𝙧𝙖𝙨𝙨 𝙧𝙤𝙤𝙩𝙨 - 𝙝𝙞𝙣𝙜𝙚𝙨Open Tuesday - Saturday 12-6Cowboy is presented within a purpose built architectural struc...
10/10/2026

Dozie Kanu
𝙜𝙧𝙖𝙨𝙨 𝙧𝙤𝙤𝙩𝙨 - 𝙝𝙞𝙣𝙜𝙚𝙨

Open Tuesday - Saturday 12-6

Cowboy is presented within a purpose built architectural structure alongside sculptural furniture, fabricated hinges, and sound developed by Kanu for the exhibition. Moving between the intimacy of the body, the scale of architecture, and the quiet mechanics of an everyday object, grass roots – hinges brings Kanu’s work with moving image into conversation with his object based practice. The exhibition considers inheritance not only as something received, but as something one eventually has to decide how to carry.

🏗️🛠️

dozie.kanu

Dozie Kanu𝙜𝙧𝙖𝙨𝙨 𝙧𝙤𝙤𝙩𝙨 - 𝙝𝙞𝙣𝙜𝙚𝙨Open Tuesday - Saturday 12-6Through October 31At the center of the exhibition is “Cowboy”,...
10/06/2026

Dozie Kanu
𝙜𝙧𝙖𝙨𝙨 𝙧𝙤𝙤𝙩𝙨 - 𝙝𝙞𝙣𝙜𝙚𝙨

Open Tuesday - Saturday 12-6
Through October 31

At the center of the exhibition is “Cowboy”, a newly produced film with the intimacy and observational quality of documentary. The film follows a young rider competing at the Bill Pickett Invitational Rodeo, founded in 1984 and recognized as the longest running Black rodeo in the United States. Rather than approaching the rodeo simply as spectacle, “Cowboy” remains close to the people through whom its culture continues to live. Competition, preparation, repetition, mentorship, and memory become part of a larger portrait of a tradition sustained through the presence and commitment of those who return to it.The film also features Valeria Howard Cunningham, whose leadership within the rodeo has helped carry its history forward across generations.

Directed by
dozie.kanu


wity a very special thanks to everyone
Bill Pickett Rodeo

&
north of now
Patrick Collins
and many more

🎞️🎬

Dozie Kanu𝙜𝙧𝙖𝙨𝙨 𝙧𝙤𝙤𝙩𝙨 - 𝙝𝙞𝙣𝙜𝙚𝙨September 17 - October 31, 2026𝙜𝙧𝙖𝙨𝙨 𝙧𝙤𝙤𝙩𝙨 - 𝙝𝙞𝙣𝙜𝙚𝙨, an exhibition by Dozie Kanu brings to...
09/29/2026

Dozie Kanu
𝙜𝙧𝙖𝙨𝙨 𝙧𝙤𝙤𝙩𝙨 - 𝙝𝙞𝙣𝙜𝙚𝙨

September 17 - October 31, 2026

𝙜𝙧𝙖𝙨𝙨 𝙧𝙤𝙤𝙩𝙨 - 𝙝𝙞𝙣𝙜𝙚𝙨, an exhibition by Dozie Kanu brings together film, sculpture, furniture, architecture, and sound through his continued interest in cinema and immersive installation.

The exhibition grows from Kanu’s upbringing in Houston, Texas, and his Nigerian heritage, tracing the principles, customs, and forms through which cultural knowledge passes from one generation to another. Here, inheritance is treated not as a fixed possession, but as something to be looked at closely. What is carried forward, what disappears along the way, what remains unquestioned, and what might still need to be pried open….

136 Baxter Street New York, NY

dozie.kanu


- Installation images install shots
- films stills courtesy the artist & anonymous gallery

09/29/2026

Dozie Kanu
𝙜𝙧𝙖𝙨𝙨 𝙧𝙤𝙤𝙩𝙨 - 𝙝𝙞𝙣𝙜𝙚𝙨

September 17 - October 31, 2026

𝙜𝙧𝙖𝙨𝙨 𝙧𝙤𝙤𝙩𝙨 - 𝙝𝙞𝙣𝙜𝙚𝙨, an exhibition by Dozie Kanu brings together film, sculpture, furniture, architecture, and sound through his continued interest in cinema and immersive installation.

The exhibition grows from Kanu’s upbringing in Houston, Texas, and his Nigerian heritage, tracing the principles, customs, and forms through which cultural knowledge passes from one generation to another. Here, inheritance is treated not as a fixed possession, but as something to be looked at closely. What is carried forward, what disappears along the way, what remains unquestioned, and what might still need to be pried open…

136 Baxter Street New York, NY

dozie.kanu

fall + winter exhibitions nyc Dozie Kanugrass roots - hingesSeptember 17 - October 31, 2026Opening: September 17, 6-8 PM...
09/17/2026

fall + winter exhibitions nyc

Dozie Kanu
grass roots - hinges
September 17 - October 31, 2026
Opening: September 17, 6-8 PM
136 Baxter Street New York, NY
dozie.kanu


🛠️

Débora Delmar
CONSIGNMENT
November 6 - December 19, 2026
Opening: November 6
136 Baxter Street New York, NY


cc LLANO & Hans Goodrich ✌️

anonymous is thrilled to announce the Studio Museum in Harlem acquisition of works by E. Jane glorious_nobodies, - origi...
09/14/2026

anonymous is thrilled to announce the Studio Museum in Harlem acquisition of works by E. Jane glorious_nobodies, - originally exhibited as part of ‘Cryptid or let the body be’ @ anonymous

E. Jane
For Aaliyah (I hope your spirit is free now), 2023
Digital inkjet print
20.4 x 14.75 in
51.8 x 37.46 cm
Ed 2 / 1 AP

E. Jane
Skinny Dipping II, 2022
Digital inkjet print
15.25 x 22.5 in
38.7 x 57.15 cm
Ed 2 / 1 AP




💜💜

Dozie Kanugrass roots - hingesSeptember 17 - October 31, 2026Opening: September 17, 6-8 PM136 Baxter Street New York, NY...
09/03/2026

Dozie Kanu

grass roots - hinges

September 17 - October 31, 2026
Opening: September 17, 6-8 PM

136 Baxter Street New York, NY

dozie.kanu


🐎

𝕋𝕣𝕒𝕔𝕖 N. Dash, Mitchell Kehe, Lotus Kang, Grant Mooney, Iris Touliatou, and Minh Lan Tran closing this week Aug 7 -  by ...
08/05/2026

𝕋𝕣𝕒𝕔𝕖

N. Dash, Mitchell Kehe, Lotus Kang, Grant Mooney, Iris Touliatou, and Minh Lan Tran

closing this week Aug 7 - by appointment thereafter

Artist spotlight 💡 Lotus Kang

LOTUS KANG
Tract XLVII, 2026
Cast bronze kelp knots, silk, metallic twist ties, nylon and hardware
96 in
243.8 cm

Within Kang’s practice the boundaries of the self are harder to locate. Like her hatchlings, which hover between states, it is neither totally dissolved or concretely defined. Instead, the artist, the work and in turn the viewer, is implicated in a continual process of always becoming. Unfolding from feminist and decolonial theory, East Asian spiritual practices, Chinese medicine, and poetry, Kang’s understanding of the self — how it is formed, what it holds, where it can go — is in perpetual movement. Like glittering mercury, it continues to move between states, absorbing, reflecting, reshaping itself.

- text excerpt from for Flash Art

Lotus’s work is currently on exhibit anonymousgallery ; the Bvlgari pavilion La Biennale di Venezia ; Mendes Wood DM in Germantown, NY; and a solo Frye Art Museum in Seattle


trace

𝕋𝕣𝕒𝕔𝕖 N. Dash, Mitchell Kehe, Lotus Kang, Grant Mooney, Iris Touliatou, and Minh Lan Tran Artist spotlight 💡 Mitchell Ke...
07/30/2026

𝕋𝕣𝕒𝕔𝕖

N. Dash, Mitchell Kehe, Lotus Kang, Grant Mooney, Iris Touliatou, and Minh Lan Tran

Artist spotlight 💡 Mitchell Kehe

MITCHELL KEHE
Untitled, 2026
Acrylic, oil and colored pencil on canvas 
28 x 32 in
71.1 x 81.3 cm

Kehe works with a mix of traditional and unconventional materials—synthetic fabrics, metallic enamel, acrylic, oil paint, flocking and collage. Flat objects are arranged on the surface, and some elements are salvaged fragments from previously discarded works, now recontextualized and grafted into new compositions. Displaced from their original contexts, these materials form a visual language of protean potential, repetition, and accumulation. The surfaces, often with a preexisting texture and color, frequently stretched and unstretched, show visible signs of wear and tear. These conditions embed the compositions in the world differently—both as objects shaped by a life and a record of their own making.

- text excerpt by Jennifer T***s

currently anonymousgallery


tx 15 Orient

𝕋𝕣𝕒𝕔𝕖 N. Dash, Mitchell Kehe, Lotus Kang, Grant Mooney, Iris Touliatou, and Minh Lan Tran Artist spotlight 💡 lilxl    GR...
07/28/2026

𝕋𝕣𝕒𝕔𝕖

N. Dash, Mitchell Kehe, Lotus Kang, Grant Mooney, Iris Touliatou, and Minh Lan Tran

Artist spotlight 💡 lilxl

GRANT MOONEY
deisal c. i,ii, 2024
Rotary motor, steel, glass, polyurethane, iron, water
10 x 80 x 12 in each
25.4 x 203.2 x 30.5 cm each

Deisal c. i,ii features two distinct compositions consisting of rotary motors, steel, glass, polyurethane, and iron. Instead of functioning as whirling engines emblematic of the 20th century’s increased mechanization, they rest atop still pools of water (*now glass), which gestures toward the role of calcium carbonate in aquaculture—a supplement in freshwater bodies that creates ideal living conditions. The sculpture becomes a hosting hub to cultivate organic energy, rather than an industrial converter of fuel to motion. via Laurel V. McLaughlin for Sculpture magazine / International Sculpture Center

GRANT MOONEY
Cation c. (vii), 2024
Electroplated steel, silver, brass, neodymium
8.5 12.5 x 2 in
21.6 x 31.8 x 5.1 cm

Drawing on techniques from metalsmithing and jewelry, including electroplating, bronze and silver casting, and the use of cuttlebone molds, Mooney foregrounds the physical processes that produce each object, often preserving casting residues, surface imprints, oxidation, and structural traces rather than concealing them. Steel, bronze, silver, glass, water, polymers, and mineral compounds are brought into configurations that respond to temperature, gravity, light, magnetism, and chemical change, allowing material behavior to remain active, positioning sculpture as an evolving field of interactions between objects, bodies, and the environments they inhabit.

Grant Mooney’s work is currently on view anonymousgallery and Kiang Malingue
New York through August 7 and MUSEUM ABTEIBERG through September 20.



tx Miguel Abreu Gallery

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136 Baxter Street
New York, NY
10013

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