anonymous gallery

anonymous gallery anonymous gallery operates in both New York and Mexico City anonymous is a platform for contemporary art, public art, and community involvement.

Since 2008, the gallery has been committed to presenting ambitious projects featuring international emerging, mid-career, and historically significant artists.

a MUST ‼️  Emma cc Cook Acre Eaters May 16, 2024 - June 22, 2024136 Baxter Street, New York 🚩 🔥
05/21/2024

a MUST ‼️

Emma cc Cook
Acre Eaters

May 16, 2024 - June 22, 2024

136 Baxter Street, New York

🚩 🔥

EMMA CC COOKACRE EATERS May 16, 2024 - June 22, 2024Opening May 16, 6-8 pm136 Baxter Street, New York 🖤
05/15/2024

EMMA CC COOK
ACRE EATERS

May 16, 2024 - June 22, 2024
Opening May 16, 6-8 pm

136 Baxter Street, New York



🖤

Cristine BracheAlexandru Chira Puppies Puppies (Jade Guanaro Kuriki-Olivo) Elliot Reed Cédric Rivrain Frances Stark Not ...
05/13/2024

Cristine Brache
Alexandru Chira
Puppies Puppies (Jade Guanaro Kuriki-Olivo)
Elliot Reed
Cédric Rivrain
Frances Stark

Not merely a personal journey but a political landscape, corporeal existence in the 21st century is marked by intersecting forces of power, privilege, and oppression. Through different mediums and techniques, the artists shared preoccupation with the political role of bodily self-hood, reminding us to relate to our own bodies as entities of societal significance, history, and legacy.








anonymous w/
C. Gobernador Ignacio Esteva 44, San Miguel
Chapultepec / anonymousgallery.com

additionally open through June 1 in CDMX: a collaborative group exhibition between  &  Featuring 🌟 :Cristine Brache  Ale...
05/08/2024

additionally open through June 1 in CDMX:

a collaborative group exhibition between &

Featuring 🌟 :

Cristine Brache
Alexandru Chira
Puppies Puppies (Jade Guanaro Kuriki-Olivo)
Elliot Reed
Cédric Rivrain
Frances Stark

anonymous
C. Gobernador Ignacio Esteva 44, San Miguel
Chapultepec / anonymousgallery.com

𝓛𝓾𝔁𝓾𝓻𝔂 𝓲𝓼 𝓹𝓮𝓻𝓼𝓸𝓷𝓪𝓵   &  open:Wednesday - Friday 12-6Saturday 12-4C. Gobernador Ignacio Esteva 44, San Miguel, CDMX, Méxi...
05/03/2024

𝓛𝓾𝔁𝓾𝓻𝔂 𝓲𝓼 𝓹𝓮𝓻𝓼𝓸𝓷𝓪𝓵
&

open:
Wednesday - Friday 12-6
Saturday 12-4
C. Gobernador Ignacio Esteva 44, San Miguel, CDMX, México

project space mx
art

Images:

Martine Syms
Do you have any film posters of ... BLACK MOVIES? He understands, 2021
Plastic, tape, glue, paper, indigo prints with adhesive backing
33 ¼ × 24 ¾ × 1 ½ in
84.46 × 62.87 × 3.81 cm (framed)
Courtesy of the artist and Bridget Donahue, New York
Photo by Caylon Hackwith

&

Martine Syms
Luxury is personal , 2021
Paper, staples, plastic, ink, glue, indigo prints with adhesive backing
33 ⅛ × 24 ¾ × 1 ½ in
84.14 × 62.87 × 3.81 cm (framed)
Courtesy of the artist and Bridget Donahue, New York
Photo by Caylon Hackwith

&

Arlette
Couch, 2024
Bronze
95 x 150 x 75 cm
37 3⁄8 x 59 x 29 1⁄2 in
Courtesy of the artist and Rose Easton, London
Photo by Caylon Hackwith

🙏
✌️

anonymous’s project space in Mexico City, with Relaciones Públicas .art, is hosting Rose Easton  for . Together we organ...
04/30/2024

anonymous’s project space in Mexico City, with Relaciones Públicas .art, is hosting Rose Easton for . Together we organized

𝓛𝓾𝔁𝓾𝓻𝔂 𝓲𝓼 𝓹𝓮𝓻𝓼𝓸𝓷𝓪𝓵 🎩
Arlette & Martine Syms

through May 16
open:
Wednesday - Friday 12-6
Saturday 12-4
C. Gobernador Ignacio Esteva 44, San Miguel, CDMX, México

Images:

Martine Syms
Muva Gaia, 2021
Tape, paper
32.25 × 23.5 in. (81.92 × 59.69 cm)
33.125 × 24.75 × 1.5 in. (84.14 × 62.87 × 3.81 cm) (framed)
Courtesy of the artist and Bridget Donahue, New York
Photo by Caylon Hackwith

&

Arlette
Couch, 2024
Bronze
95 x 150 x 75 cm
37 3⁄8 x 59 x 29 1⁄2 in
Courtesy of the artist and Rose Easton, London
Photo by Caylon Hackwith

💎
💎

𝙅𝙖𝙢𝙖𝙞𝙨 𝙑𝙪Michael AbelMyles GableAntonio DeLarosa Gallegosthrough May 11Images:Myles Gable Untitled, 2023Oil on canvas16 ...
04/25/2024

𝙅𝙖𝙢𝙖𝙞𝙨 𝙑𝙪

Michael Abel
Myles Gable
Antonio DeLarosa Gallegos

through May 11

Images:

Myles Gable 
Untitled, 2023
Oil on canvas
16 x 20 in 
40 x 50.8 in

Myles Gable 
Face, 2023
Oil on canvas
16 x 20 in 
40 x 50.8 cm



136 Baxter Street New York

🏠

𝙅𝙖𝙢𝙖𝙞𝙨 𝙑𝙪MICHAEL ABELMYLES GABELANTONIO DELAROSA GALLEGOS curated by  Dates  April 5, 2024 - May 11, 2024Opening  April ...
04/02/2024

𝙅𝙖𝙢𝙖𝙞𝙨 𝙑𝙪

MICHAEL ABEL
MYLES GABEL
ANTONIO DELAROSA GALLEGOS

curated by

Dates  April 5, 2024 - May 11, 2024
Opening  April 5, 2024 6-8 pm
Location  136 Baxter Street New York, NY 10013


save the date  is delighted to host  as part of Condo  Mexico City 2024anonymousC. Gobernador Ignacio Esteva 44/ San Mig...
03/22/2024

save the date

is delighted to host as part of Condo Mexico City 2024

anonymous
C. Gobernador Ignacio Esteva 44/ San Miguel
Chapultepec/ anonymousgallery.com
hosting Fitzpatrick Gallery, Paris

Opening April 11, our galleries will present a collaborative group exhibition featuring:

Cristine Brache
Alexandru Chira
Puppies Puppies (Jade Guanaro Kuriki-Olivo)
Elliot Reed
Cédric Rivrain
Frances Stark

Condo CDMX 2024 is a collaborative exhibition by 40 international galleries across 20 spaces in Mexico City

Image 2:

Alexandru Chira
Icon for the Sower, 2002
Signed and dated
Oil, pencil and cornflour on canvas
108 x 67 cm
42 1/2 x 26 3/8 in



MIKOLAJ KASPRZYKTalking March 8, 2024 - March 30, 2024Opening  March 8, 6-8 pm136 Baxter Street, New York
03/04/2024

MIKOLAJ KASPRZYK

Talking
 
March 8, 2024 - March 30, 2024
Opening  March 8, 6-8 pm

136 Baxter Street, New York

join us this Saturday March 2, for a special edition, collaborative book release from David Lindsay and Maria VMier w/ N...
02/29/2024

join us this Saturday March 2, for a special edition, collaborative book release from David Lindsay and Maria VMier
w/ New York Board of Taste
published by N.Y.B.O.T x aP (anonymous publishing)

book signing, libations
3-5 pm, Saturday March 2

readings at 4 pm



Photo




📖 📕

May 30 - June 1 .space.new.york 🎫 🎟️ Elliot Reed Laboratories  presents a dance where linguistic expression, and introsp...
02/29/2024

May 30 - June 1 .space.new.york 🎫 🎟️ Elliot Reed Laboratories presents a dance where linguistic expression, and introspection converge. In this solo performance, Reed assumes the role of a storyteller, producing a world of inner and outer dialogues in search of freedom. Reed considers the dynamics of consumption, spectatorship, and the sublimation of self through this offering, engaging in a thought-provoking exploration of both the individual and the audience.

Keith Haring Theatre
May 30 - 31, June 1 | 7pm
Tickets .space.new.york



Akasha finds its origins in ancient Eastern philosophies, notably in Hinduism, where it is considered one of the Pancha ...
02/09/2024

Akasha finds its origins in ancient Eastern philosophies, notably in Hinduism, where it is considered one of the Pancha Mahabhutas, or five elements. The Rigveda, an ancient Indian scripture, describes Akasha as the primordial substance from which all creation emanates. Beyond Hinduism, Akasha is acknowledged in Buddhism and Jainism, each tradition providing unique perspectives on its role in the cosmic order. In Buddhist teachings, Akasha is intertwined with formlessness and the interconnected nature of all phenomena, while Jain philosophy recognizes it as one of the eternal substances shaping the universe.

David Lindsay
Maria VMier

January 23, 2024 - March 2, 2024

136 Baxter St, NY





The Akashic Records are a compendium of all life’s experiences ever to have occurred in the past, present, or future. Ak...
02/07/2024

The Akashic Records are a compendium of all life’s experiences ever to have occurred in the past, present, or future. Akasha is revered as a bridge between the material and spiritual realms. It’s believed to be a metaphysical library that contains the collective knowledge, experiences, and memories of all beings throughout time. It is often mentioned in conjunction with the four elements, comprising earth, air, fire, and water. Rooted in diverse spiritual traditions, Akasha represents the fifth element, a cosmic and ethereal substance that interconnects all aspects of the universe.

David Lindsay
Maria VMier

January 23, 2024 - March 2, 2024

136 Baxter St, NY




Installation images .art


Equis, I Griega, Zeta (mx) public reception: February 9, 6-9 pm@ Ignacio Esteva 44, San Miguel Chapultepec, CDMX——————We...
02/05/2024

Equis, I Griega, Zeta (mx)
public reception: February 9, 6-9 pm
@ Ignacio Esteva 44, San Miguel Chapultepec, CDMX

——————

Wendy Cabrera Rubio
Miguel Calderón
Tomás Díaz Cedeño
Samuel Guerrero
Adriana Lara
Berenice Olmedo
José Luis Sánchez Rull

image: installation 🐾 & .olmedo 🫧

cortesía y 🙏

,

💚🕊️🩸

Equis, I Griega, Zeta (mx) public reception: February 9, 6-9 pm@ Ignacio Esteva 44, San Miguel Chapultepec, CDMX——————We...
02/01/2024

Equis, I Griega, Zeta (mx)
public reception: February 9, 6-9 pm
@ Ignacio Esteva 44, San Miguel Chapultepec, CDMX

——————

Wendy Cabrera Rubio
Miguel Calderón
Tomás Díaz Cedeño
Samuel Guerrero
Adriana Lara
Berenice Olmedo
José Luis Sánchez Rull

image: installation &

,

gracias y

🫑🦷💋

Equis, I Griega, Zeta (mx) - open today @ Ignacio Esteva 44, San Miguel Chapultepec, CDMX Piso 3 | buzz 2 # images onlin...
01/27/2024

Equis, I Griega, Zeta (mx) - open today @ Ignacio Esteva 44, San Miguel Chapultepec, CDMX
Piso 3 | buzz 2 #

images online @ anonymousgallery.com
courtesy of

image featuring work from 🌞 & 🎨



Equis, I Griega, Zeta (mx) - abierto hoy @ Ignacio Esteva 44, San Miguel Chapultepec, CDMX
Piso 3 | Timbre 2 #

imágenes en línea @ anonymousgallery.com
cortesía de

🌞 🎨

WENDY CABRERA RUBIO (con)
Manuela García y la C.A.S.A.
Danza al sol, desde el
serie El que quiera comer,
déjalos trabajar, 2022
Fieltro de lana natural sobre henequén.
118 x 55 in
300 x 140 cm

&

ADRIANA LARA
Sin título (Paleta del pintor), 2022
madera
51 x 67 in
130 x 170 cm

Congrats to the many artists that will be exhibiting at the upcoming  biennial.We are proud that gallery exhibitions and...
01/26/2024

Congrats to the many artists that will be exhibiting at the upcoming biennial.

We are proud that gallery exhibitions and projects have featured 7 of the artists included; while several others will be part of upcoming exhibitions in 2024 and 2025.

Images:


j.fan





🫶🫶🫶🫶🫶🫶🫶

Whitney Biennial 2024: Even Better Than the Real Thing - opening March 20, organized by Chrissie Iles and , with and

👏

David LindsayMaria VMierOpening: January 23, 6-8 pmJanuary 23, 2024 - March 2, 2024136 Baxter St, NY
01/18/2024

David Lindsay
Maria VMier

Opening: January 23, 6-8 pm
January 23, 2024 - March 2, 2024

136 Baxter St, NY





happy holidays from anonymous ❄️😘Gallery closed Dec 22 - January 6Elliot Reed’s exhibition will remain installed in New ...
12/22/2023

happy holidays from anonymous ❄️😘

Gallery closed Dec 22 - January 6

Elliot Reed’s exhibition will remain installed in New York through December 30, and viewable by appointment.
Contact: [email protected]

Image:
Elliot Reed
Kiss (JUST1), 2023
Blood and glass on maple plywood
24 x 36 inches
60.96 x 91.44 cm

💋🎁

Elliot Reed’s ‘Union’ thoughtfully and deliberately covered by  for Thank you to all involved 🤝 🔗 link in bio & news @ a...
12/12/2023

Elliot Reed’s ‘Union’ thoughtfully and deliberately covered by for

Thank you to all involved 🤝
🔗 link in bio & news @ anonymousgallery.com

🌟



day 1 ✔️   🐰🌴 Image:Cristine BracheThe Pageant, 2023oil, ink, and encaustic on silk and wood31.5 x 37.25 in80 x 94.62 cm
12/06/2023

day 1 ✔️ 🐰🌴

Image:

Cristine Brache
The Pageant, 2023
oil, ink, and encaustic on silk and wood
31.5 x 37.25 in
80 x 94.62 cm

anonymous is excited to be presenting a solo booth by   featuring new works on  oil, ink, and encaustic on silk and wood...
11/29/2023

anonymous is excited to be presenting a solo booth by featuring new works on oil, ink, and encaustic on silk and wood

Dec 5-9 | Booth E-206

𝘐𝘵’𝘴 𝘩𝘦𝘳𝘦, 𝘦𝘷𝘦𝘳𝘺𝘵𝘩𝘪𝘯𝘨 -
𝘌𝘷𝘦𝘳𝘺𝘵𝘩𝘪𝘯𝘨 𝘢𝘯𝘺𝘰𝘯𝘦 𝘦𝘷𝘦𝘳
𝘋𝘳𝘦𝘢𝘮𝘦𝘥 𝘰𝘧, 𝘢𝘯𝘥 𝘮𝘰𝘳𝘦.
𝘉𝘶𝘵 𝘭𝘰𝘷𝘦 𝘪𝘴 𝘭𝘰𝘴𝘵:

𝘛𝘩𝘦 𝘰𝘯𝘭𝘺 𝘴𝘢𝘤𝘳𝘪𝘧𝘪𝘤𝘦
𝘛𝘰 𝘭𝘪𝘷𝘦 𝘪𝘯 𝘵𝘩𝘪𝘴 𝘩𝘦𝘢𝘷𝘦𝘯,
𝘛𝘩𝘪𝘴 𝘋𝘪𝘴𝘯𝘦𝘺𝘭𝘢𝘯𝘥
𝘞𝘩𝘦𝘳𝘦 𝘱𝘦𝘰𝘱𝘭𝘦 𝘢𝘳𝘦 𝘵𝘩𝘦 𝘨𝘢𝘮𝘦𝘴.

—Los Angeles, August 1979. Written after Dorothy Stratten’s introduction to Hollywood life.

image:

Cristine Brache
Les Demoiselles d’Avignon (Bunny Edition), 2023
oil, ink, and encaustic on silk and wood
14.5 x 12 in
36.8 x 30.48 cm

Thankful for    Thankful for  acknowledging  Thankful for the opportunity to provide a platform where artists and variou...
11/23/2023

Thankful for


Thankful for acknowledging

Thankful for the opportunity to provide a platform where artists and various communities can express opinions that may not always look alike. Where hopefully people can imagine a better world, and freely critique society and one another. ✌️ 🦃

In my studio, I’m triangulating a visual link between post-minimalist art and writing, process composition, and a lived ...
11/21/2023

In my studio, I’m triangulating a visual link between post-minimalist art and writing, process composition, and a lived q***r and Black performance tradition. What if the work of artists such as George Lewis, Susan Howe, Anthony Braxton, Félix González-Torres, and Yvonne Rainer could be viewed as pre-emptive resistance to digital censorship? Predictive digital technologies profit by assuming the behavior of users and anticipating their next choices. By working within self-imposed confines of form and process, I feel we can envision a resistance to over-simplified corporate storytelling. Specifically, Yvonne’s work surrounding gesture and “liveness” is a north star to me as I feel she managed to negate the performance of virtuosity and literal personhood, focusing on pedestrian movements eschewing identifiable narrative. Is this a successful protest of the dancer performed from within the stage? In what other ways can the artist talk about their craft while also remaining critical of it? I will never not be a part of my body but its my job to question how it exists within the world, and not just receive the labels attached to it. This is not randomness, this is an embodied refusal…

-



* gallery closed
Thurs 11/23 + Fri 11/24
🦃

*Mining my conceptual difficulties with live performance as tools for making more work, I’m interested in how the body o...
11/14/2023

*Mining my conceptual difficulties with live performance as tools for making more work, I’m interested in how the body of the performer becomes a consumable object on stage. A type of aesthetic cannibalism if you will. Unfortunately, violence against Blacks, q***rs, and other minorities has progressed beyond the world of simple physical or socially motivated violence into something much more sinister. News articles, blog posts, and videos can forever attach the victims of violent crimes to the motives of the attacker. The body of the victim has been acted upon, absorbing a hypertext composed by public opinion. Is there anyway to avoid this? How do we cultivate and maintain our anonymity?


🖤


Union
through Dec 30

Elliot ReedUnionNovember 2 - December 30images online @ anonymousgallery.com 🖥️ “Performance is not just something you “...
11/09/2023

Elliot Reed
Union
November 2 - December 30
images online @ anonymousgallery.com 🖥️

“Performance is not just something you “do.” For any body that exists in a public, performance can happen TO you as well. The gaze, desires, and interpolations of the other become tangible material. The eyes are the window to the soul. I’m boarding up the house.*


🤍

Elliot ReedUNIONNovember 2 - December 30opening: November 2, 6-8 pm
10/30/2023

Elliot Reed
UNION
November 2 - December 30
opening: November 2, 6-8 pm

10.26 in collaboration w/  - an evening of readings in correspondence with artist Vito Acconci — the author of Storefron...
10/25/2023

10.26 in collaboration w/ - an evening of readings in correspondence with artist Vito Acconci — the author of Storefront’s iconic facade with architect Steven Holl— by , and .

The event is organized by on the occasion of anonymous gallery’s exhibition: Vito Acconci – Here, There ., on view through October 28

Thursday, 10.26
6 pm
97 Kenmare street, NYC






Acconci’s performances, early work with video and technology, and later his public activities and architecture with Acco...
10/10/2023

Acconci’s performances, early work with video and technology, and later his public activities and architecture with Acconci Studio, continued to process language as a means to explore the boundaries between themes of intimacy, power dynamics, and the relationship between individuals and their surroundings. Acconci’s exploration of the body, space, and systems of communication, has left a lasting impact on the world of contemporary art and continues to influence artists and thinkers today.

Throughout the exhibition, please check http://anonymousgallery.com/exhibition/vito-acconci and instagram for updates on related programming associated with the show.


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New York, NY
10013

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