Ceres Gallery

10/13/2026

10/13/2026

In Taming Chaos, presents a body of work that examines the tension between disorder and structure, unpredictability and intention. Responding to a world that can feel increasingly chaotic and overwhelming, the series considers how moments of balance and
clarity can emerge even when the forces surrounding us cannot be fully controlled. Each work begins with the deliberate creation of disorder on the panel —through spontaneous marks, unruly colors, paint, and forms that resist containment. Over time, this approach led the artist to incorporate alcohol inks, whose luminous fluidity and unpredictable movement offered another way to generate and engage with chaos. Sometimes the inks initiate the composition; at other times, they enter later, spreading, merging, and shifting among existing marks and layers. Rather than beginning with a predetermined composition, Greenwald responds to what unfolds, creating a visual conversation between accident and intention, impulse and restraint,
chaos and order. As each piece develops, the artist introduces lines, shapes, and patterns that direct the eye, anchor the composition, and create rhythm. The original chaos remains visible beneath the surface, while each additional intervention becomes an expression of agency. Although what has already occurred cannot be undone or entirely controlled, it can be shaped, answered, and
brought into a state of provisional balance. The works do not attempt to erase or suppress disorder. Instead, they preserve its vitality while transforming it into something intentional and resonant. In this sense, Taming Chaos reflects the way people navigate uncertainty in their own lives: accepting what lies beyond their control
while recognizing their capacity to choose, respond, and create meaning. Each completed work offers not a perfect resolution, but a moment of balance —a reminder that even when chaos remains beneath the surface, human agency can bring structure,
meaning, and beauty to what emerges.

10/11/2026

In Taming Chaos, Judith Greenwald presents a body of work that examines the tension between disorder and structure, unpredictability and intention. Responding to a world that can feel increasingly chaotic and overwhelming, the series considers how moments of balance and clarity can emerge even when the forces surrounding us cannot be fully controlled
Each work begins with the deliberate creation of disorder on the panel —through spontaneous marks, unruly colors, paint, and forms that resist containment. Over time, this approach led the artist to incorporate alcohol inks, whose luminous fluidity and unpredictable movement offered another way to generate and engage with chaos. Sometimes the inks initiate the composition; at other times, they enter later, spreading, merging, and shifting among existing marks and layers. Rather than beginning with a predetermined composition, Greenwald responds to what unfolds, creating a visual conversation between accident and intention, impulse and restraint, chaos and order…

10/11/2026

MIGRATIONS: Soul Memories • Neomythist Prophecies by Rae Broyles As artificial intelligence reshapes how we create, remember, and imagine the future, MIGRATIONS: Soul Memories • Neomythist Prophecies asks a simple question: What parts of our humanity must never be forgotten? The exhibition combines painting, photography, sculpture, installation,
poetry, video, and AI-generated imagery to explore memory, identity, and the relationship between human creativity and artificial intelligence.
Inspired by the landscapes of northern Norway and informed by the philosophies and cultural history of the Sámi people, the exhibition reflects on how cultural memory endures as technology transforms the ways we
create, communicate, and preserve knowledge. Rather than looking backward, MIGRATIONS asks how humanity’s oldest wisdom might help
guide its newest technologies…

10/07/2026

MIGRATIONS: Soul Memories • Neomythist Prophecies by Rae Broyles
As artificial intelligence reshapes how we create, remember, and imagine
the future, MIGRATIONS: Soul Memories • Neomythist Prophecies asks a simple question: What parts of our humanity must never be forgotten? The exhibition combines painting, photography, sculpture, installation,
poetry, video, and AI-generated imagery to explore memory, identity, and the relationship between human creativity and artificial intelligence.
Inspired by the landscapes of northern Norway and informed by the philosophies and cultural history of the Sámi people, the exhibition reflects on how cultural memory endures as technology transforms the ways we
create, communicate, and preserve knowledge. Rather than looking backward, MIGRATIONS asks how humanity’s oldest wisdom might help
guide its newest technologies…

10/07/2026

In Taming Chaos, Judith Greenwald presents a body of work that examines the tension between disorder and structure, unpredictability and intention. Responding to a world that can feel increasingly chaotic and overwhelming, the series considers how moments of balance and clarity can emerge even when the forces surrounding us cannot be fully controlled.
Each work begins with the deliberate creation of disorder on the panel —through spontaneous marks, unruly colors, paint, and forms that resist containment. Over time, this approach led the artist to incorporate alcohol inks, whose luminous fluidity and unpredictable movement offered another way to generate and engage with chaos. Sometimes the inks initiate the composition; at other times, they enter later, spreading, merging, and shifting among existing marks and layers. Rather than beginning with a predetermined composition, Greenwald responds to what unfolds, creating a visual conversation between accident and intention, impulse and restraint, chaos and order…

09/21/2026

“I want my work to serve as a witness to the fragility of our environment and the bravery of those who fight to protect our essential and natural world”, says Seavers. “I want to balance the aesthetic beauty of the landscape with the urgent, often painful realities of its degradation.” Jane Seavers at Ceres Gallery through Oct 3rd. Jane Seavers