Tina Kim Gallery

Tina Kim Gallery Tina Kim Gallery also works closely with Vintage20, a private dealer specializing in mid-century and modern furniture and design.
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Tina Kim Gallery, founded by Tina Kim, is affiliated with Kukje Gallery in Seoul, Korea and regularly collaborates on organizing exhibitions by internationally renowned artists and introducing emerging Korean artists to an international audience. For information about Tina Kim, follow the gallery on Twitter, Instagram, and Tumblr to stay updated on the latest news regarding Tina Kim and contempora

ry art:

Tina Kim Gallery on Twitter: https://twitter.com/TinaKimGallery
Tina Kim Gallery on Instagram: http://instagram.com/tinakimgallery/ #
Tina Kim Gallery on Tumblr: http://tinakimgallery.tumblr.com/

  • “Pacita Abad: Underwater Wilderness” June 27–August 16, 2024Featuring eight monumental trapuntos, a form of textile-...
06/18/2024

• “Pacita Abad: Underwater Wilderness” June 27–August 16, 2024

Featuring eight monumental trapuntos, a form of textile-painting that Pacita Abad ( )pioneered, this exhibition offers a focused selection of significant work inspired by the late Filipina-American artist’s fantastical experiences scuba diving in the Philippines. The whimsical paintings originally debuted as an immersive installation in 1986 at the Ayala Museum in Manila, and will be reunited in New York for the first time since their 1987 display at the Philippine Center. 

Join us for the opening reception on Thursday, June 27, 6–8pm.

🔗Tap the link in our bio to learn more about the exhibition.




Shown here:
1-3. Pacita Abad (1946-2004)
Hundred Islands, 1989
Oil, acrylic, glitter, gold thread, buttons, lace, sequins on stitched and padded canvas
79 x 118 in
200.7 x 299.7 cm
4-6. Pacita Abad (1946-2004)
Dumaguete's Underwater Garden, 1987
Oil, acrylic, glitter, gold thread, buttons, lace, sequins on stitched and padded canvas
85 1/4 x 118 in
216.5 x 299.7 cm

Image courtesy of Pacita Abad Art Estate and Tina Kim Gallery. Photo: Hyunjung Rhee

Minouk Lim’s installation “Currahee-Stand Alone” is composed of 33 abstract paintings brimming with gestural brushwork. ...
06/14/2024

Minouk Lim’s installation “Currahee-Stand Alone” is composed of 33 abstract paintings brimming with gestural brushwork. Instead of canvas, the works are created out of military blankets, evoking the historic losses, ruptures, and repressed traumas from to the Korean War. The installation was originally showcased in the Demilitarized Zone of Gyeonggi-do, the region separating North and South Korea, where it was suspended from a ceiling like a row of flags as part of the 2023 group exhibition “DMZ Exhibition: Checkpoint.” Selections from the series are featured at in Booth P22 as part of Tina Kim’s Gallery’s inaugural presentation at the art fair.

This year, Lim was honored as a recipient of the Asia Arts Game Changer Award 2024. Her work is featured in “The Shape of Time: Korean Art after 1989,” a group exhibition now on view at the Minneapolis Institute of Art through June 23.

Art Basel | Basel ( )
June 13–16, 2024

#임민욱

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Shown here:
1-3. Installation view of Minouk Lim, Currahee- Stand Alone, 2023 at DMZ Exhibition: Checkpoint. Photo by Inah Ahn, Courtesy of the artist and DMZ.
4-5. Currahee - Stand Alone NO.28, 2023
Acrylic, spray, pastel on military blanket
6-7. Oga-ri echo, 2023
Acrylic on military blanket
Photo by Hyunjung Rhee

In our debut booth at  , we are presenting a focused exhibition on women artists who use unconventional materials, some ...
06/13/2024

In our debut booth at , we are presenting a focused exhibition on women artists who use unconventional materials, some often associated with women artisans and consequently misrepresented as inferior to fine art, to urgently respond to our contemporary moment. A pioneer in fiber art in Korea, Lee ShinJa is responsible for elevating public perceptions of textiles and tapestries out of the gendered realm of craft. Meanwhile, Suki Seokyeong Kang considers the labor of Korean craftswomen and the limited space they are afforded in society.

Visit us at Booth P22 to see works by groundbreaking artists:








Tina Kim Gallery is pleased to be participating in the Galleries section of   for the first time, with a VIP preview tod...
06/10/2024

Tina Kim Gallery is pleased to be participating in the Galleries section of for the first time, with a VIP preview today from 4PM – 8PM.

This debut presentation focuses on women artists who weave and infuse unconventional materials into their practices to viscerally and urgently respond to marginalization and catastrophe on a global and personal scale. The booth will feature works by , , , , , and , among others—an intergenerational group of Asian and Asian diasporic artists. Their practices span the feminine, the domestic, and the erotic, offering moments of catharsis, remembrance, and empathy in times of crisis and broader social dystopia.

We hope to see you at the fair! Our Art Basel exhibition is also available through the fair’s .




Installation view of Tina Kim Gallery | Booth P22 at Art Basel Basel (June 10–16, 2024). Courtesy of Tina Kim Gallery. Photo by Sebastiano Pellion di Persano.

Leading up to her presentation in the Tate Modern ()’s Turbine Hall, Mire Lee will be in conversation with the museum’s ...
06/08/2024

Leading up to her presentation in the Tate Modern ()’s Turbine Hall, Mire Lee will be in conversation with the museum’s Curator Alvin Li (.jiahuan.li) at . Moderated by Mohamed Almusibli (.rtf), the director and curator of Kunsthalle Basel, they will discuss the visions, philosophies, and technologies behind Lee’s large-scale kinetic sculptures and installations. In this in-depth conversation, Lee will reflect on her points of departure, the resonance of her works in today’s global art ecosystem, and what we might see in London this Fall. The event is free and open to the public, and will take place on Wednesday, June 12th, at 3pm.

Lee’s works will also be on view at the Tina Kim Gallery booth P22 at Art Basel.

🔗Tap the link in our bio to learn more about the event.

Tina Kim Gallery is delighted to announce its representation of Lee ShinJa, a pioneering first-generation Korean fiber a...
06/05/2024

Tina Kim Gallery is delighted to announce its representation of Lee ShinJa, a pioneering first-generation Korean fiber artist. She will debut with the gallery at Art Basel later this month, and has a forthcoming New York solo exhibition that is slated to open at the gallery on August 22nd.

Born in 1930 in Uljin, Korea, Lee currently lives and works in Seoul. Her practice is characterized by her innovative approaches to embroidering, dyeing, and weaving that depart from conventional craft traditions. This spirit of experimentation leads her to use unusual materials like burlap sacks and repurposed yarn from used sweaters as well as techniques like pulling, twisting, and unraveling thread to add texture.

This past year, Lee was the subject of a retrospective at the National Museum of Modern and Contemporary Art ( ) in Gwacheon, Korea, that re-examined her long career as both an artist and an educator. Dedicated to her craft, Lee has nurtured younger generations of fiber artists and helped elevate the status of textiles to that of fine art, leaving an indelible mark on the genre and its history.

“Lee ShinJa is a true pioneer,” states Tina Kim, founder of the eponymous gallery. “She is not only an artist but has had a full career in the field of art as an educator and organizer of international exhibitions, and a professor, dean, and museum director at Duksung Women’s University in Seoul. It is so urgent that we recognize her contributions now when she is still living. She is a walking embodiment of history.”

Lee’s work can be found in the collections of major institutions such as the National Museum of Korea, the National Museum of Modern and Contemporary Art, the Seoul Museum of Art, the Seoul Museum of Craft Art, Sookmyung Women’s University Museum, Duksung Women’s University Museum, and elsewhere.

#이신자

•Opening Today• Lee Seung Jio at MoMA. Lee Seung Jio’s painting Nucleus F-G-999, is currently on view in MoMA’s third fl...
06/01/2024

•Opening Today• Lee Seung Jio at MoMA.

Lee Seung Jio’s painting Nucleus F-G-999, is currently on view in MoMA’s third floor gallery as a part of the inaugural edition of Hyundai Card First Look. Known as a pioneer of Korean geometric abstraction, this painting is characteristic of Lee’s distinct style, which often employed abstract pipe-like forms to play with the viewer’s perception of space and the painting’s surface. This program highlights recent acquisitions by the Museum, with Lee’s work on display until Fall of this year.

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Shown Here:
1. Nucleus F-G-999, 1970
Oil on canvas
63.78 x 63.78 inches
162 x 162 cm
Image courtesy of the artist’s estate and Tina Kim Gallery.

2. Portrait of the artist, courtesy of the artist’s estate.

#이승조

In Suki Seokyeong Kang’s 𝘔𝘰𝘳𝘢 series, the combination of painting tradition and the artist’s material specificity is mos...
05/22/2024

In Suki Seokyeong Kang’s 𝘔𝘰𝘳𝘢 series, the combination of painting tradition and the artist’s material specificity is most evident, with the passage of time clearly revealed through repeated painterly traces inscribed into the ground. 𝘔𝘰𝘳𝘢 is rooted in the artist’s abiding interest in “unit systems,” exploring how basic units of measurement can be utilized to fabricate an object. Here, Kang uses paint as “a material with potential similar to the ground or platform”: she layers nearly translucent pigments on top of one another on Hanji or silk, creating allover compositions in which the passage of time is clearly revealed in repeated patterns of vertical and horizontal marks. Making its New York debut, the 𝘔𝘰𝘳𝘢 series takes its title from a linguistic term for the smallest phonological unit of spoken language, equal to or shorter than a syllable. The works again evoke Kang’s interest in ordered systems that facilitate relationships, creating space to reconcile our conflicts and achieve harmony, thereby allowing the artist to “open up these conditional possibilities that are inherent to artmaking.”

𝘚𝘶𝘬𝘪 𝘚𝘦𝘰𝘬𝘺𝘦𝘰𝘯𝘨 𝘒𝘢𝘯𝘨 is on view at Tina Kim Gallery through June 15, 2024.

#강서경 #전시 #뉴욕 #페인팅


Shown here:
1-4: Mora 210 x 163 #06, 2021-2022
Silk, gouache, ink, thread
82 3/4 x 64 1/8 x 3 1/4 inches
210 x 163 x 8 cm

5-7: Mora 162 x 200 #02, 2016
Hanji paper mounted on canvas, ink, gouache
78 3/4 x 63 3/4 x 1 5/8 inches
200 x 162 x 4 cm

•Now Open• Minouk Lim at Minneapolis Institute of ArtMinouk Lim’s 𝘗𝘰𝘳𝘵𝘢𝘣𝘭𝘦 𝘒𝘦𝘦𝘱𝘦𝘳 series forges wooden canes carved by E...
05/21/2024

•Now Open• Minouk Lim at Minneapolis Institute of Art

Minouk Lim’s 𝘗𝘰𝘳𝘵𝘢𝘣𝘭𝘦 𝘒𝘦𝘦𝘱𝘦𝘳 series forges wooden canes carved by Eui-Jin Chai — a friend of the artist who survived a 1949 massacre carried out by the South Korean government — with bones, feathers, shells, and beads. She forms structures of remembrance and hope, mourning the loss of many innocent civilians during this violent period.

Several sculptures of this series are currently on view as a part of The Shape of Time: Korean Art after 1989 at the Minneapolis Institute of Art. Organized by and previously shown at the Philadelphia Museum of Art, this exhibition features works by Korean artists born between from 1960 to 1986 — a pivotal moment in Korea’s post-war transition.

Images courtesy of Minneapolis Institute of Art.

#임민욱

Chung Seoyoung’s conversation with Lauren Cornell, translated by Harry C. H. Choi, is now published on Ocula. This discu...
05/17/2024

Chung Seoyoung’s conversation with Lauren Cornell, translated by Harry C. H. Choi, is now published on Ocula. This discussion took place in the form of a public talk held at Tina Kim Gallery, on the occasion of the Chung’s recent solo exhibition, 𝘞𝘪𝘵𝘩 𝘯𝘰 𝘏𝘦𝘢𝘥 𝘯𝘰𝘳 𝘛𝘢𝘪𝘭 (March 21—April 20, 2024).

A leading figure in Korean contemporary art, Chung’s work in sculpture, video, drawing and photography has been exhibited internationally over the span of her artistic career. She is a returning in the Venice Biennial, with her photography currently on view as a part of 𝘌𝘷𝘦𝘳𝘺 𝘐𝘴𝘭𝘢𝘯𝘥 𝘪𝘴 𝘢 𝘔𝘰𝘶𝘯𝘵𝘢𝘪𝘯, presented by Arts Council Korea.

#정서영

Shown Here:
Installation view of Chung Seoyoung: With no Head nor Tail (March 21—April 20, 2024) at Tina Kim Gallery. Photos by Charles Roussel.

Pacita Abad (1946-2004)'s trapunto paintings are currently on view in 𝘚𝘵𝘳𝘢𝘯𝘪𝘦𝘳𝘪 𝘖𝘷𝘶𝘯𝘲𝘶𝘦 - 𝘍𝘰𝘳𝘦𝘪𝘨𝘯𝘦𝘳𝘴 𝘌𝘷𝘦𝘳𝘺𝘸𝘩𝘦𝘳𝘦, the 60t...
05/14/2024

Pacita Abad (1946-2004)'s trapunto paintings are currently on view in 𝘚𝘵𝘳𝘢𝘯𝘪𝘦𝘳𝘪 𝘖𝘷𝘶𝘯𝘲𝘶𝘦 - 𝘍𝘰𝘳𝘦𝘪𝘨𝘯𝘦𝘳𝘴 𝘌𝘷𝘦𝘳𝘺𝘸𝘩𝘦𝘳𝘦, the 60th International Art Exhibition of La Biennale di Venezia.

The featured work is from Pacita Abad's 𝘐𝘮𝘮𝘪𝘨𝘳𝘢𝘯𝘵 𝘌𝘹𝘱𝘦𝘳𝘪𝘦𝘯𝘤𝘦 series, which portrays the realities of immigrants and diasporic populations, reflecting on her own experiences and those of her acquaintances. 𝘏𝘢𝘪𝘵𝘪𝘢𝘯𝘴 𝘞𝘢𝘪𝘵𝘪𝘯𝘨 𝘢𝘵 𝘎𝘶𝘢𝘯𝘵𝘢𝘯𝘢𝘮𝘰 𝘉𝘢𝘺 (1994) specifically addresses the 1991-94 Haitian Refugee crisis, during which over 30,000 Haitian refugees sought asylum in the United States after the overthrow of President Jean-Bertrand Aristide. Abad’s painting depicts a group of Haitian refugees carrying out their everyday tasks behind a barbed wire fence, the shape of which has been stitched into the canvas. The trapunto-style canvas is embellished with other three-dimensional details, such as the wooden beaded necklaces sewn onto two of the figures and the pieces of fabric contained by a woman’s basket. Despite its somber subject matter, the scene is painted in bright colors. The figures are set against a blue sea, which separates them from a coastal town in the distance, highlighting the displacement of the Haitian refugees.

The 60th International Art Exhibition, titled 𝘚𝘵𝘳𝘢𝘯𝘪𝘦𝘳𝘪 𝘖𝘷𝘶𝘯𝘲𝘶𝘦 - 𝘍𝘰𝘳𝘦𝘪𝘨𝘯𝘦𝘳𝘴 𝘌𝘷𝘦𝘳𝘺𝘸𝘩𝘦𝘳𝘦, curated by Adriano Pedrosa, will run through November 24, 2024.



Shown here:
𝘏𝘢𝘪𝘵𝘪𝘢𝘯𝘴 𝘞𝘢𝘪𝘵𝘪𝘯𝘨 𝘢𝘵 𝘎𝘶𝘢𝘯𝘵𝘢𝘯𝘢𝘮𝘰 𝘉𝘢𝘺, 1994
Oil, painted cloth, buttons and beads on stitched and padded canvas
94 x 69 inches
238.8 x 175.3 cm
Image courtesy of Pacita Abad Art Estate and Tina Kim Gallery. Photo: Sebastiano Pellion di Persano

Combining traditional craft with modern materials, Kang’s 𝘔𝘢𝘵 series is based on the woven 𝘏𝘸𝘢𝘮𝘶𝘯𝘴𝘦𝘰𝘬 mats originally de...
05/13/2024

Combining traditional craft with modern materials, Kang’s 𝘔𝘢𝘵 series is based on the woven 𝘏𝘸𝘢𝘮𝘶𝘯𝘴𝘦𝘰𝘬 mats originally designed to indicate the bounded space for dancing the 𝘊𝘩𝘶𝘯𝘢𝘦𝘯𝘨𝘮𝘶, the solo court dance of the Joseon dynasty. Kang’s new 𝘔𝘢𝘵 𝘉𝘭𝘢𝘤𝘬 𝘔𝘢𝘵 series returns to the fabrication and materials used in this original series, but these new works are significantly larger, signaling a new direction. Made with dyed reeds woven and tied together with thread in various colors, these vertically formatted compositions are suspended from the ceiling at different heights. Echoing traditional landscape scroll paintings, the 𝘔𝘢𝘵 𝘉𝘭𝘢𝘤𝘬 𝘔𝘢𝘵 installation blurs the distinction between near and far views, reinforcing Kang’s interest in a “true-view” landscape and laying the groundwork for a dialogue between her works within the gallery space. Moreover, the abstract patterns of 𝘔𝘢𝘵 𝘉𝘭𝘢𝘤𝘬 𝘔𝘢𝘵 embody a sequence of continuous movements within a square space, underscoring its correlation with the artist’s performance, “Activation.”

Suki Seokyeong Kang is on view at Tina Kim Gallery through June 15, 2024.

Closing Soon • Geometric Abstraction in Korean Art at  Featuring works by Dansaekhwa masters  ,  ,  , and  , this exhibi...
05/11/2024

Closing Soon • Geometric Abstraction in Korean Art at

Featuring works by Dansaekhwa masters , , , and , this exhibition examines the history and positionally of geometric abstraction in Korea from the 1920s to the 1970s. Geometric Abstraction in Korean Art tracks the trajectory of the movement and its contentious yet widely popular place in Korean art history.

The exhibition will be on view at MMCA Gwacheon until May 19, 2024.

Opening today with the VIP preview, we look forward to welcoming you to our presentation at TEFAF New York (Stand 336) w...
05/09/2024

Opening today with the VIP preview, we look forward to welcoming you to our presentation at TEFAF New York (Stand 336) where we are featuring works by , whose retrospective is currently on view at , and Dansaekhwa artists , , , and . Works by  , , , and are also included. The fair's public viewing days begin Friday, May 10 through Tuesday, May 14, with tickets available online.



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Shown Here:
Installation views of Tina Kim Gallery | TEFAF New York 2024 (Stand 336). Image courtesy of Tina Kim Gallery. Photos by Susan Behrends Valenzuela.

Tina Kim Gallery is pleased to return to   New York, taking place at the historic Park Avenue Armory from May 9 – 14, 20...
05/07/2024

Tina Kim Gallery is pleased to return to New York, taking place at the historic Park Avenue Armory from May 9 – 14, 2024. This year, we bring together a selection of master historical works by , , , , and , as well as extraordinary modern and contemporary artists, including , , , and .

Tap the link in our bio to explore a preview highlighting our presentation.



Shown here:
1. Park Seo-Bo (1931-2023), Ecriture No. 080525, 2008, Mixed media with Korean Hanji paper on canvas, 29 1/2 x 23 inches, 75 x 58.3 cm
2. Ha Chong-Hyun (b. 1935), Conjunction 23-51, 2023, Oil on h**p cloth, 66 x 54 x 3 1/4 inches, 167.6 x 137.2 x 8.3 cm; Park Seo-Bo (1931-2023), Ecriture No. 080525, 2008, Mixed media with Korean Hanji paper on canvas, 29 1/2 x 23 inches, 75 x 58.3 cm; Kim Tschang-Yeul (1929-2021), Water drops, 1973, Acrylic on linen, 41 x 41 inches, 104.1 x 104.1 cm; Kibong Rhee (b. 1957), Diminishing place, 2024, Acrylic and polyester fiber on canvas, 44 1/2 x 44 1/2 x 3 1/4 inches, 113 x 113 x 8.3 cm
3.Kim Tschang-Yeul (1929-2021), Water drops, 1973, Acrylic on linen, 41 x 41 inches, 104.1 x 104.1 cm
4.Kibong Rhee (b. 1957), Diminishing place, 2024, Acrylic and polyester fiber on canvas, 44 1/2 x 44 1/2 x 3 1/4 inches, 113 x 113 x 8.3 cm

Tina Kim Gallery is pleased to return to   New York, taking place at the historic Park Avenue Armory from May 9 – 14, 20...
05/07/2024

Tina Kim Gallery is pleased to return to New York, taking place at the historic Park Avenue Armory from May 9 – 14, 2024. This year, we bring together a selection of master historical works by , , , , and , as well as extraordinary modern and contemporary artists, including , , , and .

Tap the link in our bio to explore a preview highlighting our presentation.

 ’s group exhibition at the contemporary art space .ny, opens today in Monticello, New York. 𝘈𝘚𝘚𝘌𝘔𝘉𝘓𝘠 3 celebrates the i...
05/04/2024

’s group exhibition at the contemporary art space .ny, opens today in Monticello, New York. 𝘈𝘚𝘚𝘌𝘔𝘉𝘓𝘠 3 celebrates the intricate nature of the artworks on display, and the impossibility of their digital reproduction, particularly with Balliano’s vastly layered, scratched and scraped canvases.

ASSEMBLY 3 will be on view until November 30, 2024.



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Shown Here
1. UNTITLED_0292, 2024; UNTITLED_0290, 2024; UNTITLED_0291, 2024

2. UNTITLED_0291, 2024; UNTITLED_0294, 2024

3. UNTITLED_0293, 2024

"Tulips! Manhattan has been Tulip City over the past couple of spring weeks, as I was reminded by Crumpler’s paintings a...
05/02/2024

"Tulips! Manhattan has been Tulip City over the past couple of spring weeks, as I was reminded by Crumpler’s paintings and, at , by a fantastically meticulous collage made of pressed tulip petals by (b. 1973, Arnhem). Frieze, like most big art fairs, is a cattle-call phenomenon, about high visibility and competitive moreness. But what I often take away is the memory of small idea-packed things, some eye-grabbers, some hard to spot."

-Holland Cotter, The New York Times ( ), May 2, 2024

Visit our Frieze New York 2024 | Booth A9 to explore Jennifer Tee's 𝘛𝘢𝘮𝘱𝘢𝘯 𝘛𝘶𝘭𝘪𝘱𝘴 works.

Jennifer Tee's 𝘛𝘢𝘮𝘱𝘢𝘯 𝘛𝘶𝘭𝘪𝘱𝘴 series is a decade-long project that explores transitions, migration, and incessant change through collages of flower petals from historic varieties of Dutch tulips. The hues and variegations of each year's petals are dictated by the annual harvest, and are then arranged by the artist into intricate collages that echo the motifs found on traditional 𝘵𝘢𝘮𝘱𝘢𝘯 cloths from the Lampung province of Indonesia. 𝘛𝘢𝘮𝘱𝘢𝘯 cloths, used in ceremonies of transition such as birth, death, and marriage, embody Tee's investigation of voyage and migration. The new 𝘵𝘢𝘮𝘱𝘢𝘯𝘴 acknowledge the journey of tulips from their native mountain ranges in Asia to the gardens of northern Europe, and the journey of Tee’s own family members, who immigrated by ship to the Netherlands from Indonesia after World War II. The tulip collages are carefully and precisely documented in piezography prints, which accurately retain and communicate the ephemeral details of the petals into future periods of time.

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Shown here:
Jennifer Tee (b. 1973)
𝘛𝘢𝘮𝘱𝘢𝘯 𝘞𝘰𝘳𝘭𝘥 𝘔𝘰𝘶𝘯𝘵𝘢𝘪𝘯, 𝘛𝘳𝘦𝘦 𝘰𝘧 𝘓𝘪𝘧𝘦, 2021
Tulip petal collage on paper
67 3/4 x 74 1/8 inches
172 x 188 cm

Suki Seokyeong Kang’s solo exhibition is now open, with a reception from 5:30 to 7:30pm this evening. A contemporary rei...
05/02/2024

Suki Seokyeong Kang’s solo exhibition is now open, with a reception from 5:30 to 7:30pm this evening. A contemporary reinterpretation of classical Korean art forms, the exhibition includes a number of paintings and sculptures from Kang’s diverse bodies of works.

Kang’s recent work draws from her study of the “true-view” landscape theory of traditional Korean painting. The artist’s series of 𝘔𝘢𝘵, 𝘔𝘰𝘳𝘢, and 𝘑𝘦𝘰𝘯𝘨 paintings utilize traditional materials like handmade paper and 𝘩𝘸𝘢𝘮𝘶𝘯𝘴𝘦𝘰𝘬—reed mats used in traditional Korean court dances—to contemplate the formal boundaries of painting. Kang’s steel sculpture series 𝘔𝘰𝘶𝘯𝘵𝘢𝘪𝘯 and 𝘊𝘰𝘭𝘶𝘮𝘯 expand and unfold the genre of painting in three dimensions, laying the ground for a dialogue between her works within the gallery space.

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Opening today with VIP Preview at The Shed, we look forward to welcoming you to Frieze New York at booth A9. Tina Kim Ga...
05/01/2024

Opening today with VIP Preview at The Shed, we look forward to welcoming you to Frieze New York at booth A9. Tina Kim Gallery presents a selection of works by our international roster of artists, including , , , , , , , , , , , and .

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Shown Here:
Installation view of Tina Kim Gallery | Booth A9 at Frieze New York. Courtesy of Tina Kim Gallery. Photo by Charles Roussel.

 ’s 𝘏𝘰𝘸 𝘔𝘢𝘭𝘪 𝘓𝘰𝘴𝘵 𝘏𝘦𝘳 𝘈𝘤𝘤𝘦𝘯𝘵 is now on view at  until April 13, 2025. This work from the Museum’s permanent collection i...
04/30/2024

’s 𝘏𝘰𝘸 𝘔𝘢𝘭𝘪 𝘓𝘰𝘴𝘵 𝘏𝘦𝘳 𝘈𝘤𝘤𝘦𝘯𝘵 is now on view at until April 13, 2025. This work from the Museum’s permanent collection is featured in 𝘞𝘩𝘦𝘯 𝘠𝘰𝘶 𝘚𝘦𝘦 𝘔𝘦: 𝘝𝘪𝘴𝘪𝘣𝘪𝘭𝘪𝘵𝘺 𝘪𝘯 𝘊𝘰𝘯𝘵𝘦𝘮𝘱𝘰𝘳𝘢𝘳𝘺 𝘈𝘳𝘵/𝘏𝘪𝘴𝘵𝘰𝘳𝘺, an exhibition exploring the theme of representation with works by 50 different artists of traditionally excluded groups.

𝘏𝘰𝘸 𝘔𝘢𝘭𝘪 𝘓𝘰𝘴𝘵 𝘏𝘦𝘳 𝘈𝘤𝘤𝘦𝘯𝘵 comes from Abad’s Immigrant Experience series. These social realist paintings are based on the personal experiences of the artist, her friends, and people she met while traveling the world. Created using Pacita’s trademark trapunto technique, this painting captures the struggles of Mali, the daughter of one of the artist’s close friends. Surrounded by the symbols of elite education and social status, Mali is caught between her home country and the desire to assimilate as an immigrant to America.

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Shown Here:
1,5. Installation view of 𝘞𝘩𝘦𝘯 𝘠𝘰𝘶 𝘚𝘦𝘦 𝘔𝘦: 𝘝𝘪𝘴𝘪𝘣𝘪𝘭𝘪𝘵𝘺 𝘪𝘯 𝘊𝘰𝘯𝘵𝘦𝘮𝘱𝘰𝘳𝘢𝘳𝘺 𝘈𝘳𝘵/𝘏𝘪𝘴𝘵𝘰𝘳𝘺 at , courtesy of the Museum.

2-4. 𝘏𝘰𝘸 𝘔𝘢𝘭𝘪 𝘓𝘰𝘴𝘵 𝘏𝘦𝘳 𝘈𝘤𝘤𝘦𝘯𝘵, 1991
Acrylic, oil on stitched and padded canvas
Dimensions:
94 x 68 inches
238.8 x 172.7 cm

Images courtesy of Tina Kim Gallery and Pacita Abad Art Estate. Photo: Hyunjung Rhee

Join us at .ny on Saturday, May 4, for the opening reception of ASSEMBLY 3, a group exhibition featuring  . Balliano wil...
04/29/2024

Join us at .ny on Saturday, May 4, for the opening reception of ASSEMBLY 3, a group exhibition featuring . Balliano will present an array of five paintings produced this year, varying in size and technique, yet all embodying his signature visual language.




Shown here:
Davide Balliano, UNTITLED_0293, 2024, Plaster, gesso and varnish on linen, 80 x 64 inches
Photo by Dario Lasagni

Today through Sunday, April 28, find us at NY Art Book Fair (NYABF) at table D3 to browse our selection of artists’ book...
04/27/2024

Today through Sunday, April 28, find us at NY Art Book Fair (NYABF) at table D3 to browse our selection of artists’ books, ranging from new releases to past titles published by the gallery. We also have a selection of tea towel prints, the net proceeds of which will go to Doctors Without Borders.

The NYABF is held at 548 W. 22nd St. For more information on fair registration and entry, please visit ’s website.

Final day to see Chung Seoyoung's solo exhibition, 𝘞𝘪𝘵𝘩 𝘯𝘰 𝘏𝘦𝘢𝘥 𝘯𝘰𝘳 𝘛𝘢𝘪𝘭 at Tina Kim Gallery, New York. Plan your visit ...
04/20/2024

Final day to see Chung Seoyoung's solo exhibition, 𝘞𝘪𝘵𝘩 𝘯𝘰 𝘏𝘦𝘢𝘥 𝘯𝘰𝘳 𝘛𝘢𝘪𝘭 at Tina Kim Gallery, New York. Plan your visit today from 10 am to 6 pm to learn more about the exhibition.

#정서영 #티나킴갤러리 #전시

Three of Pacita Abad’s signature large-scale trapunto paintings have made their way to the 2024 Venice Biennale as a par...
04/19/2024

Three of Pacita Abad’s signature large-scale trapunto paintings have made their way to the 2024 Venice Biennale as a part of 𝘚𝘵𝘳𝘢𝘯𝘪𝘦𝘳𝘪 𝘖𝘷𝘶𝘯𝘲𝘶𝘦 - 𝘍𝘰𝘳𝘦𝘪𝘨𝘯𝘦𝘳𝘴 𝘌𝘷𝘦𝘳𝘺𝘸𝘩𝘦𝘳𝘦, which will be open until November 24, 2024. The featured works form part of Pacita’s 𝘐𝘮𝘮𝘪𝘨𝘳𝘢𝘯𝘵 𝘌𝘹𝘱𝘦𝘳𝘪𝘦𝘯𝘤𝘦 series, a widely-celebrated body of work culminating in vivid depictions of various scenes from the artist’s travels, research, and personal experience.

Several more trapuntos from this series are also a part of Pacita Abad’s traveling retrospective exhibition, which is currently on view at MoMA PS1 through September 2, 2024, before traveling to its final stop at Art Gallery of Ontario, Toronto this October.


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Shown here:
Haitians Waiting at Guantanamo Bay, 1994
Oil, painted cloth, buttons and beads on stitched and padded canvas
Dimensions:
94 x 69 inches
238.8 x 175.3 cm

You Have to Blend in, Before You Stand Out, 1995
Oil, painted batik cloth, sequins, buttons on stitched and padded canvas
Dimensions:
116 x 117 inches
294.6 x 297.2 cm

Filipinas in Hong Kong, 1995
Acrylic on stitched and padded canvas
106 x 118 inches
269.2 x 299.7 cm

Photos by Sebastiano Pellion di Persano, courtesy of Pacita Abad Art Estate and Tina Kim Gallery.

The 60th International Art Exhibition of La Biennale di Venezia, titled , will open to the public on Saturday, April 20 ...
04/11/2024

The 60th International Art Exhibition of La Biennale di Venezia, titled , will open to the public on Saturday, April 20 at the Giardini and Arsenale. Pacita Abad has been invited to participate in this year’s presentation, amongst an international roster of artists representing themes of migration as well as historical and present marginalization.

"Artists have always traveled and moved about, under various circumstances, through cities, countries and continents, something that has only accelerated since the late 20th century—ironically a period marked by increasing restrictions regarding the dislocation or displacement of people. The Biennale Arte 2024’s primary focus is thus artists who are themselves foreigners, immigrants, expatriates, diasporic, émigrés, exiled, or refugees—particularly those who have moved between the Global South and the Global North. Migration and decolonization are key themes here."

–Adriano Pedrosa, Curator of the 60th International Art Exhibition

Pacita Abad, who came to the US in the 1970s and later traveled across dozens of countries worldwide, was largely impacted by the many cultures she engaged with. Her work often served as tableaus reflecting life in the margins, particularly for immigrants and refugees, and marked important moments in time whose impact still resonates with global audiences today.




Shown here:
Pacita Abad (1946-2004), You Have to Blend in, Before You Stand Out, 1995, Oil, painted batik cloth, sequins, buttons on stitched and padded canvas, 116 x 117 inches, 294.6 x 297.2 cm. Courtesy of Pacita Abad Art Estate.

✨Pacita Abad () opens today at , marking the third stop of this major touring retrospective. Showcasing over 50 works ac...
04/04/2024

✨Pacita Abad () opens today at , marking the third stop of this major touring retrospective. Showcasing over 50 works across a variety of mediums, the exhibition celebrates the unique diversity and experimentation of Abad's 32-year career.

Saturday, April 6 at 3pm, MoMA PS1 will host a conversation with MoMA PS1 Curator and Director of Curatorial Affairs Ruba Katrib ( ), art historian Joan Kee, and Pio Abad ( ), artist and curator of the Pacita Abad Estate. For more information, visit MoMA PS1’s website.

Tina Kim Gallery congratulates Minouk Lim ( ), recipient of the 2024 Asia Arts Game Changer Awards.  (b. 1968) is a mult...
04/02/2024

Tina Kim Gallery congratulates Minouk Lim ( ), recipient of the 2024 Asia Arts Game Changer Awards.

(b. 1968) is a multi-disciplinary artist whose work transcends boundaries of genre and media, delving deep into profound questions through writing, music, video, installation, and performance. Her art recalls historic losses, ruptures, and repressed traumas. Rather than simply recounting past events, Lim‘s creations elevate the experiences, memories, and emotions of those affected by the political upheavals of the Korean war and subsequent modernization.

Lim has participated in numerous group exhibitions and biennials worldwide, including the Asian Art Society Triennial, Gwangju Biennial, Setouchi Triennale, and Sydney and Taipei Biennials. Her works are collected in prestigious collections such as the National Museum of Modern and Contemporary Arts, Korea; Gyeonggi Museum of Art; Walker Art Center; and ArtSonje Center, Korea.

The Asia Arts Game Changer Awards, hosted annually by Asia Society ( ), bring together prominent art collectors, artists, gallerists, and dignitaries to celebrate the vibrant contemporary art scene in Asia and honor individuals for their significant contributions to the field. For over two decades, Asia Society has been at the forefront of fostering the latest contemporary Asian artists, and engaging new audiences for their work.



Shown here:
1. Minouk Lim. Photo by Leila Mesdaghi
2. Installation view of Minouk Lim: Fossil of High Noon at Tina Kim Gallery (2022). Courtesy of the artist and Tina Kim Gallery. Photo by Dario Lasagni.
3. Installation view of the Asia Society Triennial, We Do Not Dream Alone, Asia Society Museum, New York (2020–2021). Courtesy of the artist and Asia Society Museum. Photo by Bruce M. White.
4. Installation view of Minouk Lim, Mr. Eui Jin Chai and 1,000 Canes, 2024-20 at GB Commision, Gwangju (2021). Courtesy of the artist and the Gwangju Biennale Foundation. Photo by Swan Park.

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