Tina Kim Gallery

Tina Kim Gallery Tina Kim Gallery also works closely with Vintage20, a private dealer specializing in mid-century and modern furniture and design.

Tina Kim Gallery, founded by Tina Kim, is affiliated with Kukje Gallery in Seoul, Korea and regularly collaborates on organizing exhibitions by internationally renowned artists and introducing emerging Korean artists to an international audience. For information about Tina Kim, follow the gallery on Twitter, Instagram, and Tumblr to stay updated on the latest news regarding Tina Kim and contempora

ry art:

Tina Kim Gallery on Twitter: https://twitter.com/TinaKimGallery
Tina Kim Gallery on Instagram: http://instagram.com/tinakimgallery/ #
Tina Kim Gallery on Tumblr: http://tinakimgallery.tumblr.com/

Tania Pรฉrez Cรณrdovaโ€™s () work ๐˜ˆ ๐˜Š๐˜ฉ๐˜ข๐˜ฏ๐˜ฅ๐˜ฆ๐˜ญ๐˜ช๐˜ฆ๐˜ณ ๐˜ช๐˜ฏ๐˜ต๐˜ฐ ๐˜ข ๐˜Š๐˜ฉ๐˜ข๐˜ฏ๐˜ฅ๐˜ฆ๐˜ญ๐˜ช๐˜ฆ๐˜ณ / ๐˜œ๐˜ฏ ๐˜Š๐˜ข๐˜ฏ๐˜ฅ๐˜ฆ๐˜ญ๐˜ข๐˜ฃ๐˜ณ๐˜ฐ ๐˜ฆ๐˜ฏ ๐˜ถ๐˜ฏ ๐˜Š๐˜ข๐˜ฏ๐˜ฅ๐˜ฆ๐˜ญ๐˜ข๐˜ฃ๐˜ณ๐˜ฐ (2023) is featured in the ...
01/23/2025

Tania Pรฉrez Cรณrdovaโ€™s () work ๐˜ˆ ๐˜Š๐˜ฉ๐˜ข๐˜ฏ๐˜ฅ๐˜ฆ๐˜ญ๐˜ช๐˜ฆ๐˜ณ ๐˜ช๐˜ฏ๐˜ต๐˜ฐ ๐˜ข ๐˜Š๐˜ฉ๐˜ข๐˜ฏ๐˜ฅ๐˜ฆ๐˜ญ๐˜ช๐˜ฆ๐˜ณ / ๐˜œ๐˜ฏ ๐˜Š๐˜ข๐˜ฏ๐˜ฅ๐˜ฆ๐˜ญ๐˜ข๐˜ฃ๐˜ณ๐˜ฐ ๐˜ฆ๐˜ฏ ๐˜ถ๐˜ฏ ๐˜Š๐˜ข๐˜ฏ๐˜ฅ๐˜ฆ๐˜ญ๐˜ข๐˜ฃ๐˜ณ๐˜ฐ (2023) is featured in the group exhibition โ€œFuture Fossilsโ€ at MassArt Art Museum in Boston (). The show imagines contemporary artworks as relics of the past viewed by future observers, reconceptualizing our current moment as an unfamiliar and distant landscape.

The work is part of Pรฉrez Cรณrdovaโ€™s ongoing series ๐˜–๐˜ฃ๐˜ซ๐˜ฆ๐˜ต๐˜ฐ๐˜ด ๐˜ฆ๐˜ฏ ๐˜ดรญ ๐˜ฎ๐˜ช๐˜ด๐˜ฎ๐˜ฐ๐˜ด, or โ€œObjects Into Themselves,โ€ in which she melts and recasts metal objects. ๐˜ˆ ๐˜Š๐˜ฉ๐˜ข๐˜ฏ๐˜ฅ๐˜ฆ๐˜ญ๐˜ช๐˜ฆ๐˜ณ ๐˜ช๐˜ฏ๐˜ต๐˜ฐ ๐˜ข ๐˜Š๐˜ฉ๐˜ข๐˜ฏ๐˜ฅ๐˜ฆ๐˜ญ๐˜ช๐˜ฆ๐˜ณ / ๐˜œ๐˜ฏ ๐˜Š๐˜ข๐˜ฏ๐˜ฅ๐˜ฆ๐˜ญ๐˜ข๐˜ฃ๐˜ณ๐˜ฐ ๐˜ฆ๐˜ฏ ๐˜ถ๐˜ฏ ๐˜Š๐˜ข๐˜ฏ๐˜ฅ๐˜ฆ๐˜ญ๐˜ข๐˜ฃ๐˜ณ๐˜ฐ was made by melting a brass chandelier and then recasting it back into its original form, resulting in an altered duplicate of itself. In its new form, the chandelier holds the memory of its destruction and renewal, becoming a symbol of vanishing existence.

ย 

Shown here:
Tania Pรฉrez Cรณrdova, ๐˜ˆ ๐˜Š๐˜ฉ๐˜ข๐˜ฏ๐˜ฅ๐˜ฆ๐˜ญ๐˜ช๐˜ฆ๐˜ณ ๐˜ช๐˜ฏ๐˜ต๐˜ฐ ๐˜ข ๐˜Š๐˜ฉ๐˜ข๐˜ฏ๐˜ฅ๐˜ฆ๐˜ญ๐˜ช๐˜ฆ๐˜ณ / ๐˜œ๐˜ฏ ๐˜Š๐˜ข๐˜ฏ๐˜ฅ๐˜ฆ๐˜ญ๐˜ข๐˜ฃ๐˜ณ๐˜ฐ ๐˜ฆ๐˜ฏ ๐˜ถ๐˜ฏ ๐˜Š๐˜ข๐˜ฏ๐˜ฅ๐˜ฆ๐˜ญ๐˜ข๐˜ฃ๐˜ณ๐˜ฐ, 2023.

Images courtesy the artist and Tina Kim Gallery. Photos by Hyunjung Rhee.

Opening todayโ€”FOG Design + Art 2025We look forward to welcoming you to Booth 106 at FOG Design + Art 2025, which opens t...
01/22/2025

Opening todayโ€”FOG Design + Art 2025

We look forward to welcoming you to Booth 106 at FOG Design + Art 2025, which opens this evening with the preview gala. On view are works by , , , , , and .

Click the link in our bio to learn more and browse the booth online.


โ€“
Shown here:Installation view of Tina Kim Gallery | Booth 106 at FOG Design+Art. Courtesy of Tina Kim Gallery. Photos by Johnna Arnold.

This weekend is the last chance to see   at  , the final installment and only Canadian stop of the Filipina artistโ€™s lon...
01/17/2025

This weekend is the last chance to see at , the final installment and only Canadian stop of the Filipina artistโ€™s long-overdue North American retrospective. The highly acclaimed exhibition, which began at the Walker Art Center in 2023, has since traveled to SFMoMA and MoMA PS1. Covering the late artistโ€™s wide-ranging and experimental practice, the exhibition highlights her signature quilted trapunto paintings alongside prints, works on paper, and archival materials from her thirty-two-year career.

Delighting visitors with a vivid array of colors and textures, the exhibition also offers insights into the artistโ€™s life and perspective as a Filipina living abroad. Works in her โ€œImmigrant Experienceโ€ series, like ๐˜“.๐˜ˆ. ๐˜“๐˜ช๐˜ฃ๐˜ฆ๐˜ณ๐˜ต๐˜บ, draw from the personal stories of herself and other immigrants, affirming her status as an artist concerned with both her personal expression and the sociopolitical reality around her. โ€œI have always believed that an artist has a special obligation to remind society of its social responsibility,โ€ she said.



โ€”
Image credits:
Installation views of Pacita Abad at AGO (October 9, 2024 โ€“ January 19, 2025)
Photos 1,2,4,6 by Hyunjung Rhee
Photos 3,5 by Craig Boyko

Last chance โ€ข Today is the last day to see ๐˜๐˜ข ๐˜Š๐˜ฉ๐˜ฐ๐˜ฏ๐˜จ-๐˜๐˜บ๐˜ถ๐˜ฏ: 50 ๐˜ ๐˜ฆ๐˜ข๐˜ณ๐˜ด ๐˜ฐ๐˜ง ๐˜Š๐˜ฐ๐˜ฏ๐˜ซ๐˜ถ๐˜ฏ๐˜ค๐˜ต๐˜ช๐˜ฐ๐˜ฏ at Tina Kim Gallery and your last chan...
12/21/2024

Last chance โ€ข Today is the last day to see ๐˜๐˜ข ๐˜Š๐˜ฉ๐˜ฐ๐˜ฏ๐˜จ-๐˜๐˜บ๐˜ถ๐˜ฏ: 50 ๐˜ ๐˜ฆ๐˜ข๐˜ณ๐˜ด ๐˜ฐ๐˜ง ๐˜Š๐˜ฐ๐˜ฏ๐˜ซ๐˜ถ๐˜ฏ๐˜ค๐˜ต๐˜ช๐˜ฐ๐˜ฏ at Tina Kim Gallery and your last chance to visit the gallery in 2024.ย 

This exhibition celebrates Dansaekhwa artist Ha Chong-Hyunโ€™s enduring dedication to exploring and pushing the boundaries of painting though his acclaimed ๐˜Š๐˜ฐ๐˜ฏ๐˜ซ๐˜ถ๐˜ฏ๐˜ค๐˜ต๐˜ช๐˜ฐ๐˜ฏ series, which he began in 1974 and continues to this day.

Haโ€™s interest in the monochrome rejected minimalismโ€™s penchant for the smooth and seamless, always leaving evidence of his mark making across the surface. Swipe to see details of featured works in the exhibitionโ€”from the gestural and vivid contemporary Conjunction works to the earlier iterations that drew from the colors of everyday life in Korea.



Shown here:
๐˜Š๐˜ฐ๐˜ฏ๐˜ซ๐˜ถ๐˜ฏ๐˜ค๐˜ต๐˜ช๐˜ฐ๐˜ฏ 22-92, 2022
๐˜Š๐˜ฐ๐˜ฏ๐˜ซ๐˜ถ๐˜ฏ๐˜ค๐˜ต๐˜ช๐˜ฐ๐˜ฏ 14-694, 2014
๐˜Š๐˜ฐ๐˜ฏ๐˜ซ๐˜ถ๐˜ฏ๐˜ค๐˜ต๐˜ช๐˜ฐ๐˜ฏ 97-020, 1997
๐˜Š๐˜ฐ๐˜ฏ๐˜ซ๐˜ถ๐˜ฏ๐˜ค๐˜ต๐˜ช๐˜ฐ๐˜ฏ 85-31, 1985

Final Week โ€ข Ha Chong-Hyun: 50 ๐˜ ๐˜ฆ๐˜ข๐˜ณ๐˜ด ๐˜ฐ๐˜ง ๐˜Š๐˜ฐ๐˜ฏ๐˜ซ๐˜ถ๐˜ฏ๐˜ค๐˜ต๐˜ช๐˜ฐ๐˜ฏThis week is the final opportunity to see  โ€™s solo exhibition 50 ๐˜ ๐˜ฆ๐˜ข๐˜ณ...
12/17/2024

Final Week โ€ข Ha Chong-Hyun: 50 ๐˜ ๐˜ฆ๐˜ข๐˜ณ๐˜ด ๐˜ฐ๐˜ง ๐˜Š๐˜ฐ๐˜ฏ๐˜ซ๐˜ถ๐˜ฏ๐˜ค๐˜ต๐˜ช๐˜ฐ๐˜ฏ

This week is the final opportunity to see โ€™s solo exhibition 50 ๐˜ ๐˜ฆ๐˜ข๐˜ณ๐˜ด ๐˜ฐ๐˜ง ๐˜Š๐˜ฐ๐˜ฏ๐˜ซ๐˜ถ๐˜ฏ๐˜ค๐˜ต๐˜ช๐˜ฐ๐˜ฏ, on view through Saturday, December 21 at .

The exhibition celebrates Haโ€™s signature โ€œConjunctionโ€ series, which he began in 1974 and continues to this day. On view are both major early works that draw from the colors of everyday life in Koreaโ€”including hues from paper, ceramics, earth, traditional roof tiles, and h**pโ€”as well as as contemporary works that are highly gestural and vivid, evolving the artistโ€™s enduring devotion to experimentation and inquiry in the context of abstraction.

#ํ•˜์ข…ํ˜„ #๋‹จ์ƒ‰ํ™” #ํ‹ฐ๋‚˜ํ‚ด๊ฐค๋Ÿฌ๋ฆฌ

Last chance โ€ข Today is the last day to visit our booth at  , featuring work by Ghada Amer.Egyptian-born artist Ghada Ame...
12/08/2024

Last chance โ€ข Today is the last day to visit our booth at , featuring work by Ghada Amer.

Egyptian-born artist Ghada Amer is known for her longstanding advocacy of womenโ€™s agency and liberation in her artistic practice. Her monumental โ€œParavent Girlsโ€ bronzes, commissioned for her 2023 retrospective at the Mucem in Marseilles, were on view earlier this fall at the Domaine National du Palais-Royal in Paris as part of Art Basel.

Amerโ€™s work is currently featured at the Metropolitan Museum of Art in New York in the exhibition ๐˜๐˜ญ๐˜ช๐˜จ๐˜ฉ๐˜ต ๐˜ช๐˜ฏ๐˜ต๐˜ฐ ๐˜Œ๐˜จ๐˜บ๐˜ฑ๐˜ต: ๐˜‰๐˜ญ๐˜ข๐˜ค๐˜ฌ ๐˜ˆ๐˜ณ๐˜ต๐˜ช๐˜ด๐˜ต๐˜ด ๐˜ข๐˜ฏ๐˜ฅ ๐˜ˆ๐˜ฏ๐˜ค๐˜ช๐˜ฆ๐˜ฏ๐˜ต ๐˜Œ๐˜จ๐˜บ๐˜ฑ๐˜ต, 1876โ€“๐˜•๐˜ฐ๐˜ธ. On view through February 17, 2025, the exhibition explores artistic and cultural production from the nineteenth century to the Harlem Renaissance to the Black Arts Movement of the 1960s and 1970s to the present day.

Art Basel Miami Beach 2024
VIP Preview Days: Dec 4โ€“5
Public Days: Dec 6โ€“8
Miami Beach Convention Center
Booth D16 & Meridians M2

Shown here:ย 
Installation views of ๐˜๐˜ญ๐˜ช๐˜จ๐˜ฉ๐˜ต ๐˜ช๐˜ฏ๐˜ต๐˜ฐ ๐˜Œ๐˜จ๐˜บ๐˜ฑ๐˜ต: ๐˜‰๐˜ญ๐˜ข๐˜ค๐˜ฌ ๐˜ˆ๐˜ณ๐˜ต๐˜ช๐˜ด๐˜ต๐˜ด ๐˜ข๐˜ฏ๐˜ฅ ๐˜ˆ๐˜ฏ๐˜ค๐˜ช๐˜ฆ๐˜ฏ๐˜ต ๐˜Œ๐˜จ๐˜บ๐˜ฑ๐˜ต, 1876โ€“๐˜•๐˜ฐ๐˜ธ. Courtesy of the Metropolitan Museum of Art.ย 

Ghada Amer, ๐˜๐˜ฐ๐˜ฎ๐˜ข๐˜จ๐˜ฆ รก ๐˜›๐˜ถ๐˜ต ๐˜ช๐˜ฏ ๐˜‰๐˜ญ๐˜ข๐˜ค๐˜ฌ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ž๐˜ฉ๐˜ช๐˜ต๐˜ฆ, 2021.ย 

Ha Chong-Hyun is currently the subject of a solo exhibition at our New York galleryโ€”on view through December 21โ€”celebrat...
12/06/2024

Ha Chong-Hyun is currently the subject of a solo exhibition at our New York galleryโ€”on view through December 21โ€”celebrating 50 years of his renowned โ€œConjunctionโ€ series. The series merges the weave and texture of h**p fabric with oil paint, evolving from the earthy colors of Koreaโ€™s everyday life to vivid, gestural contemporary works.

Find Ha Chong-Hyunโ€™s works at our booth (D16) at .

๐Ÿ“ Art Basel Miami Beach 2024โ€จVIP Preview: Dec 4โ€“5โ€จPublic Days: Dec 6โ€“8โ€จMiami Beach Convention Center, Booth D16 & Meridians M2

Now open โ€ข Lee ShinJa at   Meridians Sector, Booth M2With a career spanning over six decades, Lee ShinJa is recognized i...
12/05/2024

Now open โ€ข Lee ShinJa at Meridians Sector, Booth M2

With a career spanning over six decades, Lee ShinJa is recognized in Korea as a pioneering fiber artist who pushed the boundaries of her medium. During the 1950s and โ€™60s, when working with thread and fabric was considered domestic labor, Lee experimented with modern formal techniques and drove innovations in embroidery, dyeing, weaving, and tapestry to expand the breadth and depth of the genre.

Leeโ€™s Meridians installation features a group of monumental tapestries from the 1980s, a period in which the artist expanded her textile practice to large-scale sculptural installations. In these works, Lee combines a painterโ€™s sense of freedom with virtuosic technical precision, interweaving colored threads to evoke scenes from nature and capture the ephemeral nature of light. These tapestries were highlighted in her highly anticipated 2023 retrospective at the National Museum of Modern and Contemporary Art (MMCA) in Gwacheon, Korea.

Art Basel Miami Beach 2024
VIP Preview Days: Dec 4โ€“5
Public Days: Dec 6โ€“8
Miami Beach Convention Center
Booth D16 & Meridians M2

Shown here:ย 

Installation views of Tina Kim Gallery | Meridians M2 at Art Basel Miami Beach 2024. Courtesy of Tina Kim Gallery. Photos by Charles Roussel.

๐˜๐˜ฎ๐˜ข๐˜จ๐˜ฆ ๐˜ฐ๐˜ง ๐˜“๐˜ช๐˜จ๐˜ฉ๐˜ต, 1986
๐˜›๐˜ฉ๐˜ฆ ๐˜ž๐˜ฐ๐˜ณ๐˜ญ๐˜ฅ ๐˜ช๐˜ด ๐˜‰๐˜ฆ๐˜ข๐˜ถ๐˜ต๐˜ช๐˜ง๐˜ถ๐˜ญ, 1980s
๐˜‹๐˜ข๐˜ธ๐˜ฏ, 1980s
๐˜“๐˜ข๐˜ด๐˜ต ๐˜ž๐˜ช๐˜ฏ๐˜ต๐˜ฆ๐˜ณ, 1978
๐˜“๐˜ข๐˜ด๐˜ต ๐˜ž๐˜ช๐˜ฏ๐˜ต๐˜ฆ๐˜ณ, 1978
๐˜“๐˜ฆ๐˜จ๐˜ฆ๐˜ฏ๐˜ฅ, 1980s
๐˜Ž๐˜ณ๐˜ฐ๐˜ธ๐˜ต๐˜ฉ, 1980s

๐ŸŒดPlease visit us at   at Booth D16 and Meridians M2.Tina Kim Galleryโ€™s booth features work by  ,  ,  ,  ,  ,  ,  ,  ,  ,...
12/04/2024

๐ŸŒดPlease visit us at at Booth D16 and Meridians M2.

Tina Kim Galleryโ€™s booth features work by , , , , , , , , , , , , , , , and .

In the Meridians sector, we are excited to present an installation featuring a group of large-scale tapestries from the 1980s by the pioneering Korean fiber artist Lee ShinJa. In 2023, these tapestries were highlighted in her highly anticipated retrospective at the National Museum of Modern and Contemporary Art (MMCA) in Gwacheon, Korea.

Tap the link in our bio to explore our Art Basel Miami Beach presentation.

Art Basel Miami Beach 2024
VIP Preview Days: Dec 4โ€“5
Public Days: Dec 6โ€“8
Miami Beach Convention Center
Booth D16 & Meridians M2



Image: Installation view of Tina Kim Gallery | Booth D16 & Meridians M2 at Art Basel Miami Beach 2024. Courtesy of Tina Kim Gallery. Photos by Charles Roussel.

๐˜—๐˜ข๐˜ค๐˜ช๐˜ต๐˜ข ๐˜ˆ๐˜ฃ๐˜ข๐˜ฅ: ๐˜—๐˜ฉ๐˜ช๐˜ญ๐˜ช๐˜ฑ๐˜ฑ๐˜ช๐˜ฏ๐˜ฆ ๐˜—๐˜ข๐˜ช๐˜ฏ๐˜ต๐˜ฆ๐˜ณ is now open at the Metropolitan Museum of Manila. On view through March 30, 2025, the ex...
12/03/2024

๐˜—๐˜ข๐˜ค๐˜ช๐˜ต๐˜ข ๐˜ˆ๐˜ฃ๐˜ข๐˜ฅ: ๐˜—๐˜ฉ๐˜ช๐˜ญ๐˜ช๐˜ฑ๐˜ฑ๐˜ช๐˜ฏ๐˜ฆ ๐˜—๐˜ข๐˜ช๐˜ฏ๐˜ต๐˜ฆ๐˜ณ is now open at the Metropolitan Museum of Manila. On view through March 30, 2025, the exhibition takes a closer look at the artistโ€™s formative years from 1976, when she began studying at the Corcoran School of Art in Washington, D.C., to 1986, the final year she was based in Manila after returning to the Philippines earlier that decade. The works she produced both at home and overseas during this period chart her growing confidence as a painter, particularly in her signature use of vibrant colors.

Though Pacita spent time in over 60 countries during her lifetime, her native country remained deeply influential to her practice. Drawn entirely from local collections, this exhibition marks a homecoming of sorts for the artist, whose posthumous recognition has seen her work exhibited in biennales and solo exhibitions around the world.

โ€œโ€ฆIโ€™d rather be known as a Filipino painter, wherever I am.โ€ โ€“Pacita Abad.



Shown here:
2. Pacita Abad, ๐˜š๐˜ฆ๐˜ญ๐˜ง-๐˜ฑ๐˜ฐ๐˜ณ๐˜ต๐˜ณ๐˜ข๐˜ช๐˜ต, 1985. Courtesy the Metropolitan Museum of Manila Collection
3. Pacita Abad by Willa Zakin. Courtesy of Pacita Abad Art Estate
4-11. Installation views of ๐˜—๐˜ข๐˜ค๐˜ช๐˜ต๐˜ข ๐˜ˆ๐˜ฃ๐˜ข๐˜ฅ: ๐˜—๐˜ฉ๐˜ช๐˜ญ๐˜ช๐˜ฑ๐˜ฑ๐˜ช๐˜ฏ๐˜ฆ ๐˜—๐˜ข๐˜ช๐˜ฏ๐˜ต๐˜ฆ๐˜ณ at the Metropolitan Museum of Manila.

Last Chance โ€ข Today is the last day to see work by  at  in Monticello, NY. Alongside work by Alma Allen and Johnny Abrah...
11/30/2024

Last Chance โ€ข Today is the last day to see work by at in Monticello, NY. Alongside work by Alma Allen and Johnny Abrahams, Ballianoโ€™s meticulous paintingsโ€”which at the outset appear clean and precise, but on closer inspection reveal scrapes and scratches that disclose the sculptural, wooden surface underneath the layers of paintโ€”demand close viewing and attention amidst the noise of the digital age.

Chung Seoyoung is participating in the 11th Asia Pacific Triennial of Contemporary Art (APT11) at Queensland Art Gallery...
11/27/2024

Chung Seoyoung is participating in the 11th Asia Pacific Triennial of Contemporary Art (APT11) at Queensland Art Gallery | Gallery of Modern Art (QAGOMA). On view from November 30, 2024 to April 27, 2025, the triennial brings together over seventy artists and collectives from thirty-plus countries, showcasing diverse perspectives across Australia, Asia, and the Pacific.

Chung is known for examining the relationship between language and art through unconventional materials, from ordinary, everyday objects to raw industrial matter. On view at APT11 is her sculpture ๐˜‰๐˜ญ๐˜ฐ๐˜ฐ๐˜ฅ, ๐˜ง๐˜ญ๐˜ฆ๐˜ด๐˜ฉ, ๐˜ฃ๐˜ฐ๐˜ฏ๐˜ฆ (2019), which features a wooden signboard engraved with the words โ€œBLOOD FLESH BONEโ€โ€”the โ€œsculpturalโ€ elements that comprise human life. Accompanying the sculpture are ten โ€œtext drawingsโ€โ€”poetic, fragmentary sentences handwritten in Korean, English, and Chinese on ceramic sheets. Taken together, these works are emblematic of the material reality and sense of absurdism that are central to Chungโ€™s practice.

๐Ÿ“…On Sunday, December 1 from 1:30โ€“2:00 PM (Australian EST), the artist will give a talk on ๐˜‰๐˜ญ๐˜ฐ๐˜ฐ๐˜ฅ, ๐˜ง๐˜ญ๐˜ฆ๐˜ด๐˜ฉ, ๐˜ฃ๐˜ฐ๐˜ฏ๐˜ฆ (2019) and her broader practice at QAGOMA. The talk is free and open to the public.

#์ •์„œ์˜

โ€”
Shown here:
1-3: ๐˜‰๐˜ญ๐˜ฐ๐˜ฐ๐˜ฅ, ๐˜ง๐˜ญ๐˜ฆ๐˜ด๐˜ฉ, ๐˜ฃ๐˜ฐ๐˜ฏ๐˜ฆ (2019). Image courtesy of Barakat Contemporary and artist. Photo: Jeon Byung Cheol.
4: Chung Seoyoung, 2023. Image courtesy of Tina Kim Gallery and artist. Photo: Charles Roussel.

๐˜š๐˜ฐ๐˜ญ๐˜ช๐˜ต๐˜ถ๐˜ฅ๐˜ฆ ๐˜ฐ๐˜ง ๐˜š๐˜ช๐˜ญ๐˜ฆ๐˜ฏ๐˜ค๐˜ฆ๐˜ด by Gimhongsok is featured at the 2024 Bangkok Art Biennale, on view at the Bangkok Art and Culture ...
11/23/2024

๐˜š๐˜ฐ๐˜ญ๐˜ช๐˜ต๐˜ถ๐˜ฅ๐˜ฆ ๐˜ฐ๐˜ง ๐˜š๐˜ช๐˜ญ๐˜ฆ๐˜ฏ๐˜ค๐˜ฆ๐˜ด by Gimhongsok is featured at the 2024 Bangkok Art Biennale, on view at the Bangkok Art and Culture Center through February 25, 2025.ย 

Gimhongsok (b. 1964) is known for his multidisciplinary practice that uses humor and satire to critique institutions, power structures, and social hierarchies.

The installation comprises three hyperrealistic sculptures of human figures wearing cartoonish animal masks and arranged in various states of exhaustion. These anonymized figures are based on local Thai workersโ€”a motorbike delivery driver, supermarket cashier, and bus driverโ€”whom the artist interviewed in his research. Gim stages the sculptures as performing bodies, quietly demonstrating how the act of restingโ€”ever-elusive under the demands of capitalismโ€”can be a covert form of protest.



Shown here:
๐Ÿ“ธ Installation views of ๐˜š๐˜ฐ๐˜ญ๐˜ช๐˜ต๐˜ถ๐˜ฅ๐˜ฆ ๐˜ฐ๐˜ง ๐˜š๐˜ช๐˜ญ๐˜ฆ๐˜ฏ๐˜ค๐˜ฆ๐˜ด by Gimhongsok at the 2024 Bangkok Art Biennale, via

Works by Kang Seok Ho are on view in the group exhibition, ๐˜Š๐˜ญ๐˜ฐ๐˜ถ๐˜ฅ๐˜บ 3๐˜ฑ๐˜ฎ, at the Sungkok Art Museum in Seoul from November ...
11/14/2024

Works by Kang Seok Ho are on view in the group exhibition, ๐˜Š๐˜ญ๐˜ฐ๐˜ถ๐˜ฅ๐˜บ 3๐˜ฑ๐˜ฎ, at the Sungkok Art Museum in Seoul from November 7 โ€“ December 8, 2024.ย 

Kang Seok Ho (1971-2021) often referenced found images and took his own photographs, which were then cropped and enlarged to an intimate and intimidating scale on his canvases. Faces and distinguishable features are cut out of the image, while formal elements become the focus. Through an emphasis on pattern and texture, Kangโ€™s paintings remove recognizable elements to abstract the human figure, blurring the line between portrait and landscape. By transforming the aesthetics of daily life, Kang prompts viewers to reorganize the composition based on their own imaginations.ย 

๐˜Š๐˜ญ๐˜ฐ๐˜ถ๐˜ฅ๐˜บ 3๐˜ฑ๐˜ฎ highlights trends in Korean figurative art in the early 21st centuryโ€”a rapidly shifting period when artists began to commonly utilize digital cameras. The nine artists included in the exhibition stray from hyperrealism and create work that straddles the line between photography and painting, embracing photographyโ€™s subjectivity. Rather than being strictly documentary, the artists view photography as a device which alters conventional reality and constructs new narratives.

#๊ฐ•์„ํ˜ธ #์„ฑ๊ณก๋ฏธ์ˆ ๊ด€

๐Ÿ“ธ Shown here:ย 
๐˜Š๐˜ญ๐˜ฐ๐˜ถ๐˜ฅ๐˜บ 3๐˜ฑ๐˜ฎ, Exhibition installation view, 7 Nov โ€“ 8 Dec 2024, Sungkok Art Museum
Photo by studio B(Jeon Byung Chul), Courtesy of Artist and Cloudy 3pm.

๐˜๐˜ข ๐˜Š๐˜ฉ๐˜ฐ๐˜ฏ๐˜จ-๐˜๐˜บ๐˜ถ๐˜ฏ: 50 ๐˜ ๐˜ฆ๐˜ข๐˜ณ๐˜ด ๐˜ฐ๐˜ง ๐˜Š๐˜ฐ๐˜ฏ๐˜ซ๐˜ถ๐˜ฏ๐˜ค๐˜ต๐˜ช๐˜ฐ๐˜ฏ is now open at   and marks the 50th anniversary of the artistโ€™s celebrated ๐˜Š๐˜ฐ๐˜ฏ๐˜ซ๐˜ถ๐˜ฏ...
11/13/2024

๐˜๐˜ข ๐˜Š๐˜ฉ๐˜ฐ๐˜ฏ๐˜จ-๐˜๐˜บ๐˜ถ๐˜ฏ: 50 ๐˜ ๐˜ฆ๐˜ข๐˜ณ๐˜ด ๐˜ฐ๐˜ง ๐˜Š๐˜ฐ๐˜ฏ๐˜ซ๐˜ถ๐˜ฏ๐˜ค๐˜ต๐˜ช๐˜ฐ๐˜ฏ is now open at and marks the 50th anniversary of the artistโ€™s celebrated ๐˜Š๐˜ฐ๐˜ฏ๐˜ซ๐˜ถ๐˜ฏ๐˜ค๐˜ต๐˜ช๐˜ฐ๐˜ฏ series.

In this signature series, Ha rejected the central premise of painting entirely, using rudimentary hand-made tools to push and scrape his paint through the back of burlap fabric rather than daub and spread onto the surface. The works were first developed in the 1970s, a tumultuous time of rapid industrialization and urbanization in Korea during which a military regime imposed strict censorship and anti-communist governance.

Without the freedom to protest aloud, Ha turned to abstraction as a form of silent demonstrationโ€”using the physical method of his practice to express a deeply felt resistance that could not be stated explicitly.

Highlighted here, Haโ€™s contemporary ๐˜Š๐˜ฐ๐˜ฏ๐˜ซ๐˜ถ๐˜ฏ๐˜ค๐˜ต๐˜ช๐˜ฐ๐˜ฏ works are highly gestural, vivid, and expressive, evolving the artistโ€™s continued devotion to experimentation and inquiry in painting.

#ํ•˜์ข…ํ˜„ #๋‹จ์ƒ‰ํ™” #์ „์‹œ #ํ‹ฐ๋‚˜ํ‚ด๊ฐค๋Ÿฌ๋ฆฌ

๐Ÿ“ธ Shown here:
๐˜Š๐˜ฐ๐˜ฏ๐˜ซ๐˜ถ๐˜ฏ๐˜ค๐˜ต๐˜ช๐˜ฐ๐˜ฏ 24-20, 2024, oil on h**p cloth.ย 
๐˜Š๐˜ฐ๐˜ฏ๐˜ซ๐˜ถ๐˜ฏ๐˜ค๐˜ต๐˜ช๐˜ฐ๐˜ฏ 24-17, 2024, oil on h**p cloth.ย 
๐˜Š๐˜ฐ๐˜ฏ๐˜ซ๐˜ถ๐˜ฏ๐˜ค๐˜ต๐˜ช๐˜ฐ๐˜ฏ 24-25, 2024, oil on h**p cloth.ย 
๐˜Š๐˜ฐ๐˜ฏ๐˜ซ๐˜ถ๐˜ฏ๐˜ค๐˜ต๐˜ช๐˜ฐ๐˜ฏ 22-84, 2024, oil on h**p cloth.ย 
Installation views of ๐˜๐˜ข ๐˜Š๐˜ฉ๐˜ฐ๐˜ฏ๐˜จ-๐˜๐˜บ๐˜ถ๐˜ฏ: 50 ๐˜ ๐˜ฆ๐˜ข๐˜ณ๐˜ด ๐˜ฐ๐˜ง ๐˜Š๐˜ฐ๐˜ฏ๐˜ซ๐˜ถ๐˜ฏ๐˜ค๐˜ต๐˜ช๐˜ฐ๐˜ฏ (November 7โ€”December 21, 2024) at Tina Kim Gallery. Photo by Hyunjung Rhee.

Swipe to see works by Jennifer Tee on view at ๐˜–๐˜ง ๐˜”๐˜ฐ๐˜ถ๐˜ฏ๐˜ต๐˜ข๐˜ช๐˜ฏ๐˜ด ๐˜ข๐˜ฏ๐˜ฅ ๐˜š๐˜ฆ๐˜ข๐˜ด, the third edition of the Lahore Biennale (LB03) in ...
11/08/2024

Swipe to see works by Jennifer Tee on view at ๐˜–๐˜ง ๐˜”๐˜ฐ๐˜ถ๐˜ฏ๐˜ต๐˜ข๐˜ช๐˜ฏ๐˜ด ๐˜ข๐˜ฏ๐˜ฅ ๐˜š๐˜ฆ๐˜ข๐˜ด, the third edition of the Lahore Biennale (LB03) in Lahore, Pakistan.

Born in 1973 in Arnhem, Netherlands, Tee is known for her interdisciplinary practice that examines the cultural, psychological, and sociopolitical resonances in materiality as they relate to the history of migration and colonialism. These themes are explored in her decade-long project of ๐˜›๐˜ข๐˜ฎ๐˜ฑ๐˜ข๐˜ฏ collages made from pressed tulips, with motifs taken from traditional tampan cloths that were exchanged during important rites of passage in the Lampung province of Indonesia. The predominantly featured motif of these cloths is a ship with a mast that branches out into a tree of lifeโ€”evoking human souls continuing onto new lives, a reference with particular interest to Tee, whose father migrated with his family from Indonesia to the Netherlands on a ship in the 1950s.

Also on view at LB03 is ๐˜ˆ๐˜ฏ๐˜ค๐˜ฆ๐˜ด๐˜ต๐˜ณ๐˜ข๐˜ญ ๐˜š๐˜ต๐˜ณ๐˜ถ๐˜ค๐˜ต๐˜ถ๐˜ณ๐˜ฆ, ๐˜‹๐˜ฆ๐˜ฆ๐˜ฑ ๐˜“๐˜ช๐˜ง๐˜ฆ, a pineapple-cloth tapestry from a body of work originally developed for Teeโ€™s debut solo exhibition at Tina Kim Gallery in 2024. Developed from a sustainable textile made from pineapple leaves gathered in the Philippines, these hanging works are deemed โ€œsessile beingsโ€ by the artistโ€”organisms embedded like trees in one placeโ€”echoing Teeโ€™s broader investigation into ecological history beyond human life.

Shown here: Installation views of Jennifer Teeโ€™s ๐˜›๐˜ข๐˜ฎ๐˜ฑ๐˜ข๐˜ฏ ๐˜›๐˜ณ๐˜ฆ๐˜ฆ ๐˜ฐ๐˜ง ๐˜“๐˜ช๐˜ง, ๐˜•๐˜ข๐˜จ๐˜ข~๐˜•๐˜ข๐˜จ๐˜ช๐˜ฏ๐˜ช, ๐˜›๐˜ข๐˜ฎ๐˜ฑ๐˜ข๐˜ฏ ๐˜š๐˜ฐ๐˜ฏ๐˜จ ๐˜‰๐˜ช๐˜ณ๐˜ฅ๐˜ด, and ๐˜ˆ๐˜ฏ๐˜ค๐˜ฆ๐˜ด๐˜ต๐˜ณ๐˜ข๐˜ญ ๐˜š๐˜ต๐˜ณ๐˜ถ๐˜ค๐˜ต๐˜ถ๐˜ณ๐˜ฆ, ๐˜‹๐˜ฆ๐˜ฆ๐˜ฑ ๐˜“๐˜ช๐˜ง๐˜ฆ (all 2024) at the Lahore Biennale: Of Mountains and Seas.

๐Ÿ“ธ Image credits
1: Akbari Mahal
2,3, and 5: Shalimar Hamam
4: John Tain

Opening tonight โ€ข Ha Chong-Hyun: 50 Years of ConjunctionPlease join us at the gallery this evening for the opening recep...
11/07/2024

Opening tonight โ€ข Ha Chong-Hyun: 50 Years of Conjunction

Please join us at the gallery this evening for the opening reception of โ€œHa Chong-Hyun: 50 Years of Conjunction.โ€

A pivotal figure in the Dansaekhwa movement, Ha Chong-Hyun (b. 1935) is perhaps best known for his โ€œConjunctionโ€ series, which he began in the mid-1970s and continues to this day. The essential act of these paintings is the pushing through of oil paint from the back to the front of the artwork, so that the weave and texture of the burlap fabric becomes inextricably interwoven (or โ€œconjoinedโ€) with the oil.

Haโ€™s use of burlap originated from resource constraintsโ€”burlap was an easily accessible fabric, used in army sandbags and American grain shipments after the Korean Warโ€”and from his explicit desire to work with โ€œobjects from the ruins of warโ€. Letting the properties of the material dictate his gestures, rather than the reverse, Ha made the first โ€œConjunctionโ€ paintings by stretching h**p over the four legs of an upturned table, and pushing paint through the loose weave of the fabric to bubble and drip over the roughly textured fibers on the other side.

On view until December 21, the exhibition will highlight major works from the seriesโ€”including recent and new worksโ€”and will celebrate the artistโ€™s enduring exploration of paintingโ€™s material possibilities.


โ€œ50 Years of Conjunctionโ€
November 7โ€“December 21, 2024
| 525 W 21st Street
Photo: Hyunjung Rhee

#ํ‹ฐ๋‚˜ํ‚ด๊ฐค๋Ÿฌ๋ฆฌ #ํ•˜์ข…ํ˜„ #๋‹จ์ƒ‰ํ™” #์ „์‹œ #๋‰ด์š•

Work by Maia Ruth Lee () is currently on view at Prospect.6: ๐˜›๐˜ฉ๐˜ฆ ๐˜๐˜ถ๐˜ต๐˜ถ๐˜ณ๐˜ฆ ๐˜๐˜ด ๐˜—๐˜ณ๐˜ฆ๐˜ด๐˜ฆ๐˜ฏ๐˜ต, ๐˜›๐˜ฉ๐˜ฆ ๐˜๐˜ข๐˜ณ๐˜ฃ๐˜ช๐˜ฏ๐˜จ๐˜ฆ๐˜ณ ๐˜๐˜ด ๐˜๐˜ฐ๐˜ฎ๐˜ฆ, running throu...
11/06/2024

Work by Maia Ruth Lee () is currently on view at Prospect.6: ๐˜›๐˜ฉ๐˜ฆ ๐˜๐˜ถ๐˜ต๐˜ถ๐˜ณ๐˜ฆ ๐˜๐˜ด ๐˜—๐˜ณ๐˜ฆ๐˜ด๐˜ฆ๐˜ฏ๐˜ต, ๐˜›๐˜ฉ๐˜ฆ ๐˜๐˜ข๐˜ณ๐˜ฃ๐˜ช๐˜ฏ๐˜จ๐˜ฆ๐˜ณ ๐˜๐˜ด ๐˜๐˜ฐ๐˜ฎ๐˜ฆ, running through February 2, 2025.

In her installation ๐˜›๐˜ฉ๐˜ฆ ๐˜Š๐˜ฐ๐˜ฏ๐˜ท๐˜ฆ๐˜บ๐˜ฐ๐˜ณ, Lee presents a moving conveyor belt that carries sculptures and objects in continuous motion, drawing from the transient nature of airport baggage claim areas. Inspired by migrant experiences and the psychological tensions of surveillance, Leeโ€™s work includes bound luggage prototypes modeled after the belongings of Nepali migrant workers. The conveyorโ€™s clockwise movement resonates as a meditative cycle, evoking a spiritual journey that reflects on the silent migrations shaping our world.

Prospect.6 (), the longest-running, citywide contemporary art triennial, brings together fifty-one artists across twenty-plus venues and unconventional spaces throughout New Orleans. Curated by Susan Brennan Co-Artistic Directors Miranda Lash and Ebony G. Patterson, the exhibition highlights newly commissioned, large-scale works that transform both galleries and public spaces with ambitious installations.

Maia Ruth Lee
๐˜›๐˜ฉ๐˜ฆ ๐˜Š๐˜ฐ๐˜ฏ๐˜ท๐˜ฆ๐˜บ๐˜ฐ๐˜ณ, 2024
At P.6 NOLA / Nov 2, 2024โ€“Feb 2, 2025
Ford Motor Plant
7200 N Peters St, Arabi, LA

Hours:
Mondayโ€“Tuesday, Closed
Wednesdayโ€“Sunday, 11 AMโ€“5 PM


โ€”

Shown here: Installation view of Maia Ruth Lee, The Conveyor (2024), at Prospect.6: The Future Is Present, The Harbinger Is Home, New Orleans. Photo by Hyunjung Rhee. Image courtesy of the artist and Tina Kim Gallery.

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