06/17/2023
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At the CSFA, Clyfford Still introduced Schueler to the work of J.M.W. Turner whose use of light and color to capture the fleeting effects of the sky deeply influenced him. Similar to Turner, Schueler’s skyscapes would blur the line between abstraction and representation using depth and luminosity to capture an emotive record, visualizing his experiences, including those of World War II. After living in NYC, Schueler relocated to Scotland where the ever-changing skies were a source of inspiration as he pursued creating “a painting most like nature”. Schueler saw his work as a means of conveying the emotional and spiritual dimensions of the natural world. Subsequently, he would favor minimal shapes, almost eliminating figuration, allowing for a
viewer's personal associations to shape their experience. These “Skyscapes” are the defining aspect of his oeuvre; an exploration of color and emotion, an evocation of nature.
Jon Schueler (1916-1992): Moving to NYC in 1951 to join Clifford Still, Schueler was a prominent member of the second generation of Abstract Expressionists shown at the Stable Gallery and Leo Castelli Gallery. In 1975 his work would be featured at the Cleveland Museum of Art in an exhibition with Milton Avery and Mark Rothko. Selected Collections include Addison Gallery of American Art, Andover, MA; Albright-Knox Art Gallery, Buffalo, NY; Baltimore Museum of Art, MD; Berkeley Art Museum and Pacific Archive, Berkeley, CA; City Art Centre, Edinburgh, Scotland; Gallery of Modern Art, Glasgow, Scotland; Madison Museum of Contemporary Art, Madison, WI; Mallaig Heritage Centre, Mallaig, Scotland; The McManus: Dundee's Art Gallery and Museum, Dundee, Scotland; Mills College Art Museum, Oakland, CA; National Academy Museum, New York, NY; San Francisco Museum of Modern Art, CA; Scottish National Gallery of Modern Art, Edinburgh, Scotland; Whitney Museum of American Art, New York, NY.