04/13/2026
Looking back to histories of abstraction that predate modern art, artist Kamrooz Aram ()’s work references art forms that have often been characterized by Western art historians as merely decorative. Ceramics, carpets, architectural painting, and folding screens all have rich and complex traditions that the artist sees as part of the histories of painting. For the 2026 , Aram unites the works presented by contributing to the design of the platform and creating a painted wall he has likened to a “monochromatic mural.”
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Revisando las historias de la abstracción que preceden al arte moderno, la obra de Kamrooz Aram hace referencia a formas de arte que los historiadores occidentales con frecuencia han caracterizado como meramente decorativas. La cerámica, los tapices, la pintura arquitectónica y los biombos tienen tradiciones ricas y complejas que el artista interpreta como parte de la historia de la pintura. Para la Bienal del Whitney, Aram ha unido las obras exhibidas aquí contribuyendo al diseño de la plataforma y creando una pintura sobre una pared que denominó un “mural monocromático”.
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Installation view of Whitney Biennial 2026 (Whitney Museum of American Art, March 8–August 2026). Kamrooz Aram, Arabesque Composition (Archipelago), 2025. Photo: Gus Powell
Installation view of Whitney Biennial 2026 (Whitney Museum of American Art, New York, March 8–August 23, 2026). From left to right: Kamrooz Aram, Arabesque Composition (Archipelago), 2025; Kamrooz Aram, Requiem for Perpetual Defeat, 2026; Kamrooz Aram, Beneath the Ruins, 2024. Photo: Ron Amstutz