Fridman Gallery

Fridman Gallery —NYC—
Hana Yilma Godine
A Hair Salon in Addis Ababa
Opening January 19

—BEACON, NY—
Kazumi Tanaka
Beyond Silence
Opening February 12

Founded in 2013, and located on Manhattan's Lower East Side, Fridman Gallery champions a diverse array of international-contemporary artists and showcases avant-garde exhibitions and performances in various media, including visual and sound art.

Congratulations to Dindga McCannon on her inclusion in “Acts of Art in Greenwich Village” at Hunter College’s Lebsdorf G...
02/13/2025

Congratulations to Dindga McCannon on her inclusion in “Acts of Art in Greenwich Village” at Hunter College’s Lebsdorf Gallery! The exhibition was recently reviewed in 𝕿𝖍𝖊 𝕹𝖊𝖜 𝖄𝖔𝖗𝖐 𝕿𝖎𝖒𝖊𝖘—swipe to read more.

Dindga McCannon grew up in Harlem and began her career studying under Harlem Renaissance artists such as Jacob Lawrence, Charles Alston, Richard Mayhew, and Al Loving at the Art Students League of New York and the Robert Blackburn Printmaking Workshop. She went on to become a pillar of the influential African-American art collective Weusi, and later a co-founder (with Faith Ringgold) of Where We At, a groundbreaking collective affiliated with the Black Arts Movement. 

Combining painting, printmaking, sewing, and non-traditional materials - personal objects, photographs, and other ephemera - made McCannon an early influencer of found-object quilting. Her works focus on the stories of women - iconic public figures, unknown heroines, family, and friends who shape her vibrant universe. 



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Acts of Art in Greenwich Village
On View through March 29, 2025
Curated by Howard Singerman, Phyllis and Joseph Caroff Professor of Art History, with Katie Hood Morgan, Chief Curator and Deputy Director, and with MA and MFA students enrolled in the Advanced Curatorial Certificate Seminar. 

Images:
1. Dindga McCannon, Pat is Pregnant, 1977, Acrylic and mixed media on canvas.
4. Dindga McCannon, Afrodesia at Three, 1970s, Acrylic on canvas.
5. Installation image courtesy of Bertha and Karl Leubsdorf Gallery.

Today celebrate Remy Jungmann on being awarded a spot in 𝐓𝐡𝐞 𝐇𝐞𝐫𝐦𝐢𝐭𝐚𝐠𝐞’𝐬 𝟐𝟎𝟐𝟓 𝐫𝐞𝐬𝐢𝐝𝐞𝐧𝐜𝐲 𝐜𝐲𝐜𝐥𝐞! Selected by the National ...
02/12/2025

Today celebrate Remy Jungmann on being awarded a spot in 𝐓𝐡𝐞 𝐇𝐞𝐫𝐦𝐢𝐭𝐚𝐠𝐞’𝐬 𝟐𝟎𝟐𝟓 𝐫𝐞𝐬𝐢𝐝𝐞𝐧𝐜𝐲 𝐜𝐲𝐜𝐥𝐞! Selected by the National Curatorial Council, The Hermitage’s core program supports mid-career artists making an impact in their field, offering dedicated time in a retreat setting. ⏭️➰ Swipe to learn more about Jungermann’s groundbreaking artistic practice. 
jungerman

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Images:
1. Remy Jungmann, Pimba AISA II, 2023, Cotton textile, kaolin (pima) on wood panel (plywood)
2. Photo of Remy Jungerman by Aatjan Rende.
3/4. Details of Remy Jungmann, Pimba AISA II.

𝕊ℙ𝔸𝕋𝕀𝔸𝕃 𝕃𝕀𝕊𝕋𝔼ℕ𝕀ℕ𝔾 ℙ𝔼ℝ𝔽𝕆ℝ𝕄𝔸ℕℂ𝔼 – 𝕋𝕆𝕄𝕆ℝℝ𝕆𝕎Join us Sunday, Feb 9, for a special performance by Tobias Fandel + MAYSUN! Door...
02/08/2025

𝕊ℙ𝔸𝕋𝕀𝔸𝕃 𝕃𝕀𝕊𝕋𝔼ℕ𝕀ℕ𝔾 ℙ𝔼ℝ𝔽𝕆ℝ𝕄𝔸ℕℂ𝔼 – 𝕋𝕆𝕄𝕆ℝℝ𝕆𝕎

Join us Sunday, Feb 9, for a special performance by Tobias Fandel + MAYSUN! Doors at 7:30 PM, show at 8. Part of New Ear’s 𝕊𝕡𝕒𝕥𝕚𝕒𝕝 𝕃𝕚𝕤𝕥𝕖𝕟𝕚𝕟𝕘 series, this program explores sound distribution and localization as key compositional elements. Tickets available through the link 🔗 in our bio or at the door 🚪 ❤️.

🔊 The evening’s program features 🔊

𝔽𝕠𝕝𝕕𝕚𝕟𝕘 𝕊𝕡𝕒𝕔𝕖𝕤 𝕓𝕪 𝕄𝔸𝕐𝕊𝕌ℕ
This performance uses the room as the main sound source, capturing and reprocessing it to create layers that fold and shift within the space itself. Percussion and additional processing further shape these sounds, resulting in an improvised, octophonics composition that blends contemplative and experimental soundscapes.

𝕣𝕖𝕥𝕚𝕔𝕦𝕝𝕒𝕥𝕚𝕠𝕟 𝕓𝕪 𝕋𝕠𝕓𝕚𝕒𝕤 𝕄𝕒𝕟𝕕𝕖𝕝
This performance is inspired by the homonymous surface-finishing technique for decorative metal objects. With heat being applied selectively, the alloy beneath the surface metal turns liquid and starts to deform the surface from within… 𝘍𝘰𝘳 𝘮𝘦, 𝘵𝘩𝘪𝘴 𝘵𝘦𝘤𝘩𝘯𝘪𝘲𝘶𝘦 𝘴𝘦𝘳𝘷𝘦𝘴 𝘢𝘴 𝘢 𝘮𝘦𝘵𝘢𝘱𝘩𝘰𝘳 𝘧𝘰𝘳 𝘴𝘩𝘢𝘱𝘪𝘯𝘨 𝘵𝘩𝘦 𝘮𝘢𝘵𝘦𝘳𝘪𝘢𝘭 𝘰𝘧 𝘮𝘺 𝘪𝘯𝘵𝘦𝘳𝘷𝘪𝘳𝘵𝘶𝘢𝘭 𝘴𝘰𝘶𝘯𝘥 𝘢𝘤𝘵𝘪𝘷𝘢𝘵𝘪𝘰𝘯—𝘴𝘪𝘯𝘤𝘦 𝘴𝘰 𝘮𝘢𝘯𝘺 𝘵𝘩𝘪𝘯𝘨𝘴 𝘪𝘯 𝘭𝘪𝘧𝘦 𝘤𝘢𝘯 𝘰𝘯𝘭𝘺 𝘣𝘦𝘤𝘰𝘮𝘦 𝘷𝘪𝘴𝘪𝘣𝘭𝘦, 𝘢𝘧𝘵𝘦𝘳 𝘱𝘳𝘰𝘧𝘰𝘶𝘯𝘥 𝘤𝘩𝘢𝘯𝘨𝘦 𝘧𝘳𝘰𝘮 𝘸𝘪𝘵𝘩𝘪𝘯 𝘩𝘢𝘴 𝘩𝘢𝘱𝘱𝘦𝘯𝘦𝘥.
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Image 1: MAYSUN photographed by Chine Tai
Image 2: Tobias Fandedl

Fridman Gallery presents “Cities and Eyes”, a group exhibition curated by Anouk Focquier, opening Friday, February 28, 2...
02/06/2025

Fridman Gallery presents “Cities and Eyes”, a group exhibition curated by Anouk Focquier, opening Friday, February 28, 2025.

The exhibition features seven media works exploring urban environments through a variety of lenses. The title ‘Cities and Eyes’ is inspired by the book ‘Le Città Invisibili’ written by Italian author Italo Calvino in 1972. ‘Le Città Invisibili’ was originally published by Giulio Einaudi Editore.

Featured Artists: Nicky Assmann + Rotor (NL), Younes Baba Ali (MA/FR/BE), Li Binyuan (CN), Seth Cluett (USA), Alice Brunnquell (FR) + Pierre Coric (BE), Sky Hopinka (USA), Laurie-Anne Jaubert (FR), Diego Lama (PE/BE) and Jonas Vansteenkiste (BE).

Explore public programming opportunities throughout the exhibition via the Cities and Eyes link in our bio.

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Images:
Diego Lama, Theme for a Western Imaginary, 2020, Sculpture and vinyl record, 3’00”
Flyer by Anouk Focquier

𝓜𝔂 𝓜𝓮𝓶𝓸𝓻𝔂 𝓲𝓼 𝓪 𝓜𝓪𝓬𝓱𝓲𝓷𝓮 featuring new works by Ambrose Rhapsody Murray is on view at the University of Tennessee Downtown...
02/05/2025

𝓜𝔂 𝓜𝓮𝓶𝓸𝓻𝔂 𝓲𝓼 𝓪 𝓜𝓪𝓬𝓱𝓲𝓷𝓮 featuring new works by Ambrose Rhapsody Murray is on view at the University of Tennessee Downtown Gallery through February 22, 2025! Don’t miss exciting programming this week, including an artist talk this evening and a gallery reception on Friday.

Events:
𝐖𝐞𝐝𝐧𝐞𝐬𝐝𝐚𝐲, 𝐅𝐞𝐛𝐫𝐮𝐚𝐫𝐲 𝟓, 𝟓:𝟑𝟎 𝐏𝐌
Ambrose Rhapsody Murray in Conversation with Joe Tolbert  
📍 In person | McCarty Auditorium | A+A 109
💻 Join virtually | link in bio

𝐅𝐫𝐢𝐝𝐚𝐲, 𝐅𝐞𝐛𝐫𝐮𝐚𝐫𝐲 𝟕, 𝟓–𝟗 𝐏𝐌
First Friday with Ambrose Rhapsody Murray  
🥂 Free and open to the public

“My process explores our bodies as sites of historical memory and mystical potential. Through sewing, painting, and assemblage, I visualize the layers of story within our flesh and fibers.” – Ambrose Rhapsody Murray 🧡🧶🪞

@01.ambrose


My Memory is a Machine
University of Tennessee Downtown Gallery
January 3 — February 22, 2025
106 S. Gay Street, Knoxville, TN 37902

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Installation images courtesy of the University of Tennessee Downtown Gallery. Headshot by Toni Esposito.

🌪️ OPENING THIS SATURDAY 🌪️Please join us on February 8 at 4 PM for an artist talk with Johann Diedrick, Temar France an...
02/04/2025

🌪️ OPENING THIS SATURDAY 🌪️

Please join us on February 8 at 4 PM for an artist talk with Johann Diedrick, Temar France and Alex Smith, held in conjunction with the opening reception of Johann Diedrick’s 4-channel audio-visual installation, [the hurricanes in your mouth]. RSVP in our bio.

Johann Diedrick and collaborators weave together Caribbean cosmology, the histories of pirate radio, and Jamaican sound system culture to assemble vibrational architectures and build shelter from the storm. The performance focuses on the wind, confronting it as a destructive climatological force, while also embracing it as a creative world-maker. Throughout the performance, wind is channeled through the body via the mouth to propel voice, conjure speech, and disperse poetics.

Johann Dietrich 
[ the hurricanes in your mouth ]
February 8 – 22, 2025

🌟 February at Fridman Gallery 🌟 is here! Swipe ⏭️ to explore upcoming exhibitions and performances this month, and stay ...
02/01/2025

🌟 February at Fridman Gallery 🌟 is here!

Swipe ⏭️ to explore upcoming exhibitions and performances this month, and stay tuned for detailed event descriptions in the weeks ahead.


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Fridman Gallery is honored to present Will Maxen’s debut solo exhibition with the gallery, “Watch as We Float.” Join us ...
01/31/2025

Fridman Gallery is honored to present Will Maxen’s debut solo exhibition with the gallery, “Watch as We Float.” Join us for the Opening Reception on Wednesday, March 12, from 6–8 PM, and an Artist Talk on Saturday, March 15, at 5 PM.

𝓦𝓪𝓽𝓬𝓱 𝓪𝓼 𝓦𝓮 𝓕𝓵𝓸𝓪𝓽 features a new series of 14 paintings examining ephemerality and durability of memory. Maxen draws from traditions of landscape painting and contemporary figuration to create abstract fields of rich color and translucent bodies, recontextualizing and renegotiating the relationship between figure and ground. Created in proximity to the Mississippi River, the paintings refrain a subtle motif of water as a metaphor for personal and historical vulnerability, human ego, and the complexities of selfhood.



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Image: Will Maxen, Left Through Fire, 2025, Oil, acrylic on canvas, 60 x 55 in.

Throwback to our time in Singapore with Sahana Ramakrishnan for Art SG, Southeast Asia’s leading art fair. This marked t...
01/29/2025

Throwback to our time in Singapore with Sahana Ramakrishnan for Art SG, Southeast Asia’s leading art fair. This marked the gallery and the artist’s inaugural participation in the fair! Huge thanks to for hosting an intimate preview of Ramakrishnan’s stunning new series, “The Forest Breathes.” Smiling faces and satay—see you again, Singapore!

✨ February at Fridman Gallery ✨ is almost here! Swipe ⏭️ to explore our upcoming exhibitions and performances this month...
01/28/2025

✨ February at Fridman Gallery ✨ is almost here! Swipe ⏭️ to explore our upcoming exhibitions and performances this month, and stay tuned for detailed event descriptions in the weeks ahead.


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Sahana Ramakrishnan’s “Night Dreams of First Light” is part of her latest series, “The Forest Breathes”. This body of wo...
01/25/2025

Sahana Ramakrishnan’s “Night Dreams of First Light” is part of her latest series, “The Forest Breathes”. This body of work focuses on animals at distinct moments in their lives, drawing inspiration from Ta***ic art’s philosophy of exploring the self to reach the cosmos—or the cosmos to reach the self. In this “forest,” individual narratives unfold, blending South Asian depictions of flora and fauna with Western natural illustrations.

The works challenge traditional methods of classifying, understanding, and hierarchizing animals within systems of consciousness. ❤️🐍💭

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Image: Sahana Ramakrishnan, Night Dreams of First Light, 2024, Oil on canvas, 55 x 45 in.

“YAYA 3” by Tigist Yoseph Ron is part of the artist’s debut solo exhibition, “YAYA”, which explores the emotional disson...
01/25/2025

“YAYA 3” by Tigist Yoseph Ron is part of the artist’s debut solo exhibition, “YAYA”, which explores the emotional dissonance between Ron and her late father. The show features new paintings and Ron’s signature charcoal-and-eraser drawings.

Tigist Yoseph Ron
YAYA
On view through February 22, 2025

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Tigist Yoseph Ron, YAYA 3 (detail), 2024, Oil on canvas, 14 x 10 in

Fridman Gallery is thrilled to present Johann Diedrick’s [the hurricanes in your mouth], opening with an artist talk (Jo...
01/24/2025

Fridman Gallery is thrilled to present Johann Diedrick’s [the hurricanes in your mouth], opening with an artist talk (Johann Diedrick, Temar France, Alex Smith) on Saturday, February 8 at 4 PM! RSVP available through the link in our bio.

In [ the hurricanes in your mouth ], Johann Diedrick and collaborators weave together Caribbean cosmology, the histories of pirate radio, and Jamaican sound system culture to assemble vibrational architectures and build shelter from the storm. 

Originally presented as a live performance, this work has been reimagined for the gallery space as a 4-channel audio-video installation.





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Images: Johann Diedrick: [ the hurricanes in your mouth ], May 30 — June 2, 2024. Image Courtesy of Abrons Art Center. Photo by Maria Baranova.

“Women at War”, curated by Monika Fabijanska, is now on view at the North Dakota Museum of Art through March 30, 2025. T...
01/18/2025

“Women at War”, curated by Monika Fabijanska, is now on view at the North Dakota Museum of Art through March 30, 2025. This powerful exhibition features works by leading contemporary women artists from Ukraine.  

Since its debut at Fridman Gallery in 2022 and in collaboration with Voloshyn Gallery, “Women at War” has toured nationwide, with stops at Eastern Connecticut State University, Wesleyan University, Stanford in Washington, Florida State University Museum of Fine Arts, University of Manitoba School of Art Gallery, and the Chicago Cultural Center.  

We are thrilled to see the incredible impact of this exhibition and congratulate Monika Fabijanska for her vision and dedication in bringing “Women at War” to audiences across the country.

𝘞𝘢𝘳 𝘪𝘴 𝘤𝘦𝘯𝘵𝘳𝘢𝘭 𝘵𝘰 𝘩𝘪𝘴𝘵𝘰𝘳𝘺. 𝘏𝘪𝘴𝘵𝘰𝘳𝘺 𝘩𝘢𝘴 𝘣𝘦𝘦𝘯 𝘸𝘳𝘪𝘵𝘵𝘦𝘯 (𝘢𝘯𝘥 𝘱𝘢𝘪𝘯𝘵𝘦𝘥) 𝘣𝘺 𝘮𝘦𝘯. 𝘛𝘩𝘪𝘴 𝘦𝘹𝘩𝘪𝘣𝘪𝘵𝘪𝘰𝘯 𝘱𝘳𝘰𝘷𝘪𝘥𝘦𝘴 𝘢 𝘱𝘭𝘢𝘵𝘧𝘰𝘳𝘮 𝘧𝘰𝘳 𝘧𝘦𝘮𝘢𝘭𝘦 𝘯𝘢𝘳𝘳𝘢𝘵𝘰𝘳𝘴 𝘰𝘧 𝘩𝘪𝘴𝘵𝘰𝘳𝘺 𝘢𝘯𝘥 𝘦𝘹𝘢𝘮𝘪𝘯𝘦𝘴 𝘵𝘩𝘦 𝘱𝘦𝘳𝘤𝘦𝘱𝘵𝘪𝘰𝘯 𝘰𝘧 𝘸𝘢𝘳 𝘢𝘴 𝘨𝘦𝘯𝘥𝘦𝘳𝘦𝘥. 𝘞𝘰𝘮𝘦𝘯 𝘢𝘳𝘦 𝘨𝘦𝘯𝘦𝘳𝘢𝘭𝘭𝘺 𝘢𝘣𝘴𝘦𝘯𝘵 𝘧𝘳𝘰𝘮 𝘵𝘩𝘦 𝘩𝘪𝘴𝘵𝘰𝘳𝘪𝘤𝘢𝘭 𝘢𝘤𝘤𝘰𝘶𝘯𝘵𝘴 𝘰𝘧 𝘸𝘢𝘳, 𝘣𝘶𝘵 𝘷𝘪𝘰𝘭𝘢𝘵𝘪𝘯𝘨 𝘢 𝘸𝘰𝘮𝘢𝘯 𝘪𝘴 𝘴𝘦𝘦𝘯 𝘢𝘴 𝘢 𝘷𝘪𝘰𝘭𝘢𝘵𝘪𝘰𝘯 𝘰𝘧 𝘭𝘢𝘯𝘥 𝘢𝘯𝘥 𝘯𝘢𝘵𝘪𝘰𝘯.






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Images: 
Alevtina Kakhidze, Strawberry Andreevna (9 drawings) #3, 2014
Alevtina Kakhidze, Strawberry Andreevna (9 drawings) #4, 2014
Alevtina Kakhidze, Strawberry Andreevna (9 drawings) #7, 2014

We are very pleased to share Alex A. Jones’s ( ) essay, “A Multispecies Dreaming,” which delves into the themes of Saha...
01/17/2025

We are very pleased to share Alex A. Jones’s ( ) essay, “A Multispecies Dreaming,” which delves into the themes of Sahana Ramakrishnan’s practice and her latest body of work, “The Forest Breathes.”

Please click the link in our bio to read this thoughtful essay in full! 🔗🐌🌌❤️✨📝

Sahana Ramakrishnan’s new body of work is currently on view at Art SG, Southeast Asia’s leading art fair. 




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Artworks featured in slides:
Sahana Ramakrishnan, Rains that Open (detail), 2024, Oil on canvas
Sahana Ramakrishnan, Rains that Open (detail), 2024, Oil on canvas
Sahana Ramakrishnan, Night Dreams of First Light (detail), 2024, Oil on canvas
Sahana Ramakrishnan, Rains that Open (detail), 2024, Oil on canvas

Enjoy installation photos of Sahana Ramakrishnan’s “The Forest Breathes”, currently on view at Art SG, Southeast Asia’s ...
01/16/2025

Enjoy installation photos of Sahana Ramakrishnan’s “The Forest Breathes”, currently on view at Art SG, Southeast Asia’s leading art fair. This is the first Art SG participation for both the gallery and the artist. 

Ramakrishnan’s new body of work is inspired by Ta***ic art’s approach—where one begins with the self to reach the cosmos or with the cosmos to reach the self—this “forest” becomes a realm of individual narratives. The pieces draw on South Asian representations of flora and fauna as well as Western natural illustrations, yet question the typical ways animals are classified, understood, and placed within hierarchies of consciousness. 🌀✨🌺

Art SG 
Booth FC02 
January 16 – 19, 2025
Marina Bay Sands Expo

sg

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Fridman Gallery is proud to debut Sahana Ramakrishnan’s new body of work, “The Forest Breathes”, at Art SG 2025, Southea...
01/14/2025

Fridman Gallery is proud to debut Sahana Ramakrishnan’s new body of work, “The Forest Breathes”, at Art SG 2025, Southeast Asia’s leading art fair! This marks the first participation in Art SG for both the gallery and the artist.

Sahana Ramakrishnan’s paintings center on animals at distinct moments of their lives: a snake shedding her skin, lions dreaming together, and fruit bats suspended in the space between day and night. Many of these creatures are, or once were, integral to the local ecosystems of South and Southeast Asia. Through the wordless language of painting, the work seeks to foster empathy and connection.

Art SG 
Booth FC02 
January 17 – 19, 2025
Marina Bay Sands Expo 

sg

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Artwork: Sahana Ramakrishnan, Once the World was Perfect, 2024, Oil on canvas, 60 x 80 in.
Photography by Adam Reich.

Join us on tonight, January 9, 2025 from 6-8pm, for the opening reception of Tigist Yoseph Ron’s U.S. debut solo exhibit...
01/09/2025

Join us on tonight, January 9, 2025 from 6-8pm, for the opening reception of Tigist Yoseph Ron’s U.S. debut solo exhibition, “YAYA”.

“YAYA” captures the complex emotional dissonance between the artist and her late father. Through layering and erasing, Ron reclaims her memory and childlike perspective, observing her father from a distance and tracing their estranged connection. The exhibition includes new paintings alongside Ron’s signature charcoal-and-eraser drawings.

While the exhibition focuses on her late father, Ron’s work adittionaly reflects the struggle of the Ethiopian-Jewish community to preserve its heritage. We recognize that presenting an exhibition about this history cannot occur without acknowledging the ongoing suffering of Palestinian families, who continue to face unspeakable loss of life, destruction and displacement. As a space that has championed underrepresented voices, Fridman Gallery is dedicated to fostering artistic expression void of censorship and we look forward to presenting works by Palestinian artists.

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Tigist Yoseph Ron, Working, 2024, Charcoal on paper
Tigist Yoseph Ron, Praying, 2024, Charcoal on paper
Tigist Yoseph Ron, Readinf, 2024, Charcoal on paper

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See you in Miami! Fridman Gallery is excited to showcase works by Debra Cartwright, Laurena Finéus, Azuki Furuya, Madjeen Isaac, Fidelis Joseph, Will Maxen, and Sahana Ramakrishnan at the 2024 edition of Untitled Art Miami Beach.  The fair runs from December 4–8, with VIP previews on December 3. If you can’t make it, stay tuned for our upcoming posts where we will dive deeper into each artist’s practice. Untitled Art Miami Beach  Booth C2 December 4–8, 2024 Debra Cartwright @debracartwright Laurena Finéus @laurenafineus Azuki Furuya @azukifuruya_art Madjeen Isaac @madjeenisaac Fidelis Joseph @fidelis_studio Will Maxen @williemaxen Sahana Ramakrishnan @sahanabanana @untitledartfairs l

𝐉𝐨𝐢𝐧 𝐮𝐬 𝐨𝐧 𝐅𝐫𝐢𝐝𝐚𝐲, 𝐍𝐨𝐯𝐞𝐦𝐛𝐞𝐫 𝟐𝟐, 𝐟𝐨𝐫 𝐚 𝐬𝐩𝐞𝐜𝐢𝐚𝐥 𝐚𝐫𝐭𝐢𝐬𝐭 𝐭𝐚𝐥𝐤 𝐟𝐞𝐚𝐭𝐮𝐫𝐢𝐧𝐠 𝐀𝐳𝐚𝐝𝐞𝐡 𝐍𝐢𝐚, 𝐒𝐡𝐢𝐯𝐚 𝐀𝐡𝐦𝐚𝐝𝐢, 𝐘𝐚𝐜𝐢𝐧𝐞 𝐅𝐚𝐥𝐥, 𝐚𝐧𝐝 𝐅𝐢𝐝𝐞𝐥𝐢𝐬 𝐉𝐨𝐬𝐞𝐩𝐡, 𝐚𝐥𝐥 𝐨𝐟 𝐰𝐡𝐨𝐦 𝐚𝐫𝐞 𝐟𝐞𝐚𝐭𝐮𝐫𝐞𝐝 𝐢𝐧 𝐨𝐮𝐫 𝐜𝐨𝐧𝐜𝐮𝐫𝐫𝐞𝐧𝐭𝐥𝐲 𝐫𝐮𝐧𝐧𝐢𝐧𝐠 𝐞𝐱𝐡𝐢𝐛𝐢𝐭𝐢𝐨𝐧𝐬, 𝘈 𝘚𝘪𝘭𝘦𝘯𝘵 𝘝𝘰𝘭𝘤𝘢𝘯𝘰 𝐚𝐧𝐝 𝘛𝘩𝘦 𝘍𝘭𝘰𝘸. ❤️‍🔥 This unique conversation will offer insights into their creative practices and the themes explored in these two distinct yet interconnected exhibitions.  🔗 Please RSVP through the link in our bio! 🔗 Azadeh Nia’s “A Silent Volcano” showcases 14 new paintings that evoke a timeless landscape, blending past and future, nature and ruins. Nia’s intimate works invite contemplation on isolation, hope, and the passage of time through metaphors of solitude and resilience. “The Flow”, a group exhibition featuring Shiva Ahmadi, Yacine Fall, and Fidelis Joseph, explores humanity’s existential relationship with Earth. The Opening Reception for both exhibitions will take place Thursday, November 21 from 6-8 PM! ✨🥂 @azadenia_88 @shivaahmadi_studio @yacine_tilala @fidelis_studio

Fridman Gallery is honored to present two compelling exhibitions opening concurrently: Azadeh Nia’s debut solo exhibition, “A Silent Volcano”, and “The Flow”, a group exhibition featuring works by Shiva Ahmadi, Yacine Fall, and Fidelis Joseph. Please join us for the 𝐎𝐩𝐞𝐧𝐢𝐧𝐠 𝐑𝐞𝐜𝐞𝐩𝐭𝐢𝐨𝐧 on 𝐓𝐡𝐮𝐫𝐬𝐝𝐚𝐲, 𝐍𝐨𝐯𝐞𝐦𝐛𝐞𝐫 𝟐𝟏, from 6–8 PM and the 𝐀𝐫𝐭𝐢𝐬𝐭 𝐓𝐚𝐥𝐤 on 𝐅𝐫𝐢𝐝𝐚𝐲, 𝐍𝐨𝐯𝐞𝐦𝐛𝐞𝐫 𝟐𝟐 at 6 PM! 𝙏𝙝𝙚 𝙁𝙡𝙤𝙬 explores the human condition and our connection to Earth. It opens with Shiva Ahmadi’s stop-motion animation “Marooned”, a hand-drawn stop animation narrative on labor, environmental collapse, and resistance. Yacine Fall’s ceramics and horsehide sculptures provide a tactile contrast, while Fidelis Joseph’s large-scale oils capture the emotional complexity of our struggle to coexist with the material world. @shivaahmadi_studio @yacine_tilala @fidelis_studio ————————— Video: Yacine Fall, clip of “Utterances”

At the beginning of the twentieth century, 𝓪𝓫𝓼𝓽𝓻𝓪𝓬𝓽𝓲𝓸𝓷 𝓾𝓼𝓱𝓮𝓻𝓮𝓭 𝓲𝓷 𝓽𝓱𝓮 𝓷𝓮𝔀 𝓮𝓻𝓪 𝓸𝓯 𝓶𝓸𝓭𝓮𝓻𝓷𝓲𝓼𝓶 reinventing painting and sculpture to break with traditions of representation. “Abstract Narratives” focuses on this phenomenon by presenting abstract artists from a specific part of the world, whose unique approaches raise questions concerning historiography and regionality of art.  Abstract Narratives Curated by Zsolt Petrányi On view through November 16, 2024 ————————— Artworks: Erika Fábián, Quiet Rituals II., 2019-2021, Acrylic on wood  Márk Fridvalszki, The Melody Haunts My Reverie II, 2020, Vinyl cover, plastic film xerox, veneer sheet Anthony Vasquez, On the Edge of Night, 2021, Acrylic, wood @zsoltpetranyi @hccny @mnbartsculture

Fridman Gallery is honored to present “Overtones + Overturns” by Yacine Fall, a site-specific sculptural installation and durational performance meditating on failure. The work centers on the stage hook of the Miner’s Bowery Theater, which stood next door to the gallery’s location at the turn of the 20th century. Join us TOMORROW for the durational performance, featuring Yacine Fall, Marcelline Mandeng Nken, and Jesus Hilario-Reyes, takes place on Friday, October 11, at 11am–6pm. Recommended viewing time: 4-6pm. @yacine_tilala @marcellinemandeng @morenxx_x

Join us this Saturday at Fridman Gallery for 𝖂𝖎𝖑𝖑𝖎𝖆𝖒 𝕻𝖆𝖗𝖐𝖊𝖗’𝖘 𝖘𝖔𝖑𝖔 𝖕𝖊𝖗𝖋𝖔𝖗𝖒𝖆𝖓𝖈𝖊 𝖆𝖓𝖉 𝖉𝖎𝖘𝖈𝖚𝖘𝖘𝖎𝖔𝖓 on music and color with the curator of 𝘈 𝘛𝘳𝘦𝘢𝘵𝘪𝘴𝘦 𝘖𝘯 𝘊𝘰𝘭𝘰𝘳, J.E. Azmi. 📆 Saturday September 28 ⌚️ 6:30 PM 📍 169 Bowery NYC 💌 Tickets in bio 🔗 William Parker occupies a unique place in music history as a prolific composer, improviser, and collaborator. His next project, “Contrapuntal Counterpoints,” curated by Solange Knowles for Saint Heron, will be held at Walt Disney Concert Hall. 𝘛𝘩𝘦 𝘝𝘪𝘭𝘭𝘢𝘨𝘦 𝘝𝘰𝘪𝘤𝘦 𝘩𝘢𝘴 𝘤𝘳𝘰𝘸𝘯𝘦𝘥 𝘩𝘪𝘮 𝘵𝘩𝘦 𝘮𝘰𝘴𝘵 𝘤𝘰𝘯𝘴𝘪𝘴𝘵𝘦𝘯𝘵𝘭𝘺 𝘣𝘳𝘪𝘭𝘭𝘪𝘢𝘯𝘵 𝘧𝘳𝘦𝘦 𝘫𝘢𝘻𝘻 𝘣𝘢𝘴𝘴𝘪𝘴𝘵 𝘰𝘧 𝘢𝘭𝘭 𝘵𝘪𝘮𝘦, 𝘸𝘩𝘪𝘭𝘦 𝘛𝘪𝘮𝘦 𝘖𝘶𝘵 𝘕𝘦𝘸 𝘠𝘰𝘳𝘬 𝘩𝘰𝘯𝘰𝘳𝘴 𝘩𝘪𝘮 𝘢𝘮𝘰𝘯𝘨 𝘵𝘩𝘦 50 𝘎𝘳𝘦𝘢𝘵𝘦𝘴𝘵 𝘕𝘦𝘸 𝘠𝘰𝘳𝘬 𝘔𝘶𝘴𝘪𝘤𝘪𝘢𝘯𝘴 𝘰𝘧 𝘈𝘭𝘭 𝘛𝘪𝘮𝘦. @littlehueymusic @curatorial_contrafacts @newearinc @solange.pk @saintheron

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FRIDMAN GALLERY

Founded in 2013, Fridman Gallery represents contemporary artists from around the world, featuring avant-garde exhibitions and performances in a variety of media, including visual and sound art. Stay up to date on gallery exhibitions, news, and events.