Contemporary art gallery with two locations on 24th Street in Chelsea Andrea Rosen Gallery was inaugurated in January, 1990, with a seminal exhibition of work by Félix González-Torres.
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This exhibition would set the pace and agenda for the entire program of the gallery: conceptually rigorous, fully aware of the responsibility of putting one's subjectivity in the public realm, and unafraid of actually being beautiful. It has always been the goal of the gallery to retain a specific territory for each artist that we represent. What defines the artists as a group is that each, indepe
This exhibition would set the pace and agenda for the entire program of the gallery: conceptually rigorous, fully aware of the responsibility of putting one's subjectivity in the public realm, and unafraid of actually being beautiful. It has always been the goal of the gallery to retain a specific territory for each artist that we represent. What defines the artists as a group is that each, indepe
Operating as usual
Book Launch | Felix Gonzalez-Torres: Specific Objects Without Specific Form
Monday, March 27
7pm
Whitney Museum of American Art
99 Gansevoort Street
The event is free with RSVP.
Email [email protected] if you would like to attend.
http://whitney.org/Events/FelixGonzalezTorresBookLaunch
Don't miss today's performance of #MarthaFriedman's "Two Person Operating System" at Gallery 2. Drop in anytime 2-6pm!
http://www.andrearosengallery.com/exhibitions/martha-friedman_2017-02-10
Congratulations to #MikaRottenberg who will participate in Skulptur Projekte Münster 2017!
image: Still from work in progress, 2017
Andrea Rosen Gallery's cover photo
Performance tomorrow of #MarthaFriedman's "Two Person Operating System" at Gallery 2, 2-6pm. Drop in anytime! http://www.andrearosengallery.com/exhibitions/martha-friedman_2017-02-10
Performances of “Two Person Operating System” by Susan Marshall & Company: February 18, 2017, 2-6pm March 4, 2017, 2-6pm
#MarthaFriedman "Dancing Around Things" opens tonight 6-8pm at Andrea Rosen Gallery 2
[image: Martha Friedman, Two Person Operating System, 2016, Steel, rubber, pigment, spandex, 72 x 70 x 24 inches (182.9 x 177.8 x 61 cm). Photo by Rosalie O'Connor.]
#ElliottHundley "Dust Over Everything" opens tonight at 6pm! http://www.andrearosengallery.com/exhibitions/elliott-hundley_2017-02-10 …
[image: Elliott Hundley, Azure Vault, Paper, oil, fabric, pins, plastic, foam and linen over panel, 18 5/8 x 24 3/8 x 3 1/2 inches (47.3 x 61.9 x 8.9 cm)]
Elliott Hundley’s intricate and immersive works evolve from his historical research on theater, literature, and film, emerging in this exhibition from an exploration of Antonin Artaud’s enduringly imperative play “There Is No More Firmament.” Written in the 1930s and set in an imagined year 2000, th...
Work by #JosiahMcElheny is featured in Dreamlands: Immersive Cinema and Art, 1905–2016 at Whitney Museum of American Art. On view through Sunday!
[image: Josiah McElheny, Projection Painting II, 2015, Projection paint on wood, museum glass, oak, Sumi ink, projector, hardware, film loop on video, 50 x 64 x 9 inches]
Don't miss Without a Body: #IvanaBasic, #FlucT, #SableElyseSmith, curated by SIGNAL. Closes this Saturday!
[Image: Sable Elyse Smith, Untitled, 2015, Aluminum sign board, felt, plastic letters, 36 x 30 x 2.25 inches]
Last week to see the playful and provocative sculptures, drawings and videos of #MiguelAngelCardenas, closing this Saturday. [Image: "Call boy," 1964, PVC, objects, zipper, 27 3/4 x 27 7/8 x 6 1/8 inches]
Join #SimonFujiwara tomorrow for an artist talk on his new film #Joanne at The Photographers' Gallery, London.
http://www.thephotographersgallery.org.uk/simon-fujiwara-2
Including talks by Laura Letinsky, Don McCullin
All of our staff at Andrea Rosen Gallery and Andrea Rosen have chosen to participate in the Women's March. Therefore the Gallery will be closed tomorrow.
#MiguelAngelCardenas reviewed in Artforum Critics' Picks:
"Cárdenas excelled at creating suggestive, elusive arrangements of everyday items. He explored the sensuality of the zipper—that teasing metal barrier between dress and undress—years before Andy Warhol’s infamous Rolling Stones Sticky Fingers album cover from 1971. Open Fly Silver Star and Call Boy, both 1964, feature zippers halfway undone to reveal a collection of toys and mass-produced junk secreted beneath the works’ taut, shiny PVC shells."
https://www.artforum.com/picks/id=65836
A glass case full of household sprays and soaps—like a shaken-up medicine cabinet—opens Miguel Ángel Cárdenas’s first solo show in the United States. The assemblage,
Andrea Rosen Gallery's cover photo
#DavidAltmejd sculpture in progress. On view in JAMES FUENTES LLC group show, opening tonight at 6pm!
[Image: "Portrait of Woman Looking Forward," 2017, Polyurethane foam, epoxy clay, epoxy gel, steel, pink onyx, quartz, synthetic hair, acrylic paint, rubber band, fabric, 25 1/2 x 8 x 8 inches (64.8 x 20.3 x 20.3 cm]
#RyanTrecartin's "Yo! A Romantic Comedy" will be screened at the Anchorage Museum at Rasmuson Center tomorrow at 7pm, in conjunction with the exhibiton "Camouflage: In Plain Sight." https://www.anchoragemuseum.org/exhibits-events/calendar/details/?id=42418
[image: Ryan Trecartin, "Yo! A Romantic Comedy," 2002, 12 min, color, sound]
These films relate to the exhibition “Camouflage: In Plain Sight,” with elements intended to disguise or mislead. Free.
"Postcards from the End of an American Era": Emerson Rosenthal at The Creators Project joins #MichaelStJohn for a walk-through of his recent exhibition.
"'Around ten years ago the world seemed really urgent to me,' explained St. John. 'I didn't want to do silkscreen like Andy Warhol: get the picture, send it out, screen it all night, and only after, you get the news. So I decided to use collage and get an immediate response. Get up in the morning, and work on it instantly.' Packed with visual information, history, understanding, and a willingness to keep negotiating all of it, the experience of These Days; Leaves of Grass is akin to an episode of Jeopardy!: while you may not know all the questions, it's still fun to reminisce over the answers."
http://thecreatorsproject.vice.com/blog/michael-st-john-these-days-leaves-of-grass
History hits a wall at Michael St. John's 14th solo show in New York, 'These Days; Leaves of Grass,' at Andrea Rosen Gallery.
Happy New Year! We look forward to seeing you when the gallery reopens this Friday, January 6.
[image: David Altmejd, The Egg, 2006, steel, wood, mirror, Plexiglas, Polystyrene, expandable foam, epoxy clay, acrylic paint, taxidermy gray squirrels, taxidermy barn owl, taxidermy blue tit bird, synthetic pine branches, pine cones, acorns, synthetic flowers, minerals (quartz, sulfur, amethyst, fluorite, vanadinite, hematite), butt plugs, leather straight jacket, leather hood, chains, glitter]
Today is the final day to see #MichaelStJohn's 'These Days; Leaves of Grass.' The gallery is closed tomorrow and will reopen on January 6th.
(MICHAEL ST. JOHN "Wall (Chained)" 2015, collage, acrylic, spray paint, plastic, polymer on canvas. 48 x 72 inches)
#MichaelStJohn's exhibition "These Days; Leaves of Grass" ends this Thursday. We're open, so come by for a last chance to see new works on view.
I SIT and look out upon all the sorrows of the world, and upon all oppression and shame; I hear secret convulsive sobs from young men, at anguish with themselves, remorseful after deeds done; I see, in low life, the mother misused by her children, dying, neglected, gaunt, desperate; I see the wife m...
#SimonFujiwara's solo exhibition #FiguresInALandscape at Kunsthalle Düsseldorf opens today and is on view until March 5th.
This June, #JosiahMcElheny's Prismatic Park will debut at Madison Square Park. Partnering with Blank Forms, Danspace Project, and Poets House, McElheny will posit three distinct spaces for musicians, dancers, and poets.
Madison Square Park Conservancy is proud to announce its thirty-fourth exhibition, Prismatic Park by artist and MacArthur Foundation Fellow recipient Josiah McElheny. The project features [Read More]
Artforum reviews Felix Gonzalez-Torres' first solo exhibition in Greater China, on view at Rockbund Art Museum.
The online edition of Artforum International Magazine.
#SimonFujiwara stages another investigation into the slipperiness of identity through the lens his former teacher, Joanne Salley. On view at The Photographers' Gallery until January 15th.
In case you missed it, Document Journal's guide to #ABMB includes Felix Gonzalez-Torres' “Untitled” (Fear), 1992.
There are more than 269 art fairs every year, but there is only one Art Basel Miami Beach. The American…
For those at #ABMB, visit us at Booth 10 to see works by #TetsumiKudo, #FelixGonzalezTorres, and #MatthewRonay and so many more. 💫
For those at #ABMB, visit us at Booth 10 to see works by #TetsumiKudo, #FelixGonzalezTorres, and #MatthewRonay and so many more. 💫
Don't Miss: Josiah McElheny and Ron Green dialogue on abstract film at Columbus Museum of Art on December 8th.
Tickets: http://bit.ly/2fMMj6S
Visit us! #MichaelStJohn's new works consider democracy through the lens of #WaltWhitman and are on view thru 12/22.
#FélixGonzálezTorres was born this weekend in 1957. Here's dual archival images of Andrea setting up his work at the Musée d'Art moderne de la Ville de Paris in 1996.
© The Felix Gonzalez-Torres Foundation. Courtesy Andrea Rosen Gallery, New York
For Thanksgiving, we are closed Thursday, and open Friday and Saturday.
[Anne de Vries' hand-painted turkey feathers cut to resemble Golden Eagle feathers. Featured in our 2015 Asdzą́ą́ Nádleehé exhibition curated by Timur Si-Qin.]
#RyanTrecartin and #LizzieFitch took over the Park Avenue Armory last night to perform their digitally-inflected compositions for the first time, collaborating with curator Jason Moran, DJ Ashland, and Aaron David Ross.
#RyanTrecartin and #LizzieFitch took over the Park Avenue Armory last night to perform their digitally-inflected compositions for the first time, collaborating with curator Jason Moran, DJ Ashland, and Aaron David Ross.
Andrea Rosen Gallery's cover photo
In ARTSPEAK.NYC, #MichaelStJohn discusses celebrity culture, Trump, and America's racial divide through the lens of his current exhibition.
Georgina Adam on megacities #FelixGonzalezTorres, and an artistic renaissance in Shanghai.
This year’s Biennale comes amid an explosion of gallery openings and exhibitions
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#RyanTrecartin and #LizzieFitch took over the Park Avenue Armory last night to perform their digitally-inflected compositions for the first time, collaborating with curator Jason Moran, DJ Ashland, and Aaron David Ross.
#RyanTrecartin and #LizzieFitch took over the Park Avenue Armory last night to perform their digitally-inflected compositions for the first time, collaborating with curator Jason Moran, DJ Ashland, and Aaron David Ross.
Enter Lizzie Fitch and Ryan Trecartin's 'placebo pets' world, inhabited by friendly humanoid creatures Kendall Jenner and Gigi Hadid. CREDITS: placebo pets by Lizzie Fitch and Ryan Trecartin, with animations by Rhett LaRue. Featuring Kendall Jenner, Gigi Hadid, and Jesse Hoffman
Opening October 7th—Joanne is a portrait by Simon Fujiwara of a former art teacher, beauty queen, artist, boxer, chameleon. Follow Joanne on her journey at https://www.instagram.com/joannesalley/ Co-commissioned by Film and Video Umbrella https://www.facebook.com/FilmandVideoUmbrella/?fref=ts Music: Epic - Bensound.com
The second installment of Simon Fujiwara's #Joanne is here. Good morning, Joanne. #goodmorning #nevergiveup #transformation #wakeup #fresh #newday #today #model #artist #woman #beautiful #comingsoon #artteacher #workfromhome #mylife With help from: Film and Video Umbrella and The Photographers' Gallery Sound: Bensounds
Simon Fujiwara’s new work is Joanne - a portrait of his high school art teacher. #woman #model #art #artteacher #transformation #artist #joanne #chameleon #fighter #lover #female.
As Mika Rottenberg prepares for her solo show at Palais de Tokyo, she sits down to talk about everything from hyper-capitalism to the spiritual life of objects. “I think objects have memory. Each object has a narrative of every person who has touched it.”
Czech Art Brut and More/ Cavin-Morris
210 11th Ave, Ste 201
The Metropolitan Museum of Art, New York
1000 5th Ave