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Tuesday 11am - 6pm Wednesday 11am - 6pm Thursday 11am - 6pm Friday 11am - 6pm Saturday 11am - 6pm

Print Center New York

Name: Print Center New York
Address: 535 West 24th Street, New York, NY, 10011, US
Telephone: +12129895090
Price range: Not applicable
Rating: 4

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Print Center New York

Leading non-profit exhibition space for artists' prints

Operating as usual

12/21/2022

Artist Dario Robleto created these works from nineteenth-century pulse-wave recordings of the brain and heart responding to tactile and emotional stimuli—the first sounds recorded and the first images made from the interior of the human body.

For each print, Robleto printed a pulse waveform in transparent ink. He inverted the paper and swept a lit candle beneath it, burying the ink in a layer of soot. The paper was submerged in a chemical bath, changing the soot’s color from solid black to a smoky blur. Finally, Robleto excavated the transparent ink line from the soot with a tiny brush dipped in solvent. In these prints, visualized sound stores and releases information, evoking an emotional and corporeal relationship to the past.

Hear more from Robleto in our recorded program "Printing with Fire" on our YouTube channel.

12/20/2022

Our final public program in conjunction with "Visual Record", the performance of artist Bethany Collins's "America: A Hymnal" will be performed by The Unsung Collective.

Directed by Tyrone Clinton, The Unsung Collective is a community-based music collective devoted to celebrating stories of the Black experience. They are a non-profit dedicated to serving the local NYC community by expanding the confines of the Western musical canon and fostering educational relationships with those who are “willing to listen.”

Make sure to mark your calendars: January 19 at 7pm, and we look forward to seeing you at the Fifteen Street Meeting House!

RSVP at https://invite.artsvp.co/5efbb8

12/19/2022

Our exhibition space and office will be closed from December 24 to December 31 this holiday season and will reopen on January 3, 2023. Make sure to stop by over the next few days!

"Visual Record" is on view through January 21.

12/15/2022

We're excited to announce our upcoming exhibition in 2023— "Nicole Eisenman: Prince." The first monographic show throughout Print Center New York's history, this exhibition focuses on Eisenman’s inventive experimentation and deep engagement with printmaking since 2010.

Celebrated for her painting and, more recently, her work in sculpture, Eisenman has also produced a significant body of prints spanning , , , and . These works evidence the voracious range of references, imagery, and styles for which the artist is known. They also show how Eisenman has pushed these mediums, engaging materials, surfaces, and mark making in unexpected ways.

Made in close collaboration with the New York–based print workshops Harlan & Weaver, Jungle Press, and 10 Grand Press, the works in Prince demonstrate how printmaking has been a generative space for experimentation within Eisenman’s broader practice.

"Nicole Eisenman: Prince" opens February 9, 2023. More information about the exhibition and public programs will be announced in January. Stay tuned!

—
Images: Nicole Eisenman (b. 1965). Untitled (for Parkett 91), 2012. Monotype. From a series of 20 unique variants. Image: 24 × 17 15/16 inches. Sheet: 29 15/16 × 22 5/16 inches. Printed in collaboration with Marina Ancona at 10 Grand Press, New York. Published by Parkett Publishers, Zürich/New York. Courtesy the artist. © Nicole Eisenman.

Nicole Eisenman (b. 1965). Drinks At Julius, 2012. Etching and aquatint with chine collé. Image: 6 ½ × 8 inches. Edition of 25. Printed and published by Harlan and Weaver, New York. Courtesy Harlan and Weaver. © Nicole Eisenman and Harlan and Weaver, New York.

12/14/2022

This twenty-foot-long depicts music, but also contains latent sound. To create “The Great Speckled Bird”, Allen Ruppersberg screenprinted handwritten lyrics and musical notations from American folk songs onto images of hotel stationery.

In addition to representing Americana, the print contains perforations that can be run through a self-playing piano. Come listen to the music in the accompanying video.

"Visual Record" is on view through January 21, 2023. Make sure to plan your visit if you haven't already!

Detail and Installation views of Allen Ruppersberg's Great Speckled Bird, 2013. on perforated player-piano roll. Edition of 12. Printed and published by Gemini G.E.L., Los Angeles. Courtesy Gemini G.E.L at Joni Weyl, New York.

12/09/2022

Drumroll, please! We're thrilled to announce our final public program in conjunction with "Visual Record: The Materiality of Sound in Print." Performance of Bethany Collins's America: A Hymnal will offer a chronological retelling of American history, politics, and culture through one song.

Over time, “My Country ’Tis of Thee” (also known as “America”) has seen its title and lyrics re-written at least 100 times in support of passionately held causes—from temperance and suffrage to abolition and even the Confederacy.

During this one-hour performance at the Fifteenth Street Monthly Meetinghouse of The Religious Society of Friends (also known as Quakers), singers from The Unsung Collective will sing a single version of the anthem, “War” from 1862, in a myriad of musical forms.

Save the date, January 19, 2023, and we look forward to enjoying the evening with you!

RSVP at https://invite.artsvp.co/5efbb8

12/08/2022

Did you know these tapestries make sound? Made of printed circuits on acetate, sound is electronically generated on the surface of these tapestries, making each one an independent speaker-like channel to conduct sound. It is subtle, so make sure to get closer and stand between the tapestries to experience it!

To lean more about how artists move between visual and aural mediums, join our final guided tour and listening session this Saturday, December 10 at 2pm to explore how print and sound can transform the way we feel.

Images: Visitor listening to the tapestries. // Installation views of Jess Rowland's Sound Tapestries, 2022. All photos by Argenis Apolinario for Print Center New York.

12/03/2022

Don't miss our last Visual Record guided tour this season! Next Saturday, December 10 at 2pm, join us as we take a look at how artists move between visual and aural mediums, listen to music and sound related to works on view, and explore how print and sound can transform the way we feel.

The tour will be led by Jenn Bratovich, our Director of Exhibitions and Programs. RSVP at https://invite.artsvp.co/99646f

We look forward to seeing you then!

12/02/2022

Thinking about collecting or gifting prints this holiday season? Our limited Pulled in Brooklyn portfolio with six different screenprints are low in stock! Visit us to see the full portfolio in person and feel free to inquire at our welcome desk if interested.

Pulled in Brooklyn Portfolio, 2019. Artists: Charline von Heyl, Nicola López, Alex Dodge, Glen Baldridge, Sheryl Oppenheim, and Ruby Sky Stiler. Printed by Kayrock Screenprinting, Brooklyn. Published by Print Center New York. Edition of 60. Complete portfolio available for $3,000, unframed.

11/30/2022

This work may look heavy, yet it represents something weightless: sound.

“Concrete sound” by Audra Wolowiec depicts the seemingly paradoxical materiality of sound through . Inspired by acoustic foam, Wolowiec arranges cast forms into a modular grid, creating a physical interpretation of sound's weight, mass, and volume.

Images: Detail and side views of Audra Wolowiec’s concrete sound, 2020. Cast concrete with pigment. Courtesy and © the artist.

11/29/2022

If you haven't seen "Visual Record", check out this short video of our Exhibitions and Publication Coordinator Diana Perea introducing three of her favorite pieces from the exhibition.

Visual Record is on view through January 21, so come see and "hear" the exhibition before it closes!

11/23/2022

"Printing with Fire: Bethany Collins and Dario Robleto in Conversation with Jennifer L. Roberts" is now on our YouTube channel! Watch the full conversation to hear the fruitful conversation between the three brilliant minds:

https://youtu.be/nZExLrZAdII

11/22/2022

Print Center New York's exhibition space and office will be closed this Thursday—Saturday for Thanksgiving.

Our inaugural exhibition "Visual Record: The Materiality of Sound in Print" is on view through January 21. Make sure to visit us if you haven't already!

Stay warm, everyone 🥶

11/18/2022

We're excited to share that we are once again a Ruth Arts Grantee! Today, the Ruth Foundation for the Arts announces 140 arts organizations have been recognized by two new grants inspired by how artists live, make, and are remembered.

Supported by the late Ruth DeYoung Kohler II, Ruth Arts launched earlier this year with a unique nomination process guided by 50+ artists, providing funding to nonprofit arts organizations nationwide.

Thank you for your continued support.

11/16/2022

In 2020, jazz pianist and composer Jason Moran ( on Instagram) began a series of works on paper “as a surrogate to the concerts [he] was unable to perform” that year.

To create these works, he placed a sheet of paper with pigment over a keyboard, then played. The final result records Moran’s physical presence across his keys, creating a map of the performance.

Images: Jason Moran (b. 1975). Choruses in unison, 2020. Pigment on gampi. 42 ½ x 77 ½ inches. Courtesy the artist and Luhring Augustine Gallery, New York. © Jason Moran. Image courtesy the artist and Luhring Augustine, New York. // Installation view of Choruses in unison, 2020 and Note Count, 2021. Photo by Argenis Apolinario for Print Center New York.

11/11/2022

Join us next Tuesday, November 15 at 7pm ET for our online artist conversation "Printing With Fire!" ☄️ Artists Bethany Collins and Dario Robleto join art historian Jennifer L. Roberts to discuss early sound recording, the links between sonic and lyric memory, and the communal sensibility in music.

All are welcome to this free webinar via Zoom!
Click here to register: http://bitly.ws/wo7f

11/09/2022

Terry Adkins creates a visual map of a music box’s internal workings in his work “Untitled (Disk Print, Red)”. The piece draws on a recurring thematic element of his practice, which he described as a quest "to find a way to make music as physical as sculpture might be, and sculpture as ethereal as music is. It’s kind of challenging to make both of those pursuits do what they are normally not able to do.”

Image:
Terry Adkins (1953–2014). Untitled (Disk Print, Red), 2001. Ink on paper, printed from metal music box disc. Courtesy Paula Cooper Gallery, New York. Photo by Argenis Apolinario for Print Center New York.

11/08/2022

Did you know that our in-person is back? Book a tour with us at https://www.printcenternewyork.org/visit. We look forward to welcoming you!

11/05/2022

Take a peek! 📖

Our exhibition "Visual Record: The Materiality of Sound in Print" is accompanied by a publication featuring essays by the curator, Elleree Erdos, art historian Jennifer L. Roberts, and musician David Toop.

Visit our website's exhibitions page to read the full publication for free. Hard copies are also available for purchase online or at our welcome desk. As always, your purchase supports all that we do!

Image: Detail of Jason Moran, Note Count, 2021. Pigment on gampi. 25 ½ x 38 ¼ inches. Courtesy the artist and Luhring Augustine Gallery, New York.
Book detail: Paperback, 7 1/2 x 5 1/8 inches, 78 pages, color

11/03/2022

of and ’s visit this morning. Did you catch us on TV 📺?

11/02/2022

What does surround sound look like? Jennie C. Jones’s ( on Instagram) “Five Point One Surround” offers a look.

Here, a portfolio of aquatints depicts a geometrically abstracted speaker system. At the intersection of sound, sculpture, and painting, Jones's work reflects on the relationships between modernism, minimalism, and Black avant-garde music.

Image:
Installation view of Jennie C. Jones’s Five Point One Surround, 2014. Portfolio of five aquatints. Edition of 15. Published by Universal Limited Art Editions, Bayshore, NY. Courtesy Universal Limited Art Editions. Photo by Argenis Apolinario for Print Center New York.

10/26/2022

Drawing on art criticism from the 1950s, Christian Marclay’s cyanotype “Allover (Rush, Barbra Streisand, Tina Turner, and Others)” references the term used to describe the work of Po***ck and other Abstract Expressionists, and each parenthetical title reveals the music stored in the reams of unraveled cassette tapes used to create the print. The resulting work is a visual record of an obsolete audio recording technique, pop culture music and the avant-garde.

"Visual Record: The Materiality of Sound in Print" is on view through January 21, 2023.

Image:
Installation view of Christian Marclay’s Allover (Rush, Barbra Streisand, Tina Turner, and Others), 2008. Cyanotype. Published by Graphicstudio, University of South Florida, Tampa. Courtesy of Collection of the University of South Florida Contemporary Art Museum, Tampa. Photo by Argenis Apolinario for Print Center New York.

10/22/2022

What's particularly special about our new space is being neighbors with Gemini G.E.L at Joni Moisant Weyl, the amazing gallery exhibiting the publications of the LA-based artists' workshop, Gemini G.E.L.

Currently on view in their gallery is “Dialogues Across Time: From Dürer To The Artists of Gemini G.E.L.”. Curated by Susan Dackerman, the exhibition presents a selection of prints across time with historical connections and thematic entanglements fundamental to centuries of artistic expression.

Visit Gemini on the third floor at 535 West 24th Street. We share the same hours, Tuesday–Saturday, 10am–6pm.

Images:
Installation view of “Dialogues Across Time: From Dürer To The Artists of Gemini G.E.L.” Courtesy of Gemini G.E.L at Joni Moisant Weyl.

In today's New York Times Art & Design section, find this compelling article "Prints Make Themselves Seen (and Heard) Ag...

10/21/2022

Prints Make Themselves Seen (and Heard) Again

In today's New York Times Art & Design section, find this compelling article "Prints Make Themselves Seen (and Heard) Again" by Laurel Graeber!

Thank you Graeber for making the print world seen. This piece not only introduced our new space and exhibition but most importantly, reiterated what print means as a medium to artists, the print community, and the broader world.

The print version will be coming out this coming Sunday, October 23.

A new exhibition at Print Center New York explores how 15 artists have used printmaking techniques since the 1970s to express their ideas about sound.

10/20/2022

Join us this Saturday, October 22 at 2pm for our held in conjunction with "Visual Record" and Open House New York! In this conversational walkthrough, we'll explore how the exhibiting artists engage themes of the body, identity, history, and place.

This is the first of two in-person guided tours this season. RSVP at https://artsvp.co/5a65b0 and we look forward to seeing you soon!

10/19/2022

Come crank the music box! Annesas Appel's "Metamorphosis Music Notation" displays the transformation of visual linguistic systems into sound. The installation is comprised of paper strips colored and perforated according to the musical notations of numbers spoken in various languages, resulting in a work playable on the accompanying hand-cranked music box. Listen and see for yourself at our exhibition "Visual Record: The Materiality of Sound in Print"!

Images:
Installation view of Annesas Appel's Metamorphosis Music Notation, 2015. Piezo print in 50 strips with perforations; hand-cranked music box. Printed by Bernard Ruijgrok, Amsterdam. Courtesy the artist and Gallery DudokdeGroot. // Detail view of Metamorphosis Music Notation. Photo by Argenis Apolinario for Print Center New York.

10/16/2022

Neil Daigle-Orians, New Prints 2022/Winter Artist-in-Residence, joins us for a final interview to wrap up our New Prints Program. Following the death of their estranged father, Daigle-Orians utilizes loss and mourning as a starting point to examine the constuction of identity in their residency project: utan-sin-far. Remnants of their father and funerary rituals are woven with Daigle-Orians's understanding of their ethnic background to create an archive of their father's life and their own.

Stay connected with Daigle-Orians by following on Instagram, and continue learning about their residency project by watching the full interview on our YouTube channel.

10/12/2022

👜 New Merch Alert 👜
What can go wrong with a nice sturdy with a gusset? Visit us and make sure to walk away with our new swag available for purchase at our front desk!

$15/each
Totes manufactured by

10/08/2022

WE ARE OPEN 🎉🎉🎉
Come visit us Tuesday–Saturday, 10am–6pm to see “Visual Record: The Materiality of Sound in Print” curated by Elleree Erdos .

Also make sure to check out our free public programs this season, the exhibition catalog, and our brand new tote bag!

10/06/2022

Six months+ in the works, we are almost there—can’t wait to welcome you all this Saturday!

09/23/2022

Our pilot program "New Voices" application closes in one week! If you have any last-minute questions regarding your application, please email our Program Fellow Robin at [email protected].

The first iteration of New Voices will be on view at our new space next summer.

09/20/2022

Our inaugural exhibition "Visual Record: The Materiality of Sound in Print" curated by Elleree Erdos is opening on October 8 at 535 West 24th Street!

Visual Record highlights artists whose work translates between and using distinctly physical means. Across a wide range of subjects—from the rhythms of and American nostalgia to the sound of silence and the encoding of race in aural matter—the works demonstrate how the idea of the “record” is bolstered by innovative technical and conceptual approaches to .

We look forward to welcoming you to our brand new ground-floor space very soon!

—
Jess Rowland (b. 1971). Sound Tapestries, 2013–ongoing, installed at the Berkeley Art Museum and Pacific Film Archive, UC Berkeley, 2013. Copper foil on acetate; electronics. Installation dimensions variable. © Jess Rowland. Photo: Sibila Savage.

09/15/2022

Have an unanswered question about ? Drop into our virtual office hours tomorrow between 12–2 pm ET via Zoom Meeting. Our Program Fellow, Robin Siddall will be more than happy to help you out. Registration is not required, simply click here to join: https://us02web.zoom.us/j/88553056753

09/12/2022

Our New Prints 2022/Winter Artist in Residence Vin Caponigro joins us for a culminating interview on their residency project LA PUNTA DELLE DITA. Sound on to listen to the introduction of their project centered around labor, exploitation, and non-consensual removal of natural materials and their return to the earth.

To learn more, watch the full interview on our Youtube here: https://bit.ly/3eKnbhW and stay updated with Caponigro on Instagram .

09/07/2022

Our pilot program New Voices is much more than just an exhibition participation—swipe to learn about the artist development opportunities and expectations for the selected cohort. Be sure to submit you application by September 30!

08/26/2022

Happy ! To celebrate the connections we can make with our fluffy friends, we're sharing these lovely woodblock prints from artist Yumi Kawaguchi 🐶 Have you created any dog prints? Hang them up to today and celebrate with your puppies 🎉 ⁠
⁠
Images:⁠
Hugs. Woodblock . 2016.
Flower Watchdog Arnica. Reduction woodblock. 2016.⁠
Dogwood Summer. Reduction woodblock print. 14" x 14".⁠
Courtesy and © the artist.

08/11/2022

Our has brought us all the way to the Southwest United States! If you know of , galleries, or programs located in Arizona, New Mexico, Oklahoma, or Texas, now's your time to share them with our community. Check out the full map 🗺 at ipcny.org/map and let us know what we are missing in the comments below.

08/10/2022

Interested in learning more about ? Join our Zoom Information Session next Tuesday, August 16, at 6 pm ET to learn about the program’s goals and eligibility criteria, learn how to apply, and ask questions about the program and application process.

Live captioning will be available and the recording will be uploaded to our website following the session. Register at https://bit.ly/new-voices-zoom.

08/04/2022

We’re pleased to introduce Carmen Hermo, our invited curator for the first year of ! Hermo is currently Associate Curator for the Brooklyn Museum’s Elizabeth A. Sackler Center for Feminist Art and has previously worked as Assistant Curator at the Guggenheim.

The guiding theme, “On Transformation”, introduced by Hermo encourages artists to consider their work in terms of transformation:

Are we living through end times, or a new dawn? Do our technologies imagine new ways of being, or rehash old problems in new packaging? Can an artistic approach—a material or process, visual language or scale—alter meaning? Or is it the other way around?

Encouraging an open-ended reading, the call will result in an exhibition that is sharpened and balanced by unexpected manifestations of this theme.

In the following weeks, we will continue to introduce important application information. Stay tuned!

Image: Carmen Hermo. Photo by Jonathan Dorado.

Address

535 West 24th Street
New York, NY
10011

Opening Hours

Tuesday	11am - 6pm
Wednesday	11am - 6pm
Thursday	11am - 6pm
Friday	11am - 6pm
Saturday	11am - 6pm

Telephone

+12129895090

Website

https://www.printcenternewyork.org/

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Videos

Neil Daigle-Orians, New Prints 2022/Winter Artist-in-Residence, joins us for a final interview to wrap up our New Prints Program. Following the death of their estranged father, Daigle-Orians utilizes loss and mourning as a starting point to examine the constuction of identity in their residency project: utan-sin-far. Remnants of their father and funerary rituals are woven with Daigle-Orians's understanding of their ethnic background to create an archive of their father's life and their own. Stay connected with Daigle-Orians by following @neilmakesthings on Instagram, and continue learning about their residency project by watching the full interview on our YouTube channel.

Our New Prints 2022/Winter Artist in Residence Vin Caponigro joins us for a culminating interview on their residency project LA PUNTA DELLE DITA. Sound on to listen to the introduction of their project centered around labor, exploitation, and non-consensual removal of natural materials and their return to the earth. To learn more, watch the full interview on our Youtube here: https://bit.ly/3eKnbhW and stay updated with Caponigro on Instagram @vincaponigro.

Keith Garubba, one of the two Artists in Residence of Lonely Hearts: New Prints 2021/ Summer, explains how his work speaks to our shared experience of “being alone, together.” Diver further into his process by watching the full interview at https://youtu.be/lHm_l_oStAg. It is one of the most rewarding moments to see our Artist in Residence completing their projects! #ArtistInResidence #Printmaker

Our Spring Benefit is coming back next month at Tribeca Rooftop! Join us on May 23 in honoring #CarrollDunham, EFA Robert Blackburn Printmaking Workshop, and Foundation for Art and Preservation in Embassies (FAPE) accepted by Jo Carole Lauder, Chairman. Purchase your tickets at ipcny.org/benefit2022 and we look forward to celebrating with you! #SpringBenefit

Save the dates on your calendar 🗓 now—join us in person April 21–23 for our one-time only Moving Sale to celebrate IPCNY’s upcoming move to our new ground floor space on 24th Street! Over three days, we’ll open up our inventory of donated artworks for a progressive sale: April 21, Noon–8 pm 50% OFF April 22, Noon–8 pm 75% OFF April 23, 11 am–6 pm Pay What You Wish Benefit Prints priced at 50% off all 3 days. Other exclusions apply. Mingle with friends, take home some affordable prints, bid farewell to 26th Street, and help us lighten our load. All proceeds support our ambitious artist-centered programming. Please note that our online shop will no longer be available starting April 21, so check it out to see what you could possibly bring home at a discounted price: ipcny.org/shop Make sure to share this with your friends and we look forward to seeing you all! #MovingSale

Remember our weekly series of #printmaking #CrosswordPuzzle two years ago? We developed 10 crossword challenges with clues related to IPCNY and the print world. According to our participants back then, they are challenging! Want to give it a go? Visit https://www.ipcny.org/resources#/crossword-challenge/ and comment below to let us know how it goes! We're keeping you busy while our exhibition space is temporarily closed in preparation for our new space. Have fun!

All of our online public programs held in conjunction with "unfinished: New Prints 2022/Winter" are now available to watch on our YouTube channel! #ICYMI or just simply want to rewatch them, head to our YouTube channel to check them out. Huge thanks again to all participants, those who donated to the programs, artists on the panel, and @QueerArchiveWork for the wonderful work! #IPCNY

New Prints artist Doan Truong explores the history of refugee crises across Asia in these four prints from the series “We Are Refugees.” “We Are Refugees is a series of four #posters about four huge refugee crises in Asian history, from the past to recent years. Focusing on the image of children in the exodus, the series emphasizes their vulnerability during the challenging journeys, which they had no choice but to go through and leave everything behind,” said Truong. Tomorrow is the last day to see “unfinished” in person. Don't miss it! Doan Truong (b. 1993, Vietnam; lives and works in Vancouver, Canada). #Vietnamese Refugee Kids, 2021. #Screenprint and #linocut. Edition: Variable edition of 21. Syrian Refugee, 2021. Screenprint. Edition: 16. North Korean Refugee Kids, 2021. Reduction #woodcut. Edition: Variable edition of 15. Burmese Refugee Kids, 2021. #Risograph. Edition: 10. All prints are from the series We Are Refugees. Each sheet: 17 x 11 inches. Printed and published by the artist. Courtesy and © the artist. #NewPrintsIPCNY #IPCNY

New Prints artist s alvarez uses technology to create an ongoing archive examining constructions of and commentary on #latine identity in this #twitter based installation, “de generacion.” “de generacion is an installation comprised of a receipt #printer that archives the latine colonial project as it manifests on Twitter. The printer awakens at the times I tend to check Twitter, and prints out the latest tweet(s) within a wide search query that focuses on supposed latine consensus ("we as latinos/as/es/x," "latinidad," et cetera). The more I actively tweet, the more tweets the printer archives—the more the printer archives, the more latinidad is both reaffirmed as a social construct and disrobed as an ethnicity founded on racial eugenics. The process captured here is unending,” said alvarez. See this GIF with the photos of the work taken on January 19, February 15, and today, March 19. The last photo shows the detail of the work where you can see the printed text. "unfinished" is closing in a week! Come see this work in action by Saturday, March 26. s alvarez (b. 1998, United States; lives and works in Columbia, MO). de generación, 2021. Thermal printer, receipt paper, single-board computer, and tweets. Dimensions variable. Courtesy and © the artist. #NewPrintsIPCNY #IPCNY

Drum roll, please, for a line-up of public programs accompanying unfinished: New Prints 2022/Winter. This season, we are presenting thematic conversations with exhibiting artists; a dialogue between Queer.Archive.Work and Be Oakley of Genderfail; and a guided tour at our exhibition space that will bring works on view to life. All of our programs are free and open to the public, and captioning and recordings will be available for Zoom events. Visit ipcny.org/public-programs to register for the programs you're interested in. We can't wait to see you online and at IPCNY! #NewPrintsIPCNY #IPCNY #ArtistTalk

Announcing the tenth cohort of New Prints Artist Development Program Awardees! Congratulations to: Artists in Residence: Vin Caponigro (@vincaponigro) and Neil Daigle Orians (@neilmakesthings) Studio Visit Awardees: Katie Kaplan (@pennysmasher), Mariana Ramos-Ortiz (@la.habichuela), and Pigeon Hole Press (@pigeonholepress) Coursework Awardees: Julia Basnage (@julia.etcetc), Sarrah El-Bushra (@sarrahelb), and Erin Wohletz (@bugprints) We will be posting about their experiences in the next few months. Stay tuned! #NewPrintsIPCNY #ArtistDevelopmentProgram

The #VirtualTour of unfinished: New Prints 2022/Winter is now available! We are glad to hear that our 3D scans of exhibitions have been helpful to many of you who aren't able to travel to NYC, (or, on such a cold day like today, the entire exhibition is at your fingertips!) This 3D virtual tour allows you to zoom in and out around, walk around as if you were in our physical space, and click the blue dots for the details of each work. Take the tour now: https://my.matterport.com/show/?m=A56ghvCF36n #NewPrintsIPCNY

Mariana Ramos Ortiz—Artwork Installation

New Prints artist Mariana Ramos Ortiz installing her unique artwork at IPCNY 👀 Wonder how the final work looks? Plan your visit to see unfinished: New Prints 2022/Winter opening this Thursday! #NewPrintsIPCNY #printmaking

Check out this detailed #printmaking video of the work "The Heaven of Immie" by artist Moatzart! Are you interested in making large, detailed prints as well? Learn more about the artists' work at https://www.moatzart.co.uk/ #linocut

Former New Prints Artists Zorawar Sidhu (@zorawarawar) and Rob Swainston (@rob_swainston)’s exhibition “Doomscrolling” has opened @petzelgallery! Next Monday at 1pm ET, join @brooklynrail contributor Andrew Woolbright for a conversation with Sidhu and Swainston to learn more about their works! #BrooklynRail #NewSocialEnvironment

Have you ever tried printing with plants? Check out this "ferntastic" unique #monotype created by @jemma_gunning_printmaker and @james.f.harrison! Interested in making your own? Connect with the artists to learn more! Video courtesy of @jemma_gunning_printmaker and @james.f.harrison.

Artist-in-Residence Adrianna Adams' prints currently on view at #NewPrintsInFocus center around self-reflection and shared memories mirrored in the form of friends' presence and historical linkages. Watch this short clip from the artist interview (available on our YouTube channel) to hear more about the process and inspiration of creating these works. New Prints In Focus: Logan Larsen and Adrianna Adams on view through December 18. Make sure to stop by if you haven't seen it!

Happy Saturday! Check out this #printmaking process video where artist Shiryu Soga rolls up this giant #lithostone. Do you also enjoy making or collecting #lithographs? Comment below to share any tips and connect with the artist to learn more! Video courtesy of @itazu_litho and @shiryu_soga.

Happy Thanksgiving! We want to thank every one of you who took part in our wonderful programming this year! Thank you for your participation and engagement! We also want to thank our trustees, donors, and our staff who made all these great programs possible.

Drumroll, please! We've got some new prints on our online shop! Have you been collecting prints? Looking to hang more new works in your bedroom? Visit ipcny.org/shop to check out more new items. Happy shopping!

Starting to prepare for some Christmas ornaments, or simply seeking a fun DIY activity? This video is for you! Artist and #printmaker Maarit Hänninen has been creating free, downloadable paper ornaments for the past few years. Download the print and follow this video to create your own ornaments: https://maarithanninen.com/pages/downloads Have fun! Video courtesy of Maarit Hänninen.

Did you know that our Members' Events are back in-person? Become a Member today to join us next Wednesday, November 10 at 6:30 pm for a private tour of Present Tense led by IPCNY founder Anne Coffin and Director Judy Hecker (@judy_hecker)! Also coming up are private tours of #TheMet's brand new exhibition Modern Times: British Prints, 1913–1939 and #TheWhitney's #JasperJohns: Mind/Mirror. Membership supports our programming is 100% tax-deductible. Learn more at ipcny.org/member-event-rsvp

#NewPrintsInFocus: The prints made during Adrianna Adams remote residency center around self-reflection and shared memories mirrored in the form of friends' presence and historical linkages. These four relief prints "pay homage to specific memories recalled by friends and center #botanical images based on their memories coupled with zoomed-in patterns inspired by their hair textures," said Adams. On view at IPCNY and available for purchase through December 18. Adrianna Adams (b. 1993, United States, lives and works in Oakland, CA). Rose Garden, Rose + Jacaranda, Conjoined Memories, and Jacaranda Tree, 2021. Linocut. Printed and published by the artist. Edition: 10. Courtesy and © the artist.

"Carving like a champ" is the vibe! Watching an incredible carving process like this one is definitely soothing, agree? Artist and printmaker Jamaal Barber will be printing this work titled “Blessed” this weekend with Big Ink at Hatch Show Print in Nashville. Check it out if you're nearby! Video courtesy of Jamaal Barber.

Here comes the 3D #VirtualTour of our current exhibitions Present Tense: New Prints, 2000–2005 and New Prints In Focus! We don't want you to miss out even if you're not able to travel to New York City. You can zoom in to take a closer look at each artwork and hover over the blue dots to read the details of the artwork. Explore now at https://my.matterport.com/show/?m=rYLpJwsYuvh Enjoy! #PresentTenseIPCNY

On view at IPCNY's #NewPrintsInFocus, this #ArtistBook by Logan Larsen centers on the myth from The Iliad, in which the Greeks are about to succumb to the advancing Trojans. Watch this video to take a closer look at each page! "The resulting artist book depicts by proxy the myth itself and serves as a contemporary variation on the love story and its poetic implications. The work spawns from the myth and alternates between clothing, skin, touch, farce, and returns to the central ideals of the myth, broadening one’s ability for a queered reading of the text, " said Larsen.

Happy Saturday! What can be more satisfying to watch—a gorgeous print revealed by the cutest printmaking assistant! Shoutout to artist Alexis Hugo Nutini for sharing this wonderful video and print. One of Nutini's prints is scaled up as a mural and on view at the Philadelphia International Airport between terminals E and F. Check it out if you will be departing or landing there!

Today, we are sharing some helpful #blockprinting tips from artist Kate Hamel Tucker. Check out this short clip and the details below. Tip 1: Burn the edges of unmounted lino to prevent fraying/fuzzies Tip 2: Lino scraps help prevent edge inking/marks when you are rolling ink Tip 3: Quick and easy paper registration: trace your paper then trace your block in the middle of that line and you have an easy guide to help place your inked block and center your paper. (Note: this method isn’t exact enough for multiple registrations, but it’s great for one color) Tip 4: Scrape your ink before trying to wipe it. We hope these tips make your life easier. Happy printing! Video courtesy of Kate Hamel Tucker.

Eduardo Fausti's work centers around his fascination with the night sky. In this series of mezzotints, he studies the granulated textures through images of heavenly bodies with starry dark skies as backgrounds. By rendering these images in #mezzotint and devoid of color, Fausti gives them a quality different from a scientific inquiry, personalizing his emotional response to the subject and explore a more naked interpretation of universal beauty devoid of most cultural or historical conventions. Are you also a fan of the night sky? Eduardo Fausti (b. 1954, Argentina, lives and works in New York, NY and Orcas Island, WA). Europa, Ganymede, and Io, 2020. Mezzotint. Sheet: 15 1/4 x 14 inches. Printed and published by the artist. Edition: 10. Courtesy of and © 2021 the artist. Image description: A GIF animation of a series of mezzotints showing a starry sky in the dark with a circular grey planet in the center.

What is IPCNY?

Happy #NationalNonprofitDay! IPCNY is honored to have supported so many artists and printmakers over the past 20 years. We are extremely grateful for the continuous support from our board, the print community, and every one of you. Watch this short clip to hear what IPCNY is and share your thoughts with us! What is your story with IPCNY? Comment below to let us know!

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About IPCNY

IPCNY is New York’s flagship non-profit arts institution dedicated to the innovative presentation of prints.

Nearby museums

International Print Center New York
10001
The FLAG Art Foundation
W 25th Street 9Th Fl
Dia Art Foundation
W 22nd Street
Bruce Silverstein Gallery
W 20th Street Fl
Ricco/Maresca Gallery
W 20th Street
The Upright Citizens Brigade Theatre
10011
Fashion Institute of Technology
W 27th Street
New York City Museum School
12803
Hotel Chelsea
10011
Hotel Chelsea
10011
Museum at FIT
West 27th Street
Rubin Museum of Art
W 17th Street
Whitney Museum of American Art
Westbury 06902
The Chancellor Robert R Livingston Masonic Li
W 23rd Street
Whitney Museum of American Art
Gansevoort Street

Other New York museums

Cooper Hewitt
91 Street Street
The Metropolitan Museum of Art, New York
5th Avenue
The Paley Center for Media
West 52nd Street
Brooklyn Museum
Eastern Pkwy
American Folk Art Museum
Lincoln Square
Japan Society
E 47th Street
Solomon R. Guggenheim Museum
5th Avenue
Museum of Jewish Heritage - A Living Memorial
Battery Place
The Jewish Museum
Fifth Avenue
BkM Teens
Eastern Parkway
New Museum
Bowery
American Museum of Natural History
Central Park W

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’s 2017 exhibition !, curated by William Villalongo Studio and Mark Thomas Gibson, examined evolving perspectives of Black identity in American culture and history from 1912 to 2016 through rare historical printed media shown in dialogue with contemporary works of art.

The exhibition highlighted works by artists, graphic designers, writers, and publishers in formats ranging from little known comic books and covers for historic books and magazines, to etchings, digital prints, drawings, and media-based works by some of today’s leading artists.

The exhibition tour was organized by International Print Center New York

* This post is part of a series during which seeks to elevate and amplify the voices of Black artists.

Learn more at: cam.usf.edu/CAM/exhibitions/2017_6_Black_Pulp!/black_pulp

https://www.instagram.com/p/CTknVZGliP6/?utm_source=ig_web_copy_link

www.bernardboffi.net

HP artist co-op member Austin Nash will be speaking tomorrow, 8.10, as part of International Print Center New York's ‘New Prints Artist Conversation’, from 6-7pm CDT.

Nash, along with two other exhibiting artists Diana Behl and Ellen Lesperance will discuss how their unique approaches to constraint, process, and abstraction—using writing prompts, a daily print practice, and archival research and the grid—inform their works.

Register for the online event here: https://www.eventbrite.com/e/august-10-new-prints-artist-conversation-ii-registration-164180858367?aff=Outreach

Image: Revision, 2020. Animation from 428 screenprints. Run time: 22 seconds. Black and white, silent.

New Prints Artist Conversation II
Tuesday, August 10 at 7 pm ET
Hosted by International Print Center New York

Sign up below for this online artist conversation featuring printer AUSTIN NASH, one of our most recent MCBA/Jerome Fellows! 🎉

https://www.eventbrite.com/e/august-10-new-prints-artist-conversation-ii-registration-164180858367?aff=SocialMedia

Kevin Pomerleau is an artist/printmaker located in Northampton Massachusetts. He obtained his Bachelors in Fine Art from the University of Massachusetts Amherst and currently prints at Zea Mays Printmakinga Mays Printmaking in Florence, Ma working primarily with etching and etching align processes. His work has been exhibited both nationally and internationally including exhibitions at the International Print Center New York, Editions/Artists' Books Fair, and the Biennale internationale d'estampe contemporaine de Trois-Rivières

"The subject matter of my work ranges from everyday moments of monotony, intensity, happiness, and anger. Each piece documents these moments and acts as a form of catharsis and self-exploration. Revealing small amounts of information as a way to maintain ambiguity and regain control over once seemingly uncontrollable situations. Through the use of stylized black and white forms that are familiar and at times iconic, my intention is to create a dialogue between each space and the figures that inhabit them. The ambiguity of each work is intended so that the viewer can create their own personal connection. Each person has the potential to come to their own conclusions about what role they might take in each instance. My hope is for the work to evoke a contemplation of how one might ground these experiences within their own reality and what role they might take."
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The Up Close Series is a collection of short videos created by videographer Nick Verdi and presented by The ArtSalon. These videos provide a window into the art practices of artists located in the Pioneer Valley area. Through studio tours and curatorial driven interviews, these films enable The ArtSalon to expand it's mission to a virtual platform. By engaging artists in a conversation about their work in this short film format, we hope to give the community an opportunity to see how artists are surviving in this deeply challenging time.
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LIMITED SPACES OPEN for all levels in “The Woodcut: Beyond Black and White” with Kasey Ramirez, July 4-15.

Email [email protected] go here to learn more & apply:
https://penland.org/workshops/printmaking-letterpress/

About the workshop
In this workshop you will focus on the post-matrix and pushing the surfaces of paper, wood, and fabric. Using everything from knives and gouges to hammers and torches, you will expand your graphic vocabulary beyond linear and bold qualities toward textural and atmospheric effects.

Guided drawing exercises will complement experimental and collaborative demonstrations covering image transfer methods, traditional and alternative carving methods, using oil-based inks, color-mixing, and both press and non-press printing methods.

You’ll explore with your peers your own imagery and experimentations with techniques!

About Kasey Ramirez
Kasey is an assistant professor at University of Arkansas. Her work has been featured in exhibitions at the International Print Center New York, The Andy Warhol Museum, and others.

Photos courtesy via Instagram

: On view at International Print Center New York through May 22, Mapping Narratives: New Prints 2021/Winter, juried by Black Women of Print, features new prints and print-based works by 40 artists. Together, they explore how we anchor ourselves, our histories, and our lived experiences in our present moment and environment.

[Image Caption: Yelaine Rodriguez (b. 1990, United States, lives and works in Bronx, NY). Ezili Dantor The Black Madonna from the series We are here because you were there, 2019-2020. Solarplate etching and metallic watercolor. Sheet: 20 x 16 inches. Printed and published by the artist. Courtesy and © 2021 the artist.]

I made a new webinar for International Print Center New York and it’s free! I’m teaching communications skills for artists, Weds April 7 at 7 PM ET!

Explore "Mapping Narratives: New Prints 2021/Winter" from the International Print Center New York!

"Mapping Narratives" features new prints and print-based works by 40 artists, comprising a wide array of technical, formal, and conceptual practices. Reflecting not only skill and innovation in the contemporary print field, these works also reveal myriad identities, ways of seeing, and approaches to visual storytelling.

The exhibition is available to view online & in-person January 28–April 3.

More about the exhibition: https://bit.ly/3csqJRb

https://sightlinesmag.org/eight-years-after-sam-coronados-death-pepe-coronado-and-jonathan-rebolloso-continue-his-printmaking-legacy