Mary Boone Gallery

Mary Boone Gallery Mary Boone Gallery 745 Fifth Avenue and 541 W 24 Street
(47)

Great article by Ted Loos in the Museums section of Thursday's New York Times: "Displaying New Art in Old Museums", incl...
03/21/2015
Cedar Grove, Peabody Essex and Other Niche Museums Foray Into Contemporary Art

Great article by Ted Loos in the Museums section of Thursday's New York Times: "Displaying New Art in Old Museums", including "Peter Halley: Big Paintings" on view now at the Florence Griswold Museum in Old Lyme, Connecticut.

http://www.nytimes.com/2015/03/19/arts/artsspecial/cedar-grove-peabody-essex-and-other-niche-museums-foray-into-contemporary-art.html?_r=0

Smaller historical institutions are reframing their core holdings to engage newer, younger audiences.

Some weekend reading: a wonderful article by Roberta Smith from yesterday's New York Times on Peter Saul and his show, "...
03/14/2015
Review: ‘Peter Saul: From Pop to Punk,’ a Firebrand Willing to Offend

Some weekend reading: a wonderful article by Roberta Smith from yesterday's New York Times on Peter Saul and his show, "From Pop to Punk" at Venus over Manhattan, on view through April 18!

http://www.nytimes.com/2015/03/13/arts/design/review-peter-saul-from-pop-to-punk-a-firebrand-willing-to-offend.html?_r=0

A show at Venus Over Manhattan, with works from the collection of the art dealer Allan Frumkin, sheds light on a crucial period in the development of this painter.

Grab a copy of this month's Brooklyn Rail for a review of Ryan McNamara's show "Gently Used" on view at 745 Fifth Avenue...
02/14/2015
RYAN MCNAMARA Gently Used No Entrance, No Exit

Grab a copy of this month's Brooklyn Rail for a review of Ryan McNamara's show "Gently Used" on view at 745 Fifth Avenue through Saturday February 28.

http://www.brooklynrail.org/2015/02/artseen/ryan-mcnamara-gently-used-no-entrance-no-exit

Much has been said of late about the status of so-called “post-Internet” art. Detractors, like Art in America’s Brian Droitcour, see the movement as “the art of a cargo cult, made in awe at the way brands thrive in networks.”

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