The Renee and Chaim Gross Foundation

The Renee and Chaim Gross Foundation Chaim Gross's historic townhouse + sculpture studio in downtown NYC. Open to the public. Admission is $15.
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The Foundation is open for guided House & Studio Tours, which take place on Thursdays at 3 pm and 6 pm, Fridays at 1 pm & Saturdays at 1 pm and 3pm.

Join us tomorrow for a free Open House for The Village Trip! We are open Wednesday, September 20 from 4–7 pm.‌The Villag...
09/19/2023

Join us tomorrow for a free Open House for The Village Trip! We are open Wednesday, September 20 from 4–7 pm.

The Village Trip is an annual festival celebrating arts and activism across Greenwich and the East Village. The festival begins September 8 and ends September 24. For more information on The Village Trip, please check out

We will have all three floors open for a self-guided visit during the open house. The first floor showcases work by Chaim Gross in his former studio and the adjacent gallery. The second floor houses a temporary exhibition space. The third floor features a historic, salon-style installation of African, American, European, Pre-Columbian, and decorative arts collected by the Grosses. The second and third floors can be accessed by stairs or elevator.


Admission is free, but donations are appreciated.






Photo by Elizabeth Felicella. Gross’s tools and workbench in the studio.

Happy birthday, Chaim Gross!⠀Born March 17, 1902, Gross was a renowned sculptor of wood, stone, and bronze. His legacy c...
03/17/2023

Happy birthday, Chaim Gross!

Born March 17, 1902, Gross was a renowned sculptor of wood, stone, and bronze. His legacy continues through the , an organization created during his lifetime. House & Studio Tours, running Thursday through Saturday or by appointment, explore his biography, work, and extensive art collection in .

This photo shows Gross in his studio in 1965, just two years after he and wife Renee moved to . This space remains open to the public for tours.



Photo: Marvin Bolotsky, Chaim Gross standing on the stairs leading into the sculpture studio, 1965. Black and white photograph from the Archives of the Renee & Chaim Gross Foundation.

Description: a man is posed halfway up a staircase. He is holding onto one of the narrow balusters and his other arm is akimbo. He faces the camera, yet looks away from the photographer. In front of him on the lower level is a lamp. Above and behind him are large bronze and wood sculptures of female figures and birds.


Please join us tomorrow for a book launch and reception to celebrate the publication of Paula J. Birnbaum's book 𝘚𝘤𝘶𝘭𝘱𝘵𝘪...
02/15/2023

Please join us tomorrow for a book launch and reception to celebrate the publication of Paula J. Birnbaum's book 𝘚𝘤𝘶𝘭𝘱𝘵𝘪𝘯𝘨 𝘢 𝘓𝘪𝘧𝘦: 𝘊𝘩𝘢𝘯𝘢 𝘖𝘳𝘭𝘰𝘧𝘧 𝘣𝘦𝘵𝘸𝘦𝘦𝘯 𝘗𝘢𝘳𝘪𝘴 𝘢𝘯𝘥 𝘛𝘦𝘭 𝘈𝘷𝘪𝘷. The event takes place on Thursday, February 16 at 6:30 pm at the Foundation. RSVP is required. Please register by emailing [email protected].


From Brandeis University Press:

𝘚𝘤𝘶𝘭𝘱𝘵𝘪𝘯𝘨 𝘢 𝘓𝘪𝘧𝘦 is the first biography of sculptor Chana Orloff (1888–1968), and the first work to include stories from her unpublished memoir. Paula J. Birnbaum weaves a wide range of interviews and archival sources into a compelling narrative, exploring the artist’s early life in Ukraine, her family’s move to Palestine, her years in Paris during two World Wars and thereafter from time to time in Israel. Orloff sought and received strong critical endorsement of her work in France and Israel, however her own sense of home was always in question. Her multiple migrations and forced exiles, combined with her gender and Jewish identities, had a cumulative effect on her life and her art. By examining the impact of exile and living in different countries this book provides a new lens through which to look at artists’ lives and works, especially women and gender-nonconforming artists, who may identify as multinational or placeless. Women artists like Orloff have been overlooked by history and excluded from the canon of modernism within art history. 𝘚𝘤𝘶𝘭𝘱𝘵𝘪𝘯𝘨 𝘢 𝘓𝘪𝘧𝘦 brings Orloff to the forefront, tells her story at long last, and shows her historical and artistic significance.


Paula J. Birnbaum is the academic director of the Museum Studies Master of Arts Program and professor of art history and museum studies at the University of San Francisco. She is a specialist in modern and contemporary art. Birnbaum is a former Fulbright Scholar and fellow at the Institute for Research on Women and Gender at Stanford University. She is the author of, among other works, 𝘞𝘰𝘮𝘦𝘯 𝘈𝘳𝘵𝘪𝘴𝘵𝘴 𝘪𝘯 𝘐𝘯𝘵𝘦𝘳𝘸𝘢𝘳 𝘍𝘳𝘢𝘯𝘤𝘦.



Join us for the next lecture in our "Artists and Immigrants Series" with Stephen Mack, who will discuss the life and wor...
12/12/2022

Join us for the next lecture in our "Artists and Immigrants Series" with Stephen Mack, who will discuss the life and work of Willem de Kooning (1904–97).


This free virtual event takes place Wednesday, December 14 at 6 pm EST. Registration is required - link in bio.


Today, Willem de Kooning is recognized as one of the most important and influential painters of his generation. An artist’s artist whose work hangs in museums across the world, it can be easy to forget just how humble his beginnings in the United States were. He arrived in the U.S. at twenty-two years old as a stowaway, not speaking the language, and unaware that there was an interest in fine art in his new home. Focusing on his work, this talk will show how de Kooning’s early experiences in the United States shaped him and his artistic development, and how his hybrid European-American identity marked him and his work as distinct from his contemporaries.


Stephen Mack is Project Manager of the Willem de Kooning Catalogue Raisonné. For over 8 years, he was a researcher on the Revised Catalogue Raisonné of Yves Tanguy’s Paintings, Gouaches, and Objects, then under preparation by The Pierre and Tana Matisse Foundation. Stephen received his PhD in art history from Rutgers University in 2020 writing his dissertation about roughness and 𝘯𝘰𝘯 𝘧𝘪𝘯𝘪𝘵𝘰 in fifteenth-century Italian sculpture from Donatello to Michelangelo.


In celebration of the centennial of Chaim Gross's immigration to the United States, the Foundation is focusing our programming on illuminating the stories of artists and immigrants in the collection.



Image:
Willem de Kooning
𝘕𝘰𝘳𝘵𝘩 𝘈𝘵𝘭𝘢𝘯𝘵𝘪𝘤 𝘓𝘪𝘨𝘩𝘵, 1977
Oil on canvas
80 x 70 inches
Artwork © The Willem de Kooning Foundation / Artists Rights Society (ARS), New York


Image description:
Abstract painting with white, cream, blue, magenta, black, mustard, peach, and orange colors. The paint is applied with with heavy brushstrokes of various sizes.



Join us for the next lecture in our "Artists and Immigrants Series" with Professor Emeritus Myroslav Shkandrij who will ...
11/15/2022

Join us for the next lecture in our "Artists and Immigrants Series" with Professor Emeritus Myroslav Shkandrij who will discuss the life of David Burliuk (1882–1967). This free virtual event takes place Wednesday, November 16 at 6 pm EST. Registration is required - link in bio.


Before immigrating to the United States in 1922 at the age of 40, Burliuk was a well-known artist and writer. He was known as the "Father of Russian Futurism", was part of Der Blaue Reiter group, and studied art in various countries. Although his immigration in many ways meant starting over, Burliuk became an influential figure in the United States. His circle included artists like Chaim Gross, Moses and Raphael Soyer, Louis Michel Eilshemius, Nicolai Cikovsky, George Constant, and many more. The Foundation's archive holds substantial correspondence from the Burliuks to the Grosses, showing their long friendship and appreciation of one another.


The talk examines the artist's evolution as he traveled and worked in several countries—most notably Ukraine, Russia, Japan, and the United States. Some features of Burliuk's art remained constant even as he continued to experiment with different styles. This lecture will look at what might have been the deeper sources of his inspiration.


Myroslav Shkandrij is Professor Emeritus at the University of Manitoba and presently a Visiting Professor at Columbia University. He has published several books on the cultural and political history of Ukraine and Russia, including recent books on the avant-garde and revolutionary upheavals in Ukraine over the last hundred years. He has also curated several art exhibitions.



Image: David Burliuk, 𝘏𝘪𝘴 𝘉𝘦𝘭𝘰𝘷𝘦𝘥 𝘏𝘰𝘳𝘴𝘦, 1927, oil on canvas. Collection of the Renee & Chaim Gross Foundation. Photo credit: Jacob Burckhardt.


Image description: Prominently showcased in the center of the painting is a blue and green horse with a face or mask on its side. On the left, behind the rear of the horse, is a figure with two heads and one arm outstretched above the horse.

The Renee & Chaim Gross Foundation is looking for committed individuals to join our team of enthusiastic Volunteer Educa...
11/04/2022

The Renee & Chaim Gross Foundation is looking for committed individuals to join our team of enthusiastic Volunteer Educators. The new cohort of Volunteer Educators will lead House & Studio Tours following training with Foundation staff, outside scholars, and current Volunteer Educators.


Please apply using the Google Form, accessible through the Foundation’s website, by November 18, 2022.


The Renee & Chaim Gross Foundation stewards an extensive collection of over 12,000 objects that includes Chaim Gross's sculptures, drawings, and prints; a photography archive; library; and the Grosses' large personal collection of African, American, European, Oceanic, Pre-Columbian, and decorative arts. The collections are installed as they looked when the Grosses lived in the building.


The Foundation's mission is to further the legacy of Chaim Gross through high-quality research, exhibitions, and educational activities around our historic building and art collections for audiences in New York City and beyond. For more information, please see the link in bio.


Image 1: Sculptor Michael Wolf presents on wood sculpture tools and methods for the first class of Volunteer Educators.

Photo by Brittany Cassandra, 2019.

Image 2: Gallery and studio at the Foundation.

Photo by Elizabeth Felicella, 2018.

Image 3: Volunteer Educators on the Foundation’s third floor, left to right: Daryl, Emma, Madeline, Nancy, Sharon, and Janie.

Photo by Brittany Cassandra, 2019.



Join us for the SoHo Arts Network's Downtown Culture Walk⠀⠀Saturday, Oct. 2912 - 6 pm⠀⠀Free; no reservations required⠀⠀S...
10/26/2022

Join us for the SoHo Arts Network's Downtown Culture Walk


Saturday, Oct. 29
12 - 6 pm


Free; no reservations required


SoHo Arts Network (SAN) is pleased to present its Fall 2022 program: the Downtown Culture Walk, a self-guided walking tour highlighting the non-profit art spaces in SoHo and surrounding neighborhoods. Members of SAN will open their doors for the Downtown Culture Walk, inviting participants to discover and enjoy our creative community. Walkthroughs, open hours, and other programming will be offered throughout the day for free or reduced admission.



Participating SAN members include:

apexart
CIMA – Center for Italian Modern Art
Grey Art Gallery, New York University
Judd Foundation
Leslie-Lohman Museum of Art
The Milton Resnick and Pat Passlof Foundation
Soho Photo Gallery
Swiss Institute
The Drawing Center
The Renee & Chaim Gross Foundation


More information, including a map of all participating organizations and programming schedule, is available on SAN's website: sohoarts.org


𝘈𝘳𝘵 𝘪𝘯 𝘈𝘮𝘦𝘳𝘪𝘤𝘢 is the media partner for the Downtown Culture Walk.


About the SoHo Arts Network:

The SoHo Arts Network (SAN) is a working network of non-profit art spaces in and around SoHo. Founded in 2014 by a small group of non-profit arts organizations, the network celebrates the rich history of our unique creative community and collectively shares our distinct cultural contributions with neighborhood residents and visitors. SAN seeks to further growth of the arts through collaborative public programs that explore the neighborhoods’ rich cultural histories.


Please Note: Masks are still required at the Foundation.



Image description: Multicolored infographic with information about the Downtown Culture Walk.


Join us for the 20th Annual Open House New York Weekend:Saturday, Oct. 22 and Sunday, Oct. 23, 11 am - 4 pm⠀⠀Free; no re...
10/20/2022

Join us for the 20th Annual Open House New York Weekend:
Saturday, Oct. 22 and Sunday, Oct. 23, 11 am - 4 pm


Free; no reservations required


The Renee & Chaim Gross Foundation is participating in the 20th Annual Open House New York Weekend. All three floors of the Foundation will be available for self-guided tours. These include the first floor gallery and historic studio of Chaim Gross, the second floor temporary exhibition 𝘈𝘳𝘵𝘪𝘴𝘵𝘴 𝘢𝘯𝘥 𝘐𝘮𝘮𝘪𝘨𝘳𝘢𝘯𝘵𝘴 (on view until December 23), and the third floor living spaces, which include a salon-style installation of the Grosses' historic collection.


Please Note: Masks are still required at the Foundation.


Learn more about OHNY and the 250+ locations participating in all five boroughs



Image description: Photograph of the Foundation's third floor living room with OHNY Weekend logo superimposed on bottom right corner. The room has antique furniture and many paintings on the walls behind. There are sculptures on the tables and windowsills.


Join us virtually for tomorrow's lecture with Professor Emeritus David Scrase, who will discuss the life, work, and writ...
10/18/2022

Join us virtually for tomorrow's lecture with Professor Emeritus David Scrase, who will discuss the life, work, and writings of photographer Bernard Gotfryd (1924-2006) as part of our "Artists and Immigrants Series".


In his life before immigration, Bernard Gotfryd became a master of photography. As Poland was engulfed by World War II, with the camps and genocide dominant, Gotfryd was deprived of camera and darkroom for four years. After his immigration to the U.S., where he became a renowned photojournalist for 𝘕𝘦𝘸𝘴𝘸𝘦𝘦𝘬, he ultimately responded to his mother’s last words as she was deported to her death—write about everything so that the world knew the truth of the Holocaust. In the 1980s, he published his first tales in 𝘔𝘪𝘥𝘴𝘵𝘳𝘦𝘢𝘮 and 𝘕𝘦𝘸𝘴𝘸𝘦𝘦𝘬. Gotfryd's book 𝘈𝘯𝘵𝘰𝘯 𝘵𝘩𝘦 𝘋𝘰𝘷𝘦 𝘍𝘢𝘯𝘤𝘪𝘦𝘳: 𝘢𝘯𝘥 𝘖𝘵𝘩𝘦𝘳 𝘛𝘢𝘭𝘦𝘴 𝘰𝘧 𝘵𝘩𝘦 𝘏𝘰𝘭𝘰𝘤𝘢𝘶𝘴𝘵 was first published in 1990. With no camera during the Holocaust, Gotfryd was unable to record what happened as he went from the house he grew up in, to the ghetto, to a series of camps, until he was liberated in May 1945. But, his experiences remained with him as striking images with clear-cut details. With his “photographer’s eye”, Gotfryd rescued those images, each tale vividly providing a back-drop, scenery, and action of the dramatic events.


This free program takes place on Wed., Oct. 19 at 6 pm EDT. Registration is required through link in bio.


Born in England in 1939, David Scrase made Germany, its language and culture, not least its history, his career. After having bounced around in England, Germany, France, Switzerland, and Austria, he immigrated in 1969 to the United States, where he became Professor of German and the founding Director of the Carolyn and Leonard Miller Center for Holocaust Studies at the University of Vermont.


Image: Bernard Gotfryd, Chaim Gross sculpts a portrait of artist Karl Knaths in Provincetown, 1965. Archives


Image description: Color photograph of a man sitting for an artist. In the center is a clay bust in progress.


Tomorrow at 12 pm Eastern!
09/27/2022

Tomorrow at 12 pm Eastern!

Next Wednesday!
09/23/2022

Next Wednesday!

Tactile Transmissions is back for fall! Please note that the November 5 in-person event has been moved to November 12.
09/22/2022

Tactile Transmissions is back for fall! Please note that the November 5 in-person event has been moved to November 12.

Tour the historic home, studio, and art collections of renowned sculptor Chaim Gross (1902-91).

Next week, Mimi Gross and Sasha Davis will be speaking about Chaim Gross’s life, work, and legacy with Rachel Stern of t...
09/22/2022

Next week, Mimi Gross and Sasha Davis will be speaking about Chaim Gross’s life, work, and legacy with Rachel Stern of the Fritz Ascher Society! Register using the link below.

   with .repost・・・Chaim Gross (1902-1991) fled Europe as a teenager after experiencing the violence of World War I and t...
08/24/2022

with .repost
・・・
Chaim Gross (1902-1991) fled Europe as a teenager after experiencing the violence of World War I and the disruption of his artistic training due to anti-Semitic policies. He arrived in New York City in 1921 and quickly found a welcoming environment among fellow artists, many of whom were also immigrants, at the Educational Alliance Art School. Despite difficult beginnings, Gross rose to become one of America’s leading twentieth-century sculptors and a key proponent of the direct carving movement. Although a small number of his works referenced his horrific early experiences and the later murder of family members in the Holocaust, his themes were largely joyful, showing mothers at play or acrobats and dancers.

Register for our FREE ZOOM EVENT "The Enduring Legacy of Chaim Gross (1902-1991)" on September 28 at 12:00pm ET - LINK IN BIO AND HERE: https://fritzaschersociety.org/exhibition-event/chaim-gross/.
This program delves into Gross’s biography, work, and the legacy that the Renee & Chaim Gross Foundation continues to preserve for the public benefit. Featuring Mimi Gross, President of the Foundation and daughter of Renee and Chaim Gross (.gross), and Sasha Davis, Executive Director of the Renee & Chaim Gross Foundation ().

IMAGES: Chaim Gross in the studio at Grand Street, 1975. Unknown Photographer; The Renee and Chaim Gross Foundation, Chaim Gross’ Studio, undated. Photo Elizabeth Felicella; both © The Renee and Chaim Gross Foundation

08/24/2022
We are so happy to be a member of the Historic Artists’ Homes and Studios program!
08/17/2022

We are so happy to be a member of the Historic Artists’ Homes and Studios program!

This salon-style living room with an inviting couch is the home of sculptor Chaim Gross, owned and operated by The Renee and Chaim Gross Foundation. Pictured here, at 529 LaGuardia Place in NYC, is a snippet of Gross' extensive art collection, which he began acquiring in 1920. The painting on the bottom row, second from the left, is by famous American sculptor Louise Nevelson, who was a student of Gross'. Gross collected works from his friends and contemporaries like Milton Avery and Willem De Kooning, and also purchased works from artists he admired. This view shows mostly European and American art, but Gross also had an extensive and impressive collection of African and also Oceanic art. These works are intermixed along with all other art, check the comments for another angle of this living room to see some of the works from Central and Western Africa, encompassing over 50 cultural groups.

One of Gross's sculptures, a product of direct carving in wood and evoking the style of a totem, is visible in the foreground on the coffee table. Gross' interest in African carved sculptures is a clear source of inspiration for his work.

Photo by Nicole Saraniero, courtesy Untapped New York.

Join us virtually for next week’s "Artists and Immigrants Series" program with artist and writer Mira Schor, who will di...
06/02/2022

Join us virtually for next week’s "Artists and Immigrants Series" program with artist and writer Mira Schor, who will discuss the lives and work of her parents.


Two Polish artists, Ilya Schor and Resia Schor, arrived in New York on December 3, 1941, fleeing the N***s. They had not planned to come to the United States, but found new opportunities in their adopted home. Ilya Schor (1904–61) was born in Austrian Galicia in an area that is now Ukraine. He was a noted artist of Judaica, painter, sculptor, creator of exquisite jewelry, and illustrator for major Jewish writers including Sholem Aleichem and Rabbi Abraham Joshua Heschel. Resia Schor (1910–2006), née Ainstein, was trained as a painter in her homeland of Poland. After the death of her husband, she picked up his tools and made powerful works of jewelry, Judaica, and sculpture.


This free virtual program takes place on Wed., June 8 at 6 pm EDT. Registration is required through the link in bio.


Mira Schor is a New York-based artist and writer noted for her advocacy of painting in a post-medium visual culture and for her contributions to feminist art history. Schor received her MFA from CalArts in 1973 where she was a member of the CalArts Feminist Art Program. She is the recipient of awards in painting from the Guggenheim, Rockefeller, and Pollock-Krasner Foundations and of ‘s Frank Jewett Mather Award in Art Criticism. She is an Associate Teaching Professor at Parsons. She curated 𝘈𝘣𝘴𝘵𝘳𝘢𝘤𝘵 𝘔𝘢𝘳𝘳𝘪𝘢𝘨𝘦: 𝘚𝘤𝘶𝘭𝘱𝘵𝘶𝘳𝘦 𝘣𝘺 𝘐𝘭𝘺𝘢 𝘚𝘤𝘩𝘰𝘳 𝘢𝘯𝘥 𝘙𝘦𝘴𝘪𝘢 𝘚𝘤𝘩𝘰𝘳 in 2013.


In celebration of the centennial of Chaim Gross's immigration to the United States, the Foundation is focusing our programming on illuminating the stories of artists and immigrants in the collection.


Image:

Ilya Schor and Resia Schor at The Warsaw Academy of Fine Arts, c. 1935. Photograph courtesy Mira Schor.

Black and white photograph of a man and woman lying on their stomachs. They are both resting their chins on their hands, looking directly at the camera.


Thank you so much for the mention, Fritz Ascher Society! We are thrilled.
05/20/2022

Thank you so much for the mention, Fritz Ascher Society! We are thrilled.

05/19/2022

Celebrate the Renee & Chaim Gross Foundation's new publication "Artists and Immigrants"

Please join us for an in-person celebration of the Renee & Chaim Gross Foundation's new publication 𝘈𝘳𝘵𝘪𝘴𝘵𝘴 𝘢𝘯𝘥 𝘐𝘮𝘮𝘪𝘨𝘳𝘢𝘯...
05/13/2022

Please join us for an in-person celebration of the Renee & Chaim Gross Foundation's new publication 𝘈𝘳𝘵𝘪𝘴𝘵𝘴 𝘢𝘯𝘥 𝘐𝘮𝘮𝘪𝘨𝘳𝘢𝘯𝘵𝘴. The event takes place Thursday, May 19 at 6:30 pm EDT at the Foundation. The event is free, but registration is required through the link in bio.

The catalogue is released in conjunction with the Foundation's larger programmatic focus on immigrant artists in the collection throughout 2021 and 2022. The publication builds on our virtual programming and new temporary exhibition 𝘈𝘳𝘵𝘪𝘴𝘵𝘴 𝘢𝘯𝘥 𝘐𝘮𝘮𝘪𝘨𝘳𝘢𝘯𝘵𝘴 (April 7–December 23, 2022).

The 48-page catalogue features four original essays, biographies of the more than 50 artists in the exhibition, and a checklist of the exhibition. Essay authors include Sasha Davis, Executive Director, Brittany Cassandra, Collections and Programs Manager, Clare Richfield, 2021-22 NYU Public Humanities Graduate Research Fellow, and Emma Young, 2020-21 NYU Public Humanities Graduate Research Fellow. Catalogues will be available for purchase during the event.

The exhibition 𝘈𝘳𝘵𝘪𝘴𝘵𝘴 𝘢𝘯𝘥 𝘐𝘮𝘮𝘪𝘨𝘳𝘢𝘯𝘵𝘴 celebrates the centennial of the immigration of Chaim and Renee Gross to the United States and the many immigrant artists who studied, worked, and interacted with them. Based on the shared experience of immigration, Chaim Gross formed lasting relationships with these artists and, in turn, collected their work—the origins of the Foundation’s collection.


This publication is made possible by a generous grant from the Robert David Lion Gardiner Foundation of New York.


Image: Detail from publication's front cover with title and two paintings: 𝘌𝘭 𝘚𝘵𝘢𝘵𝘪𝘰𝘯, c. 1935 by Joseph Solman and 𝘛𝘩𝘦 𝘏𝘶𝘯𝘨𝘳𝘺, 1938 by O. Louis Guglielmi . Both paintings are from the Renee & Chaim Gross Foundation Collection. Catalogue graphic design by Christopher Sleboda and Kathleen Sleboda.


Tomorrow’s Artists and Immigrants virtual program is⠀𝗠𝗮𝗿𝗶𝗼𝗻 𝗣𝗮𝗹𝗳𝗶, 𝗖𝗶𝘁𝗶𝘇𝗲𝗻 𝗣𝗵𝗼𝘁𝗼𝗴𝗿𝗮𝗽𝗵𝗲𝗿: “𝗠𝘆 𝗪𝗼𝗿𝗸 𝗶𝘀 𝗛𝘂𝗺𝗮𝗻 𝗥𝗶𝗴𝗵𝘁𝘀”⠀Born ...
03/22/2022

Tomorrow’s Artists and Immigrants virtual program is

𝗠𝗮𝗿𝗶𝗼𝗻 𝗣𝗮𝗹𝗳𝗶, 𝗖𝗶𝘁𝗶𝘇𝗲𝗻 𝗣𝗵𝗼𝘁𝗼𝗴𝗿𝗮𝗽𝗵𝗲𝗿: “𝗠𝘆 𝗪𝗼𝗿𝗸 𝗶𝘀 𝗛𝘂𝗺𝗮𝗻 𝗥𝗶𝗴𝗵𝘁𝘀”

Born in Berlin but self-identified as a Hungarian émigré from fascist Europe, Marion Palfi (1907-78) embraced her acquired U.S. citizenship and the promise of American democracy. Palfi insisted that each photograph “must tell the whole story even without words.” And she told many stories through her innovative and deeply researched series, from her early “Great American Artists of Minority Groups”, which included Chaim Gross, to her later photographs of Southwest Native Americans. Her persistent theme was the tension between professed democracy and stubborn injustice.

The event takes place over Zoom on March 23 at 6 pm EDT. Registration is required through the link in bio.

Janet Zandy is emerita professor from Rochester Institute of Technology. She is the author of the award-winning 𝘏𝘢𝘯𝘥𝘴: 𝘗𝘩𝘺𝘴𝘪𝘤𝘢𝘭 𝘓𝘢𝘣𝘰𝘳, 𝘊𝘭𝘢𝘴𝘴, 𝘢𝘯𝘥 𝘊𝘶𝘭𝘵𝘶𝘳𝘢𝘭 𝘞𝘰𝘳𝘬 and editor of 𝘊𝘢𝘭𝘭𝘪𝘯𝘨 𝘏𝘰𝘮𝘦: 𝘞𝘰𝘳𝘬𝘪𝘯𝘨-𝘊𝘭𝘢𝘴𝘴 𝘞𝘰𝘮𝘦𝘯'𝘴 𝘞𝘳𝘪𝘵𝘪𝘯𝘨𝘴; 𝘓𝘪𝘣𝘦𝘳𝘢𝘵𝘪𝘯𝘨 𝘔𝘦𝘮𝘰𝘳𝘺: 𝘖𝘶𝘳 𝘞𝘰𝘳𝘬 𝘢𝘯𝘥 𝘖𝘶𝘳 𝘞𝘰𝘳𝘬𝘪𝘯𝘨-𝘊𝘭𝘢𝘴𝘴 𝘊𝘰𝘯𝘴𝘤𝘪𝘰𝘶𝘴𝘯𝘦𝘴𝘴; and𝘞𝘩𝘢𝘵 𝘞𝘦 𝘏𝘰𝘭𝘥 𝘪𝘯 𝘊𝘰𝘮𝘮𝘰𝘯: 𝘈𝘯 𝘐𝘯𝘵𝘳𝘰𝘥𝘶𝘤𝘵𝘪𝘰𝘯 𝘵𝘰 𝘞𝘰𝘳𝘬𝘪𝘯𝘨-𝘊𝘭𝘢𝘴𝘴 𝘚𝘵𝘶𝘥𝘪𝘦𝘴. Her most recent book is 𝘜𝘯𝘧𝘪𝘯𝘪𝘴𝘩𝘦𝘥 𝘚𝘵𝘰𝘳𝘪𝘦𝘴: 𝘛𝘩𝘦 𝘕𝘢𝘳𝘳𝘢𝘵𝘪𝘷𝘦 𝘗𝘩𝘰𝘵𝘰𝘨𝘳𝘢𝘱𝘩𝘺 𝘰𝘧 𝘏𝘢𝘯𝘴𝘦𝘭 𝘔𝘪𝘦𝘵𝘩 𝘢𝘯𝘥 𝘔𝘢𝘳𝘪𝘰𝘯 𝘗𝘢𝘭𝘧𝘪.

In celebration of the centennial of Chaim Gross's immigration to the United States, the Foundation is focusing our 2021-22 programming on illuminating the stories of artists and immigrants in the collection as well as larger stories of immigration.


Image: Marion Palfi, Untitled photo of the Gross Family, 1944. Collection of the Renee & Chaim Gross Foundation. © Center for Creative Photography, Arizona Board of Regents.


We are so thrilled to announce our participation in DHPSNY’s Archival Needs Assessment for 2022. This award will shape o...
02/18/2022

We are so thrilled to announce our participation in DHPSNY’s Archival Needs Assessment for 2022. This award will shape our future ability to make our archives accessible to a larger audience. Thank you, DHPSNY!

We're excited to announce a new Planning & Assessment Services class from our fall 2021 application round as well as a new cohort of Foundational Planning Assistance awardees! We look forward to beginning virtual site visits and assistance for the following institutions in the coming months! Click h...

There are still spots available for today’s Artists and Immigrants program! Join us as we look at artist Federico Castel...
02/16/2022

There are still spots available for today’s Artists and Immigrants program! Join us as we look at artist Federico Castellón (1914-71), a close friend of Chaim Gross. Born in Almería, Spain, Castellón lived in Barcelona until 1921, when his parents moved the family to Brooklyn, NY. Forced to adapt to a new language and self-conscious as “a foreigner,” he retreated into art, spending hours sketching at museums. Just as Castellón finished high school in 1933, he was introduced to Diego Rivera, who helped secure an exhibition for him at the prominent Weyhe Gallery, as well as a scholarship to study art in Europe. Later at the outbreak of WWII, he served in China with the OSS as an artist and map illustrator. After the war he lived between New York, Madrid, and Paris. Castellón worked in all media, and his dreamlike, distorted images were sometimes associated with Surrealism, but the human figures in his etchings demonstrate his draftsmanship.


The event takes place over Zoom on February 16 at 6 pm EST. Registration is required through the link in bio.


Elisa Castellon is the niece of Federico Castellón. She grew up in an environment of art and design, and though she practiced law as her career, she remained involved in the promotion and appreciation of art. She brought Castellón’s art back to Almería, Spain in 2006 to the Acanto Gallery. In 2008, she helped organize the exhibition "Federico Castellón: de Almería a Nueva York" at Museo de Almería in Spain. Her research has focused on Castellón’s letters at the University of Syracuse, the Smithsonian Institution’s Archives of American Art, and the University of Pennsylvania.


In celebration of the centennial of Chaim Gross's immigration to the United States, the Foundation is focusing our 2021-22 programming on illuminating the stories of artists and immigrants in the collection as well as larger stories of immigration.


Image: Federico Castellón, "Bird Fantasy" 1936 - 51, oil on canvas. Collection of the Renee & Chaim Gross Foundation.


There are still spots available for today’s Artists and Immigrants program. This is the last public program of 2021. The...
12/15/2021

There are still spots available for today’s Artists and Immigrants program. This is the last public program of 2021. The virtual tour through ARRIVALS, on view through January 23, 2022 at will be led by Heather Ewing, curator of the exhibition. The show is organized around a series of "arrival moments" — Columbus, the Middle Passage, the Mayflower, Ellis Island / Angel Island, WW2, 1965, and Today — in order to explore some of the myths and origin stories that have shaped American identity. ARRIVALS asks how artists over several centuries have helped to construct, disrupt, or challenge these stories, how they have navigated their own arrival stories, and how they are imagining new kinds of stories to tell in the future.

The event takes place over Zoom on December 15 at 6 pm EST. Registration is required through the link in bio.

Heather Ewing is Associate Dean for Administrative Affairs at the New York Studio School and, since 2000, has been a Research Associate of the Smithsonian Institution Archives. From 2013 to 2018, she was the founding Executive Director of the Center for Italian Modern Art. She is the author of a number of books, including “The Lost World of James Smithson: Science, Revolution, and the Birth of the Smithsonian” (Bloomsbury, 2007).

In celebration of the centennial of Chaim Gross's immigration to the United States, the Foundation is focusing our 2021 programming on illuminating the stories of artists and immigrants in the collection as well as larger stories of immigration.


Image: Installation view of "ARRIVALS" at Katonah Museum of Art, showing works by Sara Rahbar, María Magdalena Campos-Pons, Dorothea Lange, and O. Louis Guglielmi. Photo by Heather Ewing, 2021.


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