Fredericks & Freiser

Fredericks & Freiser Founded in 1996 by Jessica Fredericks and Andrew Freiser, Fredericks & Freiser is a contemporary art gallery in Chelsea, New York.

Fredericks & Freiser represents a select group of emerging and established artists. Since our beginning as one of the early galleries in the Chelsea art scene, we have presented artists’ first solo exhibitions as well as historical exhibitions that spotlight artists of earlier generations whose work is particularly relevant to current trends and ideas. While fostering a continuum between the past

and the present, the gallery’s curatorial program has maintained a long history of focusing on artists who have made important contributions to the development of 20th and 21st century art. Our gallery artists have exhibited in many of the world’s great museums including the Walker Art Center, Whitney Museum of American Art, Museum of Modern Art New York, Stedelijk Museum, San Francisco MoMA, Tate Modern, and have participated in numerous international exhibitions including the Whitney Biennial and the Venice Biennale. They have been written about extensively and have appeared on the covers of Artforum, Art in America, Modern Painters, Sculpture, Art News, Purple, and Frieze.

Katelyn Ledford's "Verso" opens January 15th!Fredericks & Freiser is pleased to present an exhibition of new paintings b...
12/21/2025

Katelyn Ledford's "Verso" opens January 15th!

Fredericks & Freiser is pleased to present an exhibition of new paintings by Katelyn Ledford. Known for virtuosic trompe-l’oeil and dark humor, Ledford constructs images where artifice, vulnerability, and bravado collide. Working exclusively with oil and acrylic on canvas, she renders wood grain, masking tape, lace, and denim with the charged aura of stage props. In her hands, illusion becomes performance.

In this new body of work, Ledford depicts the backs of painting stretchers as meticulously rendered spaces where confession and composure blur. Across these surfaces, phrases like “let’s go back” or “free” are appear in masking tape with deliberate clarity, yet their meaning shifts as what first reads as material truth (tape) reveals itself as a performance of authenticity. Ledford’s realism understands its own artifice; it translates sincerity the way the internet simulates intimacy, through repetition, exaggeration, and distortion.

What makes her practice potent is the tension between devotional craft and the awareness that both painting and personhood are acts of construction. Her trompe-l’oeil labor becomes a metaphor for maintaining the self amid the constant pressure to appear real. Each image flirts with undoing, reaching for sincerity so hard it threatens to fall apart with a manic theatricality that feels both brave and overexposed. The humor here isn’t relief but pressure: slapstick leaking into pathos, camp into confession. These are paintings that know they’re being watched and respond in kind.

Katelyn Ledford (b. Austin, TX) lives and works in Jersey City, NJ. She received her MFA from the Rhode Island School of Design in 2019. She has been the subject of solo exhibitions at M+B, Los Angeles; Long Story Short, New York; Aishonanzuka, Hong Kong; DUVE, Berlin, and Dia Hora, Athens.

Tonight:   “The Gods are in the Kitchen” opening reception 6pm to 8pm. See you there!
09/09/2022

Tonight: “The Gods are in the Kitchen” opening reception 6pm to 8pm. See you there!

 “The Gods are in the Kitchen” opens August 25 with an artist reception on  September 9.For the artist’s second solo exh...
08/05/2022

“The Gods are in the Kitchen” opens August 25 with an artist reception on September 9.

For the artist’s second solo exhibition with the Gallery, Pincus-Whitney continues her investigations into the social landscape of the communal table. Pincus-Whitney’s compositions are sacred rites, much like contemporary Eleusinian Mysteries—viewers are given the tools to achieve clarity and meaning in individuated experiences that will always be opaque to others.

From food and drink to flora and books, the artist’s vibrant objects invite the viewers into their ritual space. Teeming with these objects whose transmutability allows them to function as signs and symbols, Pincus-Whitney’s allegorical compositions are at once hermeneutic diagrams and Jungian sandplay wherein the audience becomes totally immersed amongst myriad referents. The things that populate the canvases bubble to the surface in a cosmic mush like words demanding to be cohered into a poem.

A voracious scavenger and sorcerer of icons and meaning, Pincus-Whitney nods towards art historical genres while evading confinement by their regulations. Harnessing the logics of the still life, the artist’s dazzling tablescapes are imbued with the intimacy of portraiture and the sociopolitical possibilities of history painting. Yet, much of Pincus-Whitney’s world exists beyond art history as she regularly considers literature, psychology, botany, and mythology. References to Joan Didion, bell hooks, William Blake, and Maya Angelou exist alongside Victorian floriography and, of course, a cornucopia of food.

Taken as a whole, The Gods are in the Kitchen is a shapeshifting gestalt. Always invested in the duality of the sacred and the profane, Pincus-Whitney sets her tables for her audience to critically explore interpretation and association, or simply, how we make meaning in the world.

 “Unrefined Verbiage” closes tomorrow!
06/10/2022

“Unrefined Verbiage” closes tomorrow!

06/08/2022
Very excited to bring into the gallery  “Snatch,” 1993  which was included in the Aperto of the 1993 Venice Biennale. Th...
05/14/2022

Very excited to bring into the gallery “Snatch,” 1993 which was included in the Aperto of the 1993 Venice Biennale. This week as part of Amsterdam Art Week, will be exhibiting her 2020 video “I Touch the Air” . Her photographs will be on view .

Very excited to bring into the gallery  “Snatch,” 1993  which was included in the Aperto at the 1993 Venice Biennale. Th...
05/14/2022

Very excited to bring into the gallery “Snatch,” 1993 which was included in the Aperto at the 1993 Venice Biennale. This week as part of Amsterdam Art Week, will be exhibiting her 2020 video “I Touch the Air” . Her photographs will be on view .

 “Wheels, Flying Bodies, and Other Stories” opens Saturday from 6pm to 8pm.
03/24/2022

“Wheels, Flying Bodies, and Other Stories” opens Saturday from 6pm to 8pm.

 and  are included in “Role Play” opening in Milan today    Their film “The R**e of Europa” was commissioned by the  as ...
02/19/2022

and are included in “Role Play” opening in Milan today

Their film “The R**e of Europa” was commissioned by the as a response to their landmark Titian exhibition and will debut in New York as part of the artists’ solo exhibition at the gallery in May.

https://www.youtube.com/watch?v=Qt1ot3Cy2UY&t=8sJenna Gribbon talks to the Frick Museum about her impressive new paintin...
02/17/2022

https://www.youtube.com/watch?v=Qt1ot3Cy2UY&t=8s
Jenna Gribbon talks to the Frick Museum about her impressive new painting now hanging with their unparalleled collection in the Breuer.

Artist Jenna Gribbon speaks with Deputy Director and Peter Jay Sharp Chief Curator Xavier F. Salomon about the third installment of “Living Histories: Q***r ...

Address

536 W 24th Street
New York, NY
10011

Opening Hours

Tuesday 10am - 6pm
Wednesday 10am - 6pm
Thursday 10am - 6pm
Friday 10am - 6pm
Saturday 10am - 6pm

Telephone

+12126336555

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