04/10/2026
Voting has concluded for our 2026-2027 INTL open call. Thank you to all who juried, submitted, and participated in this years open call! You make apexart possible.
This year 805 Jurors cast 23826 votes on 337 eligible submissions (406 total) from 80 countries.
Full ranking on our website: https://apexart.org/intl/results26.php
Congrats to the winners!
1. Wind, Land, and Their Song
Submitted by Gray by Silver - Jeju, Korea
Explores disappearing Jeju folk traditions through sound, installation, and textile art, linking cultural memory to ecological knowledge. The exhibition considers how communities preserve and adapt traditions amid environmental change, tourism, and generational loss.
2. Cargo of Hope
Submitted by Badagry Young Contemporary Collective - Lagos, Nigeria
Examines human trafficking across West Africa through installation, sculpture, and performance, revealing how migration becomes exploitation. Artists explore loss, commodification, and survival, questioning what happens when hope itself is manipulated as a system of control.
3. We Are Each Other’s HARVEST: Black Women and the Politics of Self-Care
Submitted by Tara Jefferson - Cleveland, United States
Archives a century of Black women’s self-care as resistance through audio, film, and artifacts. Centering healing, rest, and community, the exhibition reframes care as a vital, intergenerational practice of survival and liberation.
4. Five Women Drinking Mercury
Submitted by Naira Corzon Cortez - La Paz, Bolivia
Five artists confront mercury contamination from illegal mining in La Paz, Bolivia through sound, video, and installation. Blending personal exposure with scientific evidence and activism, the exhibition transforms lived crisis into collective witness and demands urgent government accountability.
5. Softwear
Submitted by Kira Wainstein - London, United Kingdom
Traces the shared histories of weaving and computing, highlighting gendered labor and early code systems. Contemporary artists use textiles to reinterpret digital logic, reclaim materiality, and reveal overlooked connections between craft, technology, and computation.