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Baxter St at The Camera Club of New York

Name: Baxter St at The Camera Club of New York
Address: 126 Baxter Street, New York, NY, 10013, US
Telephone: +12122609927
Rating: 4.5

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Baxter St at The Camera Club of New York

A non-profit arts organization founded in 1884.
(42)

We offer lectures, exhibitions, artists-in-residency programs, and a unique and affordable photographer's workspace.

07/12/2022

BAXTER ST ARTIST SPOTLIGHT: This week we're highlighting our 2016 Workspace Resident and artist Marco Scozzaro () and his photographic series 'Digital Deli'!⁠
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Scozzaro is a New York-based, Italian-born, multimedia artist who works across , , , , and . Scozzaro constructs his images in a way that straddles the line between criticism and admission. Using rich colors and textures, and staging images that disorient. He questions and criticizes themes that frequently occur in mass media; but it's not just a criticism, his images also display a purposeful misdirection of self-representation.⁠
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The series 'Digital Deli' is a series, showcasing Scozzarro's take on the contemporary visual landscape of NYC's . Using bright and colorful full of different patterns, shapes, and symbols, Scozzaro comments on mass media and consumer culture.⁠
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In 'Digital Deli,' he melds the real and virtual of his images into a multitude of hybrid forms. He appropriates, re-photographs, and re-contextualizes his images and graphic patterns, making reference to commercial imagery.⁠
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Learn more about the artist and his work via the link in our bio!⁠
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Images: Marco Scozzaro, work from 'Digital Deli,' 2016. Courtesy of the artist.

06/30/2022

We’re pleased to announce that we are amongst the first grantees of the newly launched Ruth Foundation for the Arts () — a new grantmaker dedicated to meeting the evolving needs and lived experiences of , communities, and arts organizations. ⁠
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Learn more about Ruth Foundation via the link in our bio!

06/30/2022

We’re pleased to announce that we are amongst the first grantees of the newly launched Ruth Foundation for the Arts ( ) — a new grantmaker dedicated to meeting the evolving needs and lived experiences of artists, communities, and arts organizations.

06/20/2022

We’re in Charlottesville this week for the opening of our group exhibition ‘Points of Departure’ at !
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On Thursday, June 23 starting at 6:30pm, join us as we lead a zine and collage making workshop. During this workshop, participants will learn about contemporary art practices and the history of the Negro Motorist's Green Book while crafting their own zines. Come consider how you might use the practice of zine making to create a community resource, personal document, or other shareable resource to help navigate life in your community.
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On Friday June 24th join us starting at 6pm for an opening reception.
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The exhibition will be open June 24-August 27, 2022 at Visible Records.
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Photo by Giancarlo Montes Santangelo ( 💚)

04/05/2022

Now Live: 'I Belong To This,' A print sale benefit brought together to raise funds for the printing and production costs of Speciwomen () Issue 4, alongside bringing direct support to their featured artists. ⁠
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“'I Belong To This' brings seventeen together around themes of self and family, private rites, and communal ritual, along a continuum of becoming. The title of the show is from ’s poem'Save the World,' and can be read as a declaration of identification, a promise of , or a blurring of self into multitudes. These artists mark an intractable this. The camera points, more like an ear than an index finger, in the direction of what is felt rather than seen and to those invisible threads that hold us together.”⁠
— Justine Kurland (). ⁠
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This sale includes work by: Genesis Báez (), Jennifer Calivas (), Naima Green (), , Sydney Mieko King (.m.king), Keli Safia Maksud (), , Qiana Mestrich (), , Cheryl Mukherji (), Diana Palermo (.of.ephesus), Calafia Sanchez Touzé (), Keisha Scarville (), Wendy Small (), Gwen Smith (), Anne Vetter (), and Annie Hsiao-Ching Wang ().⁠
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The proceeds from the sale will be equally split between funding for the fourth issue in print, and the artists. Learn more and purchase a print via the link in our bio!⁠
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Images courtesy of the artists, Justine Kurland, and Huxley-Parlour () in London.

03/23/2022

TOMORROW at 7PM: Join us for an in-person closing between artist Emma Safir (.jpg), curator Sally Eaves Hughes (), and curator Ebony L. Haynes () at 126 Baxter St.⁠
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'Glitches & Veils' features works from three of Safir’s recent series, 'Rewound Glitch, Veils, and Woven Mirrors.' Each work begins with a range of instinctive by Safir, including of windows, , and nature within a domestic context. Scanned and superimposed, the resulting collages are printed on fabric. Safir then employs traditional techniques such as , , and to further abstract, build up, and manipulate the images. In these works, Safir considers the boundless interactions we have with digital interfaces and the assumption and desire that we would have autonomy in the use of our own screens.⁠
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On view through March 26, 2022, the exhibition is part of Baxter St’s Guest-Curated Program and is made possible with the support of the Phillip and Edith Leonian Foundation.⁠
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Images (in order): ⁠Emma Safir, "Woven Mirrors I," 2022; "Woven Mirrors II," 2022. Courtesy of the artist.

03/09/2022

RECOMMENDED: 'Picturing Black Girlhood: Moments of Possibility,' curated by Scheherazade Tillet () and Zoraida Lopez-Diago () at Express Newark ()!⁠
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'Picturing Black Girlhood' is an that features more than 80 Black women, girls, and genderq***r artists, who work in the mediums of and exploring the theme of Black girlhood. By bringing together iconic image-makers, artists, and young , the show considers Black girlhood as an essential stage of development, an integral moment of awakening, an embattled site of , and a critical source of artistic inspiration around the world. ⁠
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This exhibition is on view through July 2, 2022. For more information, visit the link in our bio!⁠
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Images (in order): ⁠Images: Doris Derby, “Rural Family Girlhood, Mileston, Mississippi,” 1968; Ángelina Cofer (), “Nineteen.” Courtesy of the artists and Express Newark.

03/05/2022

CONGRATULATIONS to filmmaker and our 2019 YoungArts | Baxter St Resident Corinne Botz ()! Her film “Milk Factory” — presented by TIME () — was awarded Pictures of the Year () first prize in the Documentary Daily Life category.⁠ ⁠
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'Milk Factory' focuses on the Longworth House of Representatives lactation room. Lactation spaces for working moms say a lot more about being human today than nursing in the strict sense. Focusing on care work and filmed in the very place where laws are decided regarding parental policies and reproductive rights, this is especially relevant in light of the , which has underscored the systemic failings and institutional barriers that largely effect women, especially women of color and working parents.⁠
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Learn more and watch the film via the link in our bio. ⁠
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Images: Corinne Botz, Film Stills from 'Milk Factory,' 2021. ⁠Courtesy of the artist.

03/02/2022

We're SO excited to announce our 2022 Baxter St Residents: Simon Benjamin (), Gi (Ginny) Huo () and Gwen Smith ()!⁠
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These three artists exemplify Baxter St's mission to support emerging lens-based artists with a unique worldview. ⁠As Residents, they will receive a stipend, much-needed resources, and access to Baxter St's community and programs for their NYC solo debut that will help raise their visibility and fuel successful sustainable careers. ⁠
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Simon Benjamin is a Jamaican artist whose work encompasses , , video, , and . His practice often considers how current are shaped by both visible and less visible histories.⁠
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Gi (Ginny) Huo is an artist and educator exploring the intentions of what people believe and the legacies of religious systems. Drawing upon their conservative Mormon upbringing, they explore the intentions of what people believe and the legacies of religious systems. Using their family photo archives, they retrace my grandfather’s story, the first Mormon in Incheon, Korea, baptized by Mormon missionaries.⁠
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Gwen Smith has been amassing an of photographs, paintings and memories as the center cog in a web of coincidence and for most of her life. All the while it is her estrangement from the that fuels her creative process. ⁠
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Stay tuned for more announcements about their Residency and learn more about their work via the link in our bio!⁠
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Images (in order): Portrait of Simon Benjamin by Ania Freer (); Portrait of Ginny Huo by Saif Al-Sobaihi; Portrait of Gwen Smith by Matthew Papa (). Courtesy of the artists.

03/01/2022

ON VIEW: 'Not Me, Not That, Not Nothing Either,' an presenting the work of eleven contemporary artists employing —through both and subject matter—in painting, drawing, sculpture, and time-based media.⁠
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Curated by Rachel Beaudoin () and Nirvana Santos-Kuilan () at Leslie-Lohman Museum of Art (), historically associated with movements, strategies of bodily fragmentation are reconsidered by ***r contemporary as a means of exploring their own perceptions of self outside of the cis-heteronormative gaze. ⁠
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Rejecting societal notions of fixedness and individuation, fragmentation in this exhibition serves not as a method of deconstruction but as an additive process in which q***r is malleable, ever-changing, tactile, and connected. The artists in this show forge a q***r aesthetic, proposing a world in which the body-in-pieces is in fact the body-as-whole.⁠
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Participating artists include: Math Bass (), Diedrick Brackens (), A.K. Burns (), Jibz Cameron, Theresa Chromati (), KC Crow Maddux (), Troy Michie (), Christina Quarles (), Devan Shimoyama (), Ceaphas Stubbs (.3aphas), and Jade Yumang ().⁠
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The exhibition is on view through June 25, 2022. Learn more about this exhibition via the link in our bio!⁠
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Images: ⁠
◾️ Troy Michie, Noche de Ronda, 2018. © Troy Michie. Courtesy of Company Gallery (), New York. Collection of Richard Gerrig and Timothy Peterson.⁠
◾️ Ceaphas Stubbs, "Composition in Yellow," 2020. Courtesy of the artist and the Leslie-Lohman Museum of Art.

02/22/2022

PHOTOBOOKS: "The Black Photographers Rethinking What History Is All About" on Aperture (), features eleven photobooks from artists who envision and , and .⁠
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The list includes works by artists Ming Smith (), Paul Mpagi Sepuya (), Zanele Muholi (), Kwame Brathwaite (), Lyle Ashton Harris (), Mickalene Thomas (), , and more. Read the full list and learn more about each book via the link in our bio!⁠
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Images (in order): Tyler Mitchell (), "Untitled (Twins II), New York," 2017; Lebohang Kganye (), "Re shapa setepe sa lenyalo II," 2013; Zanele Muholi (), "Zithulele, Worcester, South Africa," 2016; Paul Mpagi Sepuya (), "Darkroom Mirror (_2070386)," 2017; Carrie Mae Weems (), "While Sitting upon the Ruins of Your Remains, I Pondered the Course of History," 2016–17; Ruth Ossai (), "Miu Miu Babes," 2018; Ming Smith (), "What’s It All About?, Harlem, New York," 1976. Images courtesy of the artist and Aperture Foundation.

02/17/2022

MUST SEE: artist Pixy Liao's () exhibition 'Futari (Two Persons)' at the Kathleen O. Ellis Gallery presented by Light Work ()!⁠
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'Futari (Two Persons)' is an of depicting the ongoing relationship between the artist and her Japanese partner and muse Moro. Liao met Moro at the University of Memphis in 2005 while attending graduate school, where she invited Moro, who is five years younger, to model for her. ⁠
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In some ways, this served to reverse expectations that women seek older and wiser men. From the beginning of their , Liao took the role of the director, arranging and posing Moro, so that together they challenge traditional heterosexual roles. For fourteen years now, Liao and Moro have continued to explore ideas of control, dominance, gender, and sexuality through .⁠
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The exhibition is on view through March 10, 2022. Learn more about Liao's work and the exhibition via the link in our bio.⁠
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Images (in order): Pixy Liao, "Kiss Exam," 2015; "Baby Coaccon," 2018; "Futari," 2015; "1:50pm," 2019; "Bite Harder, Love Deeper," 2015. Courtesy of the artist and LightWork ().

02/16/2022

ON VIEW: 'A Female Gaze,' an that showcases twelve well-known female street photographers from the 20th century, at Howard Greenberg Gallery ()!⁠
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The forty-nine in 'A Female Gaze' span the 20th century: from the 1930s with Abbott’s documentation of to images from ’s ten-year project focused on youth living on the fringes of South African society. These women not only transcribed history by taking ownership of their environments, but added their own voices to the narrative of history.⁠
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The exhibition is on view through April 2, 2022. Learn more via the link in our bio!⁠
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Images (in order): Jodi Bieber, "Father and son trapeze act, Market Theatre Precinct, Newtown," 2012; Helen Levitt, "N.Y.," 1942; Rebecca Lepkoff, "Midtown Manhattan," 1947; Mary Ellen Mark, "White Junior and Justin," 1983; Ruth Orkin, "The View From My Window at 53 W. 88," 1952. Courtesy of the artists and Howard Greenberg Gallery.

02/15/2022

DON'T MISS IT: 'Elliott Jerome Brown Jr.' () at Nicelle Beauchene Gallery ()!⁠
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Curated by Katherine Adams, Brown’s new body of work explores the as a space of ellipsis, in which works’ affective and spatial intimacies exist on the threshold of the . In close-up , subjects, and don’t quite find resolution within the image—strong and brightly lit faces seem to deflect our attention from the subjects’ inner world. They yield , combative, and sometimes uncanny scenes that are at the same time tender and graceful. ⁠
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The exhibition is on view through February 26, 2022. Learn more about the Brown's works and the exhibition via the link in our bio!⁠
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Images (in order): Elliott Jerome Brown Jr., works from the exhibition ''Elliott Jerome Brown Jr.,' 2021. Courtesy of the artist and Nicelle Beauchene Gallery.

02/11/2022

RECOMMENDED: "Genesis Báez’s Fleeting Visions of the Puerto Rican Diaspora," written by Nadiah Rivera Fellah () for Aperture (), a portfolio discussing how Báez () explores the complexity of care, touch, and among women in the U.S. and beyond. ⁠
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"That all of Báez’s subjects are women is an intentional reflection of her experience. When her mother and grandmother took her to for the first time, she developed a relationship with the island. “In a sense,” she says, 'I inherited Puerto Rico and a connection to a through the women in my family.' Her extend this matrilineal inheritance beyond the experiential plane and embed it into her ."⁠
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Read the full article and learn more about Báez's work via the link in our bio.⁠
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Images (in order): Genesis Báez’s, "The Sound of a Circle," 2018; "Parting," 2021; "Pull (The Weight of Two Suns)," 2018. Images courtesy the artist⁠.

02/08/2022

LAST CHANCE: Bid on Baxter St Artists In Focus Benefit Auction! 40 artists, 40 opportunities for emerging collectors and art enthusiasts to add to their collection while supporting Baxter St, NYC’s oldest lens-based, artist-run non-profit. ⁠
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Rooted in Baxter St’s focus on equity, proceeds from the auction will be shared equally between the artists and the organization. ⁠
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Live through February 10, 2022 at 5PM ET. Click the link in our bio to bid now and be part of Baxter St 127 year history supporting artists at critical junctions in their career!

02/07/2022

RECOMMENDED READ: "Zied Ben Romdhane: Come Hell or High Water," featuring Ben Rhomdane's () documentary photography of the wildfire and floods in between June and November 2021.⁠
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Ben Romdhane travelled across to document the events and aftermath, recording the impact of these devastating events.⁠ For him, these instances are evidence of change. “In just four months I am seeing tangible instances of the impact climate change is having,” he says. “It is important for me to keep working on this, it’s happening everywhere. In the same year, I have seen drought, famine in Niger, and fire in Tunisia, and this in Canada...As a and , I will continue to record it. We have to focus on this issue, focus on the most important questions, we can’t take a step back.”⁠
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Read the full piece and learn more about Zied's work via the link in our bio.⁠
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Images (in order): Zied Ben Romdhane, "Arnold, Abbotsford, British Columbia, Canada. 29 November 2021." Images courtesy of Zied Ben Romdhane and Magnum Photos.

02/03/2022

ON VIEW: 'Black Girl Play' a solo exhibition of lens-based work by photographer Scheherazade Tillet () at the Project for Empty Space ()!⁠
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This is the culmination of several series by the artist created over five years in three locations — , , and , NJ — in which the artist spent her childhood and/or worked. Building on her residency at New Arts Justice () and Shine Portrait Studio () at Express Newark (), these collections are threaded together by the common exploration of the ways in which tradition, playful interaction, and radical converge at various points in the lives of Black girls. ⁠
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The exhibition is on view through March 13, 2022. Learn more about Tillet's work and the exhibition via the link in our bio. ⁠
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Images (in order): Scheherazade Tillet, 'Playing Mas on the Savannah Stage', 'Trinidad and Tobago,' 2020. Courtesy of the artist and Project of Empty Space⁠.

02/02/2022

BID TODAY: Artists in Focus Benefit Auction, Baxter St’s first online auction powered by Artsy () to provide critical funding for lens-based artists and accessible programming for all. ⁠
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Featuring 40 works by 40 artists including Pixy Liao (), Zora J Murff (), Spandita Malik (), Nona Faustine (), Alanna Fields (), Tommy Kha (), Zalika Abdul-Azim (), Dannielle Bowman (), Ivan Forde (), Hannah Whitaker (), Allen Frame (), and many more, that Baxter St has championed throughout its 127 year history.⁠
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Live through February 10, 2022, at 5 pm ET. Click the link in our bio to bid now and support our equity-based mission that puts artists first!

02/01/2022

ON VIEW: 'A Trillion Sunsets: A Century of Image overload' by curator David Campany () at ICP ()⁠, taking a long look at our worries and compulsive fascination with the proliferation of images.⁠
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In the 1920s, with the rapid increase in illustrated magazines and daily newspapers, commentators asked whether society could survive the inundation. Artists looked to mass-media and of all kinds to rethink the world around them. ⁠
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The artists of , , pop, , , and were all, in different ways, horrified and mesmerized by the seemingly endless supply of . They cast a critical eye over the clichés, stereotypes, and repetitive images, and looked to unearth alternative histories and counter-narratives. From to internet , from and image appropriation to art made by algorithms, 'A Trillion Sunsets' highlights unlikely parallels and connections across distinct decades.⁠
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The show is on view through May 2, 2022. Learn more and schedule a visit via the link in our bio!⁠
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Images (in order): Harry Callahan (), "Collages, ca," 1957. Courtesy the artist and Pace Gallery; ⁠Justine Kurland (), "Eleanor," 2021. Courtesy the artist and Higher Pictures Generation.

01/27/2022

BREAKING NEWS! Baxter St’s Artists in Focus Benefit Auction is now LIVE via Artsy (). Click on the link in our bio to see the full collection of available works.⁠
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Featuring 40 works by artists and image-makers with a unique view of the world including: Derrick Adams (), Dannielle Bowman (), Shikeith (), Zoe Buckman (), Ivan Forde (), Isca Greenfield-Sanders (), Sheree Hovsepian (), , Joiri Minaya (), Kambui Olujimi (), , Hannah Whitaker (), and many, many more!⁠
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Proceeds will be shared equally between the artists and the organization to align with Baxter St’s focus on equity. Your support will help Baxter St continue to support its dynamic community of lens-based artists and its calendar of robust programming. ⁠
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Live through February 10, 2022, at 5 pm ET. Click the link in our bio to bid now and support our equity-based mission that puts artists first!

01/26/2022

ON VIEW: 'Toni Morrison's Black Book,' a group exhibition curated by the Pulitzer Prize–winning author, critic, and curator Hilton Als at David Zwirner New York!
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On view at the gallery’s West 19th Street spaces, the will focus on the enormous output and cultural significance of (1931–2019), and, as Als notes, “will add visual components that italicize the beauty and audacity of her work.” ⁠
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Included will be selected materials as well as work by Garrett Bradley, , , , Kerry James Marshall, Julie Mehretu, , , , Amy Sillman, Bob Thompson, and , among others, some of which have been commissioned for the exhibition and were made in direct response to Morrison’s writings.⁠
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This exhibition is on view through February 26, 2022. Learn more via the link in our bio.⁠
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Images (in order): ⁠"Toni Morrison in China," 1984, Courtesy of Princeton University Library; Beverly Buchanan, "For Mallory," 1995, Courtesy of Buchanan Estate and Andrew Edlin Gallery, New York.

01/20/2022

CLOSING SOON: photographer Sarah Moon's () exhibition 'At the still point' on view at Fotografiska New York (.ny)!⁠
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Curated by the artist for Fotografiska, 'At the still point' showcases a selection of , , and books produced over the last 30 years.⁠
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A fashion photographer with a deeply literary approach to her work, Moon has the incredible ability to create dream-like, otherworldly in both her work and more narrative series. Her distinctive painterly, storybook-esque visual style transports the viewer to a world where the lines between reality and blur among deep color tones, moods, and shapes.⁠
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This exhibition is on view through February 6, 2022. To learn more and purchase tickets, visit the link in our bio. ⁠
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Image: Sarah Moon, "Les chiens de Maria," 2000; "Ombres portées," 1992. Courtesy of the artist and Fotografiska.

01/18/2022

ON VIEW: photographer Alec Soth's () solo exhibition 'A Pound of Pictures' at Sean Kelly Gallery ()!⁠
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As is often his custom, Soth began 'A Pound of Pictures' by taking a series of road trips, in this case on a quest to further explore a deeper connection between the and physicality of as a medium. Depicting a vast array of subjects — from Buddhist statues and birdwatchers to sun-seekers and a bust of Abraham Lincoln — this series reflects on the desire to pin down and crystallize experience, especially as it is represented and recollected by printed images.⁠
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Throughout this kaleidoscopic sequence of runs the iconography of daily life: , , and images of images. Soth describes this narrative, writing, “If the pictures are about anything other than their shimmering surface, they are about the process of their own making.” Soth, who is not only a , but an inveterate collector of photographs, describes the works in this as arising out of a wish to understand the “weight” of photography both philosophically and metaphorically, as in the emotional weight of images. The exhibition takes its title from a vendor Soth discovered on his travels in Los Angeles who sells photographs by the pound. ⁠
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The exhibition is on view through February 26, 2022. Learn more about Soth's work via the link in our bio!⁠
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Images (in order): Alec Soth, "Niagara Falls, Ontario.," 2019; "Tim and Vanessa’s. Gilbertsville, Pennsylvania," 2019. Courtesy of the artist and Sean Kelly Gallery.

01/07/2022

Big congratulations to the 2022 Silver List Recipients by Silver Eye Center for Photography ()! ⁠
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The Silver List was compiled from the suggestions of over 125 nonprofit , , , and . The List contains the artists who were suggested the most times, and it is organized randomly. The idea is that this methodology will spotlight outstanding, diverse, and sometimes overlooked for a broad new audience.⁠
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The Silver List is a partnership between Silver Eye Center for Photography, The Black List (), and Carnegie Mellon University (). See the full Silver List and learn more about each artist via the link in our bio!⁠
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Images (in order): Clifford Prince King (), Donavon Smallwood (), Naima Green (), Patricia Voulgaris (), Chanell Stone (), Nona Faustine (), Pao Huoa Her (), Stacy Arezou Mehrfar (). Courtesy of the artists and Silver Eye Center.

01/06/2022

We're reading: "Joiri Minaya () Unravels the Fantasy of Tourism," written by Angie Cruz () for Aperture ()!⁠
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In the midst of a global climate emergency that presents an urgent need for ethical , Minaya’s nuanced work, which disrupts and questions the hierarchy between and through a kind of visual camouflage, is incredibly timely. The artist weaves the figure into the landscape and the landscape into the figure, signaling, urging, revealing our interdependence and kinship with fruit, palm trees, flowers, the sea.⁠
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Read the rest of this piece and learn more about Minaya’s work via the link in our bio!⁠
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Images (in order): Joiri Minaya, "Woman-landscape (On Opacity) #5," 2020; "Woman-landscape (On Opacity) #4," 2020. Courtesy of the artist.

Address

126 Baxter Street
New York, NY
10013

Opening Hours

Tuesday	12pm - 6pm
Wednesday	12pm - 6pm
Thursday	12pm - 6pm
Friday	12pm - 6pm
Saturday	12pm - 6pm

Telephone

+12122609927

Website

http://www.baxterst.org/

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We’re pleased to announce that we are amongst the first grantees of the newly launched Ruth Foundation for the Arts (@ruthfoundationforthearts) — a new grantmaker dedicated to meeting the evolving needs and lived experiences of #artists, communities, and arts organizations. ⁠ ⁠ Learn more about Ruth Foundation via the link in our bio!

We’re pleased to announce that we are amongst the first grantees of the newly launched Ruth Foundation for the Arts (@ruthfoundationforthearts ) — a new grantmaker dedicated to meeting the evolving needs and lived experiences of artists, communities, and arts organizations.

Now Live: 'I Belong To This,' A print sale benefit brought together to raise funds for the printing and production costs of Speciwomen (@speciwomen) Issue 4, alongside bringing direct support to their featured artists. ⁠ •⁠ “'I Belong To This' brings seventeen #artists together around themes of self and family, private rites, and communal ritual, along a continuum of becoming. The title of the show is from #ArianaReines’s poem'Save the World,' and can be read as a declaration of identification, a promise of #solidarity, or a blurring of self into multitudes. These artists mark an intractable this. The camera points, more like an ear than an index finger, in the direction of what is felt rather than seen and to those invisible threads that hold us together.”⁠ — Justine Kurland (@justine4good). ⁠ •⁠ This sale includes work by: Genesis Báez (@genesis__baez), Jennifer Calivas (@jennycalivas), Naima Green (@naiamagreen), #AlissaJenkins, Sydney Mieko King (@sydney.m.king), Keli Safia Maksud (@kelisafiamaksud), #JackyMarshall, Qiana Mestrich (@qianamestrich), #ShalaMiller, Cheryl Mukherji (@cherylmukherji), Diana Palermo (@artemis.of.ephesus), Calafia Sanchez Touzé (@calafi4), Keisha Scarville (@scarvillek), Wendy Small (@wendylsmall), Gwen Smith (@gwendogram), Anne Vetter (@annevetter), and Annie Hsiao-Ching Wang (@artanniewang).⁠ •⁠ The proceeds from the sale will be equally split between funding for the fourth issue in print, and the artists. Learn more and purchase a print via the link in our bio!⁠ •⁠ Images courtesy of the artists, Justine Kurland, and Huxley-Parlour (@huxleyparlour) in London.

LAST CHANCE: Bid on Baxter St Artists In Focus Benefit Auction! 40 artists, 40 opportunities for emerging collectors and art enthusiasts to add to their collection while supporting Baxter St, NYC’s oldest lens-based, artist-run non-profit. ⁠ •⁠ Rooted in Baxter St’s focus on equity, proceeds from the auction will be shared equally between the artists and the organization. ⁠ •⁠ Live through February 10, 2022 at 5PM ET. Click the link in our bio to bid now and be part of Baxter St 127 year history supporting artists at critical junctions in their career!

BID TODAY: Artists in Focus Benefit Auction, Baxter St’s first online auction powered by Artsy (@artsy) to provide critical funding for lens-based artists and accessible programming for all. ⁠ •⁠ Featuring 40 works by 40 artists including Pixy Liao (@bloodypixy), Zora J Murff (@zorajmurff), Spandita Malik (@spanditamalik), Nona Faustine (@nonafaustine), Alanna Fields (@alannafields), Tommy Kha (@tommykha), Zalika Abdul-Azim (@26thletter), Dannielle Bowman (@dannielle_bowman), Ivan Forde (@workdaily), Hannah Whitaker (@_hannahwhitaker), Allen Frame (@allenframenyc), and many more, that Baxter St has championed throughout its 127 year history.⁠ •⁠ Live through February 10, 2022, at 5 pm ET. Click the link in our bio to bid now and support our equity-based mission that puts artists first!

BREAKING NEWS! Baxter St’s Artists in Focus Benefit Auction is now LIVE via Artsy (@artsy). Click on the link in our bio to see the full collection of available works.⁠ •⁠ Featuring 40 works by artists and image-makers with a unique view of the world including: Derrick Adams (@derrickadamsny), Dannielle Bowman (@dannielle_bowman), Shikeith (@shikeith), Zoe Buckman (@zoebuckman), Ivan Forde (@workdaily), Isca Greenfield-Sanders (@iscags), Sheree Hovsepian (@shereehovsepian), #TitusKaphar, Joiri Minaya (@joiriminaya), Kambui Olujimi (@kambuiolujimi), #KikiSmith, Hannah Whitaker (@_hannahwhitaker), and many, many more!⁠ •⁠ Proceeds will be shared equally between the artists and the organization to align with Baxter St’s focus on equity. Your support will help Baxter St continue to support its dynamic community of lens-based artists and its calendar of robust programming. ⁠ •⁠ Live through February 10, 2022, at 5 pm ET. Click the link in our bio to bid now and support our equity-based mission that puts artists first!

Happy holidays from Baxter St! Many thanks to @insiyadhatt for this beautiful card. We will reopen 1/2/18. See you in the new year!

‘Let Me Hold Your Breath’ extended through 12/16!!! Don’t miss this amazing exhibition of work by Tal Gilboa and Elizabeth Stehl Kleberg curated by Zachery Lucero. @tal_gi @lizkleberg @zacharyjonlucero #videosculpture #photography #artshow #art #nyshows

Come by today, tmrw, Fri & Sat to see #talandliz! @tal_gi @lizkleberg curated by @zacharyjonlucero #videosculpture #nyshows #art #photography

Venegas & Venegas OpeningNight

Yvonne Venegas and Jose Luis Venegas Walk through and Opening Night time lapse

Pradeep Dalal Title: Going West Year : 2011 Size: 16 x 20" Medium: Digital Chromogenic Print Edition: 3 / 6 Value: $2,000 Minimum bid: $300

Saul Robbins

Saul Robbins Title: New York City (32011116) Year: 2011 Size: 24 x 20" Medium: Chromogenic Print Edition: 2/9 Value: $1200 Minimum bid: $350

Henry Horenstein: Domestic Pig

Henry Horenstein Title: Domestic Pig Year: 2008 Size: 13 x 19" Medium: Archival Pigment Print Edition: A/P Value: $1000 Minimum bid: $300

Sleep Over: Les Crepes

Martine Fougeron Title: Sleep Over: Les Crepes Year: 2008 Size: 12.9 x 19.4" Medium: Archival Pigment Print Edition: 4/9 Value: $2,000 Minimum bid: $600