Yossi Milo Gallery

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Yossi Milo Gallery Yossi Milo supports and represents a diverse roster of international artists working in all media.

Now on view in Los Angeles! Yossi Milo is pleased to share that Zoe Walsh’s (zoe walsh) “Gathering” is now on view at th...
10/15/2026

Now on view in Los Angeles! Yossi Milo is pleased to share that Zoe Walsh’s (zoe walsh) “Gathering” is now on view at the Institute of Contemporary Art, Los Angeles (ICA LA | Institute of Contemporary Art, Los Angeles) through February 28, 2027.

Marking the artist’s largest scale work to date, “Gathering” transforms ICA LA’s 7th Street façade into a layered composition exploring q***r and trans connection, intimacy, and the ecologies of Los Angeles. Bringing together topographic maps of LA and computer-generated botanical imagery, Walsh creates a stunning dreamlike montage of figures, light, and landscapes. Drawing on archival photographs by filmmaker and activist Pat Rocco alongside images of friends photographed in the artist’s own garden, the work considers q***r histories of public space, pleasure, and survival across generations.

“Zoe Walsh: Gathering” is on view through February 28, 2027, at ICA LA.

Follow the link in our bio to learn more about Zoe Walsh!

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Images:

Installation view, Zoe Walsh: Gathering, Institute of Contemporary Art, Los Angeles, September 26, 2026–February 28, 2027. Photo: Jeff McLane/ICA LA.


OAG Kulturzentrum () in Tokyo comes alive with the vibrant, otherworldly imagery of Kathrin Linkersdorff (Kathrin Linker...
10/14/2026

OAG Kulturzentrum () in Tokyo comes alive with the vibrant, otherworldly imagery of Kathrin Linkersdorff (Kathrin Linkersdorff) in “Anthesis,” a solo exhibition on view through October 18, 2026. Blurring the boundaries between art, science, and the natural world, Linkersdorff transforms delicate botanical specimens into dazzling compositions that reveal the extraordinary beauty of organic life. Inspired by the Japanese philosophy of wabi-sabi, her practice explores growth, decay, and transformation. This exhibition coincides with the artist’s participation in a research project at Kyushu University in Fukuoka, Japan, furthering her longstanding engagement with the relationship between artistic and scientific inquiry.

“Kathrin Linkersdorff: Anthesis” is on view October 12-18, 2026, at OAG-Haus, Tokyo, Japan

To learn more about Kathrin Linkersdorff, visit the link in our bio.

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Images:

1. Kathrin Linkersdorff, Floriszenzen 4, 2019, Archival Pigment Print on Hahnemuehle Photo Rag Ultra Smooth
2. Kathrin Linkersdorff, Floriszenzen 10, 2019, Archival Pigment Print on Hahnemuehle Photo Rag Ultra Smooth
3. Kathrin Linkersdorff, Floriszenzen 1, 2019, Archival Pigment Print on Hahnemuehle Photo Rag Ultra Smooth
4. Kathrin Linkersdorff, Floriszenzen 11, 2019, Archival Pigment Print on Hahnemuehle Photo Rag Ultra Smooth

CLOSING THIS WEEK | Pierre Knop: Le Sacre Du Printemps Don’t miss the last chance to see Pierre Knop’s () third solo exh...
10/13/2026

CLOSING THIS WEEK | Pierre Knop: Le Sacre Du Printemps

Don’t miss the last chance to see Pierre Knop’s () third solo exhibition at the gallery, “Le Sacre Du Printemps,” on view through this Saturday, October 17!

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Images:
1. Pierre Knop, Lake Blue, 2026, Oil, Acrylic, Ink, Crayon and Oil Pastel on Canvas, 66 7/8” × 59 1/16” (170 × 150 cm)
2. Installation View
3. Pierre Knop, Cold Night, 2026, Oil, Acrylic, Ink, Crayon and Oil Pastel on Canvas, 53 1/8” x 61 1/16” (135 x 155 cm)

UPCOMING EXHIBITION | Ibrahim Said: Shaping Time Yossi Milo is pleased to announce “Shaping Time,” Ibrahim Said’s (Ibrah...
10/12/2026

UPCOMING EXHIBITION | Ibrahim Said: Shaping Time

Yossi Milo is pleased to announce “Shaping Time,” Ibrahim Said’s (Ibrahim Said) second solo exhibition with the gallery, opening with an artist’s reception on Thursday, October 22, from 6-8 PM.

“Shaping Time” coincides with the conclusion of Said’s participation as one of three inaugural artists in The Metropolitan Museum of Art’s (The Metropolitan Museum of Art) Vacheron Constantin Artisan Residency. Focused on the preservation and reinterpretation of traditional craft, this 18-month residency provided Said with access to The Met’s collection, informing the development of this new body of work.

Through sculpture, ceramic forms, and intricately constructed surfaces, Said explores time as a layered condition in which histories and imagined futures overlap. Drawing on linear, sacred, spiritual, and cosmic conceptions of time, the exhibition considers how these temporalities intersect.

References to ancient Egyptian and Islamic art connect centuries-old traditions of image-making with contemporary and futuristic forms. In ancient Egyptian art, scale communicated hierarchy and significance, while imagery associated with earthly life often reflected beliefs about the afterlife. Said reinterprets these traditions through shifts in scale, composition, and form, creating relationships that are both spatial and symbolic.

To learn more about Ibrahim Said and the exhibition, follow the link in our bio!




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Images:

1. Blood Moon, 2026, White Earthenware, 31” x 22” x 22” (79 x 56 x 56 cm)
2. Minaret - Weave, 2026, White Earthenware, Approximately 16” x 59 1/2” (41 x 151 cm)

We are thrilled to announce that work by Shikeith (Shikeith) will be included in the group exhibition, “Queer Constellat...
10/05/2026

We are thrilled to announce that work by Shikeith (Shikeith) will be included in the group exhibition, “Queer Constellations: Photographs from the Aronowitz Family Collection,” at the Columbus Museum of Art, Columbus, OH (Columbus Museum of Art). The exhibition will be on view from October 16, 2026, through March 21, 2027.

“Queer Constellations: Photographs from the Aronowitz Family Collection” will bring together photographs both by and about q***r artists from the collection of the Columbus-based Aronowitz Family. Spanning the early-20th century to the present day, the works in this exhibition showcase the Aronowitz Family’s passion for the medium and the important history of q***r representation throughout it. The exhibition is co-curated by Vince Aletti (Vince Aletti), independent critic and curator, and Kaitlin Booher (Kaitlin Booher, PhD), the CMA’s William and Sarah Ross Soter Associate Curator of Photography, with Rae Root (Rae Root), Roy Lichtenstein Curatorial Fellow.

This exhibition is accompanied by a publication of the same name, which illustrates the photographs from this collection alongside multiple written contributions. These include an interview between David Aronowitz and Aletti and an essay by Booher, among others.

This presentation is part of the 2026 FotoFocus Biennial: “The Long View.” Support for this 2026 FotoFocus Biennial exhibition was provided in part by FotoFocus.

To learn more about Shikeith as well as the exhibition, follow the link in our bio!

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Images:

1. Shikeith, Prince, 2019, Archival Inkjet Print on Canson Infinity Plantine, 37 7/8” x 30” (96 x 76 cm)

2. Shikeith, A Missed Prayer, 2017, Archival Inkjet Print on Canson Infinity Plantine, 30” x 20” (76 x 51 cm), Framed: 30 9/16” x 20 9/16” (77.5 x 52 cm)

3. “Queer Constellations: Photographs from the Aronowitz Family Collection,” Contributions by Vince Aletti, Kaitlin Booher, Brooke A. Minto, Daniel Peacock, Rae Root, Christopher Stackhouse, and Alisa Swindell, Copublished by the Columbus Museum of Art and Gregory R. Miller & Co.

Pierre Knop: Le Sacre Du Printemps, is on view through October 17, 2026 🍂⛰️Artwork spotlight: Le Chemin, 2026, Oil, Acry...
10/01/2026

Pierre Knop: Le Sacre Du Printemps, is on view through October 17, 2026 🍂⛰️

Artwork spotlight: Le Chemin, 2026, Oil, Acrylic, Ink, Crayon and Oil Pastel on Canvas
70 7/8” × 78 3/4” (180 × 200 cm)

“My works should evoke both the familiar and the alien, like imagined memories of a past that never truly existed”

In Knop’s () paintings, oil, ink, acrylic and other media overlap and intertwine, forming environments that feel at once dreamlike yet strangely familiar. In “Le Chemin,” a vivid passage winds through a landscape, drawing the eye towards a distant horizon. Dense, dark forms frame the scene, while richly layered brushwork shifts between foliage, terrain, and abstraction. The resulting image seems to conjure an array of dualities, those between memory and imagination, non-fiction and fiction, and the tangible and the exaggerated.

Come visit us at the gallery to see “Le Chemin” and other works by Knop, or follow the link in our bio for more information.

Yossi Milo is excited to announce Alison Rossiter’s recent acquisition by The Jewish Museum, New York (The Jewish Museum...
09/29/2026

Yossi Milo is excited to announce Alison Rossiter’s recent acquisition by The Jewish Museum, New York (The Jewish Museum), of her work “Semblance, Man Ray Tapestry (1),” 2025.

Alison Rossiter was inspired by seeing the original textile piece “Tapestry, 1911” by Man Ray at The Jewish Museum in the 2009 exhibition “Alias Man Ray.” She developed and fixed sheets of silver gelatin photographic papers from the 1910s-1920s and placed them in a configuration guided by the Man Ray piece. “Semblance, Man Ray Tapestry (1),” 2025, uses photographic materials as old as the artwork, “Tapestry, 1911.”

We are delighted that this work by Alison Rossiter joins the collection of The Jewish Museum.

To learn more about the artist, follow the link in our bio!

Image:

Alsion Rossiter, Semblance, Man Ray Tapestry (1), 2025, Sixteen Gelatin Silver Prints, Dimensions, each element: 2 1/2” x 1 3/4” ( 6.5 x 4.5 cm).

We’re thrilled to debut new paintings by Ritsart Gobyn (Ritsart Gobyn) at this year’s edition of THE ARMORY SHOW (The Ar...
09/26/2026

We’re thrilled to debut new paintings by Ritsart Gobyn (Ritsart Gobyn) at this year’s edition of THE ARMORY SHOW (The Armory Show) 🖌️

In “Untitled (Picasso),” Gobyn pushes his trompe-l’oeil practice further, layering painted collage fragments, strips of tape, splatters, and smears into an image that constantly shifts between illusion and object. References to old and modern master’s surface throughout the work, not as nostalgic quotations, but as interruptions.

Here, nothing is quite what it seems. Even Picasso is destabilized, transformed from original to illusion, a copy of a copy.

Gobyn will present his first solo exhibition at Yossi Milo in March of 2027!

Come see the new works at Booth 302 and follow the link in our bio to discover more about the artist.

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Image:

1. Ritsart Gobyn, Untitled (Picasso), 2026, Oil, Acrylic and Spray Paint on Canvas, 40 x 30 cm.


We’re thrilled to debut new paintings by Ritsart Gobyn (Ritsart Gobyn) at this year’s edition of THE ARMORY SHOW (The Ar...
09/25/2026

We’re thrilled to debut new paintings by Ritsart Gobyn (Ritsart Gobyn) at this year’s edition of THE ARMORY SHOW (The Armory Show) 🖌️

In “Untitled (Picasso),” Gobyn pushes his trompe-l’oeil practice further, layering painted collage fragments, strips of tape, splatters, and smears into an image that constantly shifts between illusion and object. References to old and modern master’s surface throughout the work, not as nostalgic quotations, but as interruptions.

Here, nothing is quite what it seems. Even Picasso is destabilized, transformed from original to illusion , a copy of a copy.

Gobyn will present his first solo exhibition at Yossi Milo in March of 2027!

Come see the new works at Booth 302 and follow the link in our bio to discover more about the artist.

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Image:

Ritsart Gobyn, Untitled (Picasso), 2026, Oil, Acrylic, and Spray Paint on Canvas, 40 x 30 cm

Installations by Yonathan Moore (Yonathan Moore) are included in our presentation at THE ARMORY SHOW (The Armory Show), ...
09/25/2026

Installations by Yonathan Moore (Yonathan Moore) are included in our presentation at THE ARMORY SHOW (The Armory Show), open to the public today through Sunday, September 27 at Booth 302. Moore just concluded his first presentation with the gallery, and this will mark his debut at the fair.

The artist’s Flux Metal Drape uses two custom interlocking aluminum extrusions that generate rippling metal surfaces of variable wave frequency, rhythm, and scale. As part of Moore’s VOLUTES series, these works emerged from sustained experimentation, producing a surface that folds back upon itself, allowing light to become embedded within these folds. Moore’s process lends itself to his guiding question: how can a fabrication process become a language that tells narratives through objects?

To see these fabulous works in person, or to learn more about Yonathan Moore, come visit our booth or click the link in our bio.


Image:
5 Wave Column in Polished Finish, 2026, Aluminum, Integrated LED, Polished Ceramic Coating, 24v dimmable LED strips, 2700k (available in additional temperatures), 93 CRI, 800 lumens, 96” tall (with 1/2” spacing)


Address

245 Tenth Avenue
New York, NY
10001

Opening Hours

Tuesday 10am - 6pm
Wednesday 10am - 6pm
Thursday 10am - 6pm
Friday 10am - 6pm
Saturday 10am - 6pm

Telephone

+12124140370

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