Yossi Milo Gallery

Yossi Milo Gallery Yossi Milo supports and represents a diverse roster of international artists working in all media.

UPCOMING EXHIBITION | Pierre Knop: Le Sacre Du Printemps Yossi Milo is pleased to announce “Le Sacre Du Printemps,” an e...
08/25/2026

UPCOMING EXHIBITION | Pierre Knop: Le Sacre Du Printemps

Yossi Milo is pleased to announce “Le Sacre Du Printemps,” an exhibition of new work by Pierre Knop (), opening on September 3 with an opening reception on September 10, 6-8 PM. This marks Knop’s third solo exhibition with the gallery.

For this exhibition, Knop turns his attention entirely to landscapes, deepening his engagement within a practice that has long moved between observation, memory, and invention. “My paintings don’t depict an external reality, but rather an inner one,” he explains. Drawing from photographs, lived experience, and art historical references, Knop develops compositions through an ongoing dialogue between material, gesture, and perception, allowing each painting to arrive at its own internal logic.
Follow the link on our bio to learn more!
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Pierre Knop, “Tümpel,” 2026, Mixed Media on Canvas, 70 7/8” × 55 1/8” (180 × 140 cm)

CLOSING THIS WEEK | Navot Miller: Sweet Liberty Don’t miss the Final week to see Navot Miller’s (Navot Miller) solo exhi...
08/19/2026

CLOSING THIS WEEK | Navot Miller: Sweet Liberty

Don’t miss the Final week to see Navot Miller’s (Navot Miller) solo exhibition “Sweet Liberty,” on view through Friday, August 21!

“Sweet Liberty” reflects on freedom as a lived and deeply personal condition, one realized through paintings of friendship, travel, grief, and moments of intimacy. Working from photographs gathered over time, Miller considers belonging, responsibility, and the emotional complexities of building a life in America.

To learn more about Navot Miller and to see his available works, check the link in our bio!



Image Captions:

1: Arto, Iñigo, & Javi in Lac de Serre Ponçon, 2026, Oil on linen, 79” x 67” (200 x 170 cm)

2-4: Santi & Pedro in the Sunflower Field, 2026, Oil on linen, 67” x 110” (170 x 280 cm) (diptych)

CLOSING THIS WEEK | Yonathan Moore: VOLUTES Don’t miss the Final week to see Yonathan Moore’s (Yonathan Moore) solo exhi...
08/10/2026

CLOSING THIS WEEK | Yonathan Moore: VOLUTES

Don’t miss the Final week to see Yonathan Moore’s (Yonathan Moore) solo exhibition “VOLUTES,” on view through Friday, August 14!

“VOLUTES” presents new sculptural light installations created using the artist’s proprietary Flux Metal Drape system. Through precisely engineered aluminum forms that diffuse and reflect light, Moore transforms industrial fabrication into immersive works that explore rhythm, material, and architectural memory.

To learn more about Yonathan Moore and to see his available works, check the link in our bio!


We are excited to announce that a new iteration of Sarah Anne Johnson’s “House on Fire” is currently installed at Plug I...
07/28/2026

We are excited to announce that a new iteration of Sarah Anne Johnson’s “House on Fire” is currently installed at Plug In ICA Plug In ICA, Winnipeg, Canada, through August 29.

“House on Fire” was originally executed in 2009 in response to a family trauma that the artist unearthed as a child. Among her most significant bodies of work, it is the product of her gift for translating intimate family history into a rich visual language.

Through the lens of a dollhouse, “House on Fire” illustrates the experience of Johnson’s grandmother, Velma Orlikow, who in the 1950s was subjected to psychiatric experiments at Montreal’s Allan Memorial Institute, later revealed to be part of the CIA-funded MK-ULTRA program. This iteration features new video work, including “The Kitchen” and “Dancing with the Doctor,” which extend the project’s inquiry into Orlikow’s story through the moving image, alongside the original dollhouse, works on paper, and four bronze sculptures.

In “Squirrel Head,” the figure wears a fabric squirrel mask, a detail tied directly to court transcripts from Orlikow that the artist read as a child, which described how the L*D injections made her feel like a squirrel trapped in a cage.

In “The Family Tree,” the figure gnaws at one of the tree branches which extend from her arms, like hands, symbolizing Johnson’s own martyr-like effort to prevent future generations from inheriting this trauma.

“House on Fire” is on view at Plug In ICA in the artist’s hometown of Winnipeg, Canada, through August 29. For more information, visit our website. 🏡❤️‍🔥

We are excited to announce that the Philadelphia Museum of Art (Philadelphia Museum of Art ) has acquired “Phantasmatic ...
07/22/2026

We are excited to announce that the Philadelphia Museum of Art (Philadelphia Museum of Art ) has acquired “Phantasmatic Apparatus” (2025) by Shikeith Shikeith 💙

“Phantasmatic Apparatus” draws on the visual language of seventeenth-century Dutch vanitas painting and the iconography of alchemy. This work situates Black spiritual practice within longer histories of ritual, belief, and invention. Scientific glassware, a vintage radio, and ceremonial objects surround costumed figures caught mid-gesture, suggesting a ritual already underway. A white cloth held in the composition carries a dual inheritance, recalling both Christian baptismal rites and diasporic burial traditions, where the cloth protects the spirit during its passage between worlds. The work extends the artist’s ongoing engagement with hauntology, asking how unresolved histories continue to inhabit contemporary structures, technologies, and systems of belief.

Pictured:
Phantasmatic Apparatus, 2025, Archival Inkjet Print on Photo Rag Baryta Paper, 48” x 60” (122 x 152.5 cm)

We are pleased to announce that over 100 works by Sanlé Sory, from his Volta Photo series, alongside works by Pieter Hug...
07/17/2026

We are pleased to announce that over 100 works by Sanlé Sory, from his Volta Photo series, alongside works by Pieter Hugo (PJ Hugo), and Samuel Fosso (Samuel Fosso), are currently on view at the DongGang Museum of Photography (24회 동강국제사진제 | DIPF 2026). The exhibition “Horizontal Dialogue: Between Us,” serves as the centerpiece of the 24th DongGang International Photo Festival in Yeongwol, South Korea.

Featuring works by 8 photographers from Africa alongside Korean artists, “Horizontal Dialogues” stages a dialogue between African and Korean photography over shared themes of colonialism and independence, division and violence, and memory and identity.

“Horizontal Dialogues” is on view through October 10 at the DongGang Museum of Photography in Yeongwol, South Korea.

Pictured:
1. “Belle de Jour,” 1975
2. “Allo? On Arrive!,” 1978
3. “Le Vendeur Sénégalais qui Fume,” 1972
4. “Maliennes coquettes,” 1969

Yossi Milo is pleased to share that is featured in The Guardian’s article “Pedal to the metal! The best of Arles 2026 –...
07/11/2026

Yossi Milo is pleased to share that is featured in The Guardian’s article “Pedal to the metal! The best of Arles 2026 – in pictures.” The feature highlights the artist’s “Adaptive Radiation #1” from her exhibition, Upwelling on view at the Rencontres d’Arles, through October 4, 2026. 🌊💙

Upwelling brings together a suite of large-scale cyanotypes exhibited at the Cloître Saint-Trophime, a twelfth-century cloister in the heart of Arles. Les Rencontres d'Arles 🇫🇷

Pictured: Adaptive Radiation #1(Hanford Reach, Washington, USA, 5.23.2025, River Water, Reference Woman,Reducing Agent), 2025, Nine Dynamic Cyanotypes, 24” x 19” each element”

We are excited to share that The Museum of Fine Arts, Houston, has acquired Shikeith’s (Shikeith) bronze sculpture “Cere...
07/09/2026

We are excited to share that The Museum of Fine Arts, Houston, has acquired Shikeith’s (Shikeith) bronze sculpture “Ceremonies” (2024). This is Shikeith’s second acquisition with the museum for their permanent collection.

“Ceremonies” is anchored in Shikeith’s interest in the metaphysical facets of water, and its roles as a boundary, a method of cleansing, and an emanation from the body. The sculpture’s subject holds an antique West African water vessel, connecting to diasporic spiritual traditions, ritual, and offering. Shikeith’s work routinely interrogates the sociopolitical structures and histories that oppress the psychological landscapes of marginalized communities. Influenced by his interest in hauntology and spiritual traditions from the African diaspora, Shikeith’s artwork both mines and speculates on methodologies of disentangling and reconciliation.

Another edition of “Ceremonies” is currently on view at the Columbia Museum of Art, in Columbia, South Carolina.

Pictured: Ceremonies, 2024, Bronze, 32” x 11 3/4” x 9 ¾” (81 x 30 x 25 cm)
Images courtesy of the Museum of Fine Arts, Houston, TX.

As you walk around the VOLUTES lights by Yonathan Moore, they come alive, reflecting light and your ever-changing reflec...
06/27/2026

As you walk around the VOLUTES lights by Yonathan Moore, they come alive, reflecting light and your ever-changing reflection on the rippling surface of the metal.

Come experience them for yourself, VOLUTES on view through August 14th.💡🏛️

We are flattered and honored to see ‘Sweet Liberty’ on New York Magazine‘s The Approval Matrix in the ‘Highbrow Brillian...
06/26/2026

We are flattered and honored to see ‘Sweet Liberty’ on New York Magazine‘s The Approval Matrix in the ‘Highbrow Brilliant’ section. Navot Miller‘s solo exhibit with the gallery opened last night and will be on view through August 21st. 🗽🍓

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Wednesday 10am - 6pm
Thursday 10am - 6pm
Friday 10am - 6pm
Saturday 10am - 6pm

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