Edge Zones Art Gallery

08/10/2026

https://conta.cc/4xkkLta

Email from Edge Zones FOR 6+ Children from 2-4 pm to create fun Summer projects making books Summer Stories – A Children’s Bookmaking Workshop August 11, 2-4 PM Miami Beach Regional Library 227 22nd.

07/18/2026

https://conta.cc/4vAoJwI

Email from Edge Zones Now Closed — A Look Back at the Exhibition CLOSING OF SOLO EXHIBITION · EDGE ZONES Access to Barriers RAY AZCUY June 6 – July 17, 2026 Though we didn't hold a formal closing rece

05/29/2026

“Access to Barriers” a solo exhibition by Ray Azcuy opens next Saturday, 6–9 PM at Edge Zones.

Inspired by the visual language of mid-century breeze block walls, Azcuy’s work uses architectural forms of division, protection, and permeability as metaphors for the emotional, cultural, political, and psychological barriers that shape human experience. Addressing themes of love, religion, power, discrimination, gender, and sexual identity, the exhibition transforms familiar concrete patterns into a symbolic vocabulary that invites reflection, dialogue, and the possibility of healing through encounters across difference.

05/12/2026

Join us this Saturday for the closing of four solo exhibitions at Edge Zones.

Featuring works by Juan Henriquez, Harumi Abe, Raul Perdomo, and Stephan Goettlicher.

Saturday, May 16
6–9 PM
3317 NW 7th Ave Cir, Miami, FL

Last chance to experience these exhibitions

05/11/2026

Join us this Saturday, 6–9 PM, for the closing reception of four solo exhibitions at Edge Zones, including Intersections Between the Seen and the Unseen by Raul Perdomo.

In this body of work, Perdomo navigates the shifting terrain between technology and mythology through a series of paintings that blur the boundaries between scientific observation and imaginative speculation. Drawing from cosmology, molecular physics, and symbolic systems. Each piece uses visual language where precision coexists with mystery. Scientific imagery becomes less a tool of explanation and more a poetic framework for contemplating what lies beyond perception.

Rooted in an interest in how ancient narratives persist within our technologically mediated world, the exhibition reflects on the ways contemporary knowledge reshapes—rather than replaces. Through layered surfaces, abstract forms, and symbolic echoes, the work invites viewers into a contemplative space. Rather than offering fixed meanings, the exhibition opens a field of curiosity and ambiguity, encouraging reflection on how we construct meaning, navigate uncertainty, and sustain wonder in an increasingly technological age.

05/01/2026

“What’s My Line” Opens tomorrow from 2–4 PM at the Miami Beach Regional Library.
Claudia Vieira, UNDERLINE: KYOTO

UNDERLINE: KYOTO unfolds as a durational mapping of the city, where drawing, movement, and live. Developed through interviews with Kyoto residents, the work traces a collective route shaped by memory and desire. Vieira later enacted a 117-mile bicycle journey. Which she later translated into line, image, and sound. Presented as a multimedia installation of thirty maps alongside video, the piece becomes a spatial record of time passing. The continuous line operates as both path and pulse—linking individual narratives into a shared, evolving cartography.

Claudia Vieira (b. 1964, Porto Alegre) is a visual artist whose practice expands drawing into a temporal and performative language. Working with the gesture of a single continuous line, she creates immersive environments that engage architecture, landscape, and the body. Her site-specific interventions transform space into an active field of perception, where line becomes movement and drawing unfolds as an embodied act over time.

04/29/2026

What’s My Line?
Opening May 2, 2–4 PM at 5)3 Miami Beach Regional Library

Glint
2012
Moving Image Installation
By Richard Garet

“Glint is a moving image work that operates at the threshold of perception, where time, space, and structure begin to dissolve into signal.
The piece unfolds at an extremely reduced temporal register. Change is present, but resists immediate recognition. What appears stable is, in fact, continuously shifting—though often below the threshold of attention.
Drawing from the logic of the urban grid, Glint constructs a field of vertical and horizontal lines that emerge, intersect, and recede, forming transient architectures that never fully stabilize. These structures do not represent the city, but articulate its underlying condition: a constant process of transformation that exceeds perceptual awareness.” - Garet

Richard Garet’s practice treats sound as material—a generative force that shapes perceptual experience across time-based media, installation, and expanded audiovisual systems. His work engages transience, impermanence, and media decay, transforming sonic and luminous data into immersive environments that blur the boundaries between signal and noise.

Working across moving image, installation, and print, Garet investigates the materiality of technological abstraction, foregrounding processes of transmission, interference, and erosion. His practice constructs conditions where experience is filtered, unstable, and mediated—where sound, image, and time converge to unsettle fixed hierarchies of perception and open space for new ways of sensing and understanding.

04/29/2026

What’s My Line?
Opening May 2, 2–4 PM at the Miami Beach Regional Library

A group exhibition curated by Dimitry Chamy that approaches drawing as an expanded field—where line becomes process, trace, and relation. Moving beyond the page, What’s My Line? considers how artists use line to register time, gesture, and the subtle exchanges between body, space, and material. Here, drawing unfolds as an experience—something lived, accumulated, and continually redefined.

Spencer Chang. An artist, engineer, and toy maker, Chang’s practice moves across internet spaces, interactive sculpture, and creative tools, exploring our relationships with technology. His work engages everyday digital habits to reflect on how identities are constructed online, while proposing more thoughtful, public-facing technological futures.

The piece is called “Self-Portrait (Internet): Cursor Studies”, 2026–ongoing, Custom software, browser extension, thousands of datapoints from daily internet browsing / Variable dimensions,

04/21/2026

Join us Saturday, April 25th at 5pm for an Artist Talk featuring Harumi Abe, one of four artists presenting their current exhibitions and reflecting on their practices and life’s work.

Harumi Abe is a Japanese-born artist whose landscape paintings explore evolving environments, identity, the sublime, and our relationship with nature. Raised in Tokorozawa, Japan, and based in South Florida for over two decades, her work draws from both places—merging memory, geography, and lived experience into contemplative compositions.

In her exhibition “once, under this sky”, Abe brings together landscapes from Japan and Florida, interwoven with subtle traces of galaxies that dissolve the boundary between earth and cosmos. Inspired by ichi-go ichi-e—the idea that each encounter happens only once—the works reflect shifting terrain, fleeting light, and the impermanence of place. Through layered surfaces and quiet spatial depth, the paintings invite a pause.