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Anat Ebgi Gallery

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Anat Ebgi Gallery

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06/02/2026

Janet Werner 𝘗𝘦𝘨𝘨𝘺, 2026

begins a new painting by collaging two or more images culled from her vast collection of fashion magazines accumulated in her studio over the past 25 years. The juxtapositions create breaks in the image where the joined elements align or misalign; sometimes there is a vertical split, or a horizontal one, while others are altered with folds or tears.

Although her subjects circulate within popular media, these women are not necessarily famous, nor are the paintings intended to replicate a likeness. She allows herself to deviate dramatically from her references, resulting in layered records of hesitation and revision. Werner pulls figures in and out of legibility through a process of renegotiation, interruption, and accumulation. Passages of her initial drawing and underpainting, various stages of full rendering or unpainted edges remain in the final composition, leaving some air and space to breathe.

𝑳𝒂𝒏𝒅𝒔𝒄𝒂𝒑𝒆 𝒘𝒊𝒕𝒉 𝑳𝒆𝒈𝒔
On view through June 13
📍 372 Broadway, New York

Artwork details:
Peggy, 2026
Oil on canvas
60 x 48 inches / 152.4 x 121.9 cm

05/29/2026

Simon Haas 𝘙𝘢𝘪𝘯𝘣𝘰𝘸 𝘉𝘦𝘯𝘥 (𝘗𝘭𝘦𝘢𝘴𝘦 𝘗𝘢𝘳𝘬), 2026

The exhibition foregrounds Simon Haas’s distinct solo practice, developed alongside his work as one half of the artist duo The Haas Brothers. Working with graphite on clayboard—a notably smooth, hard, and resistant surface—Haas renders imagery with quiet, meticulous clarity. His subjects dwell in the everyday, reflecting q***r visual culture and personal experiences.

𝑯𝒂𝒑𝒑𝒚 𝑻𝒓𝒂𝒊𝒍𝒔
Through June 6
📍 6150 Wilshire Blvd, Los Angeles

Artwork details: Simon Haas
Rainbow Bend (Pease Park), 2026
Graphite on clayboard, framed
13 ¹⁄₄ x 13 ¹⁄₄ inches / 33.7 x 33.7 cm

05/28/2026

Marc Dennis 𝘓𝘰𝘷𝘦 𝘉𝘪𝘳𝘥𝘴, 2026

Marc Dennis has long drawn inspiration from the Western art historical canon, combining his appropriations with unexpected elements of humor and subversion—such as his works incorporating iridescent bubbles or cartoon animals. Dennis’s gentle unsettling of historical illusions forms a love letter to the enduring traditions of painting, opening a dialogue between centuries of visual culture from the vantage point of contemporary life.

𝘓𝘰𝘷𝘦 𝘓𝘦𝘵𝘵𝘦𝘳
Through June 6
📍6150 Wilshire Blvd, Los Angeles

Artwork details:
Love Birds, 2026
Oil on linen
73 x 94 ³⁄₄ inches / 185.4 x 240.7 cm

05/27/2026

Ryan Driscoll 𝘍𝘦𝘭𝘭𝘦𝘥 𝘚𝘵𝘢𝘳, 2026

newest works construct a self-contained mythological system that explores the mysteries of death and the realms beyond. Frontal figures of idealized bodies rendered with a disciplined smoothness recalling academic and Renaissance painting recur across the exhibition as presiding sentinel-like forms that watch over this place.

Driscoll’s cosmology, constructed through fragments of literature, observation of the real world, and invention from his own imagination, fits seamlessly into centuries old traditions of the occult and the mystical. Serpentine forms trace continuous paths through the compositions, linking figures and reinforcing a shared visual vocabulary. His articulation of this world—its characters, causes, and internal relations—suggest an ordered realm governed by a constant and unsettling logic.

𝑻𝒆𝒄𝒉 𝑫𝒖𝒊𝒏𝒏
On view through June 13
📍 372 Broadway, New York

Artwork details: Ryan Driscoll
Felled Star, 2026
Oil on wood
24 x 18 inches / 61 x 45.7 cm

05/26/2026

Janet Werner 𝘗𝘦𝘵𝘶𝘭𝘢, 2026

begins a new painting by collaging two or more images culled from her vast collection of fashion magazines accumulated in her studio over the past 25 years. The juxtapositions create breaks in the image where the joined elements align or misalign; sometimes there is a vertical split, or a horizontal one, while others are altered with folds or tears.

Although her subjects circulate within popular media, these women are not necessarily famous, nor are the paintings intended to replicate a likeness. She allows herself to deviate dramatically from her references, resulting in layered records of hesitation and revision. Werner pulls figures in and out of legibility through a process of renegotiation, interruption, and accumulation. Passages of her initial drawing and underpainting, various stages of full rendering or unpainted edges remain in the final composition, leaving some air and space to breathe.

𝑳𝒂𝒏𝒅𝒔𝒄𝒂𝒑𝒆 𝒘𝒊𝒕𝒉 𝑳𝒆𝒈𝒔
On view through June 13
📍 372 Broadway, New York

Artwork details:
Petula, 2026
Oil on canvas
52 x 69 inches / 132.1 x 175.3 cm

05/23/2026

Inspiring studio visit with 🌟 Her solo show at our Tribeca gallery opens next month—June 26—stay tuned for details! 👁️

05/22/2026

𝗖𝗼𝘀𝗺𝗼 𝗪𝗵𝘆𝘁𝗲 𝘚𝘰𝘭𝘦 𝘐𝘮𝘱𝘦𝘳𝘪𝘢𝘭 (𝘍𝘰𝘳 𝘗𝘢𝘵𝘳𝘪𝘤𝘬 𝘑𝘰𝘩𝘯𝘴𝘰𝘯), 2019 - 2025

Now on view at MCA Chicago
Through September 20

𝘋𝘢𝘯𝘤𝘪𝘯𝘨 𝘵𝘩𝘦 𝘙𝘦𝘷𝘰𝘭𝘶𝘵𝘪𝘰𝘯: 𝘍𝘳𝘰𝘮 𝘋𝘢𝘯𝘤𝘦𝘩𝘢𝘭𝘭 𝘵𝘰 𝘙𝘦𝘨𝘨𝘢𝘦𝘵ó𝘯 is a major exhibition that explores and expands the visual, political, and spiritual histories of dancehall and reggaetón through contemporary art—two dynamic genres that have transcended their grassroots origins to shape global culture. The exhibition showcases pivotal moments and themes from these histories, starting with the sound system, a mobile disco that embodies both a community experience and a vital civic institution.

The exhibition features work by more than 40 artist and is curated by Carla Acevedo-Yates, with Cecilia González Godino, Iris Colburn, Nolan Jimbo, and nibia pastrana santiago.

Artwork details:
Sole Imperial (For Patrick Johnson), 2019 - 2025
Plywood, 12 Speakers, 3 Horns, 15 Tweeters, sound composition
31 minutes, 28 seconds
102 x 72 x 48 inches / 259.1 x 182.9 x 121.9 cm

Sound Engineers: Kareem Johnson and Patrick Johnson

05/21/2026

Support White Columns! 🏛️

𝗠𝗲𝗲𝘀𝗼𝗻 𝗣𝗮𝗲 𝘌𝘹𝘵𝘦𝘯𝘥 is included in White Columns 2026 Benefit Auction alongside over 100 artworks generously donated by artists and their galleries.

is New York’s oldest alternative art space, and the Benefit auction is the organization’s core annual fundraiser. To view all the donated artworks, register to bid and purchase tickets to the live auction on May 27, visit the link in our bio. 🔗

Artwork details:

Extend, 2026
Mixed media on paper in maple frame
11 × 9 inches / 27.9 x 22.9 cm

05/20/2026

We’re pleased to announce 𝐀𝐧𝐠𝐞𝐥𝐚 𝐋𝐚𝐧𝐞: 𝑷𝒉𝒂𝒔𝒆 𝑺𝒉𝒊𝒇𝒕

Opening: Saturday, June 6, 4-6pm
📍 6150 Wilshire Blvd, Los Angeles

Angela Lane interrupts her calm pastoral landscapes with depictions of extraordinary meteorological phenomena that seem at once fatal and visionary. 𝘗𝘩𝘢𝘴𝘦 𝘚𝘩𝘪𝘧𝘵 is a technical term in physics that refers to the measurable displacement between repeating waves, oscillations, or signals. Colloquially it describes being ‘out of sync’ or the subtle realignment that comes from a change of perception—in other words, an awakening. As open encounters, Lane’s paintings register atmospheric fact, psychological imprint, mirage, and visionary horror and majesty.

Artwork details:
Magnetic Field, 2025
Oil on birch plywood, framed
10 x 7 inches / 25.4 x 17.8 cm

05/19/2026

OPENING TOMORROW

𝗥𝗼𝗯𝗲𝗿𝘁 𝗥𝘂𝘀𝘀𝗲𝗹𝗹 & 𝗟𝗶𝘀𝗮 𝗘𝗱𝗲𝗹𝘀𝘁𝗲𝗶𝗻
𝘼 𝙋𝙖𝙡𝙖𝙘𝙚 𝙞𝙣 𝙏𝙞𝙢𝙚
Skirball Cultural Center
On view through September 2

Robert Russell and Lisa Edelstein: 𝘈 𝘗𝘢𝘭𝘢𝘤𝘦 𝘪𝘯 𝘛𝘪𝘮𝘦 invites visitors to reflect on how they spend their time–in the moments when they are celebrating, grieving, and all the small moments in between. Drawing inspiration from Rabbi Abraham Joshua Heschel’s description of the Sabbath as “a palace in time,” this exhibition brings together new paintings by Los Angeles-based artists and married partners Russell and Edelstein that hold up moments and memories of joy and loss–ever-present in Jewish family traditions and community gatherings.

Reception: Wednesday, May 20, 7-9 pm
2701 N Sepulveda Blvd, Los Angeles

Address

6150 Wilshire Boulevard
Los Angeles, CA
90048

Opening Hours

Tuesday	10am - 5pm
Wednesday	10am - 5pm
Thursday	10am - 5pm
Friday	10am - 5pm
Saturday	10am - 5pm

Telephone

+13232723418

Website

http://www.anatebgi.com/

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