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Anat Ebgi Gallery

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06/23/2026

𝓘𝓵𝓵𝓾𝓶𝓲𝓷𝓪𝓽𝓲𝓸𝓷𝓼

🌝 OPENS Friday, June 26, 6-8pm
📍372 Broadway, New York

𝗖𝘂𝗿𝗮𝘁𝗲𝗱 𝗯𝘆 𝗔𝗻𝗴𝗲𝗹𝗮 𝗟𝗮𝗻𝗲

Featuring works by
Ben Cauchi ben.cauchi
James Cherry James Cherry
Ryan Driscoll
Garry Fabian Miller Garry Fabian Miller
Timo Fahler
Shawn Huckins Shawn Huckins
Nova Jiang Nova Jiang
Brad Kahlhamer Brad Kahlhamer
Mia Kokkoni .kokkoni
Danielle Kosann Danielle Kosann
Angela Lane Angela Lane
Enrique Martinez Celaya Enrique Martínez Celaya
Kayla Risko Kayla Risko
Barbara Takenaga barbaratakenaga
Dannielle Tegeder Dannielle Tegeder

Image: Danielle Kosann
this is how i want to remember it, 2026
Oil and ink on canvas
65 x 85 inches / 165.1 x 215.9 cm

06/20/2026

We’re pleased to announce
𝗠𝗲𝗴𝗮𝗻 𝗚𝗮𝗯𝗿𝗶𝗲𝗹𝗹𝗲 𝗛𝗮𝗿𝗿𝗶𝘀: 𝘼𝙡𝙡 𝙏𝙝𝙞𝙣𝙜𝙨 𝙃𝙚𝙡𝙙 𝘽𝙚𝙩𝙬𝙚𝙚𝙣

Opening: Friday, June 26, 6-8 pm
📍 372 Broadway, New York

Megan Gabrielle Harris’s paintings typically feature women of color depicted as powerful, regal, and divine, often set against rich and vibrant backdrops. In All Things Held Between, Harris expands her focus slightly, allowing the landscape to take a more central role. In this imagined Eden women recline in tender meadows, wander through lush valleys, and inhabit landscapes defined by a tranquil sense of regeneration.

Artwork details: Megan Gabrielle Harris
All That I Dream, 2026
Acrylic on canvas
36 x 48 inches / 91.4 x 121.9 cm

06/18/2026

𝗜𝗹𝗲𝗮𝗻𝗮 𝗚𝗮𝗿𝗰í𝗮 𝗠𝗮𝗴𝗼𝗱𝗮 speaks with multi-disciplinary artist + facilitator Sania Khan for 𝗧𝗵𝗲 𝗖𝗿𝗲𝗮𝘁𝗶𝘃𝗲 𝗜𝗻𝗱𝗲𝗽𝗲𝗻𝗱𝗲𝗻𝘁 about listening to your body, pain and limitations, and how to stretch time.

🔗 Read the interview via the link in our bio.

Artwork: Ileana García 'Magoda'
In my dear garden, 2026
Acrylic on canvas
47 x 39 ¹¹⁄₃₂ inches / 119.4 x 100 cm

The Creative Independent
سنیعہ

06/17/2026

Faith Wilding is on our mind.

As an avowed eco-feminist, Wilding’s work addresses the deterioration of the natural world in her lifetime, particularly in South America and her native Paraguay. Her abstracted botanical works express an interconnectedness and spiritual exuberance while building upon her visionary iconology, which she began developing in the 1960s and continues to explore in recent works such as The Secret Flower pictured here.

Artwork details: Faith Wilding
The Secret Flower, 2022
Watercolor, pencil, gold leaf on paper, framed
17 ³⁄₄ x 13 ¹⁄₂ inches / 45.1 x 34.3 cm

06/16/2026

Angela Lane 𝘛𝘳𝘢𝘯𝘴𝘧𝘦𝘳𝘦𝘯𝘤𝘦, 2025

Angela Lane interrupts her calm pastoral landscapes with depictions of extraordinary meteorological phenomena that seem at once fatal and visionary. 𝘗𝘩𝘢𝘴𝘦 𝘚𝘩𝘪𝘧𝘵 is a technical term in physics that refers to the measurable displacement between repeating waves, oscillations, or signals. Colloquially it describes being ‘out of sync’ or the subtle realignment that comes from a change of perception—in other words, an awakening. As open encounters, Lane’s paintings register atmospheric fact, psychological imprint, mirage, and visionary horror and majesty.

𝐀𝐧𝐠𝐞𝐥𝐚 𝐋𝐚𝐧𝐞: 𝑷𝒉𝒂𝒔𝒆 𝑺𝒉𝒊𝒇𝒕
On view through July 18
📍 6150 Wilshire Blvd, Los Angeles

Work details:
Transference, 2025
Oil on birch plywood, framed
10 x 7 inches / 25.4 x 17.8 cm

06/13/2026

𝙆𝙉𝙄𝘾𝙆𝙎 𝙄𝙉 𝙁𝙄𝙑𝙀𝙀𝙀𝙀 – Gloria Klein

⛹️

Artwork: Gloria Klein Archive
Blue Cage, 1981
Acrylic on canvas
60 x 60 inches / 152.4 x 152.4 cm

06/12/2026

𝓘𝓵𝓵𝓾𝓶𝓲𝓷𝓪𝓽𝓲𝓸𝓷𝓼
𝗖𝘂𝗿𝗮𝘁𝗲𝗱 𝗯𝘆 𝗔𝗻𝗴𝗲𝗹𝗮 𝗟𝗮𝗻𝗲

🌝 Opening Friday, June 26, 6-8pm
📍372 Broadway, New York

Featuring works by
Ben Cauchi ben.cauchi
James Cherry James Cherry
Ryan Driscoll
Garry Fabian Miller Garry Fabian Miller
Timo Fahler
Shawn Huckins Shawn Huckins
Nova Jiang Nova Jiang
Brad Kahlhamer Brad Kahlhamer
Mia Kokkoni .kokkoni
Danielle Kosann Danielle Kosann
Angela Lane Angela Lane
Enrique Martinez Celaya Enrique Martínez Celaya
Kayla Risko Kayla Risko
Barbara Takenaga barbaratakenaga
Dannielle Tegeder Dannielle Tegeder

Image: Detail from Shawn Huckins “Last Sun Behind Sheer Curtain,” 2026

06/11/2026

Janet Werner 𝘊𝘩𝘢𝘮𝘦𝘭𝘦𝘰𝘯, 2026

Janet Werner’s exhibition title, Landscape with Legs, follows a convention from art history that describes a picture’s contents in terms of the subject paired with an object (e.g., Woman with a Parrot; Boy with a Greyhound). Landscape with Legs subverts this trope, upending various hierarchies, giving figure and ground equal importance. It conjures an absurd idea of a moveable landscape that could get up and walk away if it wished to.

The introduction of landscapes extends these inquiries, representing spaces that remain unknown and ungraspable. Werner stages her figures within landscapes—multiple times removed from reality—drawing on reinterpretations of Edvard Munch, Caspar David Friedrich, and Jean-Antoine Watteau. These environments share a sense of the staged, the choreographed, and the romanticised. Werner’s engagement with artifice uncovers something evasive about human psychology.

𝑳𝒂𝒏𝒅𝒔𝒄𝒂𝒑𝒆 𝒘𝒊𝒕𝒉 𝑳𝒆𝒈𝒔
On view through June 13
📍 372 Broadway, New York

Artwork details:
Chameleon, 2024
Oil on canvas
76 x 60 inches / 193 x 152.4 cm

06/09/2026

Ryan Driscoll 𝘜𝘯𝘵𝘪𝘵𝘭𝘦𝘥 (𝘍𝘪𝘨𝘶𝘳𝘦 𝘊𝘰𝘯𝘤𝘦𝘱𝘵 𝘰𝘧 𝘍𝘦𝘭𝘭𝘦𝘥 𝘚𝘵𝘢𝘳), 2026

newest works construct a self-contained mythological system that explores the mysteries of death and the realms beyond. Frontal figures of idealized bodies rendered with a disciplined smoothness recalling academic and Renaissance painting recur across the exhibition as presiding sentinel-like forms that watch over this place.

Driscoll’s cosmology, constructed through fragments of literature, observation of the real world, and invention from his own imagination, fits seamlessly into centuries old traditions of the occult and the mystical. Serpentine forms trace continuous paths through the compositions, linking figures and reinforcing a shared visual vocabulary. His articulation of this world—its characters, causes, and internal relations—suggest an ordered realm governed by a constant and unsettling logic.

𝑻𝒆𝒄𝒉 𝑫𝒖𝒊𝒏𝒏
On view through June 13
📍 372 Broadway, New York

Artwork details: Ryan Driscoll
Untitled (Figure Concept of Felled Star), 2026
Watercolor and ink on paper, framed
17 x 13 ³⁄₈ inches / 43.2 x 34 cm

06/06/2026

Faith Wilding’s 𝑵𝒂𝒕𝒖𝒓𝒂𝒍 𝑷𝒂𝒓𝒂𝒃𝒍𝒆𝒔

Completed in 1982, 𝘕𝘢𝘵𝘶𝘳𝘢𝘭 𝘗𝘢𝘳𝘢𝘣𝘭𝘦𝘴 is a 12-piece work that comprises pairings of large watercolor-drawing hybrids with corresponding oil paintings on shaped masonite panels. The six illuminated parables fuse two branches of her practice – highly detailed imagery inspired by nature as a metaphor for transformation.

Commingling handwritten script and visual iconography, Wilding creates an apparatus of verbal and visual notation to explore specific ideas about women’s transformation; the metamorphosis of the natural world through human intervention and destruction; and the body and nature as a codependent political site.

The creation of 𝘕𝘢𝘵𝘶𝘳𝘢𝘭 𝘗𝘢𝘳𝘢𝘣𝘭𝘦𝘴 marked the culmination of years of research into female mythologies, paganism, English Romantic poetry, illuminated herbals, bestiaries, and alchemical manuscripts.

Artwork details:
Natural Parables, 1982
Watercolor, pencil, and ink on paper, framed / Oil on Masonite
Installed dimensions 186 x 396 inches / 4.7 x 10.1 m

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6150 Wilshire Boulevard
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90048

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Tuesday	10am - 5pm
Wednesday	10am - 5pm
Thursday	10am - 5pm
Friday	10am - 5pm
Saturday	10am - 5pm

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http://www.anatebgi.com/

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