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Anat Ebgi Gallery

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10/16/2026

𝗦𝗼𝘂𝗺𝘆𝗮 𝗡𝗲𝘁𝗿𝗮𝗯𝗶𝗹𝗲: 𝘍𝘪𝘦𝘭𝘥 𝘊𝘰𝘯𝘥𝘪𝘵𝘪𝘰𝘯𝘴

Through Saturday, October 24
📍372 Broadway, New York

Artwork details: S. NETRABILE
Mountain Storm, 2026
Oil on canvas
84 x 72 inches / 213.4 x 182.9 cm

𝗦𝗼𝘂𝗺𝘆𝗮 𝗡𝗲𝘁𝗿𝗮𝗯𝗶𝗹𝗲: 𝘍𝘪𝘦𝘭𝘥 𝘊𝘰𝘯𝘥𝘪𝘵𝘪𝘰𝘯𝘴

Through Saturday, October 24
📍372 Broadway, New York

Artwork details: S. NETRABILE
Mountain Storm, 2026
Oil on canvas
84 x 72 inches / 213.4 x 182.9 cm

𝗦𝗼𝘂𝗺𝘆𝗮 𝗡𝗲𝘁𝗿𝗮𝗯𝗶𝗹𝗲: 𝘍𝘪𝘦𝘭𝘥 𝘊𝘰𝘯𝘥𝘪𝘵𝘪𝘰𝘯𝘴

Through Saturday, October 24
📍372 Broadway, New York

Artwork details: S. NETRABILE
Green Goddess, 2026
Glazed stoneware
12 x 11 x 10 inches / 30.5 x 27.9 x 25.4 cm

𝗦𝗼𝘂𝗺𝘆𝗮 𝗡𝗲𝘁𝗿𝗮𝗯𝗶𝗹𝗲: 𝘍𝘪𝘦𝘭𝘥 𝘊𝘰𝘯𝘥𝘪𝘵𝘪𝘰𝘯𝘴

Through Saturday, October 24
📍372 Broadway, New York

Artwork details: S. NETRABILE
Green Goddess, 2026
Glazed stoneware
12 x 11 x 10 inches / 30.5 x 27.9 x 25.4 cm

𝗦𝗼𝘂𝗺𝘆𝗮 𝗡𝗲𝘁𝗿𝗮𝗯𝗶𝗹𝗲: 𝘍𝘪𝘦𝘭𝘥 𝘊𝘰𝘯𝘥𝘪𝘵𝘪𝘰𝘯𝘴

Through Saturday, October 24
📍372 Broadway, New York

Artwork details: S. NETRABILE
Mutualists, 2026
Oil on canvas
22 x 28 inches / 55.9 x 71.1 cm

𝗦𝗼𝘂𝗺𝘆𝗮 𝗡𝗲𝘁𝗿𝗮𝗯𝗶𝗹𝗲: 𝘍𝘪𝘦𝘭𝘥 𝘊𝘰𝘯𝘥𝘪𝘵𝘪𝘰𝘯𝘴

Through Saturday, October 24
📍372 Broadway, New York

Artwork details: S. NETRABILE
Mutualists, 2026
Oil on canvas
22 x 28 inches / 55.9 x 71.1 cm

𝗦𝗼𝘂𝗺𝘆𝗮 𝗡𝗲𝘁𝗿𝗮𝗯𝗶𝗹𝗲: 𝘍𝘪𝘦𝘭𝘥 𝘊𝘰𝘯𝘥𝘪𝘵𝘪𝘰𝘯𝘴

Through Saturday, October 24
📍372 Broadway, New York

Artwork details: S. NETRABILE
The Salt Pool, 2026
Oil on canvas
72 x 60 inches / 182.9 x 152.4 cm

𝗦𝗼𝘂𝗺𝘆𝗮 𝗡𝗲𝘁𝗿𝗮𝗯𝗶𝗹𝗲: 𝘍𝘪𝘦𝘭𝘥 𝘊𝘰𝘯𝘥𝘪𝘵𝘪𝘰𝘯𝘴

Through Saturday, October 24
📍372 Broadway, New York

Artwork details: S. NETRABILE
The Salt Pool, 2026
Oil on canvas
72 x 60 inches / 182.9 x 152.4 cm

10/15/2026

NOW OPEN 𝗙𝗿𝗶𝗲𝘇𝗲 𝗟𝗼𝗻𝗱𝗼𝗻

Gideon Rubin & Jibade-Khalil Huffman
Through October 18
BOOTH D03

Gideon Rubin
THEREALJIBADEKHALILHUFFMAN
Frieze

10/14/2026

𝗘𝗿𝗶𝗻 𝗪𝗿𝗶𝗴𝗵𝘁: 𝘔𝘦𝘮𝘯𝘰𝘴𝘱𝘩𝘦𝘳𝘦

For 𝘔𝘦𝘮𝘯𝘰𝘴𝘱𝘩𝘦𝘳𝘦 Wright expands her examination of domestic architecture, perception, and surface through an attempt to find the edges of a single word, ‘smell.’ Traversing the field of sensory experience, Wright draws upon three themes: mythology, memory, and research. Across a new suite of paintings, three life-scale kitchenette installations, and a loose-leaf catalogue combining her own texts with reference ephemera, Wright explores this elusive sense, which resists stable representation.

Erin Wright
On view through January 16
📍 6150 Wilshire Blvd, Los Angeles

10/13/2026

OPENING TOMORROW 𝗙𝗿𝗶𝗲𝘇𝗲 𝗟𝗼𝗻𝗱𝗼𝗻

Gideon Rubin & Jibade-Khalil Huffman
October 14-18
BOOTH D03

Artwork details: Gideon Rubin
In The Mood For Love, 2026
Oil on linen
13 ³¹⁄₃₂ x 15 ¹⁵⁄₁₆ inches / 35.5 x 40.5 cm

THEREALJIBADEKHALILHUFFMAN
Laugh To Keep From Crying, 2026 (Still)
Video, sound
26 min 58 sec

Frieze

10/10/2026

Various pop science books claim that Elizabethan women tucked peeled whole apples or slices of apples under their armpits to soak up sweat while dancing or socializing. These women then gave “love apples” as gifts to men they fancied, and the suitor would smell or eat the apple as a gesture of affection.

Whether or not the practice ever occurred, its continued circulation suggests it serves a function beyond historical accuracy: it destabilizes a modern sensory order in which smell occupies a devalued position, and resists a broader cultural tendency to sanitize the body of its biological signals.

Work details: Erin Wright
Love Apple, 2026
Acrylic and colored pencil on canvas
22 ¹⁄₂ x 40 ¹⁄₂ inches / 57.2 x 102.9 cm

𝗘𝗿𝗶𝗻 𝗪𝗿𝗶𝗴𝗵𝘁: 𝘔𝘦𝘮𝘯𝘰𝘴𝘱𝘩𝘦𝘳𝘦
Through January 16

Erin Wright
Love Apple, 2026 (Detail)

Erin Wright
Love Apple, 2026

Magnolias are native to both Asia and the Americas and are widely regarded as among the most evolutionarily primitive lineages of flowering plants, with fossil evidence indicating their presence since prehistoric times. Notably, the plant’s reproductive structure has remained largely unchanged across millions of years of evolutionary history.

Work details: Erin Wright
Fat Fists, 2026
Acrylic and colored pencil on canvas
40 ¹⁄₂ x 62 ¹⁄₂ inches / 102.9 x 158.6 cm

𝗘𝗿𝗶𝗻 𝗪𝗿𝗶𝗴𝗵𝘁: 𝘔𝘦𝘮𝘯𝘰𝘴𝘱𝘩𝘦𝘳𝘦
Through January 16

Erin Wright
Fat Fists, 2026 (Detail)

Erin Wright
Fat Fists, 2026

Humans are remarkably sensitive to a particular pheromone released by female fruit flies, and even trace amounts can leave a drink smelling and tasting off. Female fruit flies (Drosophila melanogaster) release around 2.4 nanograms (1 nanogram is equal to 1/1,000,000,000 of a gram) of this mate-attracting chemical every hour. To study the effects of a single nanogram of fly pheromone, researchers recruited eight seasoned w**e tasters from Germany’s Baden region. The participants sampled w**e from glasses that had briefly held a female fly, a male fly, or no fly at all. Consistently, the glasses exposed to female flies were judged to have a stronger, more noticeable odor than the rest.

The pheromone’s presenc

10/09/2026

Currently on view
𝗔𝗹𝗮𝗻𝗻𝗮𝗵 𝗙𝗮𝗿𝗿𝗲𝗹𝗹: 𝘚𝘰𝘭𝘢𝘴𝘵𝘢𝘭𝘨𝘪𝘢

Inspired by the eerie imagery of George Tooker, Hans Bellmer, and erotic compositions by photographer Pierre Molinier, Farrell’s depictions of their life and surroundings appear as near-cinematic scenes rife with psychodrama. In a double portrait, Surrender and Longing, two n**e figures crowd the foreground of a train crossing. As one bends over the other, wrapping their arms and torso around the crawling figure, their tight pose compresses against the lower half of the composition. The pair are bathed in the light of a hazy, yet brilliant sundown and the silence of a completely deserted main street in the near distance.

Through October 24
📍372 Broadway, New York

Artwork details: Alannah Farrell
Surrender and Longing, 2026
Oil, acrylic, and spray paint on canvas
60 x 40 inches / 152.4 x 101.6 cm

10/07/2026

We’re pleased to announce
𝗝𝗲𝗻𝗻𝘆 𝗠𝗼𝗿𝗴𝗮𝗻: 𝙃𝙤𝙪𝙧𝙨 𝙖𝙩 𝙩𝙝𝙚 𝙀𝙙𝙜𝙚

This will be Morgan’s debut solo exhibition in Los Angeles and her second with the gallery.

Opening Saturday, November 14
📍6150 Wilshire Blvd, Los Angeles

Artwork details: Jenny Morgan
The Work, 2026
Oil on canvas
86 x 44 inches / 218.4 x 111.8 cm

10/06/2026

Currently on view
𝗦𝗼𝘂𝗺𝘆𝗮 𝗡𝗲𝘁𝗿𝗮𝗯𝗶𝗹𝗲: 𝘍𝘪𝘦𝘭𝘥 𝘊𝘰𝘯𝘥𝘪𝘵𝘪𝘰𝘯𝘴

In Netrabile’s paintings, rounded and irregular shapes accumulate over time into dense clusters of intermingling line and color. She embraces the freedom and openness of abstraction to “process happenings in the world,” unconstrained by preconceived ideas. Allowing her materials to speak, they find their eventual bulbous shapes, elongated contours, and interconnected compartments. The juxtaposition of tangles of brushwork and directional masses in the foreground against banded atmospheres of colored ground, creates a compression of space beneath, relating to complex relationships and networks that form the natural world.

Artwork details: S. NETRABILE
Unconformity, 2026
Oil on canvas
72 x 84 inches / 182.9 x 213.4 cm

10/03/2026

𝗝𝗼𝗿𝗱𝗮𝗻 𝗡𝗮𝘀𝘀𝗮𝗿: 𝘋𝘦𝘴𝘤𝘳𝘪𝘣𝘪𝘯𝘨 𝘊𝘭𝘰𝘶𝘥𝘴
Jordan Nassar

𝘋𝘦𝘴𝘤𝘳𝘪𝘣𝘪𝘯𝘨 𝘊𝘭𝘰𝘶𝘥𝘴 is Nassar’s fifth solo exhibition with the gallery. It brings together new multi-panel embroidered landscapes and Smalti tile mosaics continuing the artist’s engagement with the art and craft histories of the Levant. Across the exhibition, Nassar considers how images and techniques move through time as they are repeated, translated, fragmented, and reconfigured across centuries and continents.

On view through October 31
📍6150 Wilshire Blvd, Los Angeles

10/02/2026

“Insects generally do not utilize active ventilation. They just let the air move in and out of the spiracles passively. They do have muscles that can be used to close the spiracles when necessary to reduce airflow. When insects need additional oxygen in their system, the increase airflow by telescoping the abdomen. This is much like physically forcing air into and out of human lungs by chest compression during CPR. Because insects don’t need to force air into lungs like mammals, they don’t have noses. They do have a proboscis, however. Some human noses of rather large size have sometimes been humorously called probosces. Insects do have proboscises, but they aren’t used for breathing. An insect proboscis is just used for eating!”

- Tom Turpin, “Insect Breathing Not Dependent on Noses,” from “On Six Legs,” column published by the College of Agriculture, Purdue University, 23 January 2003.

Work details: Erin Wright
Company, 2026
Acrylic and colored pencil on canvas
60 ¹⁄₂ x 37 ¹⁄₂ inches / 153.7 x 95.3 cm

𝗘𝗿𝗶𝗻 𝗪𝗿𝗶𝗴𝗵𝘁: 𝘔𝘦𝘮𝘯𝘰𝘴𝘱𝘩𝘦𝘳𝘦
Through December 19

Erin Wright
Company, 2026 (Detail)

Erin Wright
Company, 2026

In September 2007, a fiery mass flew across the morning sky and crashed into the ground, creating a 50-foot-wide crater in the Peruvian village of Carancas. Locals approached the crash site to find a smoking crater with bubbling water that emitted a foul smell. Upon contact with the site, the meteorite exploded and buried itself in the ground; the pieces, which were collected by curious villagers, continued to emit smoke. Curiosity turned to fear when unexplained symptoms began to afflict locals: headaches, vomiting, and skin lesions struck more than150 villagers. Others reported that children were restless and cried through the night.

Scientists disagree about the source of the smells and the cause of the illnesses. Some believe the gases were created when the meteorite’s hot surface reacted with an underground water supply tainted with arsenic. Natural arsenic deposits in ground water are not uncommon in southern Peru. Others believe that the meteorite, composed of Chrondite (the only meteorite of this type to ever hit E

Address

6150 Wilshire Boulevard
Los Angeles, CA
90048

Opening Hours

Tuesday	10am - 5pm
Wednesday	10am - 5pm
Thursday	10am - 5pm
Friday	10am - 5pm
Saturday	10am - 5pm

Telephone

+13232723418

Website

http://www.anatebgi.com/

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