03/10/2026
A PLACE FOR A SHARK: I first heard about the placement of the shark from Greg Nicotero, likely in April 2019. By then, during the restoration, the shark had been completely stripped of paint and goo, its thousands of cracks sealed, and it was primed gray. The new gills were installed, but the mouth was still being sculpted and was weeks away from being installed. Inside, there was a thousand-pound steel armature. A local welder was hired for a day to create it and help mount it inside. This armature was eventually to be screwed into several cables that would secure the shark over the former May Co. escalators— a controversial decision that folks still belly-ache about today. Honestly, I used to as well when I first heard about it. But no one ever really considered the planning behind placing the prop. Well, technically, it was a copy of the original prop—and I could dive into that more later, but it’s the last remaining copy, nonetheless. Anyway, here are some photos of the team at the Academy Museum planning the installation, including members from Renzo Piano Building Workshop (RPBW), the Academy of Motion Picture Arts and Sciences (AMPAS), and the volumetric mockup hung to assess feasibility. So, yes, many smarter people than I devised a plan, and numerous meetings were held to figure out the best way to display this incredible piece of Hollywood history. In other words, next time someone is lucky enough to see this thing, remember that it wasn’t just arbitrarily placed hanging over an escalator.
For the record, I can't imagine the shark placed anywhere else. It's out in the open, and I have great views from the top, side, and bottom. Best of all, it's not behind plexiglass, where photos can be ruined by glare.