
12/15/2022
Spend your Saturday at MoMA PS1! We're open late 'til 8 p.m. on Saturday nights, so stop by and see what ignites your imagination. Admission is ✨ALWAYS FREE ✨ for New Yorkers.
📸: Mariss Alper
A site of experimentation for over 40 years, MoMA PS1 champions artists at the intersection of the social, cultural, and political issues of our time.
Admission is always FREE for New Yorkers.
Operating as usual
Spend your Saturday at MoMA PS1! We're open late 'til 8 p.m. on Saturday nights, so stop by and see what ignites your imagination. Admission is ✨ALWAYS FREE ✨ for New Yorkers.
📸: Mariss Alper
👋 Spend your Saturday at MoMA PS1! 🕗 We're open late 'til 8 p.m. on Saturday nights, so stop by and see what ignites your imagination. Admission is ✨ALWAYS FREE ✨ for New Yorkers.
📸:
“As soon as possible, as diligently as you can, find time to make work. I think it will always be helpful.” —Jacob Mason-Macklin
In his residency, painter and 2021–22 Studio Museum Artist in Residence Jacob Mason-Macklin explores the act of looking in paintings that portray the streets of Harlem. His works find joy in the mundane, highlighting everyday actions like waiting for the bus or gathering on a street corner. This past fall, the Studio Museum met with Mason-Macklin to discuss his identity as an artist, his desire to paint, and how he approaches practice through durational observation—a commitment to looking deeply and closely.
To learn more about the artist and watch the full-length video, head to https://tr.ee/kGKQE565xr. Plan your visit to MoMA PS1 to see Jacob's work in “It’s time for me to go: Studio Museum Artists in Residence 2021–2022” at mo.ma/ps1tickets.
Video by the Studio Museum
🐍 Fur trappers. Tribal alliances. Giant serpents. Blending sci-fi, history, and fantasy, Umar Rashid recounts the tale of 18th century Novum Eboracum—a semi-fictional version of New York.
🛶 Our third finds us on a river, in a boat that is just about to tumble over Onguiaahra (Niagara) Falls, into the den of a mythical serpent. Dutch fur trappers from the Venus Fur Company find themselves far from the safety of the city, and in hostile territory. Ties between anti-colonial tribes and rebel soldiers remain strong, much to the chagrin of the Dutch. They often find their caravans raided and destroyed by these united factions, leaving the riches of the Venus Fur Company in ruins.
🌊 What fate awaits these Dutch trappers? Find out in the next , or visit "Ancien Regime Change 4, 5, and 6" at MoMA PS1 to watch the tale unfold in real time. Admission is always FREE for residents of Novum Eboracum (New York).
📸: Umar Rashid "Tales from Turtle Island #1. The secrets of the Onguiaahra (Niagara) Falls and the first death of Venus, in furs. Gamera be praised." 2022. Images courtesy of Blum and Poe.
"Change is important. It seems like there is no movement happening, but really so much is happening." — L'Rain
Taja Cheek, aka L'Rain, is a multi-instrumentalist, composer, and curator known primarily as the lead vocalist and songwriter of her eponymous band. She's part of this year's Cloudnova cohort, a community of fierce creatives who use movement in practice, presented with On. L’Rain has been a part of the MoMA PS1 family for years: she was formerly an Assistant Curator at the museum, where she organized performance programs including Warm Up and Sunday Sessions.
For L'Rain, the movement of creating a soundscape is deeply embodied, even akin to dancing. When she's making music, L'Rain finds the intentionality of movement in the simplest of actions—from the push of a pedal to the movement of fingers on a guitar.
Learn more about L'Rain and the Cloudnova Class at mo.ma/cloudnova.
📍Meet me at the museum! Our galleries bring together today's most exciting artists and ideas. Plan your visit to MoMA PS1 at mo.ma/ps1tickets 🎟️ Admission is ALWAYS FREE for New Yorkers 💙
📸: Marissa Alper
👩🍳 What has chef Mina Stone been cooking up in the kitchen lately? A delicious feta and za'atar dish inspired by Jumana Manna’s latest film, "Foragers," which will be screening TONIGHT at MoMA PS1!
🧂 Za’atar—a word used to describe both an herb (thyme) and herb mixture (thyme, sumac, sesame seeds, and salt)—is among the most ubiquitous and beloved flavors of the Levant. Foraging wild za’atar is an ancient practice, one closely tied to Palestinian identity, food traditions, and the land where it grows. Jumana's film, "Foragers" chronicles the gathering of these wild herbs, and reckons with the ways in which longstanding cultural traditions are both constrained by, and struggle against, neoliberal and colonial policies.
🍽️ You can order this culinary delight at Mina’s restaurant at MoMA PS1, or make it at home following her recipe. Palestinian curator and researcher Adam HajYahia contributed an essay on the meaning and history of foraging to accompany Mina’s recipe. ➡️ You can find both the recipe and the essay at mo.ma/zaatar
🎥 TOMORROW: Join us at 7:30 for a special evening screening of ’s latest film "Foragers"! On view as part of her exhibition at MoMA PS1, the film blends fact and fiction to trace the gathering of wild herbs in Israel/Palestine. The film explores the precarity and policing of foraging, and the inherited knowledge of Palestinian food traditions as they become restricted by law.
🎟️ Tickets are free! RSVP at mo.ma/foragers
🎞️ Following the screening, Jumana will be in conversation with Rabea Eghbariah, a human rights lawyer who collaborated on the film script.
📸: Jumana Manna. Foragers (video still). 2022. HD video. Duration: 64’00’’.
"The mobility of the body, it’s a privilege. We don’t have the same mobility privileges, depending on where you are or where you come from, what’s your nationality. For me, to give myself the freedom of depicting the most fast and speed-oriented symbols was giving me an agency that I don’t necessarily have. I wanted to explore the power that painting can have to really take you anywhere." — Frieda Toranzo Jaeger
Frieda Toranzo Jaeger is a painter based in Mexico City. She's also a member of this year's Cloudnova Class. Presented with On, the Cloudnova Class is made up of a group of creative individuals with deep ties to MoMA PS1 who integrate movement into their artistic practice.
Frieda's exhibition "Autonomous Drive" is now on view, and features a series of hinged paintings that open and close like the doors of hybrid cars. Her works are all about movement, existing in a state of hybridity and flux.
Head to mo.ma/cloudnova to learn more about Frieda Toranzo Jaeger and this year's Cloudnova Class.
"To me abolition is building community and building people up—returning humanity to people who have had it taken away from them. Abolition is also about creating spaces. Like the quote "Destruction creates new spaces to grow," that we painted on the garden shed at the Queensbridge Houses." — Abril Macapia, Intern at the Lower Eastside Girls Club
🌿 To accompany their activation of Homeroom, The Lower Eastside Girls Club and jackie sumell created a zine! The "Freedom to Grow" zine comes out of a two-year long collaboration investigating the connections between prison abolition and ecology. The zine's interviews, photos, poems, and learnings invite us to practice abolition as a process of creation, invention, and imagination.
You can grab a copy of the zine the next time you're in the galleries or read it online at mo.ma/zine!
📸: Marissa Alper
🎞️ 📽️ Now showing on the big screen: Jumana Manna's "Foragers!" Join us on December 7 for a very special screening of the artist's latest film, plus a conversation between Jumana and Rabea Eghbariah, a human rights lawyer who collaborated on the script.
🎟️ Tickets for this screening are free with RSVP; head to mo.ma/foragers to reserve yours!
🎬 On view as part of Jumana's first major US exhibition, "Foragers," oscillates between fact and fiction to trace the gathering of akkoub and za’atar in Israel/Palestine. The film shows foragers from Golan Heights, the Galilee, and Jerusalem as they navigate restrictions that have been placed on these wild plants, and are pursued and prosecuted by nature patrollers for foraging.
Image: Jumana Manna. Foragers (video still). 2022. HD video. Duration: 64’00’’.
MoMA PS1 presents today's most experimental, thought-provoking art. Founded in 1971, it is the first nonprofit arts center in the US devoted solely to contemporary art.
Spend your holiday weekend with us!
The museum will be closed on November 24 for Thanksgiving, but we’ll be open regularly Friday and Sunday from 12–6, and open late Saturday from 12-8. From the politics of public space to the intricacies of internet aesthetics, from q***r futures to community gardens, our exhibitions bring together the most exciting conversations in contemporary art. Grab your friends, family, and out-of-towners, and come meet us in Queens!
Admission is free for New Yorkers! 🎟
📸: , , , ,
"Movement is about liberation. Movement is about connection, and movement is healing" — Damani Pompey
A Brooklyn-native, Damani Pompey is an interdisciplinary artist, and a member of this year's Cloudnova Class, presented with On. The Cloudnova Class assembles a group of artists, musicians, and educators from the MoMA PS1 community who integrate daily movement into their artistic practice. As a movement educator, artist, and choreographer, Damani recently taught a class right here in our Courtyard as part of the On&On series.
For Damani, movement is wholly human. He sees movement as integral to all aspects of his life—from performing on stage to navigating daily experience and interaction.
Learn more about Damani and the Cloudnova Class at mo.ma/cloudnova.
✨It's time for me to go: Studio Museum Artists in Residence 2021–22✨ opens at today!
"It's time for me to go" features new work by the 2021–22 cohort of the Studio Museum's foundational Artist-in-Residence program: artists Cameron Granger (), Jacob Mason-Macklin (), and Qualeasha Wood (). Drawing from memories, databases, archives, and records as source material, their collective works blur distinctions between private and public, fact and fiction.
To celebrate the opening of their exhibition, join and virtually on Friday, November 18, at 1 p.m. EST to hear the artists speak about their work, plus watch a special behind-the-scenes walkthrough of the exhibition. The live online conversation with 2021–22 Studio Museum artists in residence will be moderated by Yelena Keller, Assistant Curator, and will take place on Zoom.
🔗 Head to the link in bio to register for the event and learn more about the exhibition.
Images: Installation views of "It's time for me to go: Studio Museum Artists in Residence 2021–22." MoMA PS1, November 17, 2022–February 27, 2023. Courtesy MoMA PS1; The Studio Museum in Harlem. Photo: Kris Graves.
👋 Okra is on its way out! This week is your last chance to order okra at Mina's. Mina Stone's bamies with feta is a Greek staple featuring slow-cooked okra, and is inspired by our very own okra plants grown this summer as part of "Growing Abolition.” The project, which unfolded around a greenhouse in our Courtyard, investigated the connection between ecology and prison abolition. 🌱
Though we bid adieu to the greenhouse last month, “Growing Abolition” lives on in the latest activation of our Homeroom space. Come by to see "Freedom to Grow: The Lower Eastside Girls Club and jackie sumell” which continues the same lines of inquiry with photos, a mural, plant pressings and more from youth.
Can't make it to Mina's? Cook it at home using the recipe at at mo.ma/okra plus watch a video diving deeper into the history and meaning of okra. Happy cooking 😋
In this painting by Umar Rashid, we join the funeral procession of the warlord, Cyrus, attended by former militia, cosmic gods, and conspiracy theorists. In line with his religious beliefs, Cyrus was interred in a marvel of American engineering: the 1795 Chrysler Le Baron. Soil nor water could ever touch the Afro-Persian mercenary in this hallowed vessel.
For our second we're catching up with the cast of Umar's epic sci-fi narrative, which spans paintings, textiles, and sculpture in his exhibition at MoMA PS1. When we left you last time, the Frenglish empire had just defeated the Dutch in their battle for Novum Ebroacum (New York), but skirmishes continue among rebel factions within the empire. Modeled on a gang leader from the 1979 cult film "The Warriors," Cyrus traveled to New York to unite these warring factions before being assassinated. He leaves chaos in his wake, but revolution is still in the air...
Catch the full story unfolding in "Umar Rashid: Ancien Regime Change 4, 5, and 6" now on view at PS1.
Head to mo.ma/ps1tickets for tickets, and remember: We're FREE for New Yorkers!
Images courtesy of Blum and Poe.
If you missed our powerful evening with the Innocence Project () back in May, you can now watch video of the full event on our website! We commemorated the 30th anniversary of the organization AND celebrated the publication of an expanded 20th anniversary edition of founder Taryn Simon’s book "The Innocents," which documents the stories of individuals who were wrongfully convicted and incarcerated. The book was first released in 2003, and Simon's photographs were exhibited at that same year.
➡️ Watch a conversation about the work of the Innocence Project, the history and impact of Taryn's "The Innocents," and the misuse of photography in criminal investigations at mo.ma/innocenceproject. You can also hear personal stories from four individuals whose wrongful convictions are detailed in "The Innocents" as they look back on their photographs, some nearly 20 years later.
➡️ Read an introduction to Simon’s portraits by Peter J. Neufeld and Barry C. Scheck, the cofounders of the Innocence Project on at mo.ma/magazine.
is an independent non-profit organization that fights for fair, compassionate, and equitable systems of justice for everyone; frees the innocent; and prevents wrongful convictions. Their work is guided by science and grounded in anti-racism.
"Movement is everywhere and everything. Movement is the key to access each other." — Damani Pompey ✨
☁️ The Cloud Novaclass represents the inherent connection between movement, art, and innovative ideas. 👟 In partnership with On, we're highlighting creators and contemporary artists who are bringing people together.
Frieda Toranzo Jaeger, Damani Pompey, jackie sumell, and L'Rain make up this year's Novaclass cohort. Over the coming weeks, see how this group of artists, activists, curators, and performers, all with roots at MoMA PS1, use movement to lead with creativity and inspire others. 💫
🔗 Head to https://mo.ma/cloudnova to watch the full videos and read more about these exceptional artists!
How can we put abolition into daily practice, as a process of creating and nurturing alternatives to the structures that harm us?
That's one of the questions that spurred a two-year-long creative collaboration between artist jackie sumell and interns from the Lower Eastside Girls Club, which culminates in "Freedom to Grow," an installation in our Homeroom space opening next week! Featuring a mural, photos, drawings, plant pressings and medicine, audio interviews, and more, "Freedom to Grow" presents the results of sustained conversation and co-creation, along with points of connection to many of our other recent partnerships and programs.
🌼 "Freedom to Grow: The Lower Eastside Girls Club & jackie sumell" opens November 17! Join jackie and the LESGC interns on November 19 for their Open House where you can hear more about the process of creating “Freedom to Grow.” The interns will be serving tea on the terrace and reading from their zine, "Freedom to Grow", which was created for the exhibition. There will also be a dance performance by LESGC intern Madison Colón (.offical)! Plan your visit at the link in bio, and remember, admission is always free for New Yorkers!
Image: jackie sumell
🌟NEXT WEEK🌟 As part of our partnership with The Studio Museum in Harlem, "It's time for me to go: Studio Museum Artists-in-Residence 2021–22" opens on November 17!
Meet the artists-in-residence: Qualeasha Wood, Jacob Mason-Macklin , and Cameron Granger.
✨ Qualeasha Wood is a textile artist whose work contemplates Black female embodiment in relation to internet culture, politics, and economics. Her tufted and tapestry pieces mesh traditional craft with contemporary technology.
✨Jacob Mason-Macklin’s paintings concern the act of looking. In a new series inspired by the streets of Harlem, Mason-Macklin’s work depicts contemporary life in Harlem from the vantage point of the artist as both participant and spectator.
✨ Cameron Granger explores how architecture, geography, and community function as containers for memories. His installations honor his late grandmother and serve as a remembrance of the house she lived in, and the memories made in community within it.
Since 1968, the Studio Museum in Harlem has supported emerging artists through their Artists-in-Residence program, and this year marks the fourth iteration of Artists-in-Residence exhibitions presented at MoMA PS1, while the Studio Museum is under renovation.
📸 : Jeremy Grier & Deijah Archie Davis
🏃♂️ Get pumped up for the New York City Marathon with us! This Sunday, athletes will be running right by MoMA PS1, which nearly marks the halfway point of the race. Stop by 's Fan Fuel Station in the public plaza outside the main entrance of PS1 for free ☕️ by and 🌮 from , plus 🎵from , and lots of sign-making supplies. We'll have everything you need to give the runners some love on their quest to 26.2 miles! 👏 🏃 The event, and all marathon weekend events at PS1, are FREE and open to the public. Learn more at the link in bio!
🧀 Mac n Cheese station. 🔵 Ball Pit. ⛲ Community Garden. 📚 Free Textbook Distribution Center.
💭 For the last seven months, you've been helping us dream up what the space of our Courtyard could be. Here are just a few of the drawings from visitors to "Courtyard Coalition," our space in the back of the Homeroom gallery dedicated to creative ideation around engagement of our outdoor space.
📍 There's just 2️⃣ weekends left to see "Courtyard Coalition," so come by to contribute your ideas about how MoMA PS1's Courtyard can be a site for community, creative experimentation, and resource sharing.
➡️ "Courtyard Coalition," closes November 14. Admission is ALWAYS free for New Yorkers!
🧀 Mac n Cheese station. 🔵Ball Pit. ⛲️Community Garden. 📚Free Textbook Distribution Center.
💭For the last seven months, you've been helping us dream up what the space of our Courtyard could be. Here are just a few of the drawings from visitors to "Courtyard Coalition," our space in the back of the Homeroom gallery dedicated to creative ideation around engagement of our outdoor space.
📍 There's just 2️⃣ weekends left to see "Courtyard Coalition," so come by to contribute your ideas about how MoMA PS1's Courtyard can be a site for community, creative experimentation, and resource sharing.
➡️ Link in bio to grab a ticket to "Courtyard Coalition," closing November 14. 🎟 Admission is ALWAYS free for New Yorkers!
There's a ghost in the galleries 👻😶🌫️
This sculpture by , entitled "Ghost," hauntingly recalls both architectural fragments and the body. Created as part of Jumana's "Cache" series, its form is modeled after the crumbling remains of khabyas—traditional structures for grain storage once found in rural homes across the Levant. Now obsolete, these custodians of preservation have become monuments to ruin.
Visit this ghostly sentinel, and all the sculptures of the "Cache" series, in "Jumana Manna: Break, Take, Erase, Tally."
👻 Plan your visit at mo.ma/PS1tickets !Admission is always free for New Yorker ✨
There's a ghost in the galleries 👻😶🌫️
This sculpture by , entitled "Ghost," hauntingly recalls both architectural fragments and the body. Created as part of Jumana's "Cache" series, its form is modeled after the crumbling remains of khabyas—traditional structures for grain storage once found in rural homes across the Levant. Now obsolete, these custodians of preservation have become monuments to ruin.
Visit this ghostly sentinel, and all the sculptures of the "Cache" series, in "Jumana Manna: Break, Take, Erase, Tally."
👻 Plan your visit at the link in bio! Admission is always free for New Yorkers!
📸:
An epic narrative unfolds across Umar Rashid's paintings, colliding real and fictional empires. Figures move between works, battles rage, winners capture their spoils, losers retreat, and the saga pushes forth.
In the coming weeks, we'll be sharing a that unspools the sojourn depicted in Umar's exhibition at MoMA PS1, the final chapters of his ongoing series, "Ancien Regime Change." In this painting, we join our weary comrades in the late 18th century, just as the fictitious Frenglish Empire (a French + English mashup) has defeated the Dutch in their quest for domination of Novum Eboracum (New York). Despite the Frenglish victory, fighting still continues within the rebel faction, made up of Indigenous tribes, formerly enslaved people, and mercenaries dressed in black. Many rebels resort to su***de attacks in order to cause dismay among the Frenglish occupiers, dressed in blue.
Umar writes:
"Though most were unsuccessful, they were nonetheless psychologically intimidating to the occupiers, and strangely beautiful."
What lies ahead for the rebel factions? Tune in next time to see the next installment, or plan your visit at the link in bio to see the full story unfold for yourself!
🖼️: Umar Rashid, "The lovers, knowing they would not survive and could not surrender, solicited the sun to rise twice. And thus, a great many of the enemy’s hosts were vanquished. Or, I’m going out blasting. Taking my enemies with me." 2022.
💥 Let's hit the ground running! Next weekend we are hosting a series of workshops, performances, and gatherings organized by get you pumped for the New York City Marathon!
🧘♀️ From November 3-5, warm up with wellness events by some of your favorite fitness studios like , , and .
🕺 Dance yourself clean on Friday night, 11/4, with energizing performances from Amber Mark () L'Rain () and DJ a²z ().
🥳 Swing by on Saturday, 11/5, for a community gathering in the Courtyard celebrating all that's great about NYC run culture. Hosted by with food from and music by .
🏃♂️ On Sunday, 11/6, come down to our fan fuel station in the public plaza outside the main entrance of PS1 for snacks, music, and materials to make signs to cheer on your favorite athletes as they enter Queens, right near the museum.
➡️ Registration and event detail: https://point2-nyc-22.events.on-running.com/
It's time to ⚠️BE REAL⚠️
Maybe you've noticed these little creatures by loitering in the nooks and crannies of the museum. As “monuments to the countless squatters of time immemorial" that creatively reclaim space, these foam sculptures are called "Dwellers." And when they aren't busy lounging around on window sills, stairwells, and Courtyard walls as part of our exhibition "Life Between Buildings," they're ⚠️BEING REAL⚠️ just like the rest of us.
Give them a follow on ⚠️BE REAL⚠️ at bere.al/momaps1 to catch the Dwellers at their realest. They'll be dropping some clues to their locations, so you can say hey in person next time you're here. 👋
22-25 Jackson Avenue
Long Island City, NY
11101
Subway: E/M/7/G to Court Square; Directions at moma.org/visit
Monday | 12pm - 6pm |
Thursday | 12pm - 6pm |
Friday | 12pm - 8pm |
Saturday | 12pm - 8pm |
Sunday | 12pm - 6pm |
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“The double bind of a lot of the archival materials that I deal with is that they are documents of a culture that might have changed or not been preserved, but they are also part of the history of erasure. And it's that double edge-ness that I'm interested in.” – @JumanaManna 📽️ Jumana Manna's film "A Magical Substance Flows Into Me," is available to stream from September 28—October 12 as part of @themuseumofmodernart's Hyundai Card Video Views Series! The film, screening in concert with Jumana's exhibition currently on view at MoMA PS1, explores the relationship between culture, language, music, and family history. Taking inspiration from the archives of ethnomusicologist Robert Lachmann’s 1930s radio show “Oriental Music,” Jumana combines vignettes of her family home with interviews from native people of Palestine and the traditional musical practices of these ethnic groups. Exploring the ways these heritage rituals persist in the modern day, the film investigates how community practices have adapted and evolved over time. ✨ Accompanying the film is an interview between the artist and @rubakatrib, MoMA PS1's Curator and Director of Curatorial Affairs. ➡️ Explore the film and conversation at moma.org/magazine/articles/782, and plan your visit to see the exhibition "Jumana Manna: Break, Take, Erase, Tally" at mo.ma/jumana. 🎟️ Admission is always free for New Yorkers!
"Plants were used to map significant places along the underground railroad, and okra (ngombo), whose seeds were braided into the hair of the enslaved as they struggled to survive the middle passage, were then planted into colonized soil. The bright yellow ngombo flowers became beacons of hope to other enslaved individuals. It is said that the enslaved could remember their homeland through the flowers that waved to them on foreign soil." — jackie sumell jackie sumell's "Growing Abolition," a collaboration with interns from the Lower East Side Girls Club, is an opportunity to learn from plants about strategies of resistance, coalition, and healing. jackie sat down with Mina Stone, chef and owner of Mina's at MoMA PS1, to talk about one particularly potent teacher: okra! Continue the conversation on your plate: starting Thursday, for a limited time only, Mina's will be serving Bamies––slow cooked okra with tomatoes, onions and chilies––inspired by the work of "Growing Abolition." If you can't make it to Mina's, her recipe is available for you to cook at home at mo.ma/okra! Watch the full conversation at the link in bio. "Growing Abolition" closes October 25, so plan your visit to see (and smell and taste) the plants at mo.ma/growingabolition.
🏀 ⛹️♂️ Meet us in Murray Park, just down the street in Long Island City, to celebrate a new public artwork by Hock E Aye Vi Edgar Heap of Birds and Project Backboard, painted across two basketball courts. 🥳 In celebration of this major new work right in our backyard, we are collaborating with Common Practice to host a day of drop-in activities on Saturday, October 1, from 12 – 4 p.m. Come by the playground for basketball games, performances, an art-making workshop with artist Tecumseh Ceaser, and more! 🏀 To create this public artwork, titled "Neufs for Hawaii," Edgar worked with Project Backboard to renovate the space, painting imagery from his "Neuf" series across the playing surface. The installation also marks a homecoming for Edgar, who had a solo exhibition at MoMA PS1 in 2019, and has recently joined our Board of Directors! Link in bio for more info on the celebration. See you on the courts! 🏃♀️ Film Produced by Kindred Studio Directed by John Dennis
New Yorkers know: being NOT from NY is sometimes deeply NY. We met Layqa Nuna Yawar, whose new collaborative mural is now on view on MoMA PS1's exterior walls, in New Jersey with a perfect view of the NYC skyline to talk about what it means to work from the outside: "Being on the periphery, being on the outside...I think it's a blessing, actually. It's another circle to think about my indigeneity not being present, growing up under colonialism...I think that's why I enjoy New Jersey a lot. Because it's a representation of that...Art doesn't happen in the center. It happens in the peripheries." Artists Make New York, no matter where they start from. Head to mo.ma/layqa to watch the full video in our series exploring the places that have made artists, and the ways artists make place. 📹 Eva Cruz, Noel Woodford, Nora Rodriguez
Summer Fridays goes out with a bang 💥TOMORROW💥 from 5-9 p.m. in the Courtyard. In the culmination of this specially curated summer series — where Warm Up favs play alongside MoMA PS1 first timers — our last line-up features Miho Hatori, Slauson Malone, and Zariiina. Dance into the weekend while savoring tasty treats by @minas.nyc and exploring late access to our exhibitions. Grab a ticket mo.ma/summerfridays, free with admission! 💿 A Warm Up alum from the earliest days (2000, 2014), artist, music producer, vocalist and improviser Miho Hatori is a former member of the legendary NYC alternative rock band Cibo Matto. She has collaborated with artists from the Beastie Boys to John Zorn. Her own sound blends dreamy hip-hop, cosmopolitan pop, and an unexpected range of musical styles from around the universe. 💿 Slauson Malone is a performance piece by artist and musician Jasper Marsalis located at the intersection of popular music and performance art, and launched from the genre-bending New York collective Standing on the Corner Expect a set that is equal parts brash, jazzy, studied, trippy and cerebral. 💿 As a DJ, educator, and artist, Zariiina challenges notions of transmission across generations, ancestors, and sonic spaces. She is the co-founder of Reconstructed Mag (a publication focused on narratives of queer, Black, and Shi’a Muslims) and resident at Half Moon BK. Her library of lounge music will take you from the hookah bar to the nightclub, interweaving Hindi classics with trap beats. 🎵 Miho Hatori, "Tokyo"
If you missed Poncili Creacion's legendary performance, there's hope for you yet! One of their giant puppets has taken up residence at MoMA PS1 as part of a sculptural installation in our double-height gallery. Conjuring the spirit of a weed bursting through cracks in the pavement, this massive bloom once danced suspended by boom cranes over the museum’s Courtyard. We're so glad she decided to stay. 🌞 Link in bio to learn more and plan your visit! By infiltrating public and semi-public spaces and enacting dramatic scalar shifts, Poncili Creación questions what forms of growth and development society privileges—and where. A history of unsanctioned occupation informs their work. This towering blossom nods to, in their words, “the countless squatters of time immemorial that have made creative use out of the surplus of the capitalist rubble.” 🎥 Marissa Alper
Some big ❤️s on display this weekend. Thanks to everyone who came out (clad in your greenery!🌿) to witness the magnificent Poncili Creacion. And a big big congratulations to the performers, puppeteers, creatures, and crane operators who made it all happen! 👏🏼👏🏾👏 Musicians Kevin Emilio Perez, Paco Cathcart and Charlie Dore Young; textile designer Daniela Fabrizi and assistant Lee Kuanchen; collaborators Alex Millan, Lulu Varona, Lee Kuanchen, Krystle Lee, Krystal Quiles, Alexandra Chaves, Danae Brissonet, Lord Blobbie, Louis Mastrangelo and Raymond Hernandez. Reel by Eva Cruz Thank you to the Mertz Gilmore Foundation for their support of this program.
Beat the heat with us! 🥵This August we’re hosting 🧊SUMMER FRIDAYS🧊, a curated series of DJ sets in the Courtyard featuring Warm Up favs and new artists. Dance, chill, and snag a 🍹 from 5 till 9 p.m., all free with museum admission. 💿LINEUP💿 Aug 12 Venus X Akua DJ Undocubougie Aug 19 Jenifa Mayanja Chino Amobi CZ Wang Aug 26 Miho Hatori Slauson Malone Zariiina It’s free with museum admission, so snag a spot in advance at mo.ma/summerfridays. And as always, we’re FREE for New Yorkers! 🕺🏽🎧🍹
Beat the heat with us! 🥵This August we’re hosting 🧊SUMMER FRIDAYS🧊, a curated series of DJ sets in the Courtyard featuring Warm Up favs and new artists. Dance, chill, and snag a 🍹 from 5 till 9 p.m., all free with museum admission. 💿LINEUP💿 Aug 12 Venus X Akua DJ Undocubougie Aug 19 Jenifa Mayanja Chino Amobi CZ Wang Aug 26 Miho Hatori Slauson Malone Zariiina It’s free with museum admission, so snag a spot in advance at mo.ma/summerfridays. And as always, we’re FREE for New Yorkers! 🕺🏽🎧🍹
✨Join our team at MoMA PS1!✨ We come from all backgrounds and experiences, but what brings us together is a commitment to celebrating ARTISTS, and the connection, dialog, and social transformation that art can drive. Join us! We're hiring: 💥A Digital Marketing Coordinator with an intuitive nose for social media, excellent writing skills, and experience with marketing strategy. 💥A Registrar with a rigorous eye for detail and extensive experience with coordinating shipping, loan agreements, and condition reporting. 💥A Manager of Institutional Giving who is a relationship-builder and experienced grants manager to cultivate new sources of sustained support. Apply at mo.ma/ps1jobs.
Artists are activists. Artists are essential workers. Artists are drivers of change. Last year, organizers made history when they won the largest ever economic assistance program for informal and undocumented workers in the history of our country. Artists were elemental in that fight. Now, you can learn more about this historic victory—spearheaded right here in NYC—with a new film produced by Fund Excluded Workers Coalition. On view in our galleries through July 25, the film highlights the use of art as a tool for resistance, including banners featured in the Nuevayorkinos activation of Homeroom, and new campaign graphics designed by "After the Fire" artist Layqa Nuna Yawar. Learn more and plan your visit at mo.ma/excluded. 👉🏽 We're free for all New Yorkers! Video: @lmsvoice.studio Video description: Series of clips of activists, artists, and undocumented workers creating art, talking, looking directly at the camera, and writing. A pan of a protest sign that reads "NY Lead the way. Pass Excluded..." and someone holding a sign that says "Excluded No More, Our Labor Has Dignity, Pass A9037/58165." Followed by a series of clips of people hugging, showing their arm muscles, writing a sign, looking intensely into the camera, and a square of red paper that reads "Excluded No More" and has a marker drawn image of hands holding.
You're not a real New Yorker until this city has seen you cry, yell, fall in love, fall on your ass, and fall asleep on the train at 2 a.m. Tatyana Fazlalizadeh takes us on a walk through Bed Stuy, Brooklyn to show us the block that has SEEN her. “New York has seen a lot of different versions of myself. And what can be more home than that?” Tatyana collaborated with Nanibah Chacon and Layqa Nuna Yawar on a participatory mural project, “After the Fire,” which comes to life on our Courtyard walls in just a few weeks! 🔥 Learn more about the project on our 🌹NEW🌹website at mo.ma/afterthefire. 🎥 Noel Woodford
🔥🔥WE HAVE A NEW WEBSITE🔥🔥 And we can't wait to share it with you! It’s a meeting place for everything we’ve been working on—collaborations across the campus, the city, and the world. It's a place for building dialogue and forging connection. And like PS1, it’s a hub for ideas, experimentation, at least one killer cornbread recipe, and more than a few cute art dogs. 🐶 Meet the new momaps1.org.
💫And💫Still💫We💫Rise💫 The Queensbridge Photo Collective is in Homeroom! The collective, a group of accomplished women photographers and longtime residents of the Queensbridge Houses, explores the changing landscape of the neighborhood around MoMA PS1 through oral histories, archival research, and photography. These women have seen this place change—and a few even attended PS1 back when it was a school! The title of their activation––"Still, Like Air I’ll Rise" ––takes its name from a poem by Maya Angelou. It reflects hope and perseverance in the face of racial and class-based discrimination, which has characterized much urban planning policy over the last century. Learn more at mo.ma/queensbridge. Come by! Admission is always free for New Yorkers. mo.ma/ps1tickets 📸 Steven Paneccasio
Join us on Thursday (May 5) to commemorate the 30th anniversary of the Innocence Project and celebrate the publication of an expanded 20th anniversary edition of Taryn Simon’s "The Innocents," which documents the stories of individuals who were incarcerated for violent crimes they did not commit. Artist Mary Baxter will moderate a conversation with Peter Neufeld, Barry Scheck, and Marvin Anderson about the malleability and unreliability of memory, and the misuse of photography in criminal investigations. Four individuals whose wrongful convictions are detailed in Taryn Simon's "The Innocents" will also share live, unscripted stories about what they see—some more than 20 years later—when they look at the photos in which they’re featured. Innocence Project is an independent non-profit organization that fights for fair, compassionate, and equitable systems of justice for everyone; frees the innocent; and prevents wrongful convictions. Their work is guided by science and grounded in anti-racism. MoMA PS1 has had a longstanding relationship with the Innocence Project since its 2003 exhibition of Simon's series "The Innocents." Learn more at mo.ma/ps1-innocence. — “The Innocents” (excerpt). 2003. Courtesy the artist
#GreaterNewYork artist Emilie Louise Gossiaux's work explores the intimacy that comes with an interdependent relationship, like the one she has with her yellow lab retriever, London (who often appears in her work!). 💛💛 Explore the closeness between Emilie and London in our latest Artists Make New York video, and visit #GreaterNewYork before it closes on Monday to see Emilie’s work in person. Get tickets at mo.ma/ps1tickets. 🎟Admission is always FREE for New Yorkers!🎟
We took a sit at Newtown Creek with #GreaterNewYork artist Alan Michelson to talk about what's missing from the landscape. Four hundred years ago, monumental shell mounds—or middens—dotted this land (some dating as far back as 6950 BCE!). Alan’s installation, "Midden," pays homage to Lenapehoking, the ancestral Lenape homelands, and its bounty of oysters, which fed generations until pollution made them unsafe to eat and decimated the oyster population. Alan collaborated with the Billion Oyster Project (@billionoyster) to source three tons of oyster shells (!) for his installation. Plan your visit to see Alan's "Midden" at mo.ma/ps1tickets. 🦪Admission is always free for New Yorkers.🦪 #MoMA #MoMAPS1 #ArtistsMakeNewYork
#GreaterNewYork artist G. Peter Jemison tells the stories left out of the history books. 📖 A Seneca artist and historian, Peter created a new work for "Greater New York" which explores the Canandaigua Treaty of 1794. The treaty was forged between the nascent US government and the Haudenosaunee, a confederacy of the Mohawk, Oneida, Onondaga, Cayuga, Seneca, and Tuscarora people. The Treaty not only affirmed the sovereignty of the Haudenosaunee, but guaranteed their land rights to a significant portion of Western New York (spoiler: the treaty has seen many violations since its adoption). To mark the treaty, the US government set aside $4500 to buy cloth to send to the Haudenosaunee, an amount that has never changed. The treaty still exists today—and so does the tradition of the cloth! You can see textile pieces given to Peter's family incorporated into many of the works on view. As a form of historical preservation, Peter's works combat the geographic and cultural erasure his people have faced. Read the full conversation with Peter at mo.ma/peterjemison, and plan your visit to discover many more under recognized histories of New York at mo.ma/tickets. #MoMA #MoMAPS1 #ArtistsMakeNewYork #PeterJemison
#GreaterNewYork artist G. Peter Jemison tells the stories left out of the history books. 📖 A Seneca artist and historian, Peter created a new work for "Greater New York" which explores the Canandaigua Treaty of 1794. The treaty was forged between the nascent US government and the Haudenosaunee, a confederacy of the Mohawk, Oneida, Onondaga, Cayuga, Seneca, and Tuscarora people. The Treaty not only affirmed the sovereignty of the Haudenosaunee, but guaranteed their land rights to a significant portion of Western New York (spoiler: the treaty has seen many violations since its adoption). To mark the treaty, the US government set aside $4500 to buy cloth to send to the Haudenosaunee, an amount that has never changed. The treaty still exists today—and so does the tradition of the cloth! You can see textile pieces given to Peter's family incorporated into many of the works on view. As a form of historical preservation, Peter's works combat the geographic and cultural erasure his people have faced. Read the full conversation with Peter at mo.ma/peterjemison, and plan your visit to discover many more under recognized histories of New York at mo.ma/ps1tickets. #MoMA #MoMAPS1 #ArtistsMakeNewYork #PeterJemison
New York is a city in constant flux, but artists have always helped us make sense of its many transformations. Featuring more than 200 works by 47 intergenerational and interdisciplinary artists, #GreaterNewYork makes it clear that✨ARTISTS MAKE NEW YORK✨. This weekend, grab a buddy and explore artists' expressions of our city's past and visions for its future. #ArtistsMakeNewYork Grab a ticket at mo.ma/ps1tickets. Admission is always free for New Yorkers! #MoMAPS1 #LongIslandCity #GreaterNewYork
This weekend, we're celebrating the legacy of #GreaterNewYork artist Diane Burns, whose wry poetry incisively portrayed the complexities of Native American identity. 👑 On Saturday at 2pm, poet Nicole Wallace (@nmwnmwnmwnmw) hosts a conversation with a group of Indigenous writers and artists to dig into Diane's creative practice and generate new interpretations. The free program will include a series of presentations of new textual material by Lou Cornom, Sky Hopinka (@skyhopinka), and Maria Hupfield (@mariahupfield), followed by a conversation moderated by Nicole. Learn more at mo.ma/onburns, and grab a ticket for Saturday at mo.ma/ps1tickets. The program is free with general admission. #MoMAPS1 #LongIslandCity #DianeBurns 📼 Diane Burns. Poetry Spots: Diane Burns reads "Alphabet City Serenade.” 1989. Video (color, sound).
New York is a city in constant flux, but artists have always helped us make sense of its many transformations. Unfolding more than 200 works by 47 intergenerational and interdisciplinary artists, #GreaterNewYork makes it clear: ✨ARTISTS MAKE NEW YORK✨. Grab a buddy this weekend and explore documents from our city's past and visions for its future. #ArtistsMakeNewYork Plan your visit at mo.ma/ps1tickets. Admission is Always free for New Yorkers! #MoMAPS1 #LongIslandCity
"The way I think of abstraction is it allows more content in. It expands area where the viewer can interpret or experience the work in very personal, subjective ways. Through if we experience the works rather than understand the works."—Raha Raissnia 🦻🏽👂🏼 Hear “Greater New York” artists in their work words when you download the Bloomberg Connects app at mo.ma/bloomberg. Plan your visit at mo.ma/ps1tickets to see an intimate portrayal of our city in "Greater New York." REMINDER 👉🏾 🔥 Admission is always FREE for New Yorkers.
Why do you come to the kitchen?👩🏾🍳🥕🍜🍰. Today, we wrap up our beloved series, "Cooking With Artists," with an interview with Mina Stone, chef and owner of Minas Café at PS1, and the voice behind so many conversations with artists about so much more than food. The series kicked off in March of 2020 (sourdough, anyone?) when Mina began interrogating the deeper reasons behind a collective retreat to the kitchen. "At first, I think it seems really obvious….‘oh, because food is cozy and fun.’ But then, what the interview series unearthed is that it’s actually a lot more nuanced and deep than I would have ever thought.” Watch the full video, and learn what the series has meant to Mina (and to us!) at mo.ma/minas. Read more + get Mina's recipe for oven baked chickpeas at mo.ma/mina.
This Thursday at 7pm, we’re thrilled to premiere “VEINTITRES: Our Labor Saved Lives,” a film by Djali Brown-Cepeda, creator of the digital project Nuevayorkinos. Stream the premiere of the film, followed by a live conversation with Djali and Elena Ketelsen Gonzalez, MoMA PS1 Assistant Curator, and representatives from Make the Road New York, Street Vendor Project, and New York Communities for Change. Learn more and register at mo.ma/veintitres. The film, commissioned in conjunction with the Homeroom activation, “Nuevayorkinos: Essential and Excluded,” documents the 23 day hunger strike held by workers across New York in the spring of 2021 to secure $2.1-billion in New York State pandemic relief funding for excluded workers, many of whom are undocumented. Following the premiere, the film will screen continuously during museum hours from January 7 to 10. ✨ Make sure to catch the final weekend of “Nuevayorkinos: Essential and Excluded,” on view through January 10. And Psst—admission is always FREE for New Yorkers! Plan your visit at mo.ma/ps1tickets.
Make art the center of your gathering with family and friends. This holiday season, safely plan your visit to MoMA PS1 to celebrate the vibrancy of New York’s artists! Admission is ✨ always FREE ✨ for New Yorkers. Plan your visit at mo.ma/greaterny, and learn more about visiting us safely at mo.ma/visitps1. ❄️ HOLIDAY HOURS ❄️ December 24: 12-4 p.m. December 25: closed December 26: 12-6 p.m. December 31: 12-4 p.m. January 1: closed 👉🏼 PS1 PSA: for everyone’s health and safety, vaccination (age 5+) and masks (age 2+) are required for all visitors. Learn more at mo.ma/visitps1.
This winter solstice, get to know a tree that's seen some things. 🌙 For our second installment of "Artists Make New York," Sean-Kierre Lyons takes us to a hidden spot in Prospect Park, where we discover a tree that's still alive, despite a cavern that runs straight through its trunk. We talk about imagining something new after trauma, and how the park has changed since SK hung here as a teenager. 🧚🏽 Watch the full conversation at https://mo.ma/sk Plan your visit to see SK's new sculpture, on view in "Greater New York" at mo.ma/ps1tickets. 🌳 Admission is always FREE for New Yorkers. 🌳
Where is New York? With "Greater New York," we're thinking about expanded geographies, exploring place as terrain for experimentation and creation. "FOODTOPIA: después de todo territorio" takes us to Puerto Rico. Premiering at MoMA PS1, FOODTOPIA is new film by artist duo Las Nietas de Nonó exploring the reverberations of both ancestral and colonial histories in Puerto Rico’s food system. The film, which is on view continuously as a part of "Greater New York" during museum hours, is now extended through January 3rd! Plan your visit to catch FOODTOPIA over the holidays at mo.ma/ps1tickets. Admission is always FREE for New Yorkers.
The pandemic has forced us all into close quarters with ambiguous loss: it's a mourning without closure, a rupture without resolution. Freya Powell took on the topic last month in her performance and panel discussion, drawing connections between the ongoing migration tragedy in Brooks County, Texas and the COVID-19 pandemic. Watch the full conversation at mo.ma/freyapowell Freya's performance, "Only Remains Remain," used the structure of a Sophoclean chorus to create an elegy for the hundreds of unidentified migrants buried in mass graves in Sacred Heart Cemetery in Brooks County. If you missed her performance at PS1, you can still catch Freya tomorrow—Saturday, December 11th from 2-5 p.m.—at The Queens Museum for "No puedo no estar lamentándome: LLORA CHILLA GRITA CANTA," a performance and conversation about processing grief and loss, anchored in the museum's neighboring Spanish-speaking community of Corona, Queens. Learn more at mo.ma/queensmuseum.
"Movement for me physically and artistically is kinda slow and steady, not rushing, just letting things happen naturally."—Ana Roxanne New York-based composer and musician Ana Roxanne bewitched us with her ambient music during Warm Up this past summer. Slowness is Ana's mode of being, while her jazz and classical training inflects her interests in ambient, spiritual, and popular music. Despite the roadblocks posed by the COVID-19 pandemic, Ana continues to draw strength and inspiration from channeling positivity around and within her. The moment she feels the influx of creative energy, maintaining her own pace is paramount. It might be slow at times, but that’s just how her artistry prospers. ✨In partnership with On, we're highlighting some of the artists, musicians, and creators that have brought community together here at MoMA PS1. From Warm Up to "Greater NewYork," from the walls to the stage, we'll explore how PS1 artists stay connected to their practice and their community through a moment of profound change, and how they use that connection to thrive.
Museum of Modern Art in New York
New YorkThe East Village Art Collection
First Avenue, New YorkMAD | Museum of Arts and Design
Columbus Circle, New YorkThe Metropolitan Museum of Art, New York
5th Avenue, New York