07/15/2026
Curator Janson Andrew talks about Bill Evans work, process and career on Saturdat July 25th at 4pm.
For five decades, Bill Evans (1947–2025) rendered the American landscape with a realist's patient eye, carrying his easel from the granite shoreline of Monhegan Island, Maine, to the brick streets of downtown Utica, to New York City in the 1970s, and the high peaks of his beloved Adirondacks — all forty-six of which he climbed twice in his lifetime.
After finishing degrees from the Hotchkiss School and Yale College, Evans went on to study fine art at The Muson-Williams Proctor School of Art, Utica (1974-1977), L'École des Beaux-Arts, Bordeaux, France (1978) and a summer session conducted through Parsons School of Design in Lake Placid (1985). He was an instructor at the Munson-Williams-Proctor School of Art in Utica while running his own John Street Studio and Gallery in town, building an impressive and celebrated body of work executed so warmly observed it feels less painted than remembered.
This exhibition offers a different entry point into that body of work: Evans's abstract landscapes, made alongside his representational paintings but rarely exhibited and never treated as central to his practice. Where the realist canvases ask the eye to recognize and record a place, the abstractions ask the eye to rest. Color and form loosen from topography; the horizon dissolves into gesture and field. Freed from the work of identification, the mind takes over — doing its own subconscious rendering of the landscape, standing memory and association in for granite and birch, mountain and sky.
“I use the natural world in my own way.”
– Bill Evans, 1996
“I live somewhere in the middle of realism and pure abstraction
… a bifurcation of style and place.”
– Bill Evans
Presented as a companion to his celebrated realism rather than a departure from it, this exhibition argues that Evans's abstractions were never a side door in his studio. They were where his looking began. The exhibition will include the artist’s virtuosic assemblage works, some, like this survey of paintings have never before been publicly exhibited.
About Jason Andrew:
Jason Andrew an independent scholar, curator, and producer who splits his time between Jay, NY, and New York City. He and his husband Norman Jabaut are the owners of the Ausable Theater in Au Sable Forks, NY.
Photo of Bill on steps courtesy of Jim Morley