The Apron Museum

The Apron Museum A unique museum dedicated to aprons. To plan your visit, it’s best to call ahead.

Thank you Kelly Collins of Hudson, Massachusetts for the lovely vintage  pot holders  made from metal bottle caps and I ...
06/02/2026

Thank you Kelly Collins of Hudson, Massachusetts for the lovely vintage pot holders made from metal bottle caps and I believe crochet work. I have included photos of the front and backs of the pot holders. You can tell we do not know what is inside a package until we open it. Henry held these upside down.

06/02/2026

We have an entire rack of Aprons that our children and grandchildren donate to the Museum. They have all become ‘Apron Hunters’. Will try to show these Aprons from across America and several foreign countries as we have time.

Thank you Celia Leventhal for your second donation to the Apron Museum.
06/02/2026

Thank you Celia Leventhal for your second donation to the Apron Museum.

Interesting post for us folks into Aprons and quilting etc.
06/02/2026

Interesting post for us folks into Aprons and quilting etc.

This patch from a thrift store quilt represents something that starts with the letter P, but the Internet can't figure it out.

The tag on the quilt reads "Pottery Barn Kids" with the date listed as May 2008. This particular quilt has patches with different letters of the alphabet. Each letter corresponds to the artwork of something that begins with that letter. For example, L is represented by a lollipop. K, a kite, and so on.

But something baffled the buyer when they got to "P." The quilt's corresponding shape, seen here, is that of what can only be described as a strange snowman with a pouch and odd lettering. But THAT doesn't start with a "P." Can you figure it out?

06/02/2026

Judy Ryan our local Realtor came in to tell me a building on Front St is for sale. While visiting she graciously unboxed one of our recent donations from Ann Morgan of Sarasota, Florida.
Thanks Judy and Ann for supporting the Apron Museum.
And FYI for local followers - The Place venue on Front St is available.

06/01/2026

A bit of an update on what’s happening at the Apron Museum. We don’t know where to begin so much going on. Much more to come. One thing we do know whatever we do will be ‘real’ not AI generated.

06/01/2026

Many donations coming in every week. Working on getting them unboxed. Thanks to Ms. Clay Barr of Virginia for this second donation.

I have not read the book (yet) but dealing with Mom’s Aprons are certainly an issue for many.
05/22/2026

I have not read the book (yet) but dealing with Mom’s Aprons are certainly an issue for many.

I think one of the loneliest experiences with grief is standing inside the house your parents left behind and realizing that grief is not only emotional. Sometimes, it is physical.

It is closets full of coats that still smell faintly like them. It is receipts tucked into drawers. Coffee mugs. Handwriting on envelopes. A sweater hanging where nobody will ever reach for it again. Entire lives reduced to objects nobody knows what to do with.

That is the ache sitting at the center of They Left Us Everything. After Plum Johnson's mother dies, she is left to sort through the enormous family home and the tens of thousands of possessions accumulated over decades. What she finds is not a mess. That would be easier, in some ways. Mess gives you somewhere to put your hands.

What she finds is a life organised by people who believed in keeping things. Aprons. Tools. Christmas ornaments going back to when the children were small. Love letters her parents wrote before they married, tender and burning, nothing like the careful distance she'd grown up watching them maintain. The house is an archive. Every room is a conversation she never got to finish. And now she never will.

1. Every object you touch is a conversation with someone who can no longer speak:
Plum opens drawers and finds love letters from before her parents married; tender, nothing like the brittle distance she witnessed growing up. She finds photographs that quietly contradict the family story. Receipts that open small windows onto secrets. Her father's tools arranged with the quiet obsession of a man who needed one thing in his life to be perfectly ordered. Her mother's aprons, worn thin at the front, stiff at the ties.

Each object carries its history in its fibre, and none of them can explain themselves anymore. You realise, reading, that this isn't decluttering. It's excavation. She is digging through the sediment of two lives trying to find the truth of them, knowing the whole time that whatever she finds, she cannot ask anyone to confirm it.

2. Keeping everything isn't the same as honouring them
Plum finds dozens of her mother's aprons. Keeps one. Donates the rest. Feels like a terrible daughter for keeping only one, then feels like a terrible daughter for donating any. This is the mathematics nobody teaches you about grief: everything you keep becomes a weight you carry forward. Everything you release feels like a small act of abandonment.

There is no arrangement of keeping and releasing that doesn't cost something. Her mother wore those aprons like proof, proof she was doing it right, being what she was supposed to be. And now the proof is in garbage bags in the driveway and Plum is the one who put it there.

3. What you owe the dead versus what you owe yourself.
Do you preserve everything because throwing it away feels disrespectful? Turn their house into a museum? Or do you recognise that you cannot live your own life while curating theirs? Johnson keeps her mother's wedding ring, her father's tools, the dining room table where decades of meals and arguments happened.

She releases most of the rest. And she learns to live inside the guilt and the relief that come with both, because letting go is not betrayal. It is the decision to keep living. That is the hardest lesson in the book, and she earns it slowly, over pages, without making it sound easier than it is.

4. The final inheritance is the space to fill your own life
By the end of the book, Plum begins to understand that what her parents left behind wasn't really furniture or dishes or drawers full of things. They left a life that shaped her. And the quiet responsibility of deciding which parts of that life she will carry forward. The rest must be allowed to go because the living still have rooms of their own to fill. You learn that you can love someone fiercely and still choose not to hoard their monuments.

If your parents are aging, if you’ve already lost them, or if you are currently staring at a box of old things you can’t bring yourself to throw away, read this. Just make sure you don't have anywhere to be when you reach the final page.

And if the paperback price stops you the way it stopped me, go find Charlotte Smart's voice on the audiobook. Let her bring it to you. This story deserves to be heard, one way or another.

BOOK: https://amzn.to/4dEAIm0

Quick Question: For those who have had to clean out a parent's home, what was the one object you found that completely broke you, the one thing you absolutely couldn't part with?

On an interesting adventure. Yesterday was spent in Cambridge, Massachusetts and Harvard University  campus picking up a...
05/09/2026

On an interesting adventure. Yesterday was spent in Cambridge, Massachusetts and Harvard University campus picking up a lovely Apron donation. (More to come about that donation.)

Love our new Bookmarks.
05/05/2026

Love our new Bookmarks.

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110 W Eastport Street
Iuka, MS
38852

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