Courthouse Gallery Fine Art

10/16/2026

𝑵𝒐𝒘 𝒐𝒏 𝒀𝒐𝒖𝑻𝒖𝒃𝒆! Gallery Talk with Heidi Daub and Richard Keen discussing their work in A SHARED HORIZON, a two-person exhibition that explores unexpected connections between their work. Follow the link in our bio to view the talk.

A SHARED HORIZON is on view at Courthouse Gallery through October 30.

During the talk, Daub and Keen discussed what it means to go beyond landscape, as well as process, color, and the influence of geometry and poetry in relation to the patterns and fractals found in nature and their paintings.

Although their styles are complementary, their approach is vastly different: geometric and bold on one hand, organic and softly layered on the other.


Blue Hill Peninsula Chamber

10/08/2026

Join Mark Bell and William Irvine on Wednesday, October 14, at 5pm Courthouse Gallery Fine Art for a Gallery Talk about FORM MEETS SURFACE, a special fall exhibition highlighting collaborative porcelain ceramics by these two artists who are masters in their respective fields.

Can’t join us in person? Tap the bell icon in the bottom corner of this post to set a reminder and join our Instagram Live stream at 5pm! See the link in our bio for more information.

ON VIEW

— Collaborative porcelain vases and plates by the duo, who have been working together since 2015.

— Mark Bell’s wheel-thrown, richly glazed porcelain pottery.

— A new series of small “white-house” paintings by William Irvine William Irvine


Blue Hill Peninsula Chamber

09/24/2026

Join us for a live feed this Saturday at 11am for an ARTISTS’ TALK with HEIDI DAUB and RICHARD KEEN, two artists with distinct approaches to abstraction who will explore what it means to GO BEYOND LANDSCAPE. The talk will be held at Courthouse Gallery and all are welcome.

Daub and Keen will talk about how the landscape becomes something else and the ways perceptions of the natural world can be translated, distilled, and transformed through the act of mark-making. They will reflect on process, color, and the influence of geometry and poetry in relation to the patterns and fractals found in nature and their paintings.

Their work is currently on view in A SHARED HORIZON, a two-person exhibition that explores unexpected connections between the work of Daub and Keen, two Maine artists whose styles are complementary, yet vastly different: geometric and bold on one hand, organic and softly layered on the other. A Shared Horizon is on view through October 17.


Blue Hill Peninsula Chamber

HEIDI DAUB
Star Bowl
acrylic on paper
19 x 24 inches

RICHARD KEEN
Flat Rock No. 10, Surry
acrylic and oil on canvas
30 x 36 inches

HEIDI DAUB
She Comes From Sun
acrylic on linen
30 x 30 inches

RICHARD KEEN
Flat Rock No. 8, Surry
acrylic and oil on canvas
20 x 18 inches

HEIDI DAUB
Cloud Of Many Moons
acrylic on paper
18 x 24 inches

RICHARD KEEN
Flat Rock No. 9: Haystack
acrylic and oil on canvas
24 x 30 inches

09/22/2026

Beatrix Gates reading her poem “Bowling with Porcupines” at the Poetry Reading on September 16, as part of Rooted In Art, a “sense of place” exhibition celebrating our coastal region with visual art and poetry.

Her poem is about Brooksville, Maine, and was paired with an oil painting of Brooksville Harbor by Joseph Keiffer and a watercolor by Chenoweth Hall (1908–1999) of The Sands in Cape Split, Maine.

JOSEPH KEIFFER
Brooksville Harbor
oil on canvas
18 x 20 inches

CHENOWETH HALL (1908–1999)
Plowed Grounds at the Sands
watercolor
15 x 20 inches

Follow the link in our bio to watch the entire Poetry Reading on our YouTube channel. Or drop by the gallery before October 30 to see Rooted In Art in person. A catalog is available.


Blue Hill Peninsula Chamber

09/20/2026

William Irvine is one of three artists highlighted in today’s Maine Sunday Telegram in a feature by Jorge Arango Jorge Arango about Maine artists still creating and exhibiting their art well into their nineties.

William Irvine (95), Alison Hildreth (92), and Josefina Auslender (92) were interviewed by Arango, who also talked about Richard Estes (94), and Alex Katz and Lois Dodd who are both 99.

Irvine’s advice to young artists: “Familiarize yourself with the great art of the past to the present. To understand and to feel that art is the medium through which we share our souls. Then you can embark on this amazing journey.”

Two recent paintings by Irvine were highlighted in the article:

The Rough Sea
oil on canvas
30 x 40 inches

Dog At The Door
oil on canvas
12 x 16 inches


Blue Hill Peninsula Chamber

09/20/2026

“Afternoon, Bracy Cove” by Rick Fox was painted in Seal Cove on Mount Desert Island as part of Rooted In Art, a “sense of place” exhibition celebrating the coastal communities surrounding Courthouse Gallery.

Poets participated in the exhibition, and “Doorstep looking back” by Ron Beard is about Seal Harbor. The poetry reading can be watched on our YouTube channel: youtube.com/courthousegallery

Follow the link in our bio to see the show online, or drop by the gallery before October 30 to see it in person.

RICK FOX
Afternoon, Bracy Cove
oil on canvas
30 x 40 inches


Blue Hill Peninsula Chamber

09/19/2026

We’re delighted to share the recent acquisition of “Resting Fishermen” by William Irvine. A work we’ve long admired for Irvine’s dynamic use of three alternating vertical panels to create a rhythmic composition. In this case, one that lulls the fishermen into a dreamlike nap.

Pick up the Maine Sunday Telegram this weekend to read a feature by Jorge S. Arango Jorge Arango about three Maine artists for whom creativity has no retirement age.

William Irvine
RESTING FISHERMEN
oil on canvas
30 x 40 inches


Blue Hill Peninsula Chamber

William Irvine
RESTING FISHERMEN
oil on canvas
30 x 40 inches

Lucy the owners cat approves!

09/17/2026

09/15/2026

ALISON RECTOR: ENTRY, ESCAPE opens with a reception on Wednesday, September 16, from 5–7pm. This solo exhibition highlights a new collection of Rector’s interiors like SWING FLING, a nostalgic scene of a bedroom in a traditional Maine camp. Note the portrait of van Gogh hanging on the wall.

See the link in our bio to view the Entry, Escape.

Rector uses doors and windows to invite the viewer into rooms where shifting qualities of natural light capture fleeting moments that feel both familiar and mysterious. Ultimately, each painting offers a unique point of entry, discovery, and escape.

Alison Rector
Swing Fling
oil on linen
20 x 24 inches



Alison Rector
Swing Fling
oil on linen
20 x 24 inches