The Frazetta Art Museum

The Frazetta Art Museum The official page for the Frazetta Art Museum, opened by Frank and Ellie in 2001.
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CELEBRATING EDGAR RICE BURROUGHS COVER ART BY FRANK FRAZETTA THE MUCKER SERIESwww.frazettamuseum.com THE OAKDALE AFFAIR ...
09/02/2026

CELEBRATING EDGAR RICE BURROUGHS
COVER ART BY FRANK FRAZETTA
THE MUCKER SERIES
www.frazettamuseum.com
THE OAKDALE AFFAIR
In the home of Jonas Prim, president of an Oakdale bank, a thief makes off with a servant's clothing and valuables belonging to Prim's daughter Abigail. Abigail is thought to be absent visiting Sam Benham, whom her parents want her to marry. Escaping, the thief later encounters a group of hobos and is taken for one of them, the Oskaloosa Kid. Two of the hobos attempt to murder the newcomer for the loot, who shoots at one and flees.
Meanwhile, the Prims discover the theft and learn that Abigail never arrived at Benham's. The incidents are assumed to be connected to other crimes, the assault and robbery of John Baggs and the murder of Reginald Paynter, who had been seen with two men and a girl. The local paper speculates Abigail might have been involved with Paynter's murder. Mr. Prim hires a private eye.

The thief encounters another vagrant, Bridge, and the two take refuge from a storm in the deserted Squibb house, site of an old murder. Nearby, a shot is heard from a passing car, from which a woman is thrown. The two take the unconscious woman into the house. There they discover a dead body and hear something in the cellar dragging a chain. They lock themselves in one of the rooms. The woman, reviving, reveals herself as the girl with Paynter. The other men in the car were Terry, the driver, and the Oskaloosa Kid. She says the Kid murdered Paynter and afterwards threw her from the car and shot at her when she wouldn't keep quiet.

The two hobos pursuing the thief enter the house, find the body, and encounter the thing in the cellar. Bridge lets them in the room to save them from the thing, at which the thief shoots. The thing retreats. Later, as the storm dies down, they again hear its approach, and a woman's shriek. When all is silent they emerge to find the dead man gone. The hobos threaten to turn the thief in for Paynter's murder unless they are given a share of the loot. Bridge, with the thief's gun, forces them to leave without it. Afterwards the thief goes to a nearby farmhouse of the Case family to buy food and brags to the Cases' son Willie about the exploits of the Oskaloosa Kid. After the thief's departure the Cases hear about the Baggs, Paynter and Prim mysteries from the local postman.

A car containing Burton, a private detective, and two others pulls up to the Squibb house, and Bridge, the thief and the woman flee into the woods. Burton goes to the Case farm and questions the family, after which Willie disappears. The detective apprehends the hobos Bridge had driven from the Squibb house and gets their story, after which he arrests them as material witnesses. He himself vanishes for a few minutes, supposedly in search of a notebook he says he lost; actually he has found the loot from the Baggs robbery, implicating his captives in that crime.

In the woods Bridge and his companions come across a cabin where Giova, a gypsy girl, is digging a grave. Willie also turns up. Bridge and Giova exchange stories. He tells her he tracked her and the thing from the Squibb place; the thing is now revealed as her pet bear Beppo. She tells him the body from the house which she is burying is that of her father, a villainous drunk who died of a fit. Bridge suggests they join forces. His group helps her bury the body, and she disguises them as gypsies. Meanwhile, Willie, whom the thief has tried to bribe into silence, steals off and calls Burton.

Burton, Jonas Prim and a posse join Willie and are led to the cabin while the two hobos in Burton's custody are sent to jail. Bridge's party is not found, but the gypsy's body is dug up. Willie testifies on the gypsy's death at the inquest. Later that night, by chance, he spies the fugitives hiding in an old mill and again goes to inform Burton. But the group of hobos of whom Burton's captives were members has also learned their whereabouts, and plots to murder Bridge and the thief for the latter's loot and return the girl, whom they take for Abigail, to Prim for the reward. The gang duly attack them, but chaos ensues when Beppo the bear comes to their defense. Burton's posse arrives and intervenes; the bear is killed and all the combatants taken captive. Bridge and the thief are jailed and endangered by a lynch mob. Burton questions the woman, now identified as Hettie Penning. She tells him how Paynter died at the hands of the Oskaloosa Kid, and that the thief is not the Kid. Her story is confirmed when it is learned that the real Kid has turned up, fatally injured from crashing the car, and has confessed to murdering Paynter and shooting Hettie.

Burton and Prim go to the jail, where they find the mob about to lynch Bridge and the thief, who they believe have robbed and killed Abigail Prim, and Paynter as well. Bridge, who has deduced the truth about his companion, reveals that the "thief" is Abigail, and the possessions she "stole" are her o

Another birthday today is that of a good friend of ours: Joe Jusko! Like Frazetta, Jusko had beginnings in comic work; F...
09/01/2026

Another birthday today is that of a good friend of ours: Joe Jusko! Like Frazetta, Jusko had beginnings in comic work; Frazetta appreciated this about him, especially considering how the "Fine" art world views anyone who dared to dabble in comics.

Jusko has since found success working for Marvel, DC, Edgar Rice Burroughs, Conan publishing, and many others!

Happy Birthday, Mr. Jusko! I hope it's a good one!

Here are a few of my favorites by him for you to enjoy! Check out some of his other work at www.joejusko.com!
William Frazetta

ART BY FRANK FRAZETTAEdgar Rice Burroughs MOON SERIESwww.frazettamuseum.com THE MOON MAID is an illustration of an autho...
08/31/2026

ART BY FRANK FRAZETTA
Edgar Rice Burroughs
MOON SERIES

www.frazettamuseum.com

THE MOON MAID is an illustration of an author who refused to give up. Three months before the Versailles Treaty (Jun 28, 1919) which ended World War I, Edgar Rice Burroughs began work on a story with the working title UNDER THE RED FLAG. He had already written his "World War I" novels THE MAD KING, THE LAND THAT TIME FORGOT, and BEYOND THIRTY while the world was still at war--yet there was something which occurred during that extended combat between nations which captured ERB's attention more than that great conflagaration. Feburary 1917 saw popular unrest in war torn Russia. Lenin returned to Russia in April 1917 which set forth a series of events that led to the Russian Revolution and the rise of the Bolsheviks—and the State takeover by October.

These events and the ensuing loss of individual freedoms for the Russian people in the interest of community (Communisim) deeply troubled the author of the Tarzan and Barsoom tales. He voiced those misgivings in the unpublished work UNDER THE RED FLAG. The story was not well received by editors who had previously published Burroughs' stories. "The war is almost over," they said, "The readers are tired of War. Give us Tarzan!" Burroughs complied, completing TARZAN THE UNTAMED and TARZAN THE TERRIBLE; however, the author was left with a story he felt should be told but for which there was no current market.

Despite of ERB's growing wealth as a writer, he remained a frugal man. What he wrote was WORK. Work demanded RECOMPENSE. That fertile brain went to work on the problem.

Nearly three years after the First World War ended Burroughs re-thought UNDER THE RED FLAG--his prediction of future ills under a communal-type government--and deliberately wrote a prequel to the warning he wished to share and market, and also profit from. Writing for THE MOON MAID was begun in June 1922--a fantastic tale that wove adventure and science speculation with a connection to his established Barsoom tales. Spaceflight! The Moon! Strange Societies! Even Stranger Creatures! The pulp editors loved it. THE MOON MAID appeared in serial form in 1923. Burroughs then revised UNDER THE RED FLAG as an extension of THE MOON MAID. Hello! Previous WORK is/was salvaged!

There is an economy of effort illustrated by Burroughs the author: If you can't sell it in one form, revise and sell it in another. Hindsight reveals Edgar Rice Burroughs ultimately benefitted from the pulp editors' initial refusal to publish UNDER THE RED FLAG. When TARZAN THE UNTAMED appeared in the German market after World War I--with its strongly anti-German (wartime) sentiment--ERB's Deutsch agent was vilified along with Burroughs and his books, contracts and royalties disappeared. We do not know if the 1920s Russian market might have responded similarly because UNDER THE RED FLAG was never published but the parody of Communisim expressed in THE MOON MEN did see print and did not suffer similar adverse effects for international publication.

Having "saved" the initial work expended in writing UNDER THE RED FLAG Burroughs eventually closed the series with the intensely patriotic THE RED HAWK (1925). In the few years previous to writing THE RED HAWK some real world events had taken place:

Washington Conference restricts warship construction
US Army plane makes first flight around the world
Mussolini becomes dictator of Italy
Fascism founded
N**i Beer Hall Putsch
End of Ottoman Empire
German inflation rises
Teapot Dome
Pancho Villa murdered
Tokyo earthquake
Lenin dies
Stalin gains control of Communist Party
US Immigration excludes Japanese all together
World events were happening at whirlwind pace! About this same time the International Workers of the World (IWW or Wobblies), Unions, and Prohibition surfaced. Burroughs was not fond of any of these movements or laws.

ERB, most likely, had either read or heard of Josef Stalin's preface to ON THE ROAD TO OCTOBER (1924)The October Revolution and the Tactics of the Russian Communists and read between the lines. Whether Burroughs actually read ON THE ROAD TO OCTOBER or not is actually moot: Burroughs always and uniformly espoused the concept of personal freedom and freedom under a government that recognized personal freedom--the general concept of Democracy. Politically, Burroughs was Republican, though in later years he would hang a picture of Harry S Truman on the wall with admiration.

Burroughs' stories contain many personal comments regarding human society and types of government. He freely used his fanciful "damphool litrachor" as a bully pulpit to express his personal convictions. We readers find evidence of the author's beliefs regarding "civilized government" in nearly every story he produced but in no other series of stories do we find Burroughs so focused and specific--or as adamant!

THE MOON MAID, however determined to denounce Communisim, is one of the few ERB tales--THE MOON MEN segment in particular--which actively supports the concept of organized religion. We are shown the tenets of Christian and Jewish beliefs, the sanctity of marriage, and a belief in God. Do we know that ERB believed in these attributes of religion? No. Was this a deliberate attempt to reveal and revile the "godlessness" of Communisim? Yes! Burroughs had earlier used Barsoom (GODS OF MARS) to debunk organized religion; yet, how often in his early works did ERB's characters reference God, or an Almighty, or some Force beyond human experience? Burroughs wrote to his audience--this is why he remains as popular today as when the stories were first published. Religion exists for some, some are Agnostics, some are Atheists, some do not have an opinion, yet in THE MOON MAID Burroughs wrote to the (then) 1920s American reading public which was largely Judeo-Christian in belief.

THE MOON MAID trilogy, which even the fans of Burroughs must admit is rather crude, blunt, or unpolished compared to his other works has a larger soul and message: Be Prepared! Beware the Politicians! Do Not Disarm! Avoid Communists! Avoid authoritarian rule! Honor and Love Thy Wife! Struggle Against Dictators! Honor Family and Friends! Love Thy Country! Be Free and Independent! Be willing to Fight for One's Beliefs! Burroughs made no bones about his political leanings or his fear for the future--not only for America but the world at large. Or, as others might say, perhaps I'm reading too much into THE MOON MAID--after all it might be as simple as ERB the working man artfully figuring out a way to sell a story which had been rejected.

Some Facts. Some Speculation.

Definitely Admiration.

David Bruce Bozarth

Edgar Rice Burroughs began work on The Moon Maid in June of 1922. The Moon Men had already been written but was yet unpublished. The Moon Maid was published as a five part serial in Argosy All-Story Weekly on May 5, 12, 19, 26; June 2, 1923. The first edition hardback which contained all three parts of the story was published by McClurg in February 1926. It cut out almost twenty-five per cent from the magazine version (mainly from The Moon Men). The Ace paperback edition, 1962, restored the original material. Edgar Rice Burroughs wrote The Moon Men in April and May of 1919 under the working title Under the Red Flag. It was published as a four part serial by Argosy All-Story Weekly, February 22, 28; March 7, 14, 1925. It is a cautionary tale about the dangers of Russian communism. The sequel to The Moon Men was first published as a three part serial in Argosy All-Story Weekly September 5, 12, 19, 1925. Other than the magazine publications The Red Hawk has never been printed on its own. It is usually combined with all three parts of the trilogy or in conjunction with The Moon Men. [Information obtained from Robert B. Zeuschner’s The Exhaustive Scholar’s and Collector’s Descriptive Bibliography.]

Tanar of PellucidarArt by Frank FrazettaEdgar Rice Burroughs www.frazettamuseum.com Tanar of Pellucidar is a novel by Am...
08/30/2026

Tanar of Pellucidar
Art by Frank Frazetta
Edgar Rice Burroughs

www.frazettamuseum.com

Tanar of Pellucidar is a novel by American writer Edgar Rice Burroughs, the third in his series set in the interior world of Pellucidar. It first appeared as a six-part serial in The Blue Book Magazine from March–August 1929. It was first published in book form in hardcover by Metropolitan Books in May 1930. Wikipedia
Originally published: May 1930
Page count: 312
Preceded by: Pellucidar
Followed by: Tarzan at the Earth's Core
long time has passed, both on the surface of the Earth’s sphere and within it. On the surface, it’s been almost fifteen years since Edgar Rice Burroughs wrote the second of his inner world adventures, Pellucidar. During this time, ERB penned another ten Tarzan novels, a couple more Martian ones, and a few of his finest standalone tales. Burroughs incorporated himself and set up the offices of Edgar Rice Burroughs, Inc. in a part of the San Fernando Valley soon to be named Tarzana. It seemed unlikely he would return to writing about Pellucidar after almost a decade and a half… but then he hatched a plan to give the Tarzan series a boost using the fuel of the Earth’s Core.

Our Saga: Beneath our feet lies a realm beyond the most vivid daydreams of the fantastic … Pellucidar. A subterranean world formed along the concave curve inside the earth’s crust, surrounding an eternally stationary sun that eliminates the concept of time. A land of savage humanoids, fierce beasts, and reptilian overlords, Pellucidar is the weird stage for adventurers from the topside layer — including a certain Lord Greystoke. The series consists of six novels, one which crosses over with the Tarzan series, plus a volume of linked novellas, published between 1914 and 1963.

Today’s Installment: Tanar of Pellucidar (1929)

Previous Installments: At the Earth’s Core (1914), Pellucidar (1915)

The Backstory
The gap between Pellucidar and Tanar of Pellucidar is fourteen years, the longest hiatus for any of ERB’s major series. Despite numerous pleas from readers, Burroughs apparently had no intention to explore Pellucidar further. But at the end of the 1920s, he devised a plan to jolt life back into the Tarzan books by sending the Lord of the Apes somewhere stranger than the usual lost jungle cities. He already had that “somewhere stranger” waiting to be used: Pellucidar was the perfect Tarzan destination vacation!

But first, Pellucidar needed a bit of a dusting-off to set it up for Lord Greystoke’s arrival, as well as to remind the reading public that the setting existed. Burroughs put into action a two-book plan, starting with a new standalone Pellucidar novel to lure readers into the upcoming Tarzan adventure.

Burroughs completed Tanar of Pellucidar in 1928, and it was published in Blue Book in six installments from March to August of the following year. It led immediately into Tarzan at the Earth’s Core, which started its serial run in the magazine without pause in September.

The hardcover of Tanar of Pellucidar came out in 1930, the second ERB book from Metropolitan Services, the company Burroughs moved to after a split with A. C. McClurg. For some reason J. Allen St. John did not supply the cover illustration, although he drew the one for Tarzan at the Earth’s Core. Not sure why that happened.
The Story
Now living in Tarzana, the fictional version of Edgar Rice Burroughs relaxes with his radio-loving neighbor, Jason Gridley, who thinks all of Ed’s novels are “baloney.” Gridley has discovered a new form of radio communication (don’t ask how it works, neither version of ERB knows) called “The Gridley Wave.” Via this powerful wave, the two receive a transmission from Abner Perry in Pellucidar.

Perry brings grim news: Emperor David Innes is a captive. Sea raiders known as the Korsars armed with gunpowder weapons have assaulted the coastal cities. When the pirates made off with a valuable hostage, the son of Innes’s ally Ghak of Sari, Innes set out with only two companions on a rescue mission.

For the rest of the tale, we shift to the adventures of Tanar, Son of Ghak, who is a prisoner on the ship of the Korsar leader, The Cid. The pirate wants Tanar to teach him the method of making more powerful gunpowder. This becomes moot when a storm wrecks most of the Korsar fleet. The Korsars abandon The Cid’s ship, but Tanar remains behind with Stellara, The Cid’s hot-tempered daughter. Stellara isn’t The Cid’s true daughter, but the descendent of a slave woman brought from the island of Amiocap. (Pacoima backwards, a local neighborhood in the San Fernando Valley.) Tanar and Stellara immediately fall into a love-hate relationship.

The two drift to the shores of Amiocap and start a series of adventures across the islands as Tanar attempts to make it back to Sari and/or rescue Stellara. Tanar finds the underground culture of the inhuman Coripies and then spends time in the village of Garb and its eternal squabbling married couples. After a few kidnappings, fits of jealousy, betrayals by allies, and fights with beasts, the hero and heroine end up back in the clutches of The Cid. The pirate brings them to the city of Korsar, where they find that The Cid has David Innes imprisoned.
Tanar helps Innes escape, and on a flight northward they make the amazing discovery of a giant hole opening at the poles that reaches the outer world. The Korsars recapture Innes, leaving it up to Tanar, Stellara, and their companions to make it back to Abner Perry with news of Innes’s capture.

Of course, we already know they’ll succeed — otherwise Perry wouldn’t be narrating their story over the Gridley Wave. Jason Gridley, now a true believer in Pellucidar, declares that he will seek the polar gateway and rescue David Innes! (Even though we all know Tarzan will actually do it.)

At the Earth's Core Cover art by Frank Frazetta Edgar Rice Burroughs www.frazettamuseum.com A few years back.....Not the...
08/29/2026

At the Earth's Core
Cover art by Frank Frazetta
Edgar Rice Burroughs

www.frazettamuseum.com

A few years back.....
Not the museum's piece!!
Frazetta Masterpiece Sold for a
World Record $1+ Million by Heritage Auctions
Frazetta At The Earth's Core world record auction price
DALLAS — At The Earth's Core, a 1974 masterpiece by Frank Frazetta, sold for $1,075,500 during day two of Heritage Auction's summer Comics & Comic Art Auction in Dallas — setting a world auction record for the hugely popular artist. The important illustration was used for the cover of the first Pellucidar paperback novel by the legendary writer, Edgar Rice Burroughs.
"Heritage has a strong reputation of getting top dollar for Frazetta artworks, and this painting surpassed our previous record by more than double its auction price," said Todd Hignite, Vice President of Heritage Auctions. "We expected strong interest, partly because At The Earth's Core is significantly larger than virtually every painting we've ever auctioned by the artist."

The 21-inch by 29-inch oil on canvas hung in the Frazetta Museum for many years. His powerful paintings appeared on book covers every year from 1963 through 1996, however At The Earth's Core stands out as an enduring classic image of Frazetta's work. The meticulous attention to detail in both the foreground and the background tell an entire story in one image – a talent the master of modern fantasy art did better than anyone else.

"If you are a collector of Mr. Frazetta's vision and talent, this is the painting to have," Hignite said. "It represents everything he did so well, from painting the female form to depicting realistic monsters and cliffhanger scenarios."
HERITAGE AUCTION DESCRIPTION
Frank Frazetta At The Earth's Core Paperback Cover Painting Original Art (1974). This boldly stunning (and massive) original Frank Frazetta piece was used for the cover of the first Pellucidar novel by the legendary writer, Edgar Rice Burroughs! It is one of the most popular Frazetta images from his peak period, and from the artist's association with one of the most important science-fiction and fantasy authors of all time. In short, this dramatic masterpieceis quite simply one of the most important paintings by this artist to ever come to auction, made all the more so by its impressive scale, measuring over 21" x 29" inches, significantly larger than virtually every painting we've ever auctioned by the artist (no doubt reflecting the importance Frazetta placed on the image).
Few artists have had as much impact on fandom as Frank Frazetta. Whether an individual first came across his work on a paperback book, a poster on a wall, or a rock album cover, the impact of that image could stick with that person for the rest of their life. Frazetta's work with pulp stories in the early 1960s would begin a second act for an already accomplished career as an illustrator. He had worked in the comic industry since 1944. However, his paintings on the cover of reprints of works by Edgar Rice Burroughs, Robert E. Howard, and many others, would set him on a different path, and redefine the look of sword and sorcerer paperback novel covers. His powerful paintings would appear on book covers every year from 1963 through 1996. Couple that talent with the cover for a book introducing the land of Pellucidar in the novel At The Earth's Core, and you have an enduring classic image! The story first appeared serialized in the pulp magazine All-Story Weekly in 1914, and wasn't collected into a novel until 1922. It was reprinted several times, with this breath-taking image used for the popular Burroughs editions in the 1970s. The painting is dated 1974, and appeared on the 1978 version.

As is the case with Frazetta's finest works, the image tells a rich and moving story in one image, and in this case it quite literally is weaving an essential part of the narrative. Frazetta of course excelled in masterfully dynamic compositions that lead the viewer's eye endlessly though a scene, resonating on multiple levels. Here, Dian is
menaced by a Mahar in the subterranean caves. One of the most fantastic and often overlooked aspects of this incredible piece is the amount of detail in the background. When used as a book cover, the upper right portion was covered with text. When used as a print, the resolution was not high enough to fully represent the amazing detail properly. In that upper right area there are two more Mahars and one of their ape-like servants, a Sagoth. Their eyes, haunted and piecing, peer from the depths. Also in that upper portion is a giant snake body, and the left side has a wonderful reptile by the staircase.

The sensual character of Dian dominates this image, however, and with good reason. Frank Frazetta has long been known for his talent at drawing gorgeous, fascinating women. The fluid flip of her hair, and the supple roundness of her form show this as one of his finest female forms ever.

This painting hung in the Frazetta Museum for many years. It is produced in oil on canvas board and is handsomely open front framed in an ornate wooden frame that measures 29.75" x 38", with an image area of 21.5" x 29.5". It is in Excellent condition.

Frank Frazetta (American, b. 1928): An artistic prodigy, Frank Frazetta broke into comic books at the age of 16 out of economic necessity. A series of landmark Buck Rogers covers for Famous Funnies and several outstanding EC jobs brought Frazetta to the attention of comic strip artist Al Capp, and he was soon hired to assist on the Li'l Abner Sunday strips from 1952-61. By the time that Frazetta had quit working for Capp, the comic book market had atrophied and his freelance opportunities had all but dried up. Frazetta was forced into the illustration market at large, and it proved to be a blessing in disguise. After creating a series of well-received movie posters and paperbackcovers, Frazetta's fortune was secured when he painted his world-famous paperback covers for Robert E. Howard's Conan character. A string of spectacular covers for Warren Publishing's titles Creepy, Eerie, and Vampirella added to his success. Frank Frazetta is now widely regarded as the master of modern fantasy art.

John Carter and the Savage Apes of MarsArt by Frank Frazetta Cover Art for Edgar Rice Burroughs' "Gods of Mars"www.fraze...
08/28/2026

John Carter and the Savage Apes of Mars
Art by Frank Frazetta
Cover Art for Edgar Rice Burroughs'
"Gods of Mars"

www.frazettamuseum.com

Gods of Mars
After the long exile on Earth, John Carter finally returned to his beloved Mars. But beautiful Dejah Thoris, the woman he loved, had vanished. Now he was trapped in the legendary Eden of Mars, an Eden from which none ever escaped alive.
Three monstrous white apes sprang into the arena. On her throne, Issus, the living goddess of the First Born, leaned forward in keen anticipation. At length the apes spied the huddled knot of terror-stricken maidens and, with demoniacal shrieks of be***al frenzy, charged upon them. A wave of mad fury surged over me. A single blow sent my guard unconscious to the ground. Snatching up his long- sword, I leaped into the arena. The sword whirled and a great ape sprawled headless at the feet of the fainting girls. The other apes were upon me -- now but my act had heartened the prisoners, and the cages vomited forth their inmates hot with the lust to kill- doomed men dedicated to revenge upon Issus!

Great Frazetta merchandise .frazettamuseum.com which supports the Frazetta Museum in East Stroudsburg Pa (the museum Frank and Ellie built)
Thank you!

TARZAN DAYSEdgar Rice Burroughs Cover art by Roy Krenkel with possible minor touch-ups by Frank Frazettawww.frazettamuse...
08/27/2026

TARZAN DAYS
Edgar Rice Burroughs
Cover art by Roy Krenkel with possible minor touch-ups by Frank Frazetta

www.frazettamuseum.com

TARZAN TRIUMPHANT

Synopsis
Tarzan Triumphant is a novel written by Edgar Rice Burroughs, the fifteenth in his series of books about the title character Tarzan. The novel was originally serialized in the magazine Blue Book from October, 1931 through March, 1932. It should not be confused with the 1943 film "Tarzan Triumphs. " The plots are not related.
New York: Ace Books, Inc, 1963. First Printing. Paperback. Very Good. Ace Science Fiction Classic F-194. A very good+ copy. Follows the text of the first hardcover book edition originally published in 1932. Cover illustration by Roy Krenkel, Jr.(Frank Frazetta assisting Roy Krenkel); Small octavo; 222 pages.

"It’s the quality of art that counts. Whether it has all the great elements that make great art: the color, the design, ...
08/25/2026

"It’s the quality of art that counts. Whether it has all the great elements that make great art: the color, the design, the composition, the emotion it creates, all those things. If it doesn’t do that, I don’t care how skillfully done it is."

From an interview conducted by Steven Cerio with Frank Frazetta (2010), featured on Stevencerio.com (http://www.stevencerio.com/…/interview-with-frank-frazetta…/)

Featured painting: Death Dealer VI
Artwork by Frank Frazetta circa 1996
Featured on comic book cover
Death Dealer #2

Posters and other great merchandise .frazettamuseum.com which supports the Frazetta Art Museum (the museum Frank and Ellie built)
Thank you!

"Sea Monster"Artwork by Frank Frazetta circa 19661st Version featured on comic cover Eerie  #32nd Version featured in "F...
08/23/2026

"Sea Monster"
Artwork by Frank Frazetta circa 1966
1st Version featured on comic cover Eerie #3
2nd Version featured in "Fantastic Art of Frazetta, Vol 1" and Warren Creepy #97

Posters and other great merchandise .frazettamuseum.com which supports the Frazetta Museum in East Stroudsburg Pa (the museum Frank & Ellie built)
Thank you!

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141 Museum Lane
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