Doral Contemporary Art Museum

05/29/2026

Things to do this weekend 📝.. Spend it with us!
Claim your tickets for the final chance to view ART, DESIGN & ARCHITECTURE (IN NATURE) SPRING EDITION. Tickets linked in our bio.

05/26/2026

Saturday, May 30, 2026 | 11:30 AM - 1:30 PM
We are proud to present an exclusive artist-guided tour of Art, Design & Architecture in Nature. Come walk the grounds one last time with the creators behind the artworks and share in the final dialogue of this project.
Curated by Harvest Project & Marcelo Llobell
We are honored to have featured works by an incredible group of artists: Miguel Acosta, Carola Bravo, Dimitry Said Chamy, Diego Damas, Tony Váquez-Figueroa, Luis Gómez, Felice Grodin, Christian Magaldi, Daniel Marosi, Rafa Muci, Victoria Murillo, Marco Antonio Ramirez, Stereotank (Sara Valente & Marcelo Ertorteguy), Camilo Villalvilla, and Michael Wolk.

05/18/2026

05/08/2026

Artist Spotlight:
For Michael Wolk, the line between the drafting table and the canvas has always been porous. A Pratt Institute alumnus and New York native, Wolk brought a disciplined graphic sensibility to Miami over forty years ago—only to have it set ablaze by the city’s saturated light and tropical rhythm. While his name is synonymous with the heights of Tropical Modernism in furniture and interiors, his private practice as a fine artist is the silent engine behind his iconic aesthetic. To Wolk, a chair is not a static object; it is a gesture in space.

Adirondack — Miami Style (1984) This seminal work captures the precise moment a designer’s logic met a painter’s soul. By selecting raw, industrial kraft paper as his ground, Wolk honors the utilitarian roots of the Adirondack chair. Yet, through sweeping, aggressive strokes of emerald oil pastel, he allows the South Florida landscape to reclaim the form.

The painting is a study in tension: the rigid geometry of the Northeast versus the explosive, organic chaos of the subtropics. It is a vibrant record of a designer discovering that in Miami, nature doesn’t just surround a structure—it transforms it.

Artworks Featured:
Adirondack — Miami Style, 1984,
36 x 46 in,
Mixed Media on Kraft Paper

Adirondack — Miami Style, 1984,
Dimension varies, installation
Maquette

05/08/2026

Artist Spotlight:
The clear influence of design in my recent work is not only a consequence of my training as an architect. It is also the result of the graphic design, Job that I exercised for more than a decade in a Publisher, these two situations intervene significantly in my artistic projections. In the last years after noticing the evident designing perspective of my work I decided to focus on the realization of sculptures and pieces in 3D and concentrate the production of 2D works as a support to these intentions, with the drawing in a fundamental role, as a sketch and as a piece in itself.

I am interested in moving ideas, disturbing the viewer and making them participate in possible interpretations. I am interested in the autonomy of images, in the importance of education, the relationship of opposites, the complexity of communication and lately I’m obsessed with the geometry of nature.

Camilo Villalvilla Soto (Camilo Salvador Diaz de Villalvilla Soto) (b. 1976, Cienfuegos, Cuba) (graduated from Architecture at the UCLV (Las Villas Central University), Santa Clara, Cuba in 1998.)

The Artist explores socio-political concepts such as the contradictions of contemporary society, focusing on the political polarization, science, religions and power relations. He considers that have never stopped being an architect, instead of buildings, today he designs those ideas and dreams dwelling in his mind.

Artworks Featured:
“Red Slime Mold”, 2026,
40 x 40 in,
Charcoal and acrylic on canvas

05/06/2026

Artist Spotlight:
Tony Vazquez-Figueroa resides and works between Mexico City, Mexico, and Miami, Florida. He received his BFA in Film from Emerson College (Boston, MA) in 1992 and continued his art studies at the San Alejandro Academy (Havana, Cuba) and then at the New York Studio School under an awarded scholarship. In 2002, he received formal training at Slade School of Painting at the University College London, under the tutelage of Jenny Saville. His work is featured in public and private collections worldwide such as: The Pérez Art Museum Miami (Miami, FL), The Museum of Latin American Art California (Long Beach, CA), the UNIS Museum Guatemala (Fraijanes, Guatemala), the Black Gold Museum (Riyadh, Saudi Arabia) among others.

Vazquez-Figueroa has explored the substance of crude oil and its many manifestations with the intention of using his artistic skills and vision to analyze its effects on one of the richest global powers of the late 20th century – Venezuela. Using bitumen as a key material in the creation of works, Vazquez-Figueroa has developed a personal archive of paintings, sculptures, objects, and installations, that form the collective memory and heritage for himself and others experiencing this shared history.

His deeply personal research into how oil-rich countries create unique physical, socio-economic, and cultural environments informs his artistic practice to create a body of work that distills the dystopic reality of over-industrialization.

Artworks Featured:
Feedback / St. Petersburg A, 2023,
14 ½ × 21 ¾ in (36.8 × 54 cm),
Edition of 3 + 2 AP
Resin on archival print

Feedback / Refinery II A, 2023,
14 ½ × 21 ¾ in (36.8 × 54 cm), Edition of 3 + 2 AP
Resin on archival print

Feedback / St. Petersburg II B, 2023,
14 ½ × 21 ¾ in (36.8 × 54 cm),
Edition of 3 + 2 AP
Resin on archival print

Feedback / Destin II A, 2023,
14 ½ × 21 ¾ in (36.8 × 54 cm), Edition of 3 + 2 AP
Resin on archival print

Feedback / Emerald Coast A, 2023,
14 ½ × 21 ¾ in (36.8 × 54 cm),
Edition of 3 + 2 AP
Resin on archival print

Feedback / St. Petersburg II A Feedback, 2023,
14 ½ × 21 ¾ in (36.8 × 54 cm),
Edition of 3 + 2 AP
Resin on archival print

05/05/2026

Artist Spotlights:
Stereotank is a design studio founded by architects Marcelo Ertorteguy and Sara Valente, dedicated to the research and exploration of the common grounds between architecture, art and sound. The studio works as a laboratory for design and creation of architectural artifacts, immersive installations, hybrid objects and instruments often using repurposed materials and pre-fab systems. Stereotank focus is to re-invent program with existing resources, with the aim of looking at old things with a fresh eye, relying on simplicity and intuition. Understanding urban scape as the medium, one of the main interests at this scale is the activation of public space through the insertion of participatory projects that engage, entertain and educate the users.

Artworks Featured:
Rocks ( #3– #6 small, #7 large), 2026,
(4) 8 × 8 in; (1) 15 × 18 in
Digital print on acrylic

05/04/2026

Artist Spotlight:
Marco Antonio Ramírez is an architect and photographer whose work sits at the intersection of architecture, city and perception. His practice explores how light, geometry and scale shape quiet experiences within the urban landscape.

Through photography, Ramírez observes the city as a composition in constant transformation, where structures, shadows and traces of human presence create visual rhythms that reveal the poetics of the everyday. His work proposes a contemplative gaze toward the spaces we inhabit, inviting the viewer to rediscover architecture not only as form, but as atmosphere, memory and experience.

“My work explores the subtle relationship between architecture, the city and the passage of time. As both an architect and photographer, I am drawn to the quiet moments where the built environment reveals unexpected narratives through light, texture and spatial rhythm. In this series, I observe how nature gradually reappears within the structures of the city. Small gestures — vegetation emerging through cracks, reflections on wet pavement, or plants reclaiming forgotten surfaces — reveal a slow dialogue between the constructed and the organic. Rather than presenting architecture as static form, these images suggest a landscape in constant transformation. The city becomes a living environment where materials age, surfaces evolve and nature quietly reclaims its place.”

Artworks Featured:
Mirror City, 2026,
Two pieces, 16 × 24 in each (total 32 × 24 in)
High-definition metal prints on aluminum with aluminum subframe mount

The Persistence of Green, 2026,
Six pieces, 12 × 18 in each
High-definition metal prints on aluminum with aluminum subframe mount

05/02/2026

May 30, 2026 | 11:30 AM – 1:30 PM
We are proud to present our closing event, featuring an exclusive artist-guided tour of Art, Design & Architecture in Nature. Come walk the grounds one last time with the creators behind the artworks and share in the final dialogue of this project.

Curated by Hartvest Project & Marcelo Llobell
We are honored to have featured works by an incredible group of artists: Miguel Acosta, Carola Bravo, Dimitry Said Chamy, Diego Damas, Tony Váquez-Figueroa, Luis Gómez, Felice Grodin, Christian Magaldi, Daniel Marosi, Rafa Muci, Victoria Murillo, Marco Antonio Ramirez, Stereotank (Sara Valente & Marcelo Ertorteguy), Camilo Villalvilla, and Michael Wolk.

05/01/2026

After a season rooted in the earth, we are taking flight with to witness the 61st Biennale. We present to you these fun facts and insights to keep you informed on the happenings of contemporary art.

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04/16/2026

The museum and present Fashion, Art & Design: Panama Edition. On April 25th, the Ciudad de las Artes will be a scene defined by Tierra, Viento, Fuego, and Agua. We are looking at a conversation between designer and artist . A matter of structure, texture, and style.

5 PM to 10 PM. For more information visit catwalkprospanama.com