Relévant Galleries

08/20/2026

Inside our Atelier right now.

Russell Young’s glitter-dusted Elvis holds court at the end of the hall, flanked by Ryan Jones on one side and Jagger on the other. James Jensen with his controlled chaos of oil painting.

📍Atelier by Relevant Galleries
120 Clayton Lane, Denver, CO
(Next to Relevant Galleries in Cherry Creek North)

08/14/2026

Join us this weekend for Santa Fe Indian Art Market at our sister gallery in Santa Fe, Galerie Zuger, for a special retrospective looking at the legacy of Earl Biss.

Date: Friday, August 14th & 15th
Time: 4pm - 8pm
Location: Galerie Zuger
📍120 W San Francisco Street, Santa Fe, NM (off the main plaza)

Earl Biss (1947–1998) began his formal art training at 16 at the Institute of American Indian Arts in Santa Fe, studying under Fritz Scholder, Allan Houser, and Charles Loloma. He became part of what’s been called the “Miracle Generation” of artists there — alongside Kevin Red Star and T.C. Cannon — a group credited with sparking the emergence of contemporary Native American art. Biss kept returning to Santa Fe throughout his career, sharing studio space with fellow artists and helping catalyze what’s now known as Contemporary Southwestern Art, blending Plains Indian subjects with Fauvist and Expressionist color.

Known as “The Spirit Who Walks Among His People” for his devotion to his Apsáalooke heritage, Biss was working on a Santa Fe exhibition when he suffered the stroke that ended his life in 1998 — leaving behind a legacy as, in the words of one critic, “the greatest colorist of the 20th century.”

08/07/2026

When I Look at the World | Ashley Collins

84” x 96” Oil and acrylic on aged paper, historic pages, found objects, hand fired polyaspartic finish.

This painting began as a conversation…

We know that we have Angels that appear in our lives at key moments. They come in many forms: a stranger at the airport who says something that alters our worldview, a kind act that is unexpected when we need it most, the helping hand we did not anticipate. A four legged soul that gets us past the hardships of life….

These are our guardian Angels. They come from a realm we cannot fully comprehend, but we know in our hearts is Real.

But what do these Angels get out of this deal?

Therein is the start of the conversation, and the beginning of this monumental painting.

For Collins, the answers are many, and as diverse as the collage of layer upon layer that are embedded in the heart of this canvas.

Perhaps these Angels need us, just as much as we need them. Just as they are in a sphere that we cannot fully comprehend, we are in a tangible sphere that they left long ago. Could it be that by changing our lives, it allows them to feel something that they could not otherwise feel. An emotion that is limited to the tangible form. Perhaps as they are teaching us, we are teaching them.

If this is the case, then the relationship between us and our guardian Angels becomes even more beautiful, for it is a circle of giving. Each giving the other something to make them more complete, more joyous, more content.

Through out this work, this duality is found… from the two very differently expressed horse images, one more literal, one far more abstract and ethereal, to the young girl and her angel counterpart. From the red ribbon of paint that ties them together back and forth, to the words “When I look at the World.”

When we look at the World, it is different for each of us, and the ability to see another’s view is what makes love possible. It is what makes dreams possible. It is what brings out the best in every life we touch.

07/31/2026

A behind-the-scenes look at transforming Moon Rabbit into an intimate gallery space for our collaboration with 🐇📸 Thank you to all of our collectors who joined us on night 1.

Tonight:
July 31 🌙 A private evening for Relevant Galleries collectors and Chasing Rabbits members with David Yarrow, including an intimate Q&A and gallery preview following.

July 31 & August 1 | Pop-Up Gallery in the Speakeasy 📸
Ask about the Pop-Up David Yarrow experience at Chasing Rabbits to explore a curated exhibition throughout Moon Rabbit while sipping on a Yarrow Old Fashioned cocktail.

Whether you joined us for a cocktail, the art, or both — thank you for making it a rare and memorable evening with one of today’s most celebrated photographers. We can’t wait for night two.

07/30/2026

Straight from Silverton, Colorado — David Yarrow’s newest work make will make its debut at Relevant Galleries Vail.

Collectors joining us in Vail will get the first look and first access to this masterful new artwork by David Yarrow. The exhibition officially opens August 1st running through August 31st. Check the link in our bio for more details on the opening exhibition and our pop-up with Chasing Rabbits !

We’re proud to be part of the ongoing story of an artist who continues to redefine cinematic photography.

07/24/2026

From gallery to your walls, we’ve got you covered. ✨ From the moment a piece is purchased to the final level-check on install day, our in-house team handles every step — no third parties, no guesswork. Just seamless delivery and expert installation, every time.

Thank you Diego and Ali for another flawless install! 🙌

07/22/2026

07/21/2026

Cool Hand by Ryan Jones
Oil on canvas
60” x 72”

Paul Newman had a cool that couldn’t be manufactured — ice-blue eyes behind dark glasses, chin tipped up, utterly unbothered by whether anyone was watching. Cool Hand is Ryan Jones’ tribute to that legacy, built the way Newman built his own myth: piece by piece, through the objects and moments that came to define him.

The painting unfolds across four panels, each a facet of the man. Newman himself anchors the piece in Jones’ photorealist grayscale, aviators catching the light. Beside him, a fan of cards nods to Cool Hand Luke and the poker-table nerve behind his screen persona. A Porsche 911 offers a quieter wink — to Newman’s second life as a genuinely serious endurance racer — while palms against a warm sky close things out with the Hollywood glamour that framed it all.

By fracturing his subject into parts — actor, gambler, racer, icon — Jones builds a portrait that reads less like a single photograph and more like a legend assembled piece by piece. At 60 x 72 inches, Cool Hand commands a room the way Newman commanded a screen: without raising its voice.

07/19/2026

From the archives of David Yarrow 📷

Mexico City 1986
Framed Size: 55” x 47”
Inquire for pricing

“Mexico City 1986” is far more than a portrait of Diego Maradona—it is a photograph of greatness at the precise moment it became history.

For a collector, this is a rare opportunity to acquire a work that connects two extraordinary legacies: Maradona at the height of his historic rise and Yarrow at the beginning of his artistic one. With an edition of only 40, available in both black and white and color.

WORDS BY DAVID
This is a simple portrait of a complex man. There are many complex men, but this is the great Diego Maradona - perhaps the most skilled footballer ever to grace the world stage. It was one of my earliest photographs good enough for others to see and I will always cherish it.

I took it in Mexico City in 1986 - a city and a year closely associated with Maradona. It was a World Cup that will always be remembered and remembered because
of him.

Maradona was so dominant in all his matches that my camera struggled to focus on any other player. Theirs were mere cameo roles against the main act.

He dominated his stage with a zest and skill level that perhaps only his fellow Argentinian Lionel Messi has ever
matched. I feel very fortunate to have photographed both sporting icons.

In 1986 there was no autofocus and the cameraman had to move the focus manually - not an easy trick in such
moments. But my position in this group game against Bulgaria was a stroke of luck and I took the opportunity. It was the start of a long journey.”