Meliksetian Briggs

Meliksetian Briggs Gallery exhibiting international contemporary art since 2012. The Estate of Bas Jan Ader.

Meliksetian | Briggs was founded in 2012 by Anna Meliksetian and Michael Briggs and is located in the Fairfax district of Los Angeles, a historical area of the city and a hub of cultural activity near the Los Angeles County Museum of Art. The programme to date has featured international artists, both emerging and mid career, who are invited to make tightly focused solo exhibitions of new or unseen

bodies of work in the intimate shop-front space. Exhibitions have varied in media, including installation, film, figurative and abstract painting, and although disparate in media, there is a lineage or history that ties the artists together through their influences, sensibilities and their practice. As the programme expands the exhibitions will reflect a dialogue between Los Angeles artists and their counterparts in Berlin, Vienna, London, New York and more. Artists exhibited include Meg Cranston, Todd Gray, Steven Hull, Christiane Lyons, Richard Hoeck and John Miller, John Miller, Aura Rosenberg, The Estate of Angus Fairhurst, Richard Hoeck and Heimo Zobernig, Cody Trepte and Johannes Wohnseifer. Meliksetian | Briggs is the exclusive worldwide representative of the Estate of Bas Jan Ader.

Richard Hoeck and John Miller’s Mannequin Death, 2016 beautifully installed in The Happiness Project: Episode 3 Hearth a...
05/26/2026

Richard Hoeck and John Miller’s Mannequin Death, 2016 beautifully installed in The Happiness Project: Episode 3 Hearth and Home curated by José Freire at Galleria Zero, Milan.

“Hearth and Home is an installation that attempts to replicate, in skeletal form, a domestic setting — the gallery acting as a minimalist stage set for a piece of Brechtian theater. There are chairs, lighting fixtures, vases, vanity mirrors, and other objects of interior design. The works on view, however, are hardly props. Although they sometimes echo the real in their form, or physically incorporate functional items, they remain fictive. The placement of the works — which include sculpture, painting, photography, and video — across the two floors of Zero... generates a jagged, paratactic meaning, leaving viewers to connect these points of signification to each other and to the exhibition’s motif: to follow its hermeneutic line. An unimpeded passage through the space, permitting us to read its works in whatever order suits, allows for the unraveling of its weave of concerns.”

One of the edition of 7 of the Hoeck / Miller installation is in the collection of the Metropolitan Museum of Art, New York. This work was shown in the gallery in 2016 along with a series of accompanying photo works.

Also featuring work by Lizzi Bougatsos, Sylvie Fleury, Christian Holstad, Elisabeth Kley, Liam Neff, Kayode Ojo, Patrick Sarmiento, Dash Snow and Nicole Wermers through July 24th.

Don’t miss this show if you are in Milan this spring….

Photos: © Roberto Marossi. Courtesy of Galleria Zero, Milan.

Featured at the Dallas Art Fair opening Thursday April 16: LA-based Dave Muller has built a distinctive practice around ...
04/13/2026

Featured at the Dallas Art Fair opening Thursday April 16: LA-based Dave Muller has built a distinctive practice around the cultural artifacts of music, particularly vinyl records and their ephemera.

Among his most compelling bodies of work are the price tag paintings, large-scale compositions that transform discarded commercial detritus into vibrant, kaleidoscopic abstractions. These works feature dense accumulations of hand painted, meticulously rendered price stickers, labels, and record shop tags, from albums in Muller’s own vast collection and painted in acrylic on gessoed plywood. Each tiny sticker is resized and recreated with obsessive fidelity including faded ink, creases, currency symbols, and the patina of time and individually applied to the panel collaged into dynamic, overlapping fields of color and shape.

Come and see a selection of Muller's classic works at the fair - and currently, Muller’s work is the subject of a major solo exhibition, Dave Muller: Proto Typical, on view at the Alyce de Roulet Williamson Gallery at ArtCenter College of Design in Pasadena through August 8, 2026 - a must see if you are in LA!

Dave Muller
Youth Misspent (in Record Stores):
$157.96 + 41.49 € + 1,365 * + Bs.S40 + R4.99, 2022
Acrylic on gessoed plywood panel
60 x 48 x 1 5/8 in / 152.4 x 121.9 x 4.1 cm
DM011/ DM1381

Coming soon: very pleased to be showing a selection of works by LA based Dave Muller for our first time at the Dallas Ar...
03/30/2026

Coming soon: very pleased to be showing a selection of works by LA based Dave Muller for our first time at the Dallas Art Fair opening April 16th.

Dave Muller (b. 1964, San Francisco) is a Los Angeles-based conceptual artist whose witty, multidisciplinary practice explores the intersection of music, popular culture, and personal identity. Through delicate watercolors and drawings of album spines, posters, and other musical ephemera, immersive installations, and interactive works, Muller examines how cultural artifacts and musical references shape our sense of self and communal experience. His vibrant disco ball paintings capture shifting reflections of light, color, and atmosphere, adding a playful, refractive layer to his ongoing meditation on nostalgia, irony, and the shared poetry of music.

His work is held in prominent museum collections including the Solomon R. Guggenheim Museum, New York; the Museum of Modern Art, New York; the Whitney Museum of American Art, New York; the Museum of Contemporary Art, Los Angeles; the Hammer Museum, Los Angeles; the Dallas Museum of Art; the San Francisco Museum of Modern Art; and the National Gallery of Canada, among others.

Currently, Muller’s work is the subject of a major survey exhibition, Dave Muller: Proto Typical, on view at the Alyce de Roulet Williamson Gallery at ArtCenter College of Design in Pasadena through August 8, 2026.

Image:
Dave Muller
Vermont, Two Days After the Eclipse (Bedroom, Facing West), 2024
Acrylic on gessoed plywood panel
58 ¼ in diameter x 1 ¼ depth / 24.1 cm diameter x 3.2 cm depth
DM009 / DM1407

Opening this Wednesday Yifan Jiang solo exhibition at 56 Henry  .nyc
01/11/2026

Opening this Wednesday Yifan Jiang solo exhibition at 56 Henry .nyc

Our Meg Cranston presentation at Untitled Art Miami Beach continues through the weekend. Come by and visit us if you are...
12/05/2025

Our Meg Cranston presentation at Untitled Art Miami Beach continues through the weekend. Come by and visit us if you are in town Booth B25…

Now open: Untitled Art Miami Beach featuring new work by Meg Cranston in the Artist Spotlight section. The new works fus...
12/03/2025

Now open: Untitled Art Miami Beach featuring new work by Meg Cranston in the Artist Spotlight section. The new works fuse Cranston’s interest in the relationship between painting and the written word as in this work Postion, 2025.

Position, 2025 is a “preposition painting” inspired by a paragraph by writer Grace Paley composed entirely of prepositional words. Cranston translates that linguistic structure into blocks of color arranged by relation: beside, under, toward, across. The poem on the back begins:

above / across / after / against / among / around

affirming that both color and language express relationships.

Visit us at Booth B25

Opening Tuesday! New work by Meg Cranston in solo presentation at Untitled Art Miami Beach, featured in the Artist Spotl...
11/29/2025

Opening Tuesday! New work by Meg Cranston in solo presentation at Untitled Art Miami Beach, featured in the Artist Spotlight section curated by Petra Cortright.

Meg Cranston’s new work merges painting and writing into a unified form. Though she has long worked in both media, she now treats them as parallel systems, two kinds of syntax. In her practice, visual structures such as composition, proportion, and color harmony function like grammar: a gesture acts as a verb; a palette sets a tone; spatial relationships articulate meaning as directly as sentences.

In Split Complement, 2025 she uses the color harmony of one hue paired with the two flanking its opposite to explore interpersonal and philosophical relationships. On the verso, she imagines a short play generated by the painting’s chromatic logic:

Setting: Two flowers and a hot-dog boat in triadic harmony.
Dramatic Question: Has the conflict already happened, or is it about to?

The text proposes that harmony is dynamic rather than fixed.

Meg Cranston
Split Complement, 2025
Oil on canvas with text verso
70 x 55 in / 177.8 x 139.7 cm
MC101

Visit us at Stand B25!

Coming soon: we are pleased to present a new body of work by Meg Cranston in the Artist Spotlight section of Untitled Ar...
11/21/2025

Coming soon: we are pleased to present a new body of work by Meg Cranston in the Artist Spotlight section of Untitled Art Miami Beach curated by Petra Cortright.

Meg Cranston’s new work merges painting and writing into a unified form. Though she has long worked in both media, she now treats them as parallel systems, two kinds of syntax. In her practice, visual structures such as composition, proportion, and color harmony function like grammar: a gesture acts as a verb; a palette sets a tone; spatial relationships articulate meaning as directly as sentence.

Each painting has a poem written by the artist inscribed on the reverse. For this work the poem is as follows:

socialism

hey
hey
what?
nothing
tell me

Cranston places all texts on the back of the paintings so they function not as wall labels, but as the paintings’ own internal literature. To encounter the writing, the viewer must change position, physically or imaginatively, mirroring the work’s movement between interior and exterior, surface and meaning.
Together, image and text form a single hybrid work: public on the front, private on the back, unified through tension and resonance.

Untitled Art Miami Beach
Booth B25
Opening December 2, 2025 by invitation.
December 3-7, 2025.
Ocean Drive and 12th Street, Miami Beach.

Meg Cranston
Socialism, 2025
Acrylic on canvas with text verso
60 x 45 in / 152.4 x 114.3 cm

MC102

Coming soon: New works by Meg Cranston in the Artist Spotlight at Untitled Miami Beach…
11/12/2025

Coming soon: New works by Meg Cranston in the Artist Spotlight at Untitled Miami Beach…

Opening next week: Untitled Art Houston featuring the work of Yifan Jiang.Yifan Jiang works in painting and digital anim...
09/12/2025

Opening next week: Untitled Art Houston featuring the work of Yifan Jiang.

Yifan Jiang works in painting and digital animation, the two media informing one another across her practice. She constructs psychological landscapes that mirror dreamlike structures, weaving personal experiences with philosophical inquiries into cultural memory and language, proposing new ways of interpreting the world

Yifan Jiang (b. 1994, Tianjin, China) is a Canadian artist currently based in New York City. She received her Master of Fine Arts at Columbia University, New York and her Bachelor of Fine Arts from Emily Carr University of Art and Design, Vancouver.

Along with a number of exhibitions, solo and group, at Meliksetian | Briggs both in Dallas and Los Angeles, Jiang has had solo exhibitions at Christian Andersen Gallery, Copenhagen; Hunsand Art Space, Hangzhou, and OM Gallery, Shanghai.

Recent group exhibitions in 2025 include shows at David Kordansky, Los Angeles; Pace Gallery, Hong Kong; Alisan Gallery, New York; Guangdong Times Museum, Guangzhou; and the Asia Society, Houston; among others. Jiang was a resident at the prestigious Core Residency Program at the Museum of Fine Arts, Houston from 2022 to 2024. Her work is in public collections including those of the Dallas Museum of Art and the Roswell Museum, New Mexico.

See her work alongside Meg Cranston on our stand Booth B41 September 18-21….

Opening next week: Untitled Art Houston featuring the work of Meg Cranston. Meg Cranston has a broad artistic practice w...
09/11/2025

Opening next week: Untitled Art Houston featuring the work of Meg Cranston.

Meg Cranston has a broad artistic practice which includes painting, sculpture, performance, and video, writing and lecturing along with curatorial projects.

Cranston has an ongoing interest in themes of personal identity, the subjective and its relationship to the broader culture by way of color theory, design, art history, shared cultural references, and formal experimentation. Cranston’s work is characterized by its playfulness and wit, an entrance into her explorations into the nature of image making and the role the artist plays in our society.

The paintings presented at Untitled Art Houston examine organizational structures in a playful and idiosyncratic manner, while fusing the artist’s interest in color theory and art historical precedents.

Cranston’s work is included in major collections worldwide including, among others, the Museum of Contemporary Art, Los Angeles, the Museum of Modern Art, New York, the Los Angeles County Museum of Art, the Hammer Museum, Los Angeles, the Denver Art Museum and the Museo Jumex, Mexico City.

See her work along with Yifan Jiang’s at the fair September 18-21 Booth B41

Address

150 Manufacturing Street, #214
Dallas, TX
75207

Opening Hours

Tuesday 12pm - 5pm
Wednesday 12pm - 5pm
Thursday 12pm - 5pm
Friday 12pm - 5pm
Saturday 12pm - 5pm

Telephone

+13106257049

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