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The Warehouse is a project initiated by Howard Rachofsky and Vernon Faulconer to make their collections available to curators, scholars, critics and students, and to open new dialogues about postwar Modern and contemporary art. At the heart of the project is an adapted industrial building on 14105 Inwood Road in Dallas, containing art storage facilities, an extensive library, and 18,000 square fee

t of flexible exhibition space. Here, The Warehouse presents carefully considered, original exhibitions of works from the Rachofsky and Faulconer collections, complemented by art acquired jointly with the Dallas Museum of Art and works on loan from other significant institutions and private collections. These changing exhibitions are developed specifically to suggest new perspectives on art and invite fresh questions that expand accepted notions of history. Devoted to education, The Warehouse offers special programs and public days; hosts visiting artists and art professionals; and publishes important new scholarship.

06/01/2026

Join us this June at The Warehouse!

On June 13, Part 2 of WAREHOUSE 01: 𝘠𝘰𝘴𝘩𝘪𝘵𝘢𝘬𝘢 𝘈𝘮𝘢𝘯𝘰 opens to the public, continuing the artist’s expansive presentation at The Warehouse. 𝘊𝘩𝘢𝘴𝘦 𝘢 𝘊𝘳𝘰𝘰𝘬𝘦𝘥 𝘚𝘩𝘢𝘥𝘰𝘸: 𝘍𝘪𝘭𝘮 𝘕𝘰𝘪𝘳 𝘢𝘴 𝘊𝘰𝘯𝘵𝘦𝘮𝘱𝘰𝘳𝘢𝘳𝘺 𝘔𝘪𝘳𝘳𝘰𝘳, curated by Alexandra Terry, also remains on view through July 18, 2026.

We have several opportunities to engage more deeply during 𝘚𝘢𝘵𝘶𝘳𝘥𝘢𝘺𝘴 𝘢𝘵 𝘛𝘩𝘦 𝘞𝘢𝘳𝘦𝘩𝘰𝘶𝘴𝘦: On June 13, join us for gallery talks, discussion, and drawing activities celebrating the opening of Part 2 of WAREHOUSE:01 𝘠𝘰𝘴𝘩𝘪𝘵𝘢𝘬𝘢 𝘈𝘮𝘢𝘯𝘰. On June 20, join us for 𝘋𝘳𝘢𝘸𝘪𝘯𝘨 𝘪𝘯 𝘵𝘩𝘦 𝘎𝘢𝘭𝘭𝘦𝘳𝘪𝘦𝘴 with Michael Duncan. On June 27, join us for an overview tour of 𝘊𝘩𝘢𝘴𝘦 𝘢 𝘊𝘳𝘰𝘰𝘬𝘦𝘥 𝘚𝘩𝘢𝘥𝘰𝘸: 𝘍𝘪𝘭𝘮 𝘕𝘰𝘪𝘳 𝘢𝘴 𝘊𝘰𝘯𝘵𝘦𝘮𝘱𝘰𝘳𝘢𝘳𝘺 𝘔𝘪𝘳𝘳𝘰𝘳 with Caitlin Overton.

On June 25 at 6 PM, join us for 𝘔𝘰𝘷𝘪𝘦 𝘕𝘪𝘨𝘩𝘵 𝘢𝘵 𝘛𝘩𝘦 𝘞𝘢𝘳𝘦𝘩𝘰𝘶𝘴𝘦, featuring a screening of Giuseppe Boccassini’s 𝘳𝘢𝘨𝘵𝘢𝘨 with an introduction by Daryl Meador.

The Warehouse is open every Saturday from 12 PM to 5 PM. Admission is free.

🔗 Click the link in bio to learn more about our exhibitions and register for your visit.

05/28/2026

In film noir, an ever-present threat of violence is often activated through the body. The moral restrictions of the Hays Code (1934–1968) constrained Hollywood filmmakers to imply rather than show brutality, using shadows, editing, gesture, and psychological tension. As violence became atmosphere rather than spectacle, the body, whether visible or implied, became a site of vulnerability, fear, and consequence, marked not only by physical harm but by moral weight.

A selection of works in 𝘊𝘩𝘢𝘴𝘦 𝘢 𝘊𝘳𝘰𝘰𝘬𝘦𝘥 𝘚𝘩𝘢𝘥𝘰𝘸: 𝘍𝘪𝘭𝘮 𝘕𝘰𝘪𝘳 𝘢𝘴 𝘊𝘰𝘯𝘵𝘦𝘮𝘱𝘰𝘳𝘢𝘳𝘺 𝘔𝘪𝘳𝘳𝘰𝘳, curated by , explore the human body as both presence and absence, imbuing it with profound implications. Shown together, these works explore the ways in which the body continues to be a site of apprehension today, often reflecting the persisting atmospheric threat of violence in a compromised world.

𝘊𝘩𝘢𝘴𝘦 𝘢 𝘊𝘳𝘰𝘰𝘬𝘦𝘥 𝘚𝘩𝘢𝘥𝘰𝘸: 𝘍𝘪𝘭𝘮 𝘕𝘰𝘪𝘳 𝘢𝘴 𝘊𝘰𝘯𝘵𝘦𝘮𝘱𝘰𝘳𝘢𝘳𝘺 𝘔𝘪𝘳𝘳𝘰𝘳 is on view April 11–July 18, 2026.

📸: Photography: (image 1, 3, 5, and 6); (image 2 and 4).

Artwork information in comments.

05/27/2026

Anne Collier’s 𝘞𝘰𝘮𝘦𝘯 𝘸𝘪𝘵𝘩 𝘊𝘢𝘮𝘦𝘳𝘢𝘴 uses a 35mm slide projector to display a sequence of found photographs of women holding cameras. Collected from disparate sources—advertisements, films, magazine covers—the camera oscillates between tool, prop, and bodily appendage. In her gesture of appropriation, Collier re-frames these artifacts as objects of study and scrutiny, raising questions about gender, agency, and the photographic gaze.

Join us this Saturday, May 30 at 2 PM for a gallery talk with artist Kelli Connell () on Anne Collier’s 𝘞𝘰𝘮𝘦𝘯 𝘸𝘪𝘵𝘩 𝘊𝘢𝘮𝘦𝘳𝘢𝘴. Connell’s work investigates sexuality, gender, and the photographer’s relationship to their subject.

🔗 Please RSVP via the link in bio or on our website.

𝘊𝘩𝘢𝘴𝘦 𝘢 𝘊𝘳𝘰𝘰𝘬𝘦𝘥 𝘚𝘩𝘢𝘥𝘰𝘸: 𝘍𝘪𝘭𝘮 𝘕𝘰𝘪𝘳 𝘢𝘴 𝘊𝘰𝘯𝘵𝘦𝘮𝘱𝘰𝘳𝘢𝘳𝘺 𝘔𝘪𝘳𝘳𝘰𝘳, curated by , is on view April 11–July 18, 2026.

—

Anne Collier
𝘞𝘰𝘮𝘦𝘯 𝘸𝘪𝘵𝘩 𝘊𝘢𝘮𝘦𝘳𝘢𝘴, 2014
35mm slides, 35mm slide projector, pedestal stand, and base
Installation dimensions variable
Edition 3 of 3
Dallas Museum of Art, Lay Family Acquisition Fund

05/23/2026

The Warehouse is open today from 12–5 PM!

Now on view: 𝘊𝘩𝘢𝘴𝘦 𝘢 𝘊𝘳𝘰𝘰𝘬𝘦𝘥 𝘚𝘩𝘢𝘥𝘰𝘸: 𝘍𝘪𝘭𝘮 𝘕𝘰𝘪𝘳 𝘢𝘴 𝘊𝘰𝘯𝘵𝘦𝘮𝘱𝘰𝘳𝘢𝘳𝘺 𝘔𝘪𝘳𝘳𝘰𝘳 and WAREHOUSE:01 𝘠𝘰𝘴𝘩𝘪𝘵𝘢𝘬𝘢 𝘈𝘮𝘢𝘯𝘰.

Curated by , 𝘊𝘩𝘢𝘴𝘦 𝘢 𝘊𝘳𝘰𝘰𝘬𝘦𝘥 𝘚𝘩𝘢𝘥𝘰𝘸 approaches film noir as a visual, psychological, and ethical framework that continues to resonate today. Presented concurrently, WAREHOUSE 01: 𝘠𝘰𝘴𝘩𝘪𝘵𝘢𝘬𝘢 𝘈𝘮𝘢𝘯𝘰 spans nearly three decades of the artist’s expansive practice across fine art, illustration, and design.

Guided tours and gallery talks led by The Warehouse team take place at 2 PM during Open Hours and focus on the current exhibitions.

🔗 Visit the link in bio to learn more and sign up for our newsletter.

📸: Photography by

05/22/2026

“It’s that idea of taking the debris left from something that has already passed, putting it in a new context, and admiring it as something completely new.” — Shinro Ohtake

Japanese artist Shinro Ohtake’s 𝘙𝘦𝘵𝘪𝘯𝘢 works are made from discarded Polaroids, greatly enlarged and encased in coats of resin. They bear traces of light and photo-sensitive chemicals characteristic of early Polaroid film processes, yet are transformed through scale and surface treatment. The works evoke the perceptual realm of the eye’s retina, where light is captured but hasn’t yet become a memory.

Three of Shinro Ohtake’s 𝘙𝘦𝘵𝘪𝘯𝘢 works are currently on view in 𝘊𝘩𝘢𝘴𝘦 𝘢 𝘊𝘳𝘰𝘰𝘬𝘦𝘥 𝘚𝘩𝘢𝘥𝘰𝘸: 𝘍𝘪𝘭𝘮 𝘕𝘰𝘪𝘳 𝘢𝘴 𝘊𝘰𝘯𝘵𝘦𝘮𝘱𝘰𝘳𝘢𝘳𝘺 𝘔𝘪𝘳𝘳𝘰𝘳, curated by .

𝘊𝘩𝘢𝘴𝘦 𝘢 𝘊𝘳𝘰𝘰𝘬𝘦𝘥 𝘚𝘩𝘢𝘥𝘰𝘸: 𝘍𝘪𝘭𝘮 𝘕𝘰𝘪𝘳 𝘢𝘴 𝘊𝘰𝘯𝘵𝘦𝘮𝘱𝘰𝘳𝘢𝘳𝘺 𝘔𝘪𝘳𝘳𝘰𝘳 is on view April 11–July 18, 2026.

📸: Photography by

Retina (DNA Shadow III), 1990
Photo, vinyl sheet, plastic, cloth, and adhesive tape on wooden panel
115 3/4 x 90 1/2 x 3 7/8 inches (294 x 229.9 x 9.8 cm)
The Rachofsky Collection

Retina (Night Fever 1), 1990
Photo, cloth adhesive tape, and plastic on wooden panel
118 1/8 x 90 1/2 x 3 7/8 inches (300 x 229.9 x 9.8 cm)
The Rachofsky Collection

Retina 13 (Purple Haze 4), 1980/1989–1990
Resin-covered laminated chromogenic analog print, mounted on wood
117 3/8 x 75 x 3 inches (298.1 x 190.5 x 7.6 cm)
The Rachofsky Collection

05/19/2026

Yosh*taka Amano’s monumental 𝘕𝘦𝘸 𝘠𝘰𝘳𝘬 𝘕𝘪𝘨𝘩𝘵𝘴 𝘐𝘐 is currently on view at The Warehouse!

Spanning 54 feet, the work is a cascading tableau of colors, textures, and figures. This and other works in this exhibition showcase Amano’s fluid blending of Eastern and Western art historical influences.

𝘕𝘦𝘸 𝘠𝘰𝘳𝘬 𝘕𝘪𝘨𝘩𝘵𝘴 𝘐𝘐 recalls the Japanese tradition of illustrated handscrolls, which used distant perspectives to allow multiple narratives to unfold at once. At the same time, its elegant figures and exquisite textures are evocative of Pre-Raphaelite and Viennese styles.

Come enjoy the first part of a two-part exhibition, 𝘠𝘰𝘴𝘩𝘪𝘵𝘢𝘬𝘢 𝘈𝘮𝘢𝘯𝘰, the fifth iteration of 𝗪𝗔𝗥𝗘𝗛𝗢𝗨𝗦𝗘:𝟬𝟭.

Part 1 of 𝘠𝘰𝘴𝘩𝘪𝘵𝘢𝘬𝘢 𝘈𝘮𝘢𝘯𝘰 is on view April 11 – June 6, 2026.

Part 2 is on view June 13 – July 18, 2026. Stay tuned for more!

📸: Photography by

05/18/2026

The environment of film noir is never neutral. Cities, suburbs, highways, and open land do not merely contain the story—they shape it, press against it, and often overwhelm it. The setting mirrors the inner lives of film noir's protagonists: disorienting and inescapable. Whether set in rain-soaked streets or blinding daylight, film noir environments express a post-war loss of sanctuary. There is no safe place left to retreat to and no pastoral ideal to restore balance. The world itself feels compromised.

𝘊𝘩𝘢𝘴𝘦 𝘢 𝘊𝘳𝘰𝘰𝘬𝘦𝘥 𝘚𝘩𝘢𝘥𝘰𝘸: 𝘍𝘪𝘭𝘮 𝘕𝘰𝘪𝘳 𝘢𝘴 𝘊𝘰𝘯𝘵𝘦𝘮𝘱𝘰𝘳𝘢𝘳𝘺 𝘔𝘪𝘳𝘳𝘰𝘳, curated by , gathers works that evoke a sense of estrangement in their setting through use of light, shadow, and composition.

𝘊𝘩𝘢𝘴𝘦 𝘢 𝘊𝘳𝘰𝘰𝘬𝘦𝘥 𝘚𝘩𝘢𝘥𝘰𝘸: 𝘍𝘪𝘭𝘮 𝘕𝘰𝘪𝘳 𝘢𝘴 𝘊𝘰𝘯𝘵𝘦𝘮𝘱𝘰𝘳𝘢𝘳𝘺 𝘔𝘪𝘳𝘳𝘰𝘳, is on view April 11–July 18, 2026. Come visit us!

📸: Photography by

.online

—

Nic Nicosia
Blue Truck, 1980/2013
Blue Posts, 1980/2013
Pink House, 1980/2013
Rickety Fence, 1980/2013
Tom and Jo's, 1980/2013
Yellow Tree, 1980/2013
Archival inkjet on Hahnemühle paper
Image: 13 1/2 x 20 inches (34.3 x 50.8 cm)
The Rachofsky Collection

Anna Conway
Rhino, 2017
Oil on linen
44 x 66 inches (111.8 x 167.6 cm)
The Rachofsky Collection

Henry Gunderson
Night Shack, 2022
Oil on canvas
108 x 72 inches (274.3 x 182.9 cm)
Hartland & Mackie / Labora Collection

Lucy Kim
Clean Like Spring Rain, 2014
Oil paint, acrylic paint, urethane resin, and epoxy on dibond panel
57 x 52 inches (144.8 x 132 cm)
The Rachofsky Collection

Chris Duncan
Bedroom Window (black) 6 month exposure summer-winter, 2013
Sunlight, time, and cotton fabric
54 x 68 inches (137.2 x 172.7 cm)
The Rachofsky Collection

05/13/2026

“I’m constantly aware of the fact that there’s always more than the eye can see. . . I’m especially inspired by moments that transcend the everyday. I’m looking for transcendence, always.” – Naudline Pierre

Naudline Pierre’s work creates a mythological alternate universe, saturated and dynamic, where an alter-ego protagonist navigates otherworldly scenes. Inspired by the religious iconography of the Renaissance, Pierre re-animates this history through her personal exploration of Black female subjectivity and spirituality.

Pierre’s painting 𝘛𝘩𝘦 𝘖𝘯𝘭𝘺 𝘞𝘢𝘺 𝘖𝘶𝘵 𝘐𝘴 𝘐𝘯 is currently on view in 𝘊𝘩𝘢𝘴𝘦 𝘢 𝘊𝘳𝘰𝘰𝘬𝘦𝘥 𝘚𝘩𝘢𝘥𝘰𝘸: 𝘍𝘪𝘭𝘮 𝘕𝘰𝘪𝘳 𝘢𝘴 𝘊𝘰𝘯𝘵𝘦𝘮𝘱𝘰𝘳𝘢𝘳𝘺 𝘔𝘪𝘳𝘳𝘰𝘳, curated by .

𝘊𝘩𝘢𝘴𝘦 𝘢 𝘊𝘳𝘰𝘰𝘬𝘦𝘥 𝘚𝘩𝘢𝘥𝘰𝘸: 𝘍𝘪𝘭𝘮 𝘕𝘰𝘪𝘳 𝘢𝘴 𝘊𝘰𝘯𝘵𝘦𝘮𝘱𝘰𝘳𝘢𝘳𝘺 𝘔𝘪𝘳𝘳𝘰𝘳 is on view April 11–July 18, 2026.

📸: Photography by

—

Naudline Pierre
American, born 1989
𝘛𝘩𝘦 𝘖𝘯𝘭𝘺 𝘞𝘢𝘺 𝘖𝘶𝘵 𝘐𝘴 𝘐𝘯, 2023
Oil and oil stick on canvas
96 x 120 inches (243.8 x 304.8 cm)
The Rachofsky Collection

Lee Mullican
American, 1919–1998
𝘈𝘴𝘤𝘦𝘯𝘴𝘪𝘰𝘯, 1967
Oil on canvas
50 x 34 7/8 inches (127 x 88.6 cm)
The Rachofsky Collection

05/08/2026

Curator Alexandra Terry () walks us through our current exhibition 𝘊𝘩𝘢𝘴𝘦 𝘢 𝘊𝘳𝘰𝘰𝘬𝘦𝘥 𝘚𝘩𝘢𝘥𝘰𝘸: 𝘍𝘪𝘭𝘮 𝘕𝘰𝘪𝘳 𝘢𝘴 𝘊𝘰𝘯𝘵𝘦𝘮𝘱𝘰𝘳𝘢𝘳𝘺 𝘔𝘪𝘳𝘳𝘰𝘳, now on view through July 18, 2026.

Curated by Terry, the exhibition approaches film noir as a visual, psychological, and ethical framework that continues to resonate today. Across more than 100 works, the exhibition considers noir as an enduring lens through which shifting power dynamics, moral ambiguity, and the instability of perception come into focus.

The Warehouse is open every Saturday from 12–5 PM during our exhibitions. Guided tours and gallery talks led by The Warehouse team take place at 2 PM during Open Hours and focus on the current exhibitions.

🔗 Visit the link in bio to learn more and sign up for our newsletter.

📸 Video by

05/06/2026

“I think violence is a part of everyday [life] for a lot of people . . . to not live in violence is a privilege.” – Diamond Stingily

In film noir, chance, necessity, and desire pull individuals into irreversible acts, blurring the line between victim and perpetrator. The scene of the crime becomes less a physical location than a psychological threshold—the moment when intent crystallizes, and accountability can no longer be deferred. 𝘊𝘩𝘢𝘴𝘦 𝘢 𝘊𝘳𝘰𝘰𝘬𝘦𝘥 𝘚𝘩𝘢𝘥𝘰𝘸: 𝘍𝘪𝘭𝘮 𝘕𝘰𝘪𝘳 𝘢𝘴 𝘊𝘰𝘯𝘵𝘦𝘮𝘱𝘰𝘳𝘢𝘳𝘺 𝘔𝘪𝘳𝘳𝘰𝘳, curated by , gathers works that evoke film noir’s investigation of the fragile condition of ordinary life in a morally compromised world. In these works, figures shimmer with possibility while concealing inevitable collapse, and violence can erupt in even the most familiar places.

𝘊𝘩𝘢𝘴𝘦 𝘢 𝘊𝘳𝘰𝘰𝘬𝘦𝘥 𝘚𝘩𝘢𝘥𝘰𝘸: 𝘍𝘪𝘭𝘮 𝘕𝘰𝘪𝘳 𝘢𝘴 𝘊𝘰𝘯𝘵𝘦𝘮𝘱𝘰𝘳𝘢𝘳𝘺 𝘔𝘪𝘳𝘳𝘰𝘳 is on view April 11–July 18, 2026.

📸: Photography by

@tomoogokita

Address

14105 Inwood Road
Dallas, TX
75244

Telephone

+12144422872

Website

http://www.thewarehousedallas.org/

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