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The Warehouse is a project initiated by Howard Rachofsky and Vernon Faulconer to make their collections available to curators, scholars, critics and students, and to open new dialogues about postwar Modern and contemporary art. At the heart of the project is an adapted industrial building on 14105 Inwood Road in Dallas, containing art storage facilities, an extensive library, and 18,000 square fee

t of flexible exhibition space. Here, The Warehouse presents carefully considered, original exhibitions of works from the Rachofsky and Faulconer collections, complemented by art acquired jointly with the Dallas Museum of Art and works on loan from other significant institutions and private collections. These changing exhibitions are developed specifically to suggest new perspectives on art and invite fresh questions that expand accepted notions of history. Devoted to education, The Warehouse offers special programs and public days; hosts visiting artists and art professionals; and publishes important new scholarship.

06/23/2026

Now on view: Part 2 of WAREHOUSE 01: 𝘠𝘰𝘴𝘩𝘪𝘵𝘢𝘬𝘢 𝘈𝘮𝘢𝘯𝘰.

The second installment of The Warehouse’s two-part presentation of Yosh*taka Amano’s work celebrates the artist’s extraordinary career as an illustrator, animator, and designer, bringing together large-scale paintings and celebrated works inspired by the characters and worlds that have defined his practice.

From anime and fantasy literature to video games, Amano’s distinctive visual language has shaped generations of storytelling and remains instantly recognizable around the world.

Part 2 of WAREHOUSE 01: 𝘠𝘰𝘴𝘩𝘪𝘵𝘢𝘬𝘢 𝘈𝘮𝘢𝘯𝘰 is on view through July 18, 2026. The Warehouse is open every Saturday from 12 PM to 5 PM. Admission is free.

🔗 Click the link in bio to learn more about our exhibitions and register for your visit.

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Yosh*taka Amano
𝘔𝘰𝘯𝘴𝘵𝘦𝘳𝘴 𝘐, 2013
Automotive paint on aluminum
59 x 94 1/2 x 4 inches (150 x 240 x 10 cm)
Courtesy of the artist and LOMEX, New York.

Yosh*taka Amano
𝘊𝘢𝘯𝘥𝘺 𝘎𝘪𝘳𝘭𝘴 𝘜𝘯𝘪𝘷𝘦𝘳𝘴𝘦, 2014
Automotive paint on aluminum
118 1/8 x 177 1/8 x 4 inches (300 x 450 x 10 cm)
Courtesy of the artist and LOMEX, New York.

Yosh*taka Amano
𝘔𝘰𝘯𝘴𝘵𝘦𝘳𝘴 𝘐𝘐, 2013
Automotive paint on aluminum
59 x 94 1/2 x 4 inches (150 x 240 x 10 cm)
Courtesy of the artist and LOMEX, New York.

天野喜孝 LOMEX

06/22/2026

𝘊𝘩𝘢𝘴𝘦 𝘢 𝘊𝘳𝘰𝘰𝘬𝘦𝘥 𝘚𝘩𝘢𝘥𝘰𝘸: 𝘍𝘪𝘭𝘮 𝘕𝘰𝘪𝘳 𝘢𝘴 𝘊𝘰𝘯𝘵𝘦𝘮𝘱𝘰𝘳𝘢𝘳𝘺 𝘔𝘪𝘳𝘳𝘰𝘳 is on view at The Warehouse through July 18, 2026! In this walkthrough, curator Alexandra Terry (Alexandra Terry) explores some of the key themes that shape the exhibition.

Emerging in the 1940s and 1950s, the femme fatale and detective became defining figures of film noir, embodying the tensions, desires, and anxieties of their time. Their influence continues to resonate across contemporary art, film, and popular culture.

Through works by contemporary artists, 𝘊𝘩𝘢𝘴𝘦 𝘢 𝘊𝘳𝘰𝘰𝘬𝘦𝘥 𝘚𝘩𝘢𝘥𝘰𝘸 examines the enduring legacy of noir and its themes of mystery, seduction, power, and moral ambiguity.

📸: Video by Exploredinary

06/20/2026

Yosh*taka Amano began his professional career at an animation studio in Tokyo at the age of fifteen. Since then, he has created some of the most fabled and internationally recognizable characters of popular culture. As an animator and illustrator, Amano worked on pioneering anime series such as 𝘚𝘱𝘦𝘦𝘥 𝘙𝘢𝘤𝘦𝘳 and 𝘎𝘢𝘵𝘤𝘩𝘢𝘮𝘢𝘯 (𝘎-𝘍𝘰𝘳𝘤𝘦), designed characters and worlds for best-selling novel series such as 𝘝𝘢𝘮𝘱𝘪𝘳𝘦 𝘏𝘶𝘯𝘵𝘦𝘳 𝘋, and worked as a concept artist and character designer for the video game franchise 𝘍𝘪𝘯𝘢𝘭 𝘍𝘢𝘯𝘵𝘢𝘴𝘺.

The second part of our two-part exhibition, WAREHOUSE 01: 𝘠𝘰𝘴𝘩𝘪𝘵𝘢𝘬𝘢 𝘈𝘮𝘢𝘯𝘰, is now on view, featuring works that celebrate Amano’s widespread success as a commercial artist.

Part 2 of 𝘠𝘰𝘴𝘩𝘪𝘵𝘢𝘬𝘢 𝘈𝘮𝘢𝘯𝘰 is on view through July 18, 2026.

天野喜孝 LOMEX

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Yosh*taka Amano
𝘒𝘪𝘬𝘪, 2007
Automotive paint on aluminum
55 1/8 x 78 3/4 x 4 inches (140 x 200 x 10 cm)
Courtesy of the artist and LOMEX New York

Yosh*taka Amano
𝘛𝘢𝘬𝘦 𝘰𝘧𝘧, 2006
Automotive paint on aluminum
78 3/4 x 157 1/2 x 4 inches (200 x 400 x 10 cm)
Courtesy of the artist and LOMEX New York

06/19/2026

Giuseppe Boccassini’s 𝘳𝘢𝘨𝘵𝘢𝘨 is constructed from fragments of more than 300 film noirs. Rather than retelling stories, ragtag is a visual and sonic collage, reassembling two decades of cinema into a flickering psychological portrait of anxiety, desire, and ambivalence. Beyond an exploration of film noir, ragtag is, as the filmmaker describes, “an extensive historical portrait of the human psyche of the twentieth century and its dark pre- and post-war landscape.”

ragtag is currently on view through July 18, 2026 in 𝘊𝘩𝘢𝘴𝘦 𝘢 𝘊𝘳𝘰𝘰𝘬𝘦𝘥 𝘚𝘩𝘢𝘥𝘰𝘸: 𝘍𝘪𝘭𝘮 𝘕𝘰𝘪𝘳 𝘢𝘴 𝘊𝘰𝘯𝘵𝘦𝘮𝘱𝘰𝘳𝘢𝘳𝘺 𝘔𝘪𝘳𝘳𝘰𝘳, curated by .

Giuseppe Boccassini
𝘳𝘢𝘨𝘵𝘢𝘨, 2022
Duration: 84 minutes
Courtesy of the Artist and The Film-Makers’ Cooperative / New American Cinema Group

Giuseppe Boccassini The Film-Makers’ Cooperative

Giuseppe Boccassini
𝘳𝘢𝘨𝘵𝘢𝘨, 2022
Duration: 84 minutes
Courtesy of the Artist and The Film-Makers’ Cooperative / New American Cinema Group

06/17/2026

“I am interested in the act of looking and often creating moments of misregistration or unrecognizability.” – Kate Mosher Hall

Two works by Kate Mosher Hall are currently on view in 𝘊𝘩𝘢𝘴𝘦 𝘢 𝘊𝘳𝘰𝘰𝘬𝘦𝘥 𝘚𝘩𝘢𝘥𝘰𝘸: 𝘍𝘪𝘭𝘮 𝘕𝘰𝘪𝘳 𝘢𝘴 𝘊𝘰𝘯𝘵𝘦𝘮𝘱𝘰𝘳𝘢𝘳𝘺 𝘔𝘪𝘳𝘳𝘰𝘳, curated by .

𝘊𝘩𝘢𝘴𝘦 𝘢 𝘊𝘳𝘰𝘰𝘬𝘦𝘥 𝘚𝘩𝘢𝘥𝘰𝘸: 𝘍𝘪𝘭𝘮 𝘕𝘰𝘪𝘳 𝘢𝘴 𝘊𝘰𝘯𝘵𝘦𝘮𝘱𝘰𝘳𝘢𝘳𝘺 𝘔𝘪𝘳𝘳𝘰𝘳 is on view April 11–July 18, 2026.

📸: Photography by Todora Photography (images 1, 3 and 5)
Kate Mosher Hall Miguel Abreu Gallery

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Kate Mosher Hall
American, born 1986
𝘔𝘰𝘰𝘯 𝘮𝘦𝘴𝘩, 2024
Acrylic on canvas
80 x 72 inches (203.2 x 182.9 cm)
Hartland & Mackie / Labora Collection

Kate Mosher Hall
American, born 1986
𝘚𝘶𝘱𝘦𝘳𝘱𝘰𝘴𝘪𝘵𝘪𝘰𝘯, 2020
Acrylic on canvas
77 x 75 inches (195.6 x 190.5 cm)
The Rachofsky Collection

06/10/2026

“I am invisible, understand, simply because people refuse to see me.” – Ralph Ellison, 𝘐𝘯𝘷𝘪𝘴𝘪𝘣𝘭𝘦 𝘔𝘢𝘯

In 1952 Gordon Parks collaborated with his friend Ralph Ellison on a photo essay for Life magazine that illustrated and explored the themes of Ellison’s novel 𝘐𝘯𝘷𝘪𝘴𝘪𝘣𝘭𝘦 𝘔𝘢𝘯. In 𝘌𝘮𝘦𝘳𝘨𝘪𝘯𝘨 𝘔𝘢𝘯, 𝘏𝘢𝘳𝘭𝘦𝘮, Parks places viewers eye-to-eye with the feelings of mistrust, isolation, and psychological fracture that the novel explores, its protagonist having retreated from society in the face of pervasive racism.

Parks’ photograph is currently on view alongside other artworks that explore a sense of disillusionment and psychological fracture in 𝘊𝘩𝘢𝘴𝘦 𝘢 𝘊𝘳𝘰𝘰𝘬𝘦𝘥 𝘚𝘩𝘢𝘥𝘰𝘸: 𝘍𝘪𝘭𝘮 𝘕𝘰𝘪𝘳 𝘢𝘴 𝘊𝘰𝘯𝘵𝘦𝘮𝘱𝘰𝘳𝘢𝘳𝘺 𝘔𝘪𝘳𝘳𝘰𝘳, curated by .

𝘊𝘩𝘢𝘴𝘦 𝘢 𝘊𝘳𝘰𝘰𝘬𝘦𝘥 𝘚𝘩𝘢𝘥𝘰𝘸: 𝘍𝘪𝘭𝘮 𝘕𝘰𝘪𝘳 𝘢𝘴 𝘊𝘰𝘯𝘵𝘦𝘮𝘱𝘰𝘳𝘢𝘳𝘺 𝘔𝘪𝘳𝘳𝘰𝘳, curated by , is on view April 11–July 18, 2026.

📸: Photography by (images 2 - 5)

06/06/2026

Join us on Saturday, June 13, as we celebrate the opening of Part 2 of WAREHOUSE:01 𝘠𝘰𝘴𝘩𝘪𝘵𝘢𝘬𝘢 𝘈𝘮𝘢𝘯𝘰 with a special day of gallery talks and activities.

Explore large-scale works by Amano, including 𝘉𝘪𝘨 𝘉𝘢𝘯𝘨 (2018), 𝘔𝘰𝘯𝘴𝘵𝘦𝘳𝘴 𝘐 & 𝘐𝘐 (2013), and the 𝘊𝘢𝘯𝘥𝘺 𝘎𝘪𝘳𝘭𝘴 series. Throughout the day, visitors are invited to participate in drawing activities and experience the next chapter of Amano’s first major U.S. museum exhibition.

At 2 PM, join archivist and film programmer Lauren Alberque for a gallery talk exploring 𝘉𝘪𝘨 𝘉𝘢𝘯𝘨 and Amano’s influential contributions to the Final Fantasy video game franchise.

At 3:30 PM, stay for a tour highlighting key works featured in Part 2 of the exhibition.

We hope you can join us! Admission is free. RSVP for a visit via the link in bio.

06/05/2026

“I like to trick the viewer into not making a quick decision, and I do that by using photography as a question mark as opposed to using it as a statement.” – Todd Gray

Works by Aria Dean and Todd Gray explore history and form as un-fixed and in-flux. Todd Gray’s photo-sculptures challenge colonial histories in their merging of timescales, places, and figures. Aria Dean’s sculpture combines semi-recognizable forms but obscures them under a uniform surface, creating an object that purposefully resists any clear definition. “(I’m) operating as the corrosive element,” Dean has described, “even as I’m constructing something.”

Both works are currently on view in 𝘊𝘩𝘢𝘴𝘦 𝘢 𝘊𝘳𝘰𝘰𝘬𝘦𝘥 𝘚𝘩𝘢𝘥𝘰𝘸: 𝘍𝘪𝘭𝘮 𝘕𝘰𝘪𝘳 𝘢𝘴 𝘊𝘰𝘯𝘵𝘦𝘮𝘱𝘰𝘳𝘢𝘳𝘺 𝘔𝘪𝘳𝘳𝘰𝘳, curated by .

𝘊𝘩𝘢𝘴𝘦 𝘢 𝘊𝘳𝘰𝘰𝘬𝘦𝘥 𝘚𝘩𝘢𝘥𝘰𝘸: 𝘍𝘪𝘭𝘮 𝘕𝘰𝘪𝘳 𝘢𝘴 𝘊𝘰𝘯𝘵𝘦𝘮𝘱𝘰𝘳𝘢𝘳𝘺 𝘔𝘪𝘳𝘳𝘰𝘳 is on view April 11–July 18, 2026.

📸: Photography by

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Aria Dean
𝘞𝘰𝘳𝘬 (𝘵𝘰𝘶𝘵 𝘴𝘰𝘯 𝘤𝘰𝘭 𝘴𝘦𝘤𝘰𝘶𝘦𝘳𝘢 𝘤𝘦𝘵𝘵𝘦 𝘣𝘭𝘢𝘯𝘤𝘩𝘦 𝘢𝘨𝘰𝘯𝘪𝘦), 2021
3D print in polylactic acid and pigmented silicone
66 1/4 x 35 5/8 x 35 5/8 inches (168.3 x 90.5 x 90.5 cm)
The Rachofsky Collection

Todd Gray
𝘛𝘩𝘦𝘳𝘦 𝘉𝘦 𝘔𝘰𝘯𝘴𝘵𝘦𝘳𝘴 𝘓𝘶𝘳𝘬𝘪𝘯𝘨 𝘐𝘯 𝘛𝘩𝘦 𝘏𝘰𝘶𝘴𝘦 𝘞𝘪𝘵𝘩𝘪𝘯, 2021
Four archival pigment prints in artist’s frames and UV laminate
66 1/2 x 56 1/4 x 6 1/2 inches (168.9 x 142.9 x 16.5 cm)
The Rachofsky Collection

06/05/2026

Renowned for his visionary contributions to contemporary art, animation, and video games, Yosh*taka Amano has spent more than five decades creating fantastical worlds that blur the boundaries between fine art and popular culture.

Opening June 13, Part 2 of the exhibition WAREHOUSE:01 𝘠𝘰𝘴𝘩𝘪𝘵𝘢𝘬𝘢 𝘈𝘮𝘢𝘯𝘰 expands upon the artist’s first major U.S. museum exhibition, bringing together large-scale paintings, monumental works, and immersive installations that highlight the breadth of Amano’s practice.

While Part 1 introduced visitors to Amano’s fluid movement between fine art, illustration, and popular culture, Part 2 will reveal the ambitious scale and imaginative world-building that have defined his career across decades.

Part 2 will be on view at The Warehouse from June 13 through July 18, 2026. Stay tuned for additional details! The Warehouse is open every Saturday from 12 PM to 5 PM. Admission is free.

🔗 Visit the link in bio to learn more about upcoming programs and to sign up for our newsletter.

📸: Video by

06/02/2026

“The idea of body anxiety is so intrinsically part of the human condition… We might want to think of ourselves as cerebral beings, but we are just humans, walking around in vulnerable flesh cages. Our bodies can betray us.” – Hannah Levy

Hannah Levy’s sculpture Untitled is currently on view in 𝘊𝘩𝘢𝘴𝘦 𝘢 𝘊𝘳𝘰𝘰𝘬𝘦𝘥 𝘚𝘩𝘢𝘥𝘰𝘸: 𝘍𝘪𝘭𝘮 𝘕𝘰𝘪𝘳 𝘢𝘴 𝘊𝘰𝘯𝘵𝘦𝘮𝘱𝘰𝘳𝘢𝘳𝘺 𝘔𝘪𝘳𝘳𝘰𝘳, curated by .

𝘊𝘩𝘢𝘴𝘦 𝘢 𝘊𝘳𝘰𝘰𝘬𝘦𝘥 𝘚𝘩𝘢𝘥𝘰𝘸: 𝘍𝘪𝘭𝘮 𝘕𝘰𝘪𝘳 𝘢𝘴 𝘊𝘰𝘯𝘵𝘦𝘮𝘱𝘰𝘳𝘢𝘳𝘺 𝘔𝘪𝘳𝘳𝘰𝘳 is on view April 11–July 18, 2026.

📸: Photography by

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Hannah Levy
𝘜𝘯𝘵𝘪𝘵𝘭𝘦𝘥, 2024
Nickel-plated steel and silicone
49 1/2 x 37 x 20 inches (125.8 x 94 x 50.8 cm)
Hartland & Mackie / Labora Collection

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14105 Inwood Road
Dallas, TX
75244

Telephone

+12144422872

Website

http://www.thewarehousedallas.org/

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