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The Warehouse is a project initiated by Howard Rachofsky and Vernon Faulconer to make their collections available to curators, scholars, critics and students, and to open new dialogues about postwar Modern and contemporary art. At the heart of the project is an adapted industrial building on 14105 Inwood Road in Dallas, containing art storage facilities, an extensive library, and 18,000 square fee

t of flexible exhibition space. Here, The Warehouse presents carefully considered, original exhibitions of works from the Rachofsky and Faulconer collections, complemented by art acquired jointly with the Dallas Museum of Art and works on loan from other significant institutions and private collections. These changing exhibitions are developed specifically to suggest new perspectives on art and invite fresh questions that expand accepted notions of history. Devoted to education, The Warehouse offers special programs and public days; hosts visiting artists and art professionals; and publishes important new scholarship.

08/28/2026

Bring your classroom to The Warehouse this fall!

The Warehouse welcomes high school, university, architecture, museum, and organized art education groups for free guided tours, offering students and educators an opportunity to experience works from The Warehouse collection together and engage more deeply with the ideas, artists, and conversations shaping our exhibitions.

Beginning September 26, explore our upcoming exhibitions 𝘐𝘯 𝘖𝘶𝘳 𝘐𝘮𝘢𝘨𝘦: 𝘛𝘩𝘦 𝘍𝘳𝘢𝘨𝘪𝘭𝘦 𝘉𝘰𝘥𝘺 𝘪𝘯 𝘊𝘰𝘯𝘵𝘦𝘮𝘱𝘰𝘳𝘢𝘳𝘺 𝘈𝘳𝘵 and WAREHOUSE:01 𝘠𝘶𝘬𝘪𝘯𝘰𝘳𝘪 𝘠𝘢𝘯𝘢𝘨𝘪 with your students.

Group Tours are available by appointment Tuesday–Friday, 10 AM–5 PM, for groups of 10–40 and are always free.

🔗 Interested in bringing your group to The Warehouse? Learn more and submit a Group Tour Request through the link in bio.

08/19/2026

The Warehouse hosted its second exhibition in February 2014, 𝘗𝘢𝘳𝘢𝘭𝘭𝘦𝘭 𝘝𝘪𝘦𝘸𝘴: 𝘐𝘵𝘢𝘭𝘪𝘢𝘯 𝘢𝘯𝘥 𝘑𝘢𝘱𝘢𝘯𝘦𝘴𝘦 𝘈𝘳𝘵 𝘧𝘳𝘰𝘮 𝘵𝘩𝘦 1950𝘴, 60𝘴, 𝘢𝘯𝘥 70𝘴.

Curator Allan Schwartzman presented Gallery 3 as a cohabitation of Italian Arte Povera and Japanese Mono-ha masterworks, exploring the resonances of these movements: an interest in raw and common materials, often explored through their physical interactions.

Michelangelo Pistoletto’s 𝘝𝘦𝘯𝘦𝘳𝘦 𝘥𝘦𝘨𝘭𝘪 𝘴𝘵𝘳𝘢𝘤𝘤𝘪 𝘥𝘰𝘳𝘢𝘵𝘢 (𝘎𝘰𝘭𝘥𝘦𝘯 𝘝𝘦𝘯𝘶𝘴 𝘰𝘧 𝘵𝘩𝘦 𝘙𝘢𝘨𝘴) combines a classic symbol of beauty with a mound of modern detritus; Nobuo Sekine’s unlikely marriage of materials in canvas and stone creates a pendulous form, one mirrored in Luciano Fabro’s marble suspended from steel; and Jiro Takamatsu’s vinyl sculpture, an intricately constructed surface, appears as a seemingly casual heap of wrinkles.

𝘗𝘢𝘳𝘢𝘭𝘭𝘦𝘭 𝘝𝘪𝘦𝘸𝘴 explored both confluences and differences between the cultural worlds of Japan and Italy as both countries grappled with the aftermath of World War II, defining their connection to their own cultural pasts and their relationship to art made elsewhere in the world at that time.

📸: Photography by Todora Photography

Artwork information in comments

08/13/2026

Join us this fall at The Warehouse!

Opening September 26 and on view through January 30, 2027, two new exhibitions consider the body, identity, and the boundaries that shape how we understand ourselves and one another.

𝘐𝘯 𝘖𝘶𝘳 𝘐𝘮𝘢𝘨𝘦: 𝘛𝘩𝘦 𝘍𝘳𝘢𝘨𝘪𝘭𝘦 𝘉𝘰𝘥𝘺 𝘪𝘯 𝘊𝘰𝘯𝘵𝘦𝘮𝘱𝘰𝘳𝘢𝘳𝘺 𝘈𝘳𝘵
Curated by Simone Krug (Simone Krug)

Bringing together works by more than seventy-five artists, 𝘐𝘯 𝘖𝘶𝘳 𝘐𝘮𝘢𝘨𝘦 considers the vulnerabilities and contradictions of the human body. Across generations, geographies, and media, the exhibition looks to the figure as a site of identity, psychology, consciousness, and transformation.

At a moment when rapidly evolving technologies continue to complicate our understanding of what it means to be human, 𝘐𝘯 𝘖𝘶𝘳 𝘐𝘮𝘢𝘨𝘦 returns to the material body in all its imperfection: fragile, mutable, flawed, and ultimately hopeful.

WAREHOUSE:01 𝘠𝘶𝘬𝘪𝘯𝘰𝘳𝘪 𝘠𝘢𝘯𝘢𝘨𝘪
Curated by Mika Yosh*take (Mika Yosh*take)

The sixth iteration of The Warehouse’s single-artist exhibition series presents the work of Japanese artist Yukinori Yanagi (Yanagi Yukinori) whose practice has spent decades interrogating borders, national identity, and the symbols through which ideas of belonging are constructed.

From ant farms in which national flags slowly dissolve as living colonies move through colored sand to earthworks connecting historically charged sites across continents, Yanagi creates systems that are precise in their construction yet ultimately surrendered to forces beyond the artist’s control. The exhibition traces a practice grounded in movement and permeability, asking what remains when seemingly fixed boundaries begin to break apart.

🔗 Sign up for our newsletter via the link in bio for exhibition updates, upcoming programs, and more. We hope to see you soon!

08/06/2026

Today, we’re revisiting our 2018 exhibition 𝘛𝘰𝘱𝘰𝘭𝘰𝘨𝘪𝘦𝘴, guest curated by Mika Yosh*take (Mika Yosh*take) through On Kawara's ‘6.AUG.1976’ from his 𝘛𝘰𝘥𝘢𝘺 series, one of several date paintings included in the exhibition.

Bringing together more than 100 works by 61 artists, 𝘛𝘰𝘱𝘰𝘭𝘰𝘨𝘪𝘦𝘴 explored how the "logic of place" shaped postwar artistic practice across the globe. Rather than treating space as fixed, the exhibition considered topology as a way of thinking through transformation: forms that expand, contract, distort, and shift while remaining fundamentally continuous.

Drawing connections between artists working across generations, geographies, and disciplines, the exhibition examined ideas of process, materiality, perception, gravity, entropy, and the body's relationship to space. Together, these works proposed that change itself is what gives form its meaning.

—

On Kawara
6.AUG.1976, 1976
from 𝘛𝘰𝘥𝘢𝘺 series, 1966-2013
Acrylic on canvas 10 x 13 inches (25.4 x 33 cm)
Dallas Museum of Art, gift of The Rachofsky Collection and purchase through the TWO x TWO for AIDS and Art Fund; anonymous collection.

📸: Photography by Todora Photography

07/31/2026

Each summer, The Warehouse partners with the Nasher Sculpture Center (Nasher Sculpture Center) for our Summer Institute for Teens, a week-long program hosted at both institutions that encourages high school students to explore new ideas and connect with peers around modern and contemporary art.

During this year’s Institute, students discussed works on view at The Warehouse by Yosh*taka Amano, Janine Antoni, and Hugh Hayden; received a personal tour from artist Nic Nicosia (Nic Nicosia) of his solo exhibition, 𝘕𝘪𝘤 𝘕𝘪𝘤𝘰𝘴𝘪𝘢: 𝘌𝘷𝘦𝘳𝘺𝘥𝘢𝘺 𝘚𝘶𝘳𝘳𝘦𝘢𝘭, at the Nasher Sculpture Center; and visited Dallas Contemporary (Dallas Contemporary) to view the exhibition 𝘍𝘳𝘢𝘯𝘤𝘪𝘴𝘤𝘰 𝘔𝘰𝘳𝘦𝘯𝘰: 𝘏𝘪𝘴𝘵𝘰𝘳𝘪𝘢 𝘚𝘪𝘯𝘵𝘦𝘵𝘪𝘤𝘢 and hear from its curator, Thomas Feulmer (Thomas Feulmer). Field trips included visits to galleries 12.26 and Erin Cluley Gallery to view current exhibitions and meet art world professionals Brittani Arnold and Victoria Brill. Each afternoon featured hands-on workshops with local artists, where students learned and practiced materials and techniques including block and screen printing, paper clay sculpting, and painting on plastic structures lit from within.

Reflecting on the week, one student shared that “connecting with other students my age that are also interested in art has been the most meaningful,” while another described the program as “filled with education, fun, and inspiration.”

Special thanks to Francisco Moreno Taboada, eli, Jacob Taylor Gibson, and all the artists and museum professionals who met with our students this year, and to the Nasher Sculpture Center for their continued partnership on one of our favorite programs!

07/24/2026

Thank you to everyone who joined us for last week's edition of 𝘕𝘪𝘨𝘩𝘵 𝘖𝘶𝘵 𝘢𝘵 𝘛𝘩𝘦 𝘞𝘢𝘳𝘦𝘩𝘰𝘶𝘴𝘦!

It was a pleasure to spend the evening with so many new and familiar faces as we celebrated the final days of our spring exhibitions, 𝘊𝘩𝘢𝘴𝘦 𝘢 𝘊𝘳𝘰𝘰𝘬𝘦𝘥 𝘚𝘩𝘢𝘥𝘰𝘸: 𝘍𝘪𝘭𝘮 𝘕𝘰𝘪𝘳 𝘢𝘴 𝘊𝘰𝘯𝘵𝘦𝘮𝘱𝘰𝘳𝘢𝘳𝘺 𝘔𝘪𝘳𝘳𝘰𝘳 and WAREHOUSE:01 𝘠𝘰𝘴𝘩𝘪𝘵𝘢𝘬𝘢 𝘈𝘮𝘢𝘯𝘰. Throughout the night, visitors explored the galleries, connected through conversation, and experienced these remarkable presentations together one final time.

Evenings like these are what make The Warehouse such a special place. Thank you for being part of it, and we hope to see you again soon!

🔗 Sign up for our newsletter to stay up to date on upcoming exhibitions, programs, and events.

07/18/2026

Today marks the close of our exhibition 𝘊𝘩𝘢𝘴𝘦 𝘢 𝘊𝘳𝘰𝘰𝘬𝘦𝘥 𝘚𝘩𝘢𝘥𝘰𝘸: 𝘍𝘪𝘭𝘮 𝘕𝘰𝘪𝘳 𝘢𝘴 𝘊𝘰𝘯𝘵𝘦𝘮𝘱𝘰𝘳𝘢𝘳𝘺 𝘔𝘪𝘳𝘳𝘰𝘳 curated by , a presentation of works that examined the enduring visual and psychological language of film noir. To everyone who joined us throughout the exhibition's run, thank you for being part of its story!

In gallery 10, works by Troy Brauntuch, Cris Brodahl, Nancy Grossman, Ann Hamilton, and Maja Ruznic mirror the charged atmosphere that film noir perfected, one built by desire and dread, intimacy and danger, bo***ge and release. Faces emerge from shadows, bodies appear constrained or fragmented, and the human figure oscillates between vulnerability and power. Together, these works echo the enshrined personas of film noir actors and actresses, icons whose glamour, menace, and fragility shaped the movement's emotional vocabulary.

🔗 Sign up for our newsletter to stay up to date on upcoming exhibitions, programs, and events.

📸: Photography by Todora Photography

M A J A R U Z N I C KARMA Elizabeth Leach Gallery

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Cris Brodahl
𝘛𝘩𝘦 𝘠𝘦𝘭𝘭𝘰𝘸 𝘛𝘳𝘦𝘦, 2007
Oil on linen, framed
97 1/2 x 68 x 2 1/2 inches (247.7 x 172.7 x 6.4 cm)
The Rachofsky Collection

Troy Brauntuch
𝘜𝘯𝘵𝘪𝘵𝘭𝘦𝘥 (𝘉𝘪𝘨 𝘏𝘦𝘢𝘥), 1981
Pencil on paper
Framed: 83 1/2 x 31 inches (212 x 78.7 cm)
The Rachofsky Collection

Maja Ruznic
1992 - 1995, 2019
Oil on canvas
84 x 65 inches (213.3 x 165.1 cm)
The Rachofsky Collection

Nancy Grossman
𝘜𝘯𝘵𝘪𝘵𝘭𝘦𝘥 (𝘏𝘦𝘢𝘥), 1968
Leather, wood, and metal
17 1/4 x 7 3/8 x 8 3/4 inches (43.8 x 18.8 x 22.2 cm)
Dallas Museum of Art, Dallas Art Association Purchase

Ann Hamilton
𝘧𝘭𝘦𝘤𝘵𝘦𝘳𝘦, 2000
Iris print on Arches paper
Image: 11 x 11 inches (27.9 x 27.9 cm); sheet: 30 x 22 inches (76.2 x 55.9 cm); framed: 33 5/8 x 26 1/4 inches (85.4 x 66.7 cm)
Edition 29 of 70 plus 5 Artist’s Proofs
The Rachofsky Collection

07/16/2026

“Fine art is the field where I get to express my emotions... however, all the work I made in illustration or for Final Fantasy is also expressed in one way or another. Deep inside me, there isn’t a clear line between the two.” — Yosh*taka Amano

This is the last week to view Part 2 of WAREHOUSE:01 𝘠𝘰𝘴𝘩𝘪𝘵𝘢𝘬𝘢 𝘈𝘮𝘢𝘯𝘰, an exhibition that celebrates Amano’s widespread success as a commercial artist across the fields of animation, illustration, and videogames. On view is 𝘉𝘪𝘨 𝘉𝘢𝘯𝘨, Amano’s sweeping and raucous depiction of the universe of the Final Fantasy XV video game franchise.

Part 2 of 𝘠𝘰𝘴𝘩𝘪𝘵𝘢𝘬𝘢 𝘈𝘮𝘢𝘯𝘰 is on view through July 18, 2026.

🔗 Click the link in bio to plan your visit before the exhibition closes, sign up for our newsletter, and stay up to date on upcoming exhibitions, programs, and events.

📸: Photography by Todora Photography
天野喜孝 LOMEX

—

Yosh*taka Amano
𝘉𝘪𝘨 𝘉𝘢𝘯𝘨, 2018
Automotive paint on aluminum
59 x 204 3/4 x 4 inches (150 x 520 x 10 cm)
Courtesy of the artist and LOMEX New York

07/15/2026

𝘊𝘩𝘢𝘴𝘦 𝘢 𝘊𝘳𝘰𝘰𝘬𝘦𝘥 𝘚𝘩𝘢𝘥𝘰𝘸: 𝘍𝘪𝘭𝘮 𝘕𝘰𝘪𝘳 𝘢𝘴 𝘊𝘰𝘯𝘵𝘦𝘮𝘱𝘰𝘳𝘢𝘳𝘺 𝘔𝘪𝘳𝘳𝘰𝘳 features a series of six works by Nic Nicosia. These images began as black-and-white photographs the artist captured while in graduate school at UNT, exploring mundane structures in and around Denton, TX. The artist later altered the photos with colored paper and paint before re-photographing them. The resulting images fluctuate between illusion and reality, warmth and deterioration.

This is the last week to see Nicosia’s works in 𝘊𝘩𝘢𝘴𝘦 𝘢 𝘊𝘳𝘰𝘰𝘬𝘦𝘥 𝘚𝘩𝘢𝘥𝘰𝘸: 𝘍𝘪𝘭𝘮 𝘕𝘰𝘪𝘳 𝘢𝘴 𝘊𝘰𝘯𝘵𝘦𝘮𝘱𝘰𝘳𝘢𝘳𝘺 𝘔𝘪𝘳𝘳𝘰𝘳. You can see more of Nicosia's work in his solo exhibition, 𝘕𝘪𝘤 𝘕𝘪𝘤𝘰𝘴𝘪𝘢: 𝘌𝘷𝘦𝘳𝘺𝘥𝘢𝘺 𝘚𝘶𝘳𝘳𝘦𝘢𝘭, on view at the Nasher Sculpture Center until August 16, 2026.

𝘊𝘩𝘢𝘴𝘦 𝘢 𝘊𝘳𝘰𝘰𝘬𝘦𝘥 𝘚𝘩𝘢𝘥𝘰𝘸: 𝘍𝘪𝘭𝘮 𝘕𝘰𝘪𝘳 𝘢𝘴 𝘊𝘰𝘯𝘵𝘦𝘮𝘱𝘰𝘳𝘢𝘳𝘺 𝘔𝘪𝘳𝘳𝘰𝘳, curated by , is on view through July 18, 2026.

📸: Photography by Todora Photography
Nic Nicosia Erin Cluley Gallery

—

Nic Nicosia
𝘙𝘪𝘤𝘬𝘦𝘵𝘺 𝘍𝘦𝘯𝘤𝘦, 1980/2013
𝘉𝘭𝘶𝘦 𝘛𝘳𝘶𝘤𝘬, 1980/2013
𝘉𝘭𝘶𝘦 𝘗𝘰𝘴𝘵, 1980/2013
𝘠𝘦𝘭𝘭𝘰𝘸 𝘛𝘳𝘦𝘦, 1980/2013
𝘗𝘪𝘯𝘬 𝘏𝘰𝘶𝘴𝘦, 1980/2013
𝘛𝘰𝘮 𝘢𝘯𝘥 𝘑𝘰'𝘴, 1980/2013

All works: Archival inkjet on Hahnemühle paper
The Rachofsky Collection

07/14/2026

Final days!

This is your last week to experience 𝘊𝘩𝘢𝘴𝘦 𝘢 𝘊𝘳𝘰𝘰𝘬𝘦𝘥 𝘚𝘩𝘢𝘥𝘰𝘸: 𝘍𝘪𝘭𝘮 𝘕𝘰𝘪𝘳 𝘢𝘴 𝘊𝘰𝘯𝘵𝘦𝘮𝘱𝘰𝘳𝘢𝘳𝘺 𝘔𝘪𝘳𝘳𝘰𝘳 before the exhibition closes on Saturday, July 18.

Curated by Alexandra Terry (Alexandra Terry), the exhibition traces the enduring legacy of film noir, from its roots in hard-boiled crime fiction and postwar cinema to its continued influence on contemporary art. Across painting, sculpture, photography, installation, and moving image, works by leading contemporary artists revisit noir's visual language to explore memory, surveillance, identity, desire, and moral ambiguity.

Take one last look before the lights go out, and stay tuned for what’s next!

🔗 Click the link in bio to plan your visit before the exhibition closes, sign up for our newsletter, and stay up to date on upcoming exhibitions, programs, and events.

📸: Video by Exploredinary

Address

14105 Inwood Road
Dallas, TX
75244

Telephone

+12144422872

Website

http://www.thewarehousedallas.org/

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