Cris Worley Fine Arts

Cris Worley Fine Arts Established in 2010, Cris Worley Fine Arts is dedicated to promoting innovative work by contemporary

Artist Highlight: Robert SagermanEdifice, Fount, Rippling Spaces brings together a new body of work by painter Robert Sa...
05/09/2026

Artist Highlight: Robert Sagerman

Edifice, Fount, Rippling Spaces brings together a new body of work by painter Robert Sagerman, whose practice merges rigorous process with meditative inquiry. Sagerman’s paintings emerge from a disciplined studio ritual that transforms the act of painting into a sustained state of contemplation. Built through thousands—often tens of thousands—of palette-knife strokes, each work develops slowly as densely layered impasto accumulates across the canvas. The surfaces are so physically rich that Sagerman hand-mills his own oil paints from elemental pigments, allowing for precise control over color, material, and structure.

Now on view at Cris Worley Fine Arts, Edifice, Fount, Rippling Spaces marks Sagerman’s fifth solo exhibition with the gallery and presents a new body of work exploring structure, perception, and attentive presence.

Each painting is built through an intensive and methodical process, with Sagerman carefully documenting every pigment used and every stroke applied. The final stroke count becomes the title of the work itself — linking the painting’s physical construction directly to its conceptual identity.

Drawing from Kabbalist thought and ritualized studio practice, Sagerman’s paintings invite viewers into immersive fields of color, texture, and contemplation.

On view through May 30.

We’re excited to announce that gallery artist Richard Patterson is included in the Glasstire 25 Auction. A leading figur...
05/08/2026

We’re excited to announce that gallery artist Richard Patterson is included in the Glasstire 25 Auction.

A leading figure of the Young British Artists movement, Patterson has built an internationally recognized career through works that merge pop culture, art history, and deeply personal imagery into psychologically charged paintings. Drawing from film, music, magazines, advertising, and contemporary life, his practice explores the layered relationship between image, meaning, and making.

Patterson graduated from Goldsmiths College in 1986. He was included in Damien Hirst’s renowned “Freeze” exhibition in 1988, as well as the internationally touring exhibition “Sensation: Young British Artists from the Saatchi Collection” from 1997 to 2000. Other notable exhibitions include “Nexus Texas” at the Contemporary Arts Museum Houston (2007); “Attention to Detail,” curated by Chuck Close, at the FLAG Art Foundation, New York (2008); and “Size Does Matter,” curated by Shaquille O’Neal, at the FLAG Art Foundation, New York (2010).

Patterson has had solo exhibitions at Anthony d’Offay Gallery, London (1997); James Cohan Gallery, New York (1999 and 2002); the Dallas Museum of Art (2000); Timothy Taylor Gallery, London (2005, 2008, 2013, 2021); Timothy Taylor Gallery, New York (2018); the Goss-Michael Foundation, Dallas (2009) and the FLAG Art Foundation, New York (2014).

Since 2015, Patterson has also contributed writing to Glasstire, making this inclusion especially meaningful. We’re honored to see his work featured in support of one of Texas’ most important voices in contemporary art.

Link to auction .

We’re thrilled to be here at the Dallas Art Fair 2026. We’ve been incredibly lucky to be a part of this fair since the b...
04/17/2026

We’re thrilled to be here at the Dallas Art Fair 2026. We’ve been incredibly lucky to be a part of this fair since the beginning, and we’re happy to be back again this year.

Come spend some time with us at Booth F17B on the first floor—we’d love to see you.

Featured artist:
dutoit


-Harry Geffert




art



Dallas Art Fair 2026:

Thursday, April 16
VIP Preview + Preview Benefit

Friday- Sunday, April 17-19
Public days

We are thrilled to invite you to the opening reception for two incredible solo exhibitions: Robert Sagerman, Edifice, Fo...
04/15/2026

We are thrilled to invite you to the opening reception for two incredible solo exhibitions: Robert Sagerman, Edifice, Fount, Rippling Spaces and Maysey Craddock, waterlines.

As the Dallas Art Fair kicks off this week, come experience Sagerman’s lush, meditative impasto textures alongside Craddock’s ethereal, site-specific explorations on paper. It’s the perfect way to dive into the Dallas Art Fair 2026.

• When: Tonight, April 15th
• Time: 5:00 PM – 8:00 PM
• Where: Cris Worley Fine Arts

The opening receptions run in tandem with the Dallas Art Fair sponsored Design District Gallery Night. Galleries at 1845 Levee St will offer an Ice Cream Social for our guests.




Join us in celebrating the opening of two new solo exhibitions:Maysey CraddockwaterlinesKnown for her richly layered gou...
04/09/2026

Join us in celebrating the opening of two new solo exhibitions:

Maysey Craddock
waterlines

Known for her richly layered gouache paintings of ephemeral landscapes, Craddock continues her exploration of fragile ecosystems and the poetic, cyclical forces that shape them.

Drawing from her own photographs of wetlands and other delicate environments, Craddock reimagines fragments of wild habitat that persist—despite human impact—within ongoing cycles of death, rebirth, and reclamation. In waterlines, these spaces become both specific and unmoored: at once rooted in observed reality and transformed into imagined terrains that evoke deep time, distant shores, and unseen depths. Her works function as meditations and memorials, honoring both the beauty and vulnerability of environments in flux.

&

Robert Sagerman
Edifice, Fount, Rippling Spaces

Edifice, Fount, Rippling Spaces brings together a new body of work by painter Robert Sagerman, whose practice merges rigorous process with meditative inquiry. Sagerman’s paintings emerge from a disciplined studio ritual that transforms the act of painting into a sustained state of contemplation. Built through thousands—often tens of thousands—of palette-knife strokes, each work develops slowly as densely layered impasto accumulates across the canvas. The surfaces are so physically rich that Sagerman hand-mills his own oil paints from elemental pigments, allowing for precise control over color, material, and structure.

Both exhibtions on view April 15 – May 30, with an opening reception on Wednesday, April 15 from 5–8 PM. Both artists will be in attendance.

The reception coincides with the Dallas Art Fair–sponsored Design District Gallery Night. Galleries at 1845 Levee St will host an Ice Cream Social for guests.

We look forward to seeing you there.

Dm for inquiries

Congratulations to Dan Jian for being named in the Top Five on Glasstire for her exhibition “Passing Through” at the Old...
03/19/2026

Congratulations to Dan Jian for being named in the Top Five on Glasstire for her exhibition “Passing Through” at the Old Jail Art Center in Albany, TX.

We’re thrilled to see this well deserved recognition of Dan’s work and the powerful exhibition currently on view at OJAC.

Dan Jian’s work is also on view at the gallery. We’re proud to share her work and celebrate this exciting moment.

Thank you to Matthew Bourbon for the thoughtful write up in Glasstire on Æmen Ededéen’s monumental painting, The Noise o...
03/18/2026

Thank you to Matthew Bourbon for the thoughtful write up in Glasstire on Æmen Ededéen’s monumental painting, The Noise of Fear is Drifting Down the River (You Cannot Die).

The work is currently on view at Cris Worley Fine Arts as part of Ededéen’s one painting exhibition. We’re grateful for the close reading and attention to the material, scale, and layered imagery within this powerful piece.

On view through April 4 — don’t miss the chance to experience it in person.

ROBERT LANSDENSilent WitnessFebruary 28 - April 04Silent Witness presents a body of work by Robert Lansden that reflects...
03/14/2026

ROBERT LANSDEN
Silent Witness
February 28 - April 04

Silent Witness presents a body of work by Robert Lansden that reflects a lifelong devotion to drawing, paper, and the human-made line. A Kentucky native now living and working in Norwalk, Connecticut, Lansden holds master’s degrees in both Library Science and Fine Art. His work is deeply informed by Buddhism and other Eastern wisdom traditions, which shape his contemplative approach to both making and viewing art. Working primarily with watercolor and ink on paper, Lansden embraces the sensuous immediacy of hand-drawn mark-making, favoring the vitality of the human line over the detachment of machine-generated imagery.

For this exhibition, Lansden employs a simple, hand-executed algorithm—a set of instructions based on the repeated bisection and nesting of grids—drawing until the surface becomes too dense to continue. Some works are created using fiber-tipped pens on archival watercolor paper, while others are drawn with a hollow bamboo pen, underscoring his commitment to humble tools and tactile processes. Though rooted in geometry, the drawings resist mechanical precision; instead, they reveal subtle variations and nuances that emerge only through the presence of the artist’s hand.

We invite you to experience this powerful exhibition in person at Cris Worley Fine Arts before it closes on April 4th. Don’t miss the opportunity to spend time with Lansden’s work and the quiet intensity it holds.

Æmen Ededéen (Joshua Hagler)The Noise of Fear is Drifting Down the River (You Cannot Die), 2025mixed media with glass be...
03/14/2026

Æmen Ededéen (Joshua Hagler)
The Noise of Fear is Drifting Down the River (You Cannot Die), 2025
mixed media with glass beads and wax castings on canvas and burlap
135h x 226.50w in

The triptych originates from a written Dream dated May 1, 2025, which precedes and generates the work. In the text, a woman and child appear beside a river, enclosed within a protective, seeing sphere through which past, future, memory, and fear coexist. Fear is described not as a fixed threat, but as something transmitted across time. The painting does not illustrate the Dream; rather, it translates its essence into scale, material, and surface.

Æmen Ededéen is a player of The Glass Dream Game, which draws inspiration from Hermann Hesse’s The Glass Bead Game and the I Ching, blending literary, philosophical, and divinatory traditions into a contemporary artistic practice. The Game begins with the random selection of six books from the artist’s library of more than 900 volumes. One page from each book is selected, forming a Hexagram. Notes and sketches derived from these pages—called Trials—lead to the writing of a Dream, from which a Vision emerges as a painting or artwork. As elements recur across Dreams and Visions, they are cataloged as Archetypes, forming an expanding network of relationships. The Glass Dream Game remains experimental, and its broader implications are still unfolding.

Don’t miss the opportunity to experience this monumental work in person. On view at Cris Worley Fine Arts through April 4th.

It was an enchanted evening in OKC last night! Huge thank you to Jennifer Klos of Collector House for curating this dyna...
03/05/2026

It was an enchanted evening in OKC last night! Huge thank you to Jennifer Klos of Collector House for curating this dynamic exhibition of CWFA gallery artists at Citizen House. It was so nice also to be invited by Jennifer as part of the conversation series for guests and members of the club.

Admittedly, my first trip to Oklahoma City, but definitely not my last. Everyone was so gracious and receptive. Good times were had by all!

Address

1845 E Levee Street # 110
Dallas, TX
75207

Opening Hours

Tuesday 11am - 5pm
Wednesday 11am - 5pm
Thursday 11am - 5pm
Friday 11am - 5pm
Saturday 11am - 5pm

Telephone

+12147451415

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