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We are delighted to share that Lola Ayisha Ogbara and Roland Knowlden Jr.โ€™s presentation has won best international boot...
10/14/2026

We are delighted to share that Lola Ayisha Ogbara and Roland Knowlden Jr.โ€™s presentation has won best international booth at Minor Attractions
โ€จ๐Ÿ“Room 113
The Newman
50 Newman Street
Oct 13 - 17, 2026

Working across assemblage, ceramics, photography, and film, Ogbara and Knowlden meditate on the hotel room as a site of desire, intimacy, remembrance, and echoes of love lost.

Ogbara is an artist interested in โ€˜cartographies of resistanceโ€™ through the exploration of personal, collective, and lost memories. Through an interdisciplinary approach, Ogbara utilizes the body form, as well as its absence, to contemplate the obscurities of remembering, looking/seeing, and laboring. Working at the intersections of land, body, and spirit, Ogbara moves between the past and present, theory and lived experience, archived histories and non-Western epistemologies, using diasporal ecologies as frameworks to imagine otherwise.

Knowldenโ€™s sculptural works employ loops as forms of recursion, echoing James Baldwinโ€™s aphorism in ๐˜›๐˜ฉ๐˜ฆ ๐˜๐˜ช๐˜ณ๐˜ฆ ๐˜•๐˜ฆ๐˜น๐˜ต ๐˜›๐˜ช๐˜ฎ๐˜ฆ: โ€œthe law that we recognize when we say, Whatever goes up must come down.โ€ Knowlden also draws on Baldwinโ€™s ๐˜Ž๐˜ช๐˜ฐ๐˜ท๐˜ข๐˜ฏ๐˜ฏ๐˜ชโ€™๐˜ด ๐˜™๐˜ฐ๐˜ฐ๐˜ฎ as an emotional nexus for the roomsโ€™ dimly lit interiors and its subtle, longing register through gestures. The textures of a kiss, the gaze behind the mask, the gravity of a lovers body lying across a bed.

Email [email protected] for inquiries

We are excited to announce our participation in Minor Attractions, presenting Lola Ogbara and Roland Knowlden Jr.Working...
10/12/2026

We are excited to announce our participation in Minor Attractions, presenting Lola Ogbara and Roland Knowlden Jr.

Working across assemblage, ceramics, photography, and film, Ogbara and Knowlden propose the hotel room as a site of desire, remembrance, and echoes of love lost.

Oct 13 - 17, 2026
The Newman Hotel
50 Newman Street, Fitzrovia, London WIT 3EB

Visit us in Room 113, sharing the room with ๐™ƒ๐˜ผ๐™๐™‡๐™€๐™Ž๐˜ฟ๐™€๐™‰ ๐™ƒ๐™„๐™‚๐™ƒ ๐™Ž๐™๐™๐™€๐™€๐™ presenting Savannah Harris

RSVP linked in bio ๐Ÿ–‡๏ธ

Image 1:
Roland Knowlden Jr.,
๐˜•๐˜ฐ๐˜ต ๐˜ข ๐˜ค๐˜ถ๐˜ณ๐˜ด๐˜ฆ, ๐˜ฃ๐˜ถ๐˜ต ๐˜ข ๐˜ด๐˜ฆ๐˜ญ๐˜ง ๐˜ง๐˜ถ๐˜ญ๐˜ง๐˜ช๐˜ญ๐˜ญ๐˜ช๐˜ฏ๐˜จ ๐˜ฑ๐˜ณ๐˜ฐ๐˜ฑ๐˜ฉ๐˜ฆ๐˜ค๐˜บ (๐˜จ๐˜ช๐˜ฐ๐˜ท๐˜ข๐˜ฏ๐˜ฏ๐˜ช), 2026
found and carved djembe, carved birch trunk, steel, cotton fabric
40 x 100 x 30 cm

Image 2:
Lola Ogbara
๐˜Š๐˜ณ๐˜ฆ๐˜ข๐˜ฎ๐˜บ ๐˜™๐˜ข๐˜ฌ๐˜ถ (๐˜ญ๐˜ข๐˜ณ๐˜จ๐˜ฆ) 2024
Raku-fired ceramic stoneware
20 x 30 cm

DM or email [email protected] for inquiries

roland knowlden jr Lola Ayisha Ogbara

Jesรบs Hilario-Reyes๐˜ข๐˜ญ๐˜ญ ๐˜ถ๐˜ฏ๐˜ข๐˜ด๐˜ฉ๐˜ข๐˜ฎ๐˜ฆ๐˜ฅ, ๐˜ข๐˜ฏ๐˜ฅ ๐˜ด๐˜ธ๐˜ข๐˜บ๐˜ด ๐˜ช๐˜ฏ ๐˜ธ๐˜ช๐˜ค๐˜ฌ๐˜ฆ๐˜ฅ ๐˜จ๐˜ณ๐˜ข๐˜ค๐˜ฆ, 2026Ink on Vellum19.5 x 24.5 inNot unlike the hurricaneโ€™s e...
10/12/2026

Jesรบs Hilario-Reyes

๐˜ข๐˜ญ๐˜ญ ๐˜ถ๐˜ฏ๐˜ข๐˜ด๐˜ฉ๐˜ข๐˜ฎ๐˜ฆ๐˜ฅ, ๐˜ข๐˜ฏ๐˜ฅ ๐˜ด๐˜ธ๐˜ข๐˜บ๐˜ด ๐˜ช๐˜ฏ ๐˜ธ๐˜ช๐˜ค๐˜ฌ๐˜ฆ๐˜ฅ ๐˜จ๐˜ณ๐˜ข๐˜ค๐˜ฆ, 2026
Ink on Vellum
19.5 x 24.5 in

Not unlike the hurricaneโ€™s eye, Hilario-Reyesโ€™s newest drawing series traces footwork as a modality of both evasion and enmeshment. Using dance notation as the written representation of movement, akin to musical scoreโ€™s systems, the dance floorโ€™s footfall becomes swirling marks across sheets of translucent vellum. Layered atop each other, accruing line after line, individuation disappears and legibility fades toward a collective motion.

๐˜š๐˜ค๐˜ฐ๐˜ณ๐˜ฆ๐˜ด will be on view through November 21, during gallery hours Thurs - Sat, 1-6PM

Inquires DM or email to [email protected]

Full exhibition documentation of Jesรบs Hilario Reyes ๐˜š๐˜ค๐˜ฐ๐˜ณ๐˜ฆ๐˜ด is now online ๐Ÿ–‡๏ธAccompanying the exhibition is a commissione...
10/08/2026

Full exhibition documentation of Jesรบs Hilario Reyes ๐˜š๐˜ค๐˜ฐ๐˜ณ๐˜ฆ๐˜ด is now online ๐Ÿ–‡๏ธ

Accompanying the exhibition is a commissioned found poem, written, designed, and letter pressed by Stella Rae Binion (stella rae binion). The scans of this poem can also be found on our website.

๐˜š๐˜ค๐˜ฐ๐˜ณ๐˜ฆ๐˜ด will be on view through November 21, during gallery hours Thurs - Sat, 1-6PM

Currently based in Brooklyn, New York, Jesรบs Hilario-Reyes (San Juan, Puerto Rico) is an antidisciplinary artist with a Bachelorโ€™s in Fine Arts Studio from the School of the Art Institute of Chicago and a Masterโ€™s in Sculpture from Yale University. He is a recent recipient of the Van Lier Fellowship, Cultured Mag Young Artist List, Lโ€™Officiel Artist to Watch List, Drawing a Blank Artist Grant, the Leslie-Lohman Museum Fellowship, the Lighthouse Works Fellowship, and the Bemis Center Residency. Hilario-Reyes has exhibited and performed most notably at The Studio Museum in Harlem, Hauser & Wirth, Fonderie Darling, BOFFO Performance Festival, Frieze, e-flux, Gladstone Gallery, The Kitchen, the Museum of Contemporary Art Chicago, BlackStar Film Festival, Mana Contemporary, Parasol Unit, and many more. Primarily rooted in sculpture, Hilario-Reyes works at the intersection of sonic performance, land installation, and expanded cinema. His practice explores the im/possibility of the Black body and its entanglement with photographic optics. Guided by a sustained interest in fugitivity, particularly as it relates to Black subjecthood, his practice reckons with the spectrum of visibility, contemplating the carcerality of light and the freedom of darkness. Drawing from DJ culture, nightlife, atmospherics, and sound-system technologies, his work considers how collective movement, darkness, and sensory distortion can become sites of embodiment, refusal, and transcendence.

Inquires DM or email to [email protected]

Join us on Thursday, October 8, 6:30-8:30PM for a curated library reading room featuring selected texts from Isabel Padi...
10/05/2026

Join us on Thursday, October 8, 6:30-8:30PM for a curated library reading room featuring selected texts from Isabel Padilla Bonelliโ€™s book collection, presented in response to Jesus Hilario-Reyesโ€™s work in ๐˜š๐˜ค๐˜ฐ๐˜ณ๐˜ฆ๐˜ด

โ€œ๐˜‰๐˜ญ๐˜ข๐˜ค๐˜ฌ ๐˜ˆ๐˜ฎ๐˜ฆ๐˜ณ๐˜ช๐˜ค๐˜ข๐˜ฏ๐˜ด ๐˜ธ๐˜ฆ๐˜ณ๐˜ฆ ๐˜ด๐˜ถ๐˜ด๐˜ต๐˜ข๐˜ช๐˜ฏ๐˜ฆ๐˜ฅ, ๐˜ฉ๐˜ฆ๐˜ข๐˜ญ๐˜ฆ๐˜ฅ, ๐˜ฏ๐˜ถ๐˜ณ๐˜ต๐˜ถ๐˜ณ๐˜ฆ๐˜ฅ ๐˜ต๐˜ฉ๐˜ณ๐˜ฐ๐˜ถ๐˜จ๐˜ฉ ๐˜ฐ๐˜ถ๐˜ณ ๐˜ต๐˜ณ๐˜ข๐˜ฏ๐˜ด๐˜ญ๐˜ข๐˜ต๐˜ช๐˜ฐ๐˜ฏ ๐˜ฐ๐˜ง ๐˜ฆ๐˜น๐˜ฑ๐˜ฆ๐˜ณ๐˜ช๐˜ฆ๐˜ฏ๐˜ค๐˜ฆ ๐˜ช๐˜ฏ๐˜ต๐˜ฐ ๐˜ข๐˜ณ๐˜ต, ๐˜ข๐˜ฃ๐˜ฐ๐˜ท๐˜ฆ ๐˜ข๐˜ญ๐˜ญ ๐˜ช๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฎ๐˜ถ๐˜ด๐˜ช๐˜ค.โ€
(Toni Morrison)ย 

The presentation โ€œIn Response Toโ€ delves into a research process that uses another artistโ€™s work as its initial point of departure. Allowing guests to puruse a selection of texts, personal archives/photographs, and memories, the presentation will follow Isabelโ€™s own inquiries into how we make home and negotiate the self across different spaces, while connecting these to Reyesโ€™s practice through questions of โ€œwhat makes people move? How can a source material be a somatic?โ€ JULLS (JULLS) will provide sounds to accompany the event as a further sonic response to both Jesรบs and Isabel practice.ย 

The selected titles respond to themes of queering Afro-diasporic religions, as well as the relationship between atmospheric and environmental conditions and the way our bodies move through/within the domestic and club space as Black Caribbeans.ย 

Guests are invited to take notes and make their own scans of the selected texts as an entry point into their own research inspirations. Drawing on Isabelโ€™s professional experience in libraries and archives, this event considers how informal spaces of research and inspiration from the everyday can become your own resources for knowledge production.

RSVP to attend, link in bio ๐Ÿ–‡๏ธ

Join us on Thursday, October 8, 6:30-8:30PM for a curated library reading room featuring selected texts from Isabel Padi...
10/05/2026

Join us on Thursday, October 8, 6:30-8:30PM for a curated library reading room featuring selected texts from Isabel Padilla Bonelliโ€™s book collection, presented in response to Jesus Hilario-Reyesโ€™s work in ๐˜š๐˜ค๐˜ฐ๐˜ณ๐˜ฆ๐˜ด

โ€œ๐˜‰๐˜ญ๐˜ข๐˜ค๐˜ฌ ๐˜ˆ๐˜ฎ๐˜ฆ๐˜ณ๐˜ช๐˜ค๐˜ข๐˜ฏ๐˜ด ๐˜ธ๐˜ฆ๐˜ณ๐˜ฆ ๐˜ด๐˜ถ๐˜ด๐˜ต๐˜ข๐˜ช๐˜ฏ๐˜ฆ๐˜ฅ, ๐˜ฉ๐˜ฆ๐˜ข๐˜ญ๐˜ฆ๐˜ฅ, ๐˜ฏ๐˜ถ๐˜ณ๐˜ต๐˜ถ๐˜ณ๐˜ฆ๐˜ฅ ๐˜ต๐˜ฉ๐˜ณ๐˜ฐ๐˜ถ๐˜จ๐˜ฉ ๐˜ฐ๐˜ถ๐˜ณ ๐˜ต๐˜ณ๐˜ข๐˜ฏ๐˜ด๐˜ญ๐˜ข๐˜ต๐˜ช๐˜ฐ๐˜ฏ ๐˜ฐ๐˜ง ๐˜ฆ๐˜น๐˜ฑ๐˜ฆ๐˜ณ๐˜ช๐˜ฆ๐˜ฏ๐˜ค๐˜ฆ ๐˜ช๐˜ฏ๐˜ต๐˜ฐ ๐˜ข๐˜ณ๐˜ต, ๐˜ข๐˜ฃ๐˜ฐ๐˜ท๐˜ฆ ๐˜ข๐˜ญ๐˜ญ ๐˜ช๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฎ๐˜ถ๐˜ด๐˜ช๐˜ค.โ€
Toni Morrison

The presentation โ€œIn Response Toโ€ delves into a research process that uses another artistโ€™s work as its initial point of departure. Allowing guests to puruse a selection of texts, personal archives/photographs, and memories, the presentation will follow Isabelโ€™s own inquiries into how we make home and negotiate the self across different spaces, while connecting these to Reyesโ€™s practice through questions of โ€œwhat makes people move? How can a source material be a somatic?โ€Julls (JULLS) will provide sounds to accompany the event as a further sonic response to both Jesรบs and Isabel practice.

The selected titles respond to themes of queering Afro-diasporic religions, as well as the relationship between atmospheric and environmental conditions and the way our bodies move through/within the domestic and club space as Black Caribbeans.

Guests are invited to take notes and make their own scans of the selected texts as an entry point into their own research inspirations. Drawing on Isabelโ€™s professional experience in libraries and archives, this event considers how informal spaces of research and inspiration from the everyday can become your own resources for knowledge production

RSVP to attend, link in bio ๐Ÿ–‡๏ธ

Jesus Hilario-Reyes๐˜ž๐˜ฉ๐˜ฆ๐˜ฏ ๐˜ ๐˜ด๐˜ฆ๐˜ฆ ๐˜บ๐˜ฐ๐˜ถ, 2026Mahogany Display Case, Two Chauvet Dj Hurricane 1200s, Perfect Storm 2.0, Light B...
10/02/2026

Jesus Hilario-Reyes

๐˜ž๐˜ฉ๐˜ฆ๐˜ฏ ๐˜ ๐˜ด๐˜ฆ๐˜ฆ ๐˜บ๐˜ฐ๐˜ถ, 2026
Mahogany Display Case, Two Chauvet Dj Hurricane 1200s, Perfect Storm 2.0, Light Bulbs

โ€œ... ๐˜ช๐˜ฏ ๐˜ง๐˜ข๐˜ญ๐˜ญ๐˜ฏ๐˜ฆ๐˜ด๐˜ด, ๐˜ข ๐˜ค๐˜ญ๐˜ถ๐˜ฃ ๐˜ข๐˜ณ๐˜ช๐˜ด๐˜ฆ๐˜ด. ๐˜‹๐˜ช๐˜ด๐˜ฐ๐˜ณ๐˜ฅ๐˜ฆ๐˜ณ ๐˜ช๐˜ด ๐˜ฐ๐˜ถ๐˜ณ ๐˜ด๐˜ฆ๐˜ณ๐˜ท๐˜ช๐˜ค๐˜ฆ, ๐˜ฐ๐˜ถ๐˜ณ ๐˜ข๐˜ฏ๐˜ต๐˜ช๐˜ฅ๐˜ฐ๐˜ต๐˜ฆ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ข๐˜ฏ๐˜ต๐˜ฆ๐˜ณ๐˜ฐ๐˜ฐ๐˜ฎ, ๐˜ฐ๐˜ถ๐˜ณ ๐˜ท๐˜ฆ๐˜ด๐˜ต๐˜ช๐˜ฃ๐˜ถ๐˜ญ๐˜ฆ ๐˜ธ๐˜ช๐˜ต๐˜ฉ๐˜ฐ๐˜ถ๐˜ต ๐˜ข ๐˜ด๐˜ต๐˜ฐ๐˜ณ๐˜บ. ๐˜ž๐˜ฆ ๐˜ค๐˜ข๐˜ฏโ€™๐˜ต ๐˜ด๐˜ถ๐˜ณ๐˜ท๐˜ช๐˜ท๐˜ฆ ๐˜ช๐˜ฏ๐˜ต๐˜ข๐˜ค๐˜ต. ๐˜ž๐˜ฆ ๐˜ค๐˜ข๐˜ฏ ๐˜ฐ๐˜ฏ๐˜ญ๐˜บ ๐˜ด๐˜ถ๐˜ณ๐˜ท๐˜ช๐˜ท๐˜ฆ ๐˜ช๐˜ง ๐˜ธ๐˜ฆ ๐˜ข๐˜ณ๐˜ฆ ๐˜ฏ๐˜ฐ๐˜ต ๐˜ช๐˜ฏ๐˜ต๐˜ข๐˜ค๐˜ต. ๐˜–๐˜ถ๐˜ณ ๐˜ฅ๐˜ข๐˜ฏ๐˜จ๐˜ฆ๐˜ณ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ด๐˜ข๐˜ท๐˜ช๐˜ฏ๐˜จ ๐˜ฑ๐˜ฐ๐˜ธ๐˜ฆ๐˜ณ ๐˜ช๐˜ด ๐˜ข๐˜ญ๐˜ธ๐˜ข๐˜บ๐˜ด ๐˜ข๐˜ฏ ๐˜ฐ๐˜ฑ๐˜ฆ๐˜ฏ ๐˜ฅ๐˜ฐ๐˜ฐ๐˜ณ. ๐˜–๐˜ถ๐˜ณ ๐˜ท๐˜ฆ๐˜ฏ๐˜ถ๐˜ฆ ๐˜ช๐˜ด ๐˜ฎ๐˜ถ๐˜ต๐˜ถ๐˜ข๐˜ญ ๐˜ช๐˜ฏ๐˜ง๐˜ถ๐˜ด๐˜ช๐˜ฐ๐˜ฏ, ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฉ๐˜ฐ๐˜ญ๐˜บ ๐˜ฐ๐˜ง ๐˜ฉ๐˜ฐ๐˜ญ๐˜ช๐˜ฆ๐˜ด ๐˜ช๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ธ๐˜ข๐˜ญ๐˜ญ, ๐˜ข ๐˜จ๐˜ญ๐˜ฐ๐˜ณ๐˜บ ๐˜ช๐˜ฏ ๐˜ข ๐˜ฌ๐˜ช๐˜ฏ๐˜ฅ ๐˜ฐ๐˜ง ๐˜ฐ๐˜ฑ๐˜ฆ๐˜ฏ ๐˜ค๐˜ฉ๐˜ข๐˜ด๐˜ต๐˜ช๐˜ต๐˜บ, ๐˜ธ๐˜ฉ๐˜ฆ๐˜ณ๐˜ฆ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฆ๐˜น๐˜ฑ๐˜ญ๐˜ช๐˜ค๐˜ช๐˜ต ๐˜ฃ๐˜ฐ๐˜ฅ๐˜บ ๐˜ณ๐˜ฆ๐˜ท๐˜ฆ๐˜ข๐˜ญ๐˜ด ๐˜ช๐˜ต๐˜ด๐˜ฆ๐˜ญ๐˜ง ๐˜ฅ๐˜ฆ๐˜ฎ๐˜ถ๐˜ณ๐˜ฆ ๐˜ช๐˜ฏ ๐˜ฅ๐˜ช๐˜ด๐˜ข๐˜ฑ๐˜ฑ๐˜ฆ๐˜ข๐˜ณ๐˜ข๐˜ฏ๐˜ค๐˜ฆโ€ฆโ€

Black and Blur
By Fred Moten

How does one score an impossible site? In his newest series of drawings and sculpture, this proposition is staged. Hilario-Reyes utilizes the lilting language of dance notation to materialize a mangrove-like entanglement across his drawing works: a cloud of markings strewn across layers of translucent vellum, mapping the imagined movements of dancers into abstract forms. Fog swirls in a mahogany vitrine, filling and emptying in a perennial fall towards disappearance; its own ability to be contained a paradoxical ephemera. As if standing amidst the cacophony of the hurricane itself, Hilario-Reyesโ€™s works recall Gwendolyn Brooks final injunction in her poem, ๐˜›๐˜ฉ๐˜ฆ ๐˜š๐˜ฆ๐˜ค๐˜ฐ๐˜ฏ๐˜ฅ ๐˜š๐˜ฆ๐˜ณ๐˜ฎ๐˜ฐ๐˜ฏ ๐˜ฐ๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ž๐˜ข๐˜ณ๐˜ฑ๐˜ญ๐˜ข๐˜ฏ๐˜ฅ: โ€œIt is lonesome, yes / For we are the last of the loud. Nevertheless, live / Conduct your blooming in the noise and whip of the whirlwind.โ€ And in fallenness, freedom arises in the erasure of a singular intactness, unintelligibilty welcomes us in

๐˜š๐˜ค๐˜ฐ๐˜ณ๐˜ฆ๐˜ด will be on view through November 21, during gallery hours Thurs - Sat, 1-6PM

Jesรบs Hilario-Reyesโ€™s solo exhibition ๐˜š๐˜ค๐˜ฐ๐˜ณ๐˜ฆ๐˜ด is on view until November 21 We are excited to pour even more celebration a...
09/24/2026

Jesรบs Hilario-Reyesโ€™s solo exhibition ๐˜š๐˜ค๐˜ฐ๐˜ณ๐˜ฆ๐˜ด is on view until November 21

We are excited to pour even more celebration and gratitude into Jesรบsโ€™s homecoming to Chicago - for the inimitable force he is, and the unintelligibility he welcomes us within. Special thank you to stella rae binion for designing and printing an accompanying found poem brimming with footnotes to the exhibition, available to take away during its run time ๐Ÿ’ซ and to the DJโ€™s and friends who helped us welcome ๐˜š๐˜ค๐˜ฐ๐˜ณ๐˜ฆ๐˜ด with a deserving bliss โ˜† JAXX โ˜† Del Hale jupiter.magazine

Photos by Steven Piper

We are excited to host the authors of the artist book ๐˜๐˜ฐ๐˜ญ๐˜ฅ๐˜ช๐˜ฏ๐˜จ ๐˜ข ๐˜”๐˜ช๐˜ณ๐˜ณ๐˜ฐ๐˜ณ ๐˜ต๐˜ฐ ๐˜–๐˜ฏ๐˜ฆโ€™๐˜ด ๐˜‰๐˜ฆ๐˜ญ๐˜ฐ๐˜ท๐˜ฆ๐˜ฅ for a conversation with each oth...
09/21/2026

We are excited to host the authors of the artist book ๐˜๐˜ฐ๐˜ญ๐˜ฅ๐˜ช๐˜ฏ๐˜จ ๐˜ข ๐˜”๐˜ช๐˜ณ๐˜ณ๐˜ฐ๐˜ณ ๐˜ต๐˜ฐ ๐˜–๐˜ฏ๐˜ฆโ€™๐˜ด ๐˜‰๐˜ฆ๐˜ญ๐˜ฐ๐˜ท๐˜ฆ๐˜ฅ for a conversation with each other this Saturday, Sept 26 at 10AM

๐˜๐˜ฐ๐˜ญ๐˜ฅ๐˜ช๐˜ฏ๐˜จ ๐˜ข ๐˜”๐˜ช๐˜ณ๐˜ณ๐˜ฐ๐˜ณ ๐˜ต๐˜ฐ ๐˜–๐˜ฏ๐˜ฆโ€™๐˜ด ๐˜‰๐˜ฆ๐˜ญ๐˜ฐ๐˜ท๐˜ฆ๐˜ฅ is an extension of Kushala Voraโ€™s (Kushala Vora) studio practice, and was conceived as a site for shared inquiry into the frameworks that shape our perception of ourselves, each other, and the places we inhabit. Edited by Manisha AR and designed by Sanjana Jain, the book can be approached from the front, middle, or end, emulating a walk through a forest. Do our tools expand our vision, or narrow it? What does it mean to see yourself through someone elseโ€™s eyes, and can we ever truly know how weโ€™re being seen?

Ayesha Sheth, Alden Burke, Pia Singh, Ketaki Ghate, and Nicole Seisler each contribute work that brings together perspectives across ecology, world-making, curation, history, linguistics, and art. Through essays, poetry, and intimate reflections, they look for meaning within our fragmentary existence.

Hybrid event: Join us at Tala in person or via Zoom. RSVP in bio ๐Ÿ”—

The book will be available for purchase at Tala Gallery in limited quantities. Additional copies are available for preorder. Breakfast snacks and refreshments will be provided.

Supported by the Jyotsna Bhatt Ceramics Award and Ark Foundation, Vadodara. Work made during Artist residencies at Yingge Ceramics Museum, Taiwan, and Shillim Institute, Shillimb

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