09/02/2026
In 1958, Marilyn Monroe teamed up with renowned photographer Richard Avedon for a distinctive photographic series that paid tribute to five famous actresses from earlier generations of entertainment. Monroe recreated images associated with Lillian Russell, Theda Bara, Clara Bow, Jean Harlow, and Marlene Dietrich, interpreting each star through her own distinctive presence.
The project appeared in the Christmas issue of Life magazine and showed Monroe moving between different eras of Hollywood and popular culture. Russell had been one of the major stage stars of the late 19th and early 20th centuries, Bara became one of silent cinema’s earliest screen icons, Bow was celebrated as the “It Girl” of the 1920s, Harlow became one of the defining blonde stars of the early 1930s, and Dietrich had established an international career spanning German and American cinema.
Avedon, who had photographed Monroe extensively, considered her an unusually expressive subject for still photography. The series was accompanied by a personal contribution from Monroe’s husband, playwright Arthur Miller, who wrote an article titled “My Wife, Marilyn.”
Rather than simply copying the earlier photographs, Monroe interpreted the women she portrayed, using costumes, poses, expressions, and staging to evoke their established public images. The resulting photographs became a striking record of Monroe engaging directly with the actresses and screen personas who had helped shape the visual history of American entertainment.