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Art in the wild. A big shoutout to local interior designer R. Chandler Collins for using our Home & Garden series by And...
10/16/2026

Art in the wild. A big shoutout to local interior designer R. Chandler Collins for using our Home & Garden series by Anderson Wrangle in this stunning French Quarter project.

True North — Leigh Royer’s second solo exhibition with Stevenson & Co. — opens this November. A new body of work shaped ...
10/07/2026

True North — Leigh Royer’s second solo exhibition with Stevenson & Co. — opens this November. A new body of work shaped by Royer’s restless study of light, color, atmosphere, and place, and by the instinct to keep looking until the essential reveals itself. Collector Preview Wednesday, November 4, 5–7 PM; opening reception Friday, November 6, 5–8 PM. On view through November 30 at 50 Queen Street.

IN CONVERSATION WITH EMMA BARNESFor Emma Barnes, plaster is not simply a ground upon which an image sits. It becomes sur...
09/24/2026

IN CONVERSATION WITH EMMA BARNES

For Emma Barnes, plaster is not simply a ground upon which an image sits. It becomes surface, material, and image at once—absorbing, obscuring, and transforming what is placed upon it.

“People are usually surprised with how the plaster absorbs the ink or photograph. Sometimes they are uncertain what is a photo or what is painted.”

In Broad River, the photographic and the handmade are deliberately difficult to separate. Ink enters the plaster rather than merely resting upon it, allowing the landscape to appear simultaneously recorded and materially altered.

Artwork Featured:
Broad River, 2026
Plaster, Ink, and Linen on Panel
36 x 36 in.

On View | Prescribed Burn
Emma Barnes Solo Exhibition
September 4–30, 2026
Stevenson & Co. | 50 Queen Street, Charleston

IN CONVERSATION WITH EMMA BARNESFor Emma Barnes, place is more than subject matter. It carries memory, history, and cont...
09/22/2026

IN CONVERSATION WITH EMMA BARNES

For Emma Barnes, place is more than subject matter. It carries memory, history, and contradiction—particularly in the rural South Carolina landscape of her childhood, where familiarity and change exist side by side.

“How do we begin to put the weight of a place into words? I want to sit with all the complexity in the landscape of home.”

In Cow Pond, a familiar scene becomes something less fixed: plaster, oil, and ink build a surface in which the image is preserved, interrupted, and reconsidered. The work is not simply about depicting a place, but about understanding what remains of it through memory.

Artwork Featured:
Cow Pond, 2026
Plaster, Oil, and Ink on Panel
24 x 30 in.

On View | Prescribed Burn
Emma Barnes Solo Exhibition
September 4–30, 2026
Stevenson & Co. | 50 Queen Street, Charleston

IN CONVERSATION WITH EMMA BARNESFor Emma Barnes, process is not simply the means by which her pieces are made. It is a n...
09/17/2026

IN CONVERSATION WITH EMMA BARNES

For Emma Barnes, process is not simply the means by which her pieces are made. It is a negotiation between intention and material - between what can be planned and what must be allowed to happen.

“I enjoy how the materials together force me to let go and relinquish some control, and I’m often happier with the unpredicted outcome.”

In Bostick Circle, plaster, ink, and acrylic register the push and pull Emma describes between planning and surrender, each material altering the original image as the work evolves.

Artwork Featured:
Bostick Circle, 2026
Plaster, Ink, and Acrylic
8 x 8 in.

On View | Prescribed Burn
Emma Barnes Solo Exhibition
September 4-30, 2026
Stevenson & Co. | 50 Queen Street, Charleston

CharlestonGalleryAssociation

09/17/2026
Stevenson & Co. is seeking a Gallery Associate with discretion, polish, initiative, and an instinct for the details that...
09/16/2026

Stevenson & Co. is seeking a Gallery Associate with discretion, polish, initiative, and an instinct for the details that matter. Art-world experience is welcome; good judgment is essential.

Applications now being accepted. Kindly apply through the gallery website—unscheduled appearances at the gallery will not be considered part of the application process.

50 Queen Street, Charleston.

Please DM the gallery or email [email protected] with any questions.

Spotlight on Prescribed Burn. In this new body of work, Emma Barnes moves between photography, paint, plaster, and the S...
09/14/2026

Spotlight on Prescribed Burn. In this new body of work, Emma Barnes moves between photography, paint, plaster, and the Southern landscape—layering image and material until the familiar becomes something remembered, altered, and newly seen.

Featured works from Emma Barnes: Prescribed Burn, now on view at Stevenson &

Tomorrow night, we open PRESCRIBED BURN, Emma Barnes’ debut solo exhibition with Stevenson & Co.There is something unmis...
09/03/2026

Tomorrow night, we open PRESCRIBED BURN, Emma Barnes’ debut solo exhibition with Stevenson & Co.

There is something unmistakable about an artist arriving at a language entirely her own. Emma’s is already there—photography embedded in plaster, painted landscapes interrupted and excavated, surfaces built up, burned away, and returned to again. The work feels simultaneously ancient and immediate: part image, part object, part memory.

We could not be prouder to present this exhibition and this remarkable new body of work.

Link in bio to learn more about the artist and preview exhibition works.

Tomorrow night at Stevenson & Co.
Friday, September 4 | 5–8 PM
50 Queen Street, Charleston

Stevenson & Co. is proud to present Emma Barnes’ debut solo exhibition, PRESCRIBED BURN, opening this Friday.Beaufort-ba...
09/01/2026

Stevenson & Co. is proud to present Emma Barnes’ debut solo exhibition, PRESCRIBED BURN, opening this Friday.

Beaufort-based artist Emma Barnes returns to a process she witnessed growing up on her family’s farm: the controlled burning of fields at the turn of a season. Necessary destruction. Dead growth cleared away. The landscape suspended between what has been and what is yet to come.

Across plaster, photography, and painting, Barnes traces that threshold through burning fields, magnolias, tidal shifts, rural treelines, cowfields, and coastal skies. Images are transferred, buried, hardened, peeled back, and preserved—landscape becoming relic, memory becoming material, home becoming something at once fading and regenerating.

EMMA BARNES
PRESCRIBED BURN
September 4–30, 2026

Opening Reception
Friday, September 4 · 5–8 PM
50 Queen Street · Charleston, SC

All are welcome.

Address

50 Queen Street
Charleston, SC
29401

Opening Hours

Tuesday 10am - 5pm
Wednesday 10am - 5pm
Thursday 10am - 5pm
Friday 10am - 5pm
Saturday 10am - 5pm

Telephone

+18432614768

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