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ADVENT CALENDAR DAY TWENTY FIVE
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This life-size oil painting of the Adoration of the Shepherds by Edwin Herder, which hangs above Glencairn’s Upper Hall fireplace each Christmas season, is a re-interpretation of an original painting by Frank Snyder from the late 1930s. The Herder and Snyder paintings were both adapted from an illustration in The Christ Child, a children’s book published in 1931 by Miska and Maud Petersham, who were a husband-and-wife team of illustrators. Raymond and Mildred Pitcairn were very fond of the work of the Petershams, and commissioned small paintings from them on several occasions. They gave the Pitcairns special permission for Snyder’s large-scale adaptation of their work.
When Glencairn became a museum in the 1980s, Snyder’s original painting on canvas was found to be deteriorated beyond repair. However, thanks to generous donors, this re-interpretation was painted in 2016 by Herder, an artist who lives in Bryn Athyn. Herder has been working as an illustrator since 1975, and has done book covers for such well-known authors as Michael Crichton and Tom Clancy. Recently he has been pursuing his love of oil painting and portraiture.
“O magnum mysterium” was released this evening by Les Canards Chantants, Ensemble in Residence of Glencairn Museum, just in time to celebrate Christmas!
https://youtu.be/UsLHjrM_wxc
ADVENT CALENDAR DAY TWENTY FOUR
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“Bryn Athyn Nativity” honors the architectural legacy of Raymond Pitcairn, who supervised the design and construction of both Bryn Athyn Cathedral and Glencairn, and also his particular love for the story of the Nativity and the celebration of Christmas. Michael Joseph Stumpf and A.J. DiAntonio of Navidad Nativities created the architectural setting in wood, stone and other natural materials in their Bucks County, Pennsylvania, atelier. The Renaissance-style Nativity figures belong to the Immanuel Collection, made by Original Heide, a family workshop in the Italian Alps in the Val Gardena valley. All of the figures were hand carved in wood. The drapery of the clothing was stiffened and painted with acrylic paints.
Pitcairn’s artistic vision and attention to detail inspired the Navidad artists to create this tribute in miniature. Drawing from their favorite elements in each of the buildings, Navidad developed a design that represents their own interpretation of the historical and architectural relationship between Bryn Athyn Cathedral and Glencairn. The lavender glow surrounding the Holy Family duplicates the light in the sanctuary of the actual Cathedral, produced when the sun streams through the red and blue glass in the side windows. Glencairn’s Upper Hall is reproduced on the right-hand side of this Nativity.
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Every day, from December 1 through December 25, a new work of Nativity art from the Glencairn Museum collection will appear on our website (“Follow the Star: A 2022 Advent Calendar”). To receive these in your newsfeed, follow the Museum’s social media (Facebook, Instagram).
ADVENT CALENDAR DAY TWENTY THREE
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Nancy Schnarr-Bruell, an artist from Bryn Athyn, Pennsylvania, created this three-dimensional version of an illustration in The Christ Child, a 1931 children’s book by Maud and Miska Petersham. The Petershams, a husband-and-wife artist team, were well known in the first half of the 20th century as illustrators and authors of children’s literature.
The Petershams’ books were well regarded by Raymond and Mildred Pitcairn; Mildred gave copies of The Christ Child to over 100 families and friends in the year 1949 alone. The Pitcairns’ enthusiasm for the book was so great that in the late 1930s they commissioned artist Frank Snyder to paint a life-size interpretation of the illustration of the Adoration of the Shepherds for Glencairn, their newly-completed home in Bryn Athyn.
The three-dimensional version of the Petershams’ illustration was handcarved and sewn by Nancy Schnarr-Bruell; the backdrop was created by her husband, John Bruell. According to Schnarr-Bruell, “I love making Nativities because I love making images of the Lord. I think the Petershams in the book The Christ Child, especially in their illustration of the Adoration of the Shepherds, were able to capture a sphere of innocence that we should all strive for when we come before the Lord. I grew up with many of the Petersham books, and The Christ Child was a favorite part of my childhood Christmas tradition. Ever since I was little I’ve always wanted to ‘step inside’ the scene, and be there at the manger with the shepherds. So . . . I decided to make a three-dimensional version. I hope it will help others to experience what I’ve been experiencing in my own imagination for many years.”
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Every day, from December 1 through December 25, a new work of Nativity art from the Glencairn Museum collection will appear on our website (“Follow the Star: A 2022 Advent Calendar”). To receive these in your newsfeed, follow the Museum’s social media (Facebook, Instagram).
ADVENT CALENDAR DAY TWENTY TWO
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This diorama illustrates the biblical narrative of the Adoration of the Shepherds: “And they came with haste and found Mary and Joseph, and the Babe lying in a manger” (Luke 2:16).
Winfred S. Hyatt made three Nativity scenes for the Raymond and Mildred Pitcairn family during the 1920s; this scene is one of the three. Hyatt, the principal stained-glass artist and designer for Bryn Athyn Cathedral and later Glencairn, also made Nativity scenes for the Cathedral, the Harold Pitcairn family, and President and Mrs. Eisenhower. Hyatt modeled all the figures for the Pitcairn scenes, which were then cast in plaster, painted, and clothed.
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Every day, from December 1 through December 25, a new work of Nativity art from the Glencairn Museum collection will appear on our website (“Follow the Star: A 2022 Advent Calendar”). To receive these in your newsfeed, follow the Museum’s social media (Facebook, Instagram).
ADVENT CALENDAR DAY TWENTY ONE
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This scene of the Flight into Egypt (Matthew 2:13–23) is from a page in a 15th-century Flemish medieval prayer book known as the Book of Hours. According to Matthew, after the visit of the Wise Men, “an angel of the Lord appeared to Joseph in a dream, saying, ‘Arise, take the young Child and His mother, flee to Egypt, and stay there until I bring you word; for Herod will seek the young Child to destroy Him’” (2:13). Although the Bible provides very little information about this episode in the Nativity narrative, it is frequently depicted in art.
The landscape in this illustration of the Flight into Egypt is rocky, with brown ground and palm trees, so the setting may be intended to evoke travel through the desert.
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Every day, from December 1 through December 25, a new work of Nativity art from the Glencairn Museum collection will appear on our website (“Follow the Star: A 2022 Advent Calendar”). To receive these in your newsfeed, follow the Museum’s social media (Facebook, Instagram).
ADVENT CALENDAR DAY TWENTY
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A Venezuelan artist created this Nativity from banana leaves and other natural materials. The leaves were soaked to make them pliable enough to shape, and a clear shellac was added once they were dry. The faces have been delicately painted, and gold-colored thread has been used to decorate some of the figures.
It is common for families in Venezuela to have a nacimiento (Nativity scene) in their home during the Christmas season. Sometimes the scene is very detailed, with elaborate landscaping. The traditional gift giver is the Baby Jesus, who leaves presents for the children on Christmas Eve. Most families attend Misa de Gallo (a Catholic midnight Mass) that evening, and then go home for a special meal. Hallacas, a traditional Christmas food, is made with corn meal, a filling of beef, chicken, pork, olives, vegetables and spices—all wrapped in banana leaves and steamed.
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Every day, from December 1 through December 25, a new work of Nativity art from the Glencairn Museum collection will appear on our website (“Follow the Star: A 2022 Advent Calendar”). To receive these in your newsfeed, follow the Museum’s social media (Facebook, Instagram).
ADVENT CALENDAR DAY NINETEEN
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There are 19 Pueblos in New Mexico, all of which are linked by common history, culture, and traditions. European influences brought many changes to the Pueblo Indian way of life, with most of the residents accepting Christianity as an addition to their own pre-Christian traditions. Today a number of Pueblo Indian artists make Nativities, along with other works such as the famous ceramic storyteller figures. Pueblo culture is rich with myths and stories, which are used to convey traditions and values. Both the storyteller figures and the Nativity figures have an open mouth in order to “let the stories out.”
Yolanda Toya Toledo specializes in making storytellers, Nativities, angels, and Christmas ornaments. She and her seven sisters are continuing the legacy of their mother, the renowned Jemez Pueblo potter Mary Ellen Toya, and their grandmother, Carrie Loretto of Laguna Pueblo. Using traditional Pueblo methods, Yolanda digs her clay on the Jemez Reservation, uses natural pigments, and fires her pottery outdoors.
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Every day, from December 1 through December 25, a new work of Nativity art from the Glencairn Museum collection will appear on our website (“Follow the Star: A 2022 Advent Calendar”). To receive these in your newsfeed, follow the Museum’s social media (Facebook, Instagram).