05/29/2026
Why are there two matching 16th-century Turkish tiles in New England, 5,000 miles from home?
On a window ledge in our Spanish Cloister sits an İznik tile painted with a lush, winding vine of tulips, carnations, and hyacinths. Remarkably, an identical tile lives just 50 miles away at the Providence Art Club.
We don't know who designed them, but we know their placement was intentional. Isabella Stewart Gardner deliberately sat her fragment right between the Italianate Courtyard and the Spanish Cloister, forcing a global visual conversation between Islamic, Italian, and Hispanic art.
Look closely on your next visit to help us ponder this bi-continental mystery.