Maus Contemporary

Maus Contemporary contemporary art gallery and space dedicated to supporting creativity with a focus on experimental and issue driven works A space for contemporary art. N.

Located on Second Ave North, between 25th St. and 24th St. (one way), next to Space One Eleven.

Fair wind and following seas, King Harald V of Norway. image:Crown Prince Harald happily on board.photograph by Eivind K...
08/28/2026

Fair wind and following seas, King Harald V of Norway.

image:
Crown Prince Harald happily on board.
photograph by Eivind Kleiven
Royal Colllection

TONIGHT! Please join us tonight (6-8pm) for the opening reception of AKIKO MASHIMA: SCULPTURE.••••••Japanese artist Akik...
08/21/2026

TONIGHT! Please join us tonight (6-8pm) for the opening reception of AKIKO MASHIMA: SCULPTURE.

••••••

Japanese artist Akiko Mashima (born 1952 in Saga, Japan) studied sculpture at the Musashino Art University in 1976, before transitioning to the Brooklyn Museum Art School in 1978-1979, and to the Art Students League (1979-1980). She lives in New York City and in Kanagawa, Japan.

She is the recipient of a Robert Smithson Memorial Scholarship in Sculpture (1978-1979), and received a Pollock-Krasner Foundation Grant in 1988.

••••••

.mashima Guido Maus

Please join us this Friday, Aug. 21 (6-8pm) at Maus Contemporary for the opening reception of AKIKO MASHIMA: SCULPTURE.i...
08/20/2026

Please join us this Friday, Aug. 21 (6-8pm) at Maus Contemporary for the opening reception of AKIKO MASHIMA: SCULPTURE.

image:
Akiko Mashima
"Space 03-01"
2003
wood, paint
approx. 60 by 54 by 2.4 in.
(ca. 152,5 by 137 by 6 cm)

••••••

Japanese artist Akiko Mashima (born 1952 in Saga, Japan) studied sculpture at the Musashino Art University in 1976, before transitioning to the Brooklyn Museum Art School in 1978-1979, and to the Art Students League (1979-1980). She lives in New York City and in Kanagawa, Japan.

She is the recipient of a Robert Smithson Memorial Scholarship in Sculpture (1978-1979), and received a Pollock-Krasner Foundation Grant in 1988.

••••••

.mashima Guido Maus

Akiko Mashima, "80-01", 1980, concrete, approx. 14.6 by 9.1 by 9.1 in. (ca. 37 by 23 by 23 cm)••••••“(…) Present-day ci...
08/19/2026

Akiko Mashima, "80-01", 1980, concrete, approx. 14.6 by 9.1 by 9.1 in. (ca. 37 by 23 by 23 cm)

••••••

“(…) Present-day cities seem to exist on the opposite sides of the African and Amazonian jungles (architect Rem Koolhaas metaphorically wrote that Manhattan is ‘the 20th century’s Rosetta Stone’). But if a city is seen as one environment within a given era, then the ‘objects’ that people have created out of their actions and necessary conditions for living (that is, those ‘products’ that were manually processed using the limited materials that an individual can handle) should allow one to perceive the elements and possibilities that can be linked to the fragments of myths and forms that have been the subjects of study for anthropologists and archeologists. Like Mashima, the more that the straightforward artists are inclined toward the motivations and principles of the essential forms of creation, the more likely it is that their works are closer to ‘the woven-out world itself.’ The world is a fragmental one that is at the same time created from a non-segmented, linear time that suggests a totality.

Mashima experienced ‘one of the jungles’ just as the transitional period shifted into a new century. Since that time, our minds have been focused on the crises of the entire human race that is in a state of constant opposition and confusion. In such a state, my expectation toward Mashima is that she will show us a profound creativity that is on a humanity-wide scale, as if to demonstrate the state of the polyphonic world that refuses to settle into a certain rationality, allowing her to produce works along the lines of potsherds or passages from ancient handed-down stories.”

- Akihito Takami, 2005
translated to English by Taeko Nanpei

••••••

Please join us this Friday, Aug. 21 (6-8pm) for the opening reception of AKIKO MASHIMA: SCULPTURE, the artist’s second one-person exhibition with the gallery.

••••••

.mashima Guido Maus

Akiko Mashima, "Existence 13-06", 2013, wood, graphite, gesso, paint, wood varnish, ca. 44 by 41,8 by 5,7 cm, approx. 17...
08/18/2026

Akiko Mashima, "Existence 13-06", 2013, wood, graphite, gesso, paint, wood varnish, ca. 44 by 41,8 by 5,7 cm, approx. 17.3 by 16.5 by 2.25 in.)

Please join us this Friday, Aug. 21 (6-8pm) at Maus Contemporary for the opening reception of AKIKO MASHIMA: SCULPTURE.

••••••

Japanese artist Akiko Mashima (born 1952 in Saga, Japan) studied sculpture at the Musashino Art University in 1976, before transitioning to the Brooklyn Museum Art School in 1978-1979, and to the Art Students League (1979-1980). She lives in New York City and in Kanagawa, Japan.

She is the recipient of a Robert Smithson Memorial Scholarship in Sculpture (1978-1979), and received a Pollock-Krasner Foundation Grant in 1988.

••••••

.mashima Guido Maus

Please join us this Friday, Aug. 21 (6-8pm) at Maus Contemporary for the opening reception of AKIKO MASHIMA: SCULPTURE.•...
08/18/2026

Please join us this Friday, Aug. 21 (6-8pm) at Maus Contemporary for the opening reception of AKIKO MASHIMA: SCULPTURE.

••••••

image:
Akiko Mashima
"Corner 5"
1991
wood, paint, and graphite
ca. 60 by 29 by 30,5 cm
(approx. 23.6 by 11.4 by 12 in.)

••••••

Japanese artist Akiko Mashima (born 1952 in Saga, Japan) studied sculpture at the Musashino Art University in 1976, before transitioning to the Brooklyn Museum Art School in 1978-1979, and to the Art Students League (1979-1980). She lives in New York City and in Kanagawa, Japan.

She is the recipient of a Robert Smithson Memorial Scholarship in Sculpture (1978-1979), and received a Pollock-Krasner Foundation Grant in 1988.

••••••

.mashima Guido Maus worksonpaper

"(…) Present-day cities seem to exist on the opposite sides of the African and Amazonian jungles (architect Rem Koolha...
08/18/2026

"(…) Present-day cities seem to exist on the opposite sides of the African and Amazonian jungles (architect Rem Koolhaas metaphorically wrote that Manhattan is ‘the 20th century’s Rosetta Stone’). But if a city is seen as one environment within a given era, then the ‘objects’ that people have created out of their actions and necessary conditions for living (that is, those ‘products’ that were manually processed using the limited materials that an individual can handle) should allow one to perceive the elements and possibilities that can be linked to the fragments of myths and forms that have been the subjects of study for anthropologists and archeologists. Like Mashima, the more that the straightforward artists are inclined toward the motivations and principles of the essential forms of creation, the more likely it is that their works are closer to ‘the woven-out world itself.’ The world is a fragmental one that is at the same time created from a non-segmented, linear time that suggests a totality.

Mashima experienced ‘one of the jungles’ just as the transitional period shifted into a new century. Since that time, our minds have been focused on the crises of the entire human race that is in a state of constant opposition and confusion. In such a state, my expectation toward Mashima is that she will show us a profound creativity that is on a humanity-wide scale, as if to demonstrate the state of the polyphonic world that refuses to settle into a certain rationality, allowing her to produce works along the lines of potsherds or passages from ancient handed-down stories.”

- Akihito Takami, 2005
translated to English by Taeko Nanpei

••••••

Please join us this Friday, Aug. 21 (6-8pm) for the opening reception of AKIKO MASHIMA: SCULPTURE, the artist’s second one-person exhibition with the gallery.

••••••

.mashima Guido Maus

Please join us this Friday, Aug. 21 (6-8pm) at Maus Contemporary for the opening reception of AKIKO MASHIMA: SCULPTURE.•...
08/18/2026

Please join us this Friday, Aug. 21 (6-8pm) at Maus Contemporary for the opening reception of AKIKO MASHIMA: SCULPTURE.

••••••

Japanese artist Akiko Mashima (born 1952 in Saga, Japan) studied sculpture at the Musashino Art University in 1976, before transitioning to the Brooklyn Museum Art School in 1978-1979, and to the Art Students League (1979-1980). She lives in New York City and in Kanagawa, Japan.

She is the recipient of a Robert Smithson Memorial Scholarship in Sculpture (1978-1979), and received a Pollock-Krasner Foundation Grant in 1988.

••••••

.mashima Guido Maus

Please join us this Friday, Aug. 21 (6-8pm) at Maus Contemporary for the opening reception of AKIKO MASHIMA: SCULPTURE.•...
08/17/2026

Please join us this Friday, Aug. 21 (6-8pm) at Maus Contemporary for the opening reception of AKIKO MASHIMA: SCULPTURE.

••••••

Japanese artist Akiko Mashima (born 1952 in Saga, Japan) studied sculpture at the Musashino Art University in 1976, before transitioning to the Brooklyn Museum Art School in 1978-1979, and to the Art Students League (1979-1980). She lives in New York City and in Kanagawa, Japan.

She is the recipient of a Robert Smithson Memorial Scholarship in Sculpture (1978-1979), and received a Pollock-Krasner Foundation Grant in 1988.

••••••

Guido Maus

Join us tonight, Friday, June 19 (6-8pm) for the opening reception of WET PAINT, an exhibition highlighting recent work ...
06/19/2026

Join us tonight, Friday, June 19 (6-8pm) for the opening reception of WET PAINT, an exhibition highlighting recent work by Maus Contemporary gallery artists. Swing by the gallery Friday evening and meet the artists.

___

image:
Paul HALLAHAN
“Deilf”
2026
oil on canvas
approx. 12 by 13.8 in. (ca. 30 by 35 cm)

Guido Maus

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2411 2nd Avenue N
Birmingham, AL
35203

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