10/02/2026
Opening October 3 as part of Assembly 2026, to eat out their substance brings together artists who intersect with municipal, civic, and technological infrastructures as the basis of their practice. The exhibition title borrows from the charged rhetoric of the Declaration of Independence, which articulates civic grievances through vivid references to extraction and depletion.
Reframed by curator Jesse Bandler Firestone, the phrase links the nation’s founding rhetoric to contemporary systems of administrative power, positioning artists as interventionists who reclaim agency through acts of access, misuse, and refusal.
Julia Weist infiltrates restricted surveillance systems through her work as a licensed private investigator; Maia Chao and Fred Schmidt-Arenales reveal municipal waste as a site of labor, care, and the democratic exchange of hopes and shattered dreams; and Kamari Carter uses megaphones to relay police radio transmissions from the capital district in DC, revealing communication networks in an act of disobedience and surveillance.
Rather than treating infrastructure as neutral, to eat out their substance reveals it as lived, uneven, and performative. The exhibition asks what becomes visible when artists enter the very systems that govern participation in public life.
Join us at Art After Hours and celebrate the opening of Assembly 2026 and our other new exhibitions!
Images:
1. Maia Chao and Fred Schmidt-Arenales, Waste Scenes, 2024, Two-channel video (40 min. 39 sec.) and custom screen, Dimensions variable. Courtesy the artists.
2. Kamari Carter, Patriot Act, 2024. Oil-based enamel on megaphones, three-channel live audio broadcasts, Dimensions variable. Courtesy the artist and Microscope Gallery, New York.
3. Julia Weist, Curators Agree (Department of Cultural Affairs), 2025, Archival pigment print, 24 x 32 in. Courtesy the artist and Moskowitz Bayse, Los Angeles.
4. Maia Chao and Fred Schmidt-Arenales, Waste Scenes, 2024, Two-channel video (40 min. 39 sec.) and custom screen, Dimensions variable. Courtesy the artists.