問空間Ask Art Space

問空間Ask Art Space 台北永康。新北板橋
A professional space for art brokerage and collection Re-Open 7/12(Sat.)

18/03/2026

展覽名稱|《繪生、繪影:擴增實境時代的寫生》
藝術家|許智瑋
策展人|沈伯丞

2025|TOP GUN系列

寫生(drawing from nature)向來被藝術家視為回應現實世界最直接的繪畫方式,也是身體行為的在場實踐。然而在虛擬實境Virtual Reality (VR)與擴增實境Augmented Reality (AR)逐漸滲入生活日常的當下,寫生所面對的「景」不再是穩定單一的對象,而是一個由實體空間、電腦圖學、感測系統與人機介面層層堆疊的複合場域,這些條件構成了擴增實境時代下新的感知經驗。
《繪生、繪影:擴增實境時代的寫生》欲以此當代數位科技思維出發,嘗試重新思考手繪在高度數位化、甚至由 AI 工程所建構的影像風景中的位置與可能性。
手繪並未在擴增實境時代失效,而是轉化為一種與數位運算技術共存的實踐方式。透過寫生重新審視定義自身的觀看位置,思考在層層疊加的擴增實境之中,我們如何感知世界,又如何在影像與身體之間,持續地「在場」。
Historically, "drawing from nature" has served as the artist’s most immediate dialogue with reality—an indexical proof of physical presence. Today, however, as Virtual and Augmented Reality (VR/AR) dissolve into the fabric of daily life, the "landscape" is no longer a stable, singular subject. It has evolved into a composite field where physical space, computer graphics, and sensory interfaces collide, redefining our perceptual experience in the augmented age.
Tracing the Virtual adopts a contemporary digital-first lens to reconsider the role of hand-drawing within a landscape of hyper-mediation and AI-engineered imagery.
In the augmented age, hand-drawing is far from obsolete; it has evolved into a practice of coexistence with computational logic. By reclaiming the act of looking, we redefine our own position within these layered realities—interrogating how we perceive the world and how we sustain a sense of "presence" between the body and the digital image.

🎨----------展覽資訊----------🎨

▪️展出日期|2026/1/31 Sat.- 2026/4/5 Sun.
▪️展出時間|週三~週六 Wed-Sat / 14:30 - 18:30
▪️開幕茶會|2026/2/7 Sat. / 15:30
▪️座 談會 |2026/2/28 Sat. / 14:30
▪️展覽地址|新北市板橋區重慶路8號9樓
▪️聯絡資訊|問空間 板橋二館 02-2272-2228

#問空間 #新北板橋二館 #新北展覽 #藝廊 #展覽
#繪生繪影擴增實境時代的寫生

14/03/2026

展覽名稱|《繪生、繪影:擴增實境時代的寫生》
藝術家|許智瑋
策展人|沈伯丞

2025|密室酒吧系列

寫生(drawing from nature)向來被藝術家視為回應現實世界最直接的繪畫方式,也是身體行為的在場實踐。然而在虛擬實境Virtual Reality (VR)與擴增實境Augmented Reality (AR)逐漸滲入生活日常的當下,寫生所面對的「景」不再是穩定單一的對象,而是一個由實體空間、電腦圖學、感測系統與人機介面層層堆疊的複合場域,這些條件構成了擴增實境時代下新的感知經驗。
《繪生、繪影:擴增實境時代的寫生》欲以此當代數位科技思維出發,嘗試重新思考手繪在高度數位化、甚至由 AI 工程所建構的影像風景中的位置與可能性。
手繪並未在擴增實境時代失效,而是轉化為一種與數位運算技術共存的實踐方式。透過寫生重新審視定義自身的觀看位置,思考在層層疊加的擴增實境之中,我們如何感知世界,又如何在影像與身體之間,持續地「在場」。
Historically, "drawing from nature" has served as the artist’s most immediate dialogue with reality—an indexical proof of physical presence. Today, however, as Virtual and Augmented Reality (VR/AR) dissolve into the fabric of daily life, the "landscape" is no longer a stable, singular subject. It has evolved into a composite field where physical space, computer graphics, and sensory interfaces collide, redefining our perceptual experience in the augmented age.
Tracing the Virtual adopts a contemporary digital-first lens to reconsider the role of hand-drawing within a landscape of hyper-mediation and AI-engineered imagery.
In the augmented age, hand-drawing is far from obsolete; it has evolved into a practice of coexistence with computational logic. By reclaiming the act of looking, we redefine our own position within these layered realities—interrogating how we perceive the world and how we sustain a sense of "presence" between the body and the digital image.

🎨----------展覽資訊----------🎨

▪️展出日期|2026/1/31 Sat.- 2026/4/5 Sun.
▪️展出時間|週三~週六 Wed-Sat / 14:30 - 18:30
▪️開幕茶會|2026/2/7 Sat. / 15:30
▪️座 談會 |2026/2/28 Sat. / 14:30
▪️展覽地址|新北市板橋區重慶路8號9樓
▪️聯絡資訊|問空間 板橋二館 02-2272-2228

#問空間 #新北板橋二館 #新北展覽 #藝廊 #展覽
#繪生繪影擴增實境時代的寫生

13/03/2026

展覽名稱|《繪生、繪影:擴增實境時代的寫生》
藝術家|許智瑋
策展人|沈伯丞

2025|漁者系列

寫生(drawing from nature)向來被藝術家視為回應現實世界最直接的繪畫方式,也是身體行為的在場實踐。然而在虛擬實境Virtual Reality (VR)與擴增實境Augmented Reality (AR)逐漸滲入生活日常的當下,寫生所面對的「景」不再是穩定單一的對象,而是一個由實體空間、電腦圖學、感測系統與人機介面層層堆疊的複合場域,這些條件構成了擴增實境時代下新的感知經驗。
《繪生、繪影:擴增實境時代的寫生》欲以此當代數位科技思維出發,嘗試重新思考手繪在高度數位化、甚至由 AI 工程所建構的影像風景中的位置與可能性。
手繪並未在擴增實境時代失效,而是轉化為一種與數位運算技術共存的實踐方式。透過寫生重新審視定義自身的觀看位置,思考在層層疊加的擴增實境之中,我們如何感知世界,又如何在影像與身體之間,持續地「在場」。
Historically, "drawing from nature" has served as the artist’s most immediate dialogue with reality—an indexical proof of physical presence. Today, however, as Virtual and Augmented Reality (VR/AR) dissolve into the fabric of daily life, the "landscape" is no longer a stable, singular subject. It has evolved into a composite field where physical space, computer graphics, and sensory interfaces collide, redefining our perceptual experience in the augmented age.
Tracing the Virtual adopts a contemporary digital-first lens to reconsider the role of hand-drawing within a landscape of hyper-mediation and AI-engineered imagery.
In the augmented age, hand-drawing is far from obsolete; it has evolved into a practice of coexistence with computational logic. By reclaiming the act of looking, we redefine our own position within these layered realities—interrogating how we perceive the world and how we sustain a sense of "presence" between the body and the digital image.

🎨----------展覽資訊----------🎨

▪️展出日期|2026/1/31 Sat.- 2026/4/5 Sun.
▪️展出時間|週三~週六 Wed-Sat / 14:30 - 18:30
▪️開幕茶會|2026/2/7 Sat. / 15:30
▪️座 談會 |2026/2/28 Sat. / 14:30
▪️展覽地址|新北市板橋區重慶路8號9樓
▪️聯絡資訊|問空間 板橋二館 02-2272-2228

#問空間 #新北板橋二館 #新北展覽 #藝廊 #展覽
#繪生繪影擴增實境時代的寫生

11/03/2026

《繪生、會影:擴增實境時代的寫生》
藝術家座談會圓滿結束·感謝大家親臨指教🎉

展覽名稱|《繪生、會影:擴增實境時代的寫生》
主講人|許智瑋
策展人|沈伯丞
座談者|陶文岳、陸先銘

寫生(drawing from nature)向來被藝術家視為回應現實世界最直接的繪畫方式,也是身體行為的在場實踐。然而在虛擬實境Virtual Reality (VR)與擴增實境Augmented Reality (AR)逐漸滲入生活日常的當下,寫生所面對的「景」不再是穩定單一的對象,而是一個由實體空間、電腦圖學、感測系統與人機介面層層堆疊的複合場域,這些條件構成了擴增實境時代下新的感知經驗。
《繪生、繪影:擴增實境時代的寫生》欲以此當代數位科技思維出發,嘗試重新思考手繪在高度數位化、甚至由 AI 工程所建構的影像風景中的位置與可能性。
手繪並未在擴增實境時代失效,而是轉化為一種與數位運算技術共存的實踐方式。透過寫生重新審視定義自身的觀看位置,思考在層層疊加的擴增實境之中,我們如何感知世界,又如何在影像與身體之間,持續地「在場」。
Historically, "drawing from nature" has served as the artist’s most immediate dialogue with reality—an indexical proof of physical presence. Today, however, as Virtual and Augmented Reality (VR/AR) dissolve into the fabric of daily life, the "landscape" is no longer a stable, singular subject. It has evolved into a composite field where physical space, computer graphics, and sensory interfaces collide, redefining our perceptual experience in the augmented age.
Tracing the Virtual adopts a contemporary digital-first lens to reconsider the role of hand-drawing within a landscape of hyper-mediation and AI-engineered imagery.
In the augmented age, hand-drawing is far from obsolete; it has evolved into a practice of coexistence with computational logic. By reclaiming the act of looking, we redefine our own position within these layered realities—interrogating how we perceive the world and how we sustain a sense of "presence" between the body and the digital image.

🎨----------展覽資訊----------🎨

展出日期|2026/1/31 Sat.- 2026/4/5 Sun.
展出時間|週三~週六 Wed-Sat / 14:30 - 18:30
開幕茶會|2026/2/7 Sat. / 15:30
座談會 |2026/2/28 Sat. / 14:30
展覽地址|新北市板橋區重慶路8號9樓
聯絡資訊|問空間 板橋二館 02-2272-2228

#問空間 #新北板橋二館 #新北展覽 #藝廊 #展覽
#繪生繪影擴增實境時代的寫生

04/03/2026

展覽名稱|《繪生、繪影:擴增實境時代的寫生》
藝術家|許智瑋
策展人|沈伯丞

2025|馬摸鹿系列

〈馬摸鹿〉這系列是因應去年在孫立人將軍官邸展出,構思作品與空間的關係而繪製。孫將軍曾經位高參軍長,後來受蔣氏父子“照顧”關回台中住所,並派遣護衛在房子四周“保護”他,一顧就33年過去了。因此我選擇射擊遊戲,瞄準狙擊住所的視角,把遊戲裡得分的數字框轉換為都和孫立人事件有關的年份和月日,畫出名為馬摸鹿〈まもる〉的作品,諷刺這個事件,也向這個場域及孫將軍對國家的忠誠與貢獻致敬。

🎨----------展覽資訊----------🎨

▪️展出日期|2026/1/31 Sat.- 2026/4/5 Sun.
▪️展出時間|週三~週六 Wed-Sat / 14:30 - 18:30
▪️開幕茶會|2026/2/7 Sat. / 15:30
▪️座 談會 |2026/2/28 Sat. / 14:30
▪️展覽地址|新北市板橋區重慶路8號9樓
▪️聯絡資訊|問空間 板橋二館 02-2272-2228

#問空間 #新北板橋二館 #新北展覽 #藝廊 #展覽
#繪生繪影擴增實境時代的寫生

2025|發現達文西-001 |61X31cm寫生(drawing from nature)向來被藝術家視為回應現實世界最直接的繪畫方式,也是身體行為的在場實踐。然而在虛擬實境Virtual Reality (VR)與擴增實境Augment...
27/02/2026

2025|發現達文西-001 |61X31cm

寫生(drawing from nature)向來被藝術家視為回應現實世界最直接的繪畫方式,也是身體行為的在場實踐。然而在虛擬實境Virtual Reality (VR)與擴增實境Augmented Reality (AR)逐漸滲入生活日常的當下,寫生所面對的「景」不再是穩定單一的對象,而是一個由實體空間、電腦圖學、感測系統與人機介面層層堆疊的複合場域,這些條件構成了擴增實境時代下新的感知經驗。
《繪生、繪影:擴增實境時代的寫生》欲以此當代數位科技思維出發,嘗試重新思考手繪在高度數位化、甚至由 AI 工程所建構的影像風景中的位置與可能性。
手繪並未在擴增實境時代失效,而是轉化為一種與數位運算技術共存的實踐方式。透過寫生重新審視定義自身的觀看位置,思考在層層疊加的擴增實境之中,我們如何感知世界,又如何在影像與身體之間,持續地「在場」。
Historically, "drawing from nature" has served as the artist’s most immediate dialogue with reality—an indexical proof of physical presence. Today, however, as Virtual and Augmented Reality (VR/AR) dissolve into the fabric of daily life, the "landscape" is no longer a stable, singular subject. It has evolved into a composite field where physical space, computer graphics, and sensory interfaces collide, redefining our perceptual experience in the augmented age.
Tracing the Virtual adopts a contemporary digital-first lens to reconsider the role of hand-drawing within a landscape of hyper-mediation and AI-engineered imagery.
In the augmented age, hand-drawing is far from obsolete; it has evolved into a practice of coexistence with computational logic. By reclaiming the act of looking, we redefine our own position within these layered realities—interrogating how we perceive the world and how we sustain a sense of "presence" between the body and the digital image.

🎨----------展覽資訊----------🎨

▪️展出日期|2026/1/31 Sat.- 2026/4/5 Sun.
▪️展出時間|週三~週六 Wed-Sat / 14:30 - 18:30
▪️開幕茶會|2026/2/7 Sat. / 15:30
▪️座 談會 |2026/2/28 Sat. / 14:30
▪️展覽地址|新北市板橋區重慶路8號9樓
▪️聯絡資訊|問空間 板橋二館 02-2272-2228

#問空間 #新北板橋二館 #新北展覽 #藝廊 #展覽
#繪生繪影擴增實境時代的寫生

2025|TOP GUN-004 |61X31cm寫生(drawing from nature)向來被藝術家視為回應現實世界最直接的繪畫方式,也是身體行為的在場實踐。然而在虛擬實境Virtual Reality (VR)與擴增實境Augme...
26/02/2026

2025|TOP GUN-004 |61X31cm

寫生(drawing from nature)向來被藝術家視為回應現實世界最直接的繪畫方式,也是身體行為的在場實踐。然而在虛擬實境Virtual Reality (VR)與擴增實境Augmented Reality (AR)逐漸滲入生活日常的當下,寫生所面對的「景」不再是穩定單一的對象,而是一個由實體空間、電腦圖學、感測系統與人機介面層層堆疊的複合場域,這些條件構成了擴增實境時代下新的感知經驗。
《繪生、繪影:擴增實境時代的寫生》欲以此當代數位科技思維出發,嘗試重新思考手繪在高度數位化、甚至由 AI 工程所建構的影像風景中的位置與可能性。
手繪並未在擴增實境時代失效,而是轉化為一種與數位運算技術共存的實踐方式。透過寫生重新審視定義自身的觀看位置,思考在層層疊加的擴增實境之中,我們如何感知世界,又如何在影像與身體之間,持續地「在場」。
Historically, "drawing from nature" has served as the artist’s most immediate dialogue with reality—an indexical proof of physical presence. Today, however, as Virtual and Augmented Reality (VR/AR) dissolve into the fabric of daily life, the "landscape" is no longer a stable, singular subject. It has evolved into a composite field where physical space, computer graphics, and sensory interfaces collide, redefining our perceptual experience in the augmented age.
Tracing the Virtual adopts a contemporary digital-first lens to reconsider the role of hand-drawing within a landscape of hyper-mediation and AI-engineered imagery.
In the augmented age, hand-drawing is far from obsolete; it has evolved into a practice of coexistence with computational logic. By reclaiming the act of looking, we redefine our own position within these layered realities—interrogating how we perceive the world and how we sustain a sense of "presence" between the body and the digital image.

🎨----------展覽資訊----------🎨

▪️展出日期|2026/1/31 Sat.- 2026/4/5 Sun.
▪️展出時間|週三~週六 Wed-Sat / 14:30 - 18:30
▪️開幕茶會|2026/2/7 Sat. / 15:30
▪️座 談會 |2026/2/28 Sat. / 14:30
▪️展覽地址|新北市板橋區重慶路8號9樓
▪️聯絡資訊|問空間 板橋二館 02-2272-2228

#問空間 #新北板橋二館 #新北展覽 #藝廊 #展覽
#繪生繪影擴增實境時代的寫生

2025|TOP GUN-003 |95X45cm寫生(drawing from nature)向來被藝術家視為回應現實世界最直接的繪畫方式,也是身體行為的在場實踐。然而在虛擬實境Virtual Reality (VR)與擴增實境Augme...
26/02/2026

2025|TOP GUN-003 |95X45cm

寫生(drawing from nature)向來被藝術家視為回應現實世界最直接的繪畫方式,也是身體行為的在場實踐。然而在虛擬實境Virtual Reality (VR)與擴增實境Augmented Reality (AR)逐漸滲入生活日常的當下,寫生所面對的「景」不再是穩定單一的對象,而是一個由實體空間、電腦圖學、感測系統與人機介面層層堆疊的複合場域,這些條件構成了擴增實境時代下新的感知經驗。
《繪生、繪影:擴增實境時代的寫生》欲以此當代數位科技思維出發,嘗試重新思考手繪在高度數位化、甚至由 AI 工程所建構的影像風景中的位置與可能性。
手繪並未在擴增實境時代失效,而是轉化為一種與數位運算技術共存的實踐方式。透過寫生重新審視定義自身的觀看位置,思考在層層疊加的擴增實境之中,我們如何感知世界,又如何在影像與身體之間,持續地「在場」。
Historically, "drawing from nature" has served as the artist’s most immediate dialogue with reality—an indexical proof of physical presence. Today, however, as Virtual and Augmented Reality (VR/AR) dissolve into the fabric of daily life, the "landscape" is no longer a stable, singular subject. It has evolved into a composite field where physical space, computer graphics, and sensory interfaces collide, redefining our perceptual experience in the augmented age.
Tracing the Virtual adopts a contemporary digital-first lens to reconsider the role of hand-drawing within a landscape of hyper-mediation and AI-engineered imagery.
In the augmented age, hand-drawing is far from obsolete; it has evolved into a practice of coexistence with computational logic. By reclaiming the act of looking, we redefine our own position within these layered realities—interrogating how we perceive the world and how we sustain a sense of "presence" between the body and the digital image.

🎨----------展覽資訊----------🎨

▪️展出日期|2026/1/31 Sat.- 2026/4/5 Sun.
▪️展出時間|週三~週六 Wed-Sat / 14:30 - 18:30
▪️開幕茶會|2026/2/7 Sat. / 15:30
▪️座 談會 |2026/2/28 Sat. / 14:30
▪️展覽地址|新北市板橋區重慶路8號9樓
▪️聯絡資訊|問空間 板橋二館 02-2272-2228

#問空間 #新北板橋二館 #新北展覽 #藝廊 #展覽
#繪生繪影擴增實境時代的寫生

2025|TOP GUN-002 |65.5X50cm寫生(drawing from nature)向來被藝術家視為回應現實世界最直接的繪畫方式,也是身體行為的在場實踐。然而在虛擬實境Virtual Reality (VR)與擴增實境Aug...
25/02/2026

2025|TOP GUN-002 |65.5X50cm

寫生(drawing from nature)向來被藝術家視為回應現實世界最直接的繪畫方式,也是身體行為的在場實踐。然而在虛擬實境Virtual Reality (VR)與擴增實境Augmented Reality (AR)逐漸滲入生活日常的當下,寫生所面對的「景」不再是穩定單一的對象,而是一個由實體空間、電腦圖學、感測系統與人機介面層層堆疊的複合場域,這些條件構成了擴增實境時代下新的感知經驗。
《繪生、繪影:擴增實境時代的寫生》欲以此當代數位科技思維出發,嘗試重新思考手繪在高度數位化、甚至由 AI 工程所建構的影像風景中的位置與可能性。
手繪並未在擴增實境時代失效,而是轉化為一種與數位運算技術共存的實踐方式。透過寫生重新審視定義自身的觀看位置,思考在層層疊加的擴增實境之中,我們如何感知世界,又如何在影像與身體之間,持續地「在場」。
Historically, "drawing from nature" has served as the artist’s most immediate dialogue with reality—an indexical proof of physical presence. Today, however, as Virtual and Augmented Reality (VR/AR) dissolve into the fabric of daily life, the "landscape" is no longer a stable, singular subject. It has evolved into a composite field where physical space, computer graphics, and sensory interfaces collide, redefining our perceptual experience in the augmented age.
Tracing the Virtual adopts a contemporary digital-first lens to reconsider the role of hand-drawing within a landscape of hyper-mediation and AI-engineered imagery.
In the augmented age, hand-drawing is far from obsolete; it has evolved into a practice of coexistence with computational logic. By reclaiming the act of looking, we redefine our own position within these layered realities—interrogating how we perceive the world and how we sustain a sense of "presence" between the body and the digital image.

🎨----------展覽資訊----------🎨

▪️展出日期|2026/1/31 Sat.- 2026/4/5 Sun.
▪️展出時間|週三~週六 Wed-Sat / 14:30 - 18:30
▪️開幕茶會|2026/2/7 Sat. / 15:30
▪️座 談會 |2026/2/28 Sat. / 14:30
▪️展覽地址|新北市板橋區重慶路8號9樓
▪️聯絡資訊|問空間 板橋二館 02-2272-2228

#問空間 #新北板橋二館 #新北展覽 #藝廊 #展覽
#繪生繪影擴增實境時代的寫生

2025|TOP GUN-001 |60.5X45.5cm寫生(drawing from nature)向來被藝術家視為回應現實世界最直接的繪畫方式,也是身體行為的在場實踐。然而在虛擬實境Virtual Reality (VR)與擴增實境A...
25/02/2026

2025|TOP GUN-001 |60.5X45.5cm

寫生(drawing from nature)向來被藝術家視為回應現實世界最直接的繪畫方式,也是身體行為的在場實踐。然而在虛擬實境Virtual Reality (VR)與擴增實境Augmented Reality (AR)逐漸滲入生活日常的當下,寫生所面對的「景」不再是穩定單一的對象,而是一個由實體空間、電腦圖學、感測系統與人機介面層層堆疊的複合場域,這些條件構成了擴增實境時代下新的感知經驗。
《繪生、繪影:擴增實境時代的寫生》欲以此當代數位科技思維出發,嘗試重新思考手繪在高度數位化、甚至由 AI 工程所建構的影像風景中的位置與可能性。
手繪並未在擴增實境時代失效,而是轉化為一種與數位運算技術共存的實踐方式。透過寫生重新審視定義自身的觀看位置,思考在層層疊加的擴增實境之中,我們如何感知世界,又如何在影像與身體之間,持續地「在場」。
Historically, "drawing from nature" has served as the artist’s most immediate dialogue with reality—an indexical proof of physical presence. Today, however, as Virtual and Augmented Reality (VR/AR) dissolve into the fabric of daily life, the "landscape" is no longer a stable, singular subject. It has evolved into a composite field where physical space, computer graphics, and sensory interfaces collide, redefining our perceptual experience in the augmented age.
Tracing the Virtual adopts a contemporary digital-first lens to reconsider the role of hand-drawing within a landscape of hyper-mediation and AI-engineered imagery.
In the augmented age, hand-drawing is far from obsolete; it has evolved into a practice of coexistence with computational logic. By reclaiming the act of looking, we redefine our own position within these layered realities—interrogating how we perceive the world and how we sustain a sense of "presence" between the body and the digital image.

🎨----------展覽資訊----------🎨

▪️展出日期|2026/1/31 Sat.- 2026/4/5 Sun.
▪️展出時間|週三~週六 Wed-Sat / 14:30 - 18:30
▪️開幕茶會|2026/2/7 Sat. / 15:30
▪️座 談會 |2026/2/28 Sat. / 14:30
▪️展覽地址|新北市板橋區重慶路8號9樓
▪️聯絡資訊|問空間 板橋二館 02-2272-2228

#問空間 #新北板橋二館 #新北展覽 #藝廊 #展覽
#繪生繪影擴增實境時代的寫生

🧨 春節假期 休館公告 🧨2/14(六) - 2/24(二) 臺北一館/新北二館-------休館-------不便之處,敬請見諒|問空間所有同仁預祝各位新年快樂|
13/02/2026

🧨 春節假期 休館公告 🧨

2/14(六) - 2/24(二)
臺北一館/新北二館
-------休館-------

不便之處,敬請見諒

|問空間所有同仁預祝各位新年快樂|

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板橋區重慶路8號9樓
Xinbei
220

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