01/10/2026
嗨大家，有沒有想念我們呀～
接下來，我們和新北美合作的跨年度大展即將在10月17日於新北美術館隆重展出啦✨！！
這次將呈現李梅樹、楊三郎、李石樵三位在台灣藝術史上各領風騷的代表人物他們深厚的友情下，命運交織與各自精彩的故事。
想一次大飽眼福、親睹三位前輩畫家難得齊聚的經典畫作與珍稀手稿嗎？
別忘了來新北市美術館《畫外拓徑：李梅樹．楊三郎．李石樵》與大師作品相遇喔！
（詳細資訊請見內文及留言👇）
#展覽預告｜畫外拓徑：李梅樹．楊三郎．李石樵
Beyond the Canvas: Li Mei-shu, Yang San-lang, Li Shih-chiao
李梅樹、楊三郎與李石樵是臺灣美術史上的標竿人物，各自走過不凡的人生歷程，而其藝術生命在1945年臺灣政權更迭之際，淬鍊出回應時代巨變的堅韌力量，向外開拓出藝術深入社會的新徑。時代命運讓三人的生命緊密交織，亦使其在變局中以不同方式為臺灣藝術奮鬥不歇。
李梅樹於1947年主持三峽祖師廟重建工程，將藝術理念深植於民間信仰建築之中。他親自設計殿內牆面、石柱與地坪等構件，延請各方藝術家提供圖稿刻於壁面，楹聯書法亦出自名家，更以堅固的銅製浮雕裝飾取代傳統彩繪壁畫，使民間寺廟處處體現美學教化的深意。
楊三郎於1946年與臺陽美術協會成員籌辦省展，走過二二八事件後的肅殺陰霾，1948年臺陽展終得復展。他長期擔任畫會核心人物，透過公募、評審、獎勵制度栽培後進，守護省展體制外的民間藝術舞台，而臺陽美術協會成立至今92年來運作不輟，足見其對藝術永續的堅持與遠見。
李石樵1948年成立不收取學費的「李石樵畫室」，以嚴謹的素描教學爲臺灣藝術奠定基礎，無所求的付出使畫室聚集極高人氣，堅守戰後數十年臺灣素描水準，普令學子與同儕受益。他個人從追求官方展覽榮耀，轉向探索藝術本質與西洋現代思潮，啟迪後進走向多元的現代藝術。
儘管三人選擇了不同的實踐路徑，卻都以畢生歲月回應藝術與社會的關係。李梅樹投入祖師廟重建工程，日復一日，36年從未離開崗位，直至逝世；楊三郎終身守護畫會體制60餘載，始終如一；李石樵以34年打造一座素描堡壘，捍衛美學標準。本展呈現三人的繪畫作品，以及協力推動臺灣藝術的手稿文獻、歷史照片、影音資料等多元紀錄，引領觀眾閱讀這段曾經苦難卻真情付出的歷史。「畫外拓徑」是三位藝術家凝視畫布之外，以己身力量擔起社會責任、教化大眾的具體實踐，其精神令人感佩，留給世人無盡懷想。
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Li Mei-shu, Yang San-lang, and Li Shih-chiao are iconic figures of Taiwanese art history. Each followed an extraordinary life path. As Taiwan underwent a change of political regimes in 1945, these men’s artistic lives were tempered by the era’s upheavals, forging a resilient strength with which they responded to the great changes of their time, as they opened new pathways for art to reach deep into society. The destiny of their era led their lives to become closely entwined, and in the midst of these shifting circumstances, each in his own way fought tirelessly on behalf of Taiwanese art.
In 1947, Li Mei-shu took charge of rebuilding Zushi Temple in Sanxia, embedding his own artistic philosophy deeply into the architecture of folk religion. He personally designed such elements as the interior walls, stone pillars, and stone floors. He invited artists from various backgrounds to contribute drafts for the wall carvings and commissioned renowned calligraphers for the pillar couplets. He also replaced the traditional painted murals with durable bronze reliefs. Every corner of this local temple embodied the profound significance of aesthetic edification.
In 1946, Yang San-lang helped organize the Taiwan Provincial Fine Arts Exhibition with other members of the Tai Yang Art Society. In 1948, after the oppressive aftermath of the February 28 Incident had passed, the Tai Yang Art Exhibition was finally resumed. For many years, Yang was the Society’s core figure, nurturing emerging artists through a system of open calls, jury selection, and awards, and safeguarding this independent art platform that existed outside the official provincial exhibition system. Operating uninterrupted for 92 years since its inception, the Tai Yang Art Society stands as a testament to his perseverance and vision for the perpetuation of art.
Li Shih-chiao opened his own studio without charging tuition in 1948. There he taught drawing with rigorous discipline, laying the foundation for Taiwanese art. His selfless contributions made the Li Shih-chiao Art Studio immensely popular, upholding the standards of draftsmanship in postwar Taiwan for decades, to the benefit of students and fellow artists alike. In his own practice, he shifted from seeking acclaim at official exhibitions to exploring the essence of art and modern Western intellectual currents, inspiring future generations to pursue diverse forms of modern art.
While these three artists pursued their practices by different means, each devoted his whole life to engaging with the relationship between art and society. Li Mei-shu committed himself to the Zushi Temple reconstruction project day after day, remaining at his post for 36 years until his death. Yang San-lang steadfastly upheld the Tai Yang Art Society's institutional framework for over 60 years. Li Shih-chiao spent 34 years building a bastion of drawing, defending aesthetic standards. This exhibition presents their paintings alongside a wide array of records revealing their collective efforts to advance Taiwanese art—from manuscripts and archival documents to historical photographs and audiovisual materials. It seeks to guide visitors in understanding this chapter of history marked by hardship and sincere dedication. “Beyond the Canvas” represents the concrete practice of these three artists looking beyond the canvas to shoulder social responsibility and edify the public through their own efforts. Their admirable spirit leaves the world with endless cherished memories.
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畫外拓徑：李梅樹．楊三郎．李石樵
Beyond the Canvas: Li Mei-shu, Yang San-lang, Li Shih-chiao
2026.10.17-2027.02.14
新北市美術館 6A展覽室
NTCAM: 6A Gallery
https://ntcart.museum/exhibition_content.aspx?id=H2609004
｜策展人 Curator｜白雪蘭（PAI Hsueh-lan）
｜參展藝術家 Artists｜李梅樹（LI Mei-shu）、楊三郎（YANG San-lang）、李石樵（LI Shih-chiao）
｜指導單位 Supervisor｜新北市政府（New Taipei City Government）
｜主辦單位 Organizer｜新北市美術館（New Taipei City Art Museum）
｜協辦單位 Co-organizers｜
財團法人李梅樹文教基金會（Li Mei-Shu Foundation）、楊三郎美術館（Yang San Lang Museum）、李石樵美術館（Li Shih-chiao Art Museum）
｜特別感謝 Special Thanks｜
國立臺灣美術館（National Taiwan Museum of Fine Arts）、阿波羅畫廊（Apollo Art Gallery）、南畫廊（Nan Gallery）、陳子智（CHEN Tzu-chih）
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✦ ⋯ 𝗡𝗧𝗖𝗔𝗠 新北市美術館 ⋯ ✦
新北市鶯歌區館前路 300 號
[email protected]
