ADMIRA Gallery

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ADMIRA Gallery 作為與網路時代並行、培育新銳藝術家的藝廊，觀止堂置身於全球多元化的世代，強調與時俱進的精神推廣當代藝術，作為一個平台，透過參加國際性藝術博覽會及藝術跨界協作，讓觀止堂成為新畫廊時代中獨特且創新的先驅者。

Final day at Frieze Seoul — and the crowd keeps coming.One last day to visit us at Booth MP5.See you at Frieze Seoul!Fri...
05/09/2026

Final day at Frieze Seoul — and the crowd keeps coming.

One last day to visit us at Booth MP5.

See you at Frieze Seoul!

Frieze Seoul 最後一天，人潮依舊熱絡。

把握最後機會，來 MP5 看看作品。

A lively day at Frieze Seoul.So happy to see our booth filled with visitors, conversations, and shared moments around th...
04/09/2026

A lively day at Frieze Seoul.

So happy to see our booth filled with visitors, conversations, and shared moments around the works.

Thank you for stopping by MP5.

✨

Frieze Seoul 熱鬧進行中

很開心看到觀眾聚在展位，一起看作品、交流，也分享對作品的感受。

謝謝每一位來到 MP5 的朋友。

03/09/2026

A day at Frieze Seoul.

People, conversations, and moments around the works.

Thank you to everyone who stopped by.
See you at Booth MP5.

A glimpse of our booth at Frieze Seoul.
03/09/2026

A glimpse of our booth at Frieze Seoul.

02/09/2026

Frieze Seoul 2026 —

Now on view.

Come find us at Booth MP5.
See you at COEX.

Frieze Seoul 2026

歡迎來 MP5 展位看看，現場見。

Film by Jackie Lee 이가화

現場直擊！ADMIRA Gallery 正式亮相 Frieze Seoul 2026「Material Practice」，帶來日本當代藝術家 塚本智也 Tomoya Tsukamoto × 都淳朗 Atsuro Miyako 的「光繪畫...
02/09/2026

現場直擊！
ADMIRA Gallery 正式亮相 Frieze Seoul 2026「Material Practice」，帶來日本當代藝術家 塚本智也 Tomoya Tsukamoto × 都淳朗 Atsuro Miyako 的「光繪畫 × 光雕塑」策展計畫。
這次我們刻意打破繪畫與雕塑既有的展示方式：塚本的繪畫離開牆面、進入展場中央；都淳朗以光與偏振材料構成的立體作品，則如同一幅幅發光的畫面進入牆面。
兩位藝術家的對話，也發生在截然不同的媒材之間——一邊是顏料生成的色彩，從紅、藍、黃三原色與繪畫歷史出發；一邊是材料與光生成的色彩，透過偏光、透明介質與 LED，讓不可見的物理現象轉化為可以觀看的光。
特別是此次展出的塚本智也《Swimming in the universe》，將三原色混合成近乎無彩的黑，與都淳朗透過材料讓隱藏在光裡的圖案轉化為作品，形成另一層有趣的對照：

塚本智也將色彩隱藏在黑色的流動裡，
都淳朗則挖掘出隱藏在白光裡的圖案。
從傳統顏料到工業與光學媒材，從平面到空間、從可見到不可見，從藝術到設計，我們希望透過這次 Frieze Seoul 的現場，重新打開觀看當代藝術的方式。
FRIEZE SEOUL 2026
Material Practice
Admira Gallery｜Booth MP5
Tomoya Tsukamoto × Atsuro Miyako
📍 COEX, Seoul
📅 Sep. 2–5, 2026
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ON SITE! Admira Gallery is now presenting at Frieze Seoul 2026, as part of Material Practice, with “Light Painting × Light Sculpture” — a curatorial dialogue between Japanese contemporary artists Tomoya Tsukamoto × Atsuro Miyako.
For this presentation, we deliberately challenge the conventional ways in which painting and sculpture are displayed. Tsukamoto’s paintings leave the wall and move into the center of the exhibition space, while Miyako’s sculptural works, constructed through light and polarizing materials, enter the walls like luminous images.
The dialogue between the two artists also unfolds through radically different approaches to material — on one side, color is generated through pigment, beginning with the three primary colors of red, blue, and yellow and the history of painting; on the other, color is generated through material and light, as polarizing materials, transparent media, and LEDs transform invisible physical phenomena into visible light.
In particular, Tsukamoto’s Swimming in the universe, presented at Frieze Seoul, mixes the three primary colors into a near-achromatic black. This creates another intriguing contrast with Miyako’s practice, which uses material to reveal patterns hidden within light:

Tomoya Tsukamoto conceals color within the flow of black,
while Atsuro Miyako reveals patterns hidden within white light.
From traditional pigments to industrial and optical materials, from surface to space, from the visible to the invisible, and from art to design, through our presentation at Frieze Seoul we hope to open up new ways of seeing and experiencing contemporary art.

Featured on Frieze.See you in Seoul.Frieze 最新專題介紹 Frieze Seoul 2026 全新策展單元「Material Practice」，並以藝術家 Atsuro Miyako 都淳朗的作品...
18/08/2026

Featured on Frieze.
See you in Seoul.

Frieze 最新專題介紹 Frieze Seoul 2026 全新策展單元「Material Practice」，並以藝術家 Atsuro Miyako 都淳朗的作品作為文章主視覺。

今年九月，ADMIRA Gallery 將參與 Material Practice 單元，期待與大家在首爾見面。

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Frieze’s latest feature introduces Material Practice, a new curated section at Frieze Seoul 2026, featuring the work of Atsuro Miyako 都淳朗 as the lead image.

This September, ADMIRA Gallery will participate in Material Practice. We look forward to seeing you in Seoul.

Frieze Seoul 2026｜Material Practice
Booth MP5
September 2–5, 2026
COEX, Seoul

https://www.frieze.com/article/frieze-week-seoul-2026-material-practice

ADMIRA Gallery ⼊選 Frieze Seoul 2026 「Material Practice」來⾃⾹港/台北的 ADMIRA Gallery 今年很榮幸⼊選 「Material Practice」，與亞洲、歐洲及北美的重要畫...
11/06/2026

ADMIRA Gallery ⼊選 Frieze Seoul 2026 「Material Practice」

來⾃⾹港/台北的 ADMIRA Gallery 今年很榮幸⼊選 「Material Practice」，與亞洲、歐洲及北美的重要畫廊與藝術機構共同參與這場國際策展對話。相較於傳統藝術博覽會以作品展⽰為主的模式，Frieze Seoul 的 Material Practice 單元更重視畫廊如何透過策展建⽴作品之間的關係，並提出能影響當代藝術未來發展的觀點與思考。

ADMIRA Gallery 總經理 Chad Liu 表⽰，本次於 Frieze Seoul 所呈現的策展計畫，將延續畫廊⻑期關注的亞洲當代藝術脈絡，透過藝術家、作品與空間的連動關係，探索當代藝術在媒材、感知與觀看經驗上的更多可能。完整策展內容與參展藝術家名單，將於後續正式公布。

ADMIRA Gallery Selected for Frieze Seoul 2026 “Material Practice”

Admira Gallery, based in Hong Kong and Taipei, is honored to be selected for Material Practice, joining leading galleries and cultural institutions from across Asia, Europe, and North America in an international curatorial dialogue.
Unlike traditional art fair presentations that primarily focus on individual works, Material Practice emphasizes how galleries construct relationships between artworks through curatorial thinking, offering perspectives and reflections on the future development of contemporary art.

Chad Liu, Director of Admira Gallery, commented:
“Our presentation at Frieze Seoul will continue the galleryʼs long-term engagement with contemporary art in Asia. Through the relationships between artists, artworks, and space, we hope to explore new possibilities surrounding materiality, perception, and the viewing experience within contemporary art.”
Further details regarding the curatorial concept and participating artists will be announced in the coming months.

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南京東路三段133號
Taipei
104

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