04/07/2026
《透明的發生》-展覽作品介紹
震痕 | Vibration and Traces
五金零件、馬達、拾音器、板金、電子元件、砂輪磨頭
4m * 4m * 3m
2026
2011 年，西雅圖一場美式足球賽中，六萬多名球迷因達陣瞬間集體跳動，讓設置於球場附近的地震儀記錄到持續約 30 秒的震動，此現象被稱為「野獸地震（Beast Quake）」。這起事件不僅讓達陣球員 Marshawn Lynch 意外在地球科學領域留下名字，也讓「人造地震」不再只指涉人類刻意造成的破壞。
「人造地震」是指由人類活動引起而非自然形成的地殼震動，除了能源開發或科學實驗之外，日常的移動、行走與跳躍，也會在無意間產生微小震動，甚至對環境造成實際影響。
《震痕》嘗試捕捉人們日常中容易忽略的行走與移動，將其引起的微小震動與噪音透過電路放大，轉化為鑽牆的機械裝置動力來源。本作品在展覽期間匯聚環境中的震動，於空間中留下不可逆的痕跡，將無形的人類行為震動，具象化為實質的環境破壞。
In 2011, during an American football game in Seattle, over 60,000 fans cheered and jumped so hard for a touchdown that a nearby seismograph detected a 30-second vibration. This event was named the ”Beast Quake.“ It not only made the touchdown player, Marshawn Lynch, famous in earth science but also changed how we think about an ”Artificial earthquake“—showing it doesn‘t just come from intentional destruction.
”Artificial earthquake“ means a ground vibration caused by human activity rather than nature, usually from energy development or scientific tests. However, as the global population grows, unintentional artificial earthquakes are also appearing. Even our daily walking and jumping can accidentally create vibrations strong enough to be measured, or even cause real damage to our surroundings.
Vibration and Traces captures the subtle movements and footsteps we often ignore in daily life. By amplifying these tiny vibrations and noises through electronic circuits, the energy is turned into power for a wall-drilling machine. During the exhibition, this artwork gathers vibrations from the environment to leave permanent marks in the space, turning invisible human movements into visible physical damage.
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《透明的發生》
Transparent Occurrence
展期｜2026 / 6 / 13（六）－ 7 / 12（日）
時間｜12：00 － 19：30（無休館日）
地點｜水谷藝術（臺北市萬華區萬大路322巷6號）
主辦｜水谷藝術
贊助｜國藝會(視覺藝術組織營運專案)
