亞洲藝術中心 | ASIA ART CENTER

03/09/2026

📢今日為斐列茲首爾藝術博覽會 Frieze Seoul 的公眾日首日。謝謝非池中的報導，也歡迎在首爾的朋友們到 A34 展位欣賞亞洲藝術中心所帶來的六位台灣藝術家作品。

🔗 閱讀全文 : 走進2026首爾藝術週：Frieze Seoul、Kiaf 臺灣畫廊展什麼？一探韓國藝術市場

#斐列茲首爾藝術博覽會 Seoul 2026

展位 Booth | A34

藝術家 Artists | #楊英風 Yuyu YANG, #朱銘 JU Ming, #葉子奇 Tzu-chi YEH, #董小蕙 D**G Shaw-hwei, #李真 LI Chen, #管偉邦 KOON Wai B**g

日期 Dates | 2-5 September 2026

開放時間 Opening Hours |
3 Sep 2026 (Thurs) 15:00 - 19:00
4 Sep 2026 (Fri) 11:00 - 19:00
5 Sep 2026 (Sat) 11:00 - 19:00

地點 Venue | #韓國 #首爾 COEX會議中心3樓C&D廳
, Halls C&D, 3rd Floor, 513, Yeongdong-daero, Gangnam-gu, , South Korea

指導單位：文化部
本案獲文化部「匯聚臺流文化黑潮計畫」補助

每年九月，首爾幾乎都會短暫地成為亞洲當代藝術市場最密集的交會點之一，今年也不例外。隨著由韓國文化體育觀光部主辦的「2026 Korea Art Festival」於九月展開，以及 8 月 31 日至 …

02/09/2026

2026 #斐列茲首爾藝術博覽會 | #亞洲藝術中心 | 展位 A34

#楊英風 的《東西門》以直線與曲線的對比，展現他對東方美學與西方現代主義思想的思索； #朱銘 的「太極系列」透過簡練造形與果決鑿痕，捕捉身體姿態之中的內在氣勢與能量流動； #李真「既重又輕」且充滿東方氣韻的墨黑銅雕，則在精神與哲思之間隱藏著曖昧性並充滿能量和張力。

在繪畫與水墨方面， #葉子奇 描繪與自身身分認同密切連結的家鄉花蓮自然景觀； #董小蕙 的靜物繪畫展現她對光線、氛圍與哲學思維的細膩感知； #管偉邦 則以創新的空間策略與當代構圖方式，重新詮釋水墨傳統。

六位藝術家的創作構成一片美學地景，使自然、記憶與文化在其中交會。他們不以單一「台灣藝術」身分被定義，而是在傳統與當代、物質與精神、在地與國際之間持續流動與重組。亞洲藝術中心藉此呈現台灣藝術的多樣深度與其拓展當代視覺語言的可能性。

更多資訊: https://asiaartcenter.org/art-fairs/49/overview/

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2026 | | Booth A34

’s East West Gate contrasts straight and curved forms, reflecting his contemplation of Eastern aesthetics and Western modernist thought. ’s Taichi Series captures the inner rhythm and flow of energy within bodily movement through simplified forms and decisive chisel marks. ’s “heavy yet light” bronze sculptures unfold a subtle tension between weightlessness and philosophical ambiguity.

In painting and ink, Tzu-chi Yeh depicts the natural landscapes of his hometown Hualien, closely tied to the artist’s sense of identity; D**g Shaw-hwei’s still-life paintings reveal her sensitivity to light, atmosphere, and philosophical thought; and **g reinterprets the ink tradition through innovative spatial strategies and contemporary approaches to composition.

Together, the six artists form an aesthetic terrain where nature, memory, philosophy, and culture converge. Rather than being defined by a singular notion of “Taiwanese art”, their practices continue to move and reconfigure themselves between tradition and the contemporary, material and spirit, the local and the international. Through this presentation, Asia Art Center foregrounds the depth and diversity of Taiwanese art, as well as its capacity to expand the possibilities of contemporary visual language.

For more information: https://asiaartcenter.org/en/art-fairs/49/overview/

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斐列茲首爾藝術博覽會 Frieze Seoul 2026

展位 Booth | A34

藝術家 Artists | 楊英風 Yuyu YANG, 朱銘 JU Ming, 葉子奇 Tzu-chi YEH, 董小蕙 D**G Shaw-hwei, 李真 LI Chen, 管偉邦 KOON Wai B**g

日期 Dates | 2-5 September 2026

VIP 預覽VIP Preview |
2 Sep 2026 (Wed) 11:00 - 19:00
3 Sep 2026 (Thurs) 11:00 - 15:00

開放時間 Opening Hours |
3 Sep 2026 (Thurs) 15:00 - 19:00
4 Sep 2026 (Fri) 11:00 - 19:00
5 Sep 2026 (Sat) 11:00 - 19:00

地點 Venue | 韓國首爾COEX會議中心3樓C&D廳
COEX, Halls C&D, 3rd Floor, 513, Yeongdong-daero, Gangnam-gu, Seoul, South Korea

指導單位：文化部
本案獲文化部「匯聚臺流文化黑潮計畫」補助

01/09/2026

▌法國雕塑大師 Bernar Venet 台灣首次個展 BERNAR VENET: Indeterminate Radicality

亞洲藝術中心即將呈現法國重要藝術家 Bernar Venet 在台灣的首次個展，9 月 12 日下午 4 點，藝術家將親自出席開幕酒會暨藝術分享會。亞洲藝術中心長期深耕雕塑藝術，獨家代理楊英風、朱銘、李真等華人重要雕塑家，此次更將國際合作延伸至西方重要藝術家。

Asia Art Center is pleased to present the first solo exhibition in Taiwan by renowned French artist Bernar Venet. The artist will be in attendance at the opening reception and artist talk on September 12 at 4:00 p.m. With a longstanding commitment to the development and presentation of sculpture, Asia Art Center exclusively represents leading Chinese sculptors including Yuyu YANG, JU Ming, and LI Chen. This exhibition further expands the Center’s international programme through its collaboration with one of the most significant figures in Western contemporary art.

25/08/2026

Indeterminate Radicality 不定激進性

BERNAR VENET 在台首展

Indeterminate Radicality（不定激進性）是法國觀念藝術家 Bernar Venet 在台灣的首次個展，展期 2026 年 9 月 12 日至 11 月 22 日，呈現他過去二十年間創作的雕塑與紙上作品，共計 34 件，其中多件為今年全新完成並首度展出。這位法國藝術家徹底解放了線條，讓它們脫離束縛—線條自由揮掃、折返、自纏打結、崩落堆疊。這些作品形成了一套沒有文字的字母：弧線、角線、不定線與直線，或井然有序，或混亂無序，每一條線，就是意義本身，正因如此，更凸顯其創作的激進性。

1941 年出生於法國的 Bernar Venet，早年即以激進前衛的藝術實踐活躍於戰後藝術界。1966 年移居紐約後，成為觀念藝術的先驅之一。數十年來，他持續探索「線」的概念，創作橫跨素描、繪畫、雕塑及大型公共藝術裝置，並曾於法國凡爾賽宮、巴黎香榭麗舍大道等重要場域展出。其作品獲全球多間重要藝術機構典藏，包括紐約現代藝術博物館（The Museum of Modern Art, New York）、巴黎龐畢度中心（Centre Pompidou, Paris）及紐約所羅門・R・古根漢美術館（Solomon R. Guggenheim Museum, New York）等。

此次為 Bernar Venet 在台灣的首次重要個展，藝術家將親臨 9 月 12 日的開幕酒會，與各位分享他的創作歷程。

展期：2026 年 9 月 12 日 – 11 月 22 日
地點：亞洲藝術中心（台北），台北市樂群三路 128 號
開幕酒會暨藝術分享會：2026 年 9 月 12 日 4:00pm，藝術家 Bernar Venet 將親臨開幕酒會
更多展覽訊息：https://asiaartcenter.org/exhibitions/238-bernar-venet-indeterminate-radicality/overview/

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BERNAR VENET Indeterminate Radicality
The artist’s first exhibition in Taiwan

Indeterminate Radicality, Bernar Venet’s first exhibition in Taiwan, brings together thirty-four works on paper and sculptures created over the past two decades, including several completed this year and presented here for the first time.
The French conceptual artist lets the line off its leash. It sweeps, doubles back, knots itself, collapses. Arcs, Angles, Indeterminate Lines, and Straight Lines form an alphabet with no words—ordered and disordered, each meaning nothing beyond itself, and all the more radical for it.

Born in France in 1941, Venet emerged as a radical voice of the postwar avant-garde before moving to New York in 1966, where he became a pioneer of conceptual art. His decades-long exploration of the line has unfolded across drawing, painting, sculpture, and monumental public installations, with major presentations at the Château de Versailles, the Champs-Élysées, and beyond. His works are held in major collections including The Museum of Modern Art, New York; the Centre Pompidou, Paris; and the Solomon R. Guggenheim Museum, New York.

For his landmark first exhibition in Taiwan, Bernar Venet will travel to Taipei to attend the opening reception on September 12, where he will also give an artist talk.

Dates: 9.12.2026 – 11.22.2026
Venue: Asia Art Center (Taipei)
Opening Reception & Artist Talk: 4:00pm, Saturday, September 12, 2026, the artist will be in attendance
For More Information: https://asiaartcenter.org/en/exhibitions/238-bernar-venet-indeterminate-radicality/overview/

21/08/2026

2026 #斐列茲首爾藝術博覽會 | #亞洲藝術中心 | 展位 A34

亞洲藝術中心很榮幸於2026年度的斐列茲首爾藝術博覽會展出六位台灣藝術家的創作 – #楊英風（1926–1997）、 #朱銘（1938–2023）、 #葉子奇（1957–）、 #董小蕙（1962–）、 #李真（1963–）與 #管偉邦（1974–）。展出作品橫跨1970年代至今，呈現不同世代藝術家如何透過文化記憶、哲學思考、媒材實驗與個人經驗，形塑富有詩意的世界觀。

本次展覽以新東方美學為出發點，讓 #雕塑、 #油畫、 #蛋彩 與 #水墨 彼此對話，展現台灣藝術想像的多重面貌。這些藝術家將傳統元素轉化為嶄新的視覺語言，在東方與西方、身體與精神、自然與抽象、記憶與當代生活之間展開流動的關係。透過他們的作品，我們得以看見來自 #台灣 的獨特思維：既向世界開放，也深植於自身的文化思考之中。

更多資訊: https://asiaartcenter.org/art-fairs/49/overview/

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Frieze Seoul 2026 | Asia Art Center | Booth A34

is pleased to present a focused selection of six Taiwanese artists at 2026, bringing together works by (1926–1997), (1938–2023), Tzu-chi Yeh (1957–), D**g Shaw-hwei (1962–), (1963–), and **g (1974–). Spanning from the 1970s to the present, the presentation traces how artists across different generations have shaped poetic visions of the world through cultural memory, philosophy, material experimentation, and personal experience.

Rooted in new Eastern aesthetics, the presentation brings sculpture, oil painting, egg tempera, and ink into dialogue, offering a layered view of ’s artistic imagination. Rather than treating tradition as a fixed inheritance, these artists transform it into a living visual language—one that moves between East and West, body and spirit, nature and abstraction, memory and contemporary life. Together, their works articulate a distinctly Taiwanese sensibility: open to the world, yet deeply grounded in cultural reflection.

For more information: https://asiaartcenter.org/en/art-fairs/49/overview/

▌展位 Booth | A34

▌藝術家 Artists | 楊英風 Yuyu YANG, 朱銘 JU Ming, 葉子奇 Tzu-chi YEH, 董小蕙 D**G Shaw-hwei, 李真 LI Chen, 管偉邦 KOON Wai B**g

▌日期 Dates | 2-5 September 2026

VIP 預覽 VIP Preview |
2 Sep 2026 (Wed) 11:00 - 19:00
3 Sep 2026 (Thurs) 11:00 - 15:00

開放時間 Opening Hours |
3 Sep 2026 (Thurs) 15:00 - 19:00
4 Sep 2026 (Fri) 11:00 - 19:00
5 Sep 2026 (Sat) 11:00 - 19:00

▌地點 Venue | #韓國 #首爾 COEX會議中心3樓C&D廳
, Halls C&D, 3rd Floor, 513, Yeongdong-daero, Gangnam-gu, , South Korea

指導單位：文化部
本案獲文化部「匯聚臺流文化黑潮計畫」補助

11/08/2026

朱銘《太極系列－十字手》的裝置紀錄

從運輸、懸吊定位到最後的細部調整，這件高逾三公尺的巨型雕塑終於穩穩落定於國立臺灣美術館。

1985 年創作的《太極系列－十字手》，如今正式成為國美館典藏，並永久展示於臺中。透過這段影像，一同見證這件朱銘經典之作落地的重要時刻。

Documenting the installation of Ju Ming’s Taichi Series – Preparation for Underarm Strike

From lifting and positioning to its final placement, the monumental sculpture gradually takes its place at the National Taiwan Museum of Fine Arts, allowing its sense of movement, strength and balance to unfold within a new spatial setting.

Created in 1985, Preparation for Underarm Strike has now officially entered the Museum’s collection and is permanently on view in Taichung. This video records the moment one of Ju Ming’s iconic sculptures found its new home.

#國立台灣美術館 #國美館 #朱銘 #太極 #十字手 #雕塑 #台灣現代藝術 #台中地標

09/08/2026

動中有靜、剛柔並濟的太極精神，是朱銘最經典的雕塑語彙。他創造了享譽國際的太極系列，其中，1985年所創的巨型作品「十字手」，已經永久安裝與展示於國立臺灣美術館。 此次完成購藏，為國美館的台灣現代雕塑典藏增添了重要的一個篇章。朱銘這一件具有鮮明藝術語言與高辨識度的代表作，從此成為館藏的一部分、成為台中市區值得一看的地標。期待未來有更多觀眾與它相遇！

The spirit of "Taichi," stillness within movement, and a balance of strength and softness, is one of Ju Ming’s most iconic sculptural languages.

His internationally acclaimed Taichi series has become a defining body of work in modern sculpture. Among them, the monumental "Preparation for Underarm Strike" (1985) is now permanently installed and on view at the National Taiwan Museum of Fine Arts.

With this acquisition, the Museum’s collection of modern Taiwanese sculpture takes another important step forward. This distinctive work, with its instantly recognizable artistic language, now becomes part of the Museum’s permanent collection—and a new landmark for visitors in central Taichung.

#國立台灣美術館 #國美館 #朱銘 #太極 #十字手 #雕塑 #台灣現代藝術 #台中地標

08/08/2026

楊英風日治時期於宜蘭出生，少年赴北京依親，開始學習西方藝術。再赴日本學習建築時，但目睹東京大轟炸，日本帝國戰敗，令他反思。戰後他遊覽雲...