Back_y伊日後樂園

Back_y伊日後樂園 A contemporary art gallery that offers an experimental space for art openness, while unveiling what the future gallery could become.

《伊日後樂園 BACK_Y 》
2022年成立於臺北內湖，以當代藝術為主軸的藝廊。取自於後花園（Back Yard），其中多樣化的有機體互相串連並隨著時間變化，散發出瞬息萬變的能量感染周遭環境。此刻，什麼樣的藝術正在發生，人們正在想些什麼，而想像又如何進入此場域。BACK_Y 是一條路徑，暗示著充滿生機、時刻有新事物發生的樂園。

我們尋找世界上最令人興奮的藝術家，捕捉當代藝術那稍縱即逝的魔幻特質，並以展覽策劃做為最即時的回應。致力傳達當今藝術與文化上最迫切與渴望的重要訊息，我們期許成為推動當代藝術機器中的那關鍵齒輪。

A contemporary art gallery that offers an experimental space for art openness, while unveiling what the future gallery could become.

UPCOMING｜伊日後樂園 BACK_Y 伊日後樂園 BACK_Y 將於 2026 年 5 月 21 日推出台灣藝術家袁心元與日本藝術家橫山麻衣個展。展期自 05.21 至 07.04，並將於 05.23（週六）15:00 至 19:00...
07/05/2026

UPCOMING｜伊日後樂園 BACK_Y

伊日後樂園 BACK_Y 將於 2026 年 5 月 21 日推出台灣藝術家袁心元與日本藝術家橫山麻衣個展。

展期自 05.21 至 07.04，並將於 05.23（週六）15:00 至 19:00 舉辦開幕茶會，誠摯邀請您蒞臨現場，共襄盛舉。

BACK_Y is pleased to present solo exhibitions by Taiwanese artist Yuan Hsin-Yuan and Japanese artist Mai Yokoyama, opening on May 21, 2026.

The exhibitions will be on view through July 4, with an opening reception taking place on Saturday, May 23, from 3 PM to 7 PM. We warmly invite you to join us for the occasion.

_

▎BACK_Y 1F
袁心元 : 兩棵樹與群鳥
Yuan Hsin-Yuan : Two Trees and a Flock of Birds

袁心元長期以木雕作為創作核心，經常從日常生活中的速寫與片段觀察出發，將人物的姿態、動作與短暫瞬間轉化為簡潔而沉靜的雕塑形式。那些站立、凝視、乘船或坐臥的人物，褪去了鮮明的情緒與敘事，留下介於親密與疏離之間的情感狀態，也映照出個體面對他者與自身內在時的微妙感知。

《兩棵樹與群鳥》並不試圖提供明確的敘事或答案，而是在安靜而留白的空間之中，邀請觀者重新觀看那些存在於日常之中，關於靠近、停留與遙望的情感經驗。

Working primarily with camphor and birch wood, Yuan Hsin-Yuan transforms fleeting observations from daily life into restrained sculptural figures. Drawn from sketches of gestures, postures, and passing encounters, her works strip away overt narrative and expression, leaving behind contemplative forms that evoke states of solitude, memory, and emotional ambiguity.

Throughout the exhibition, warm wooden textures coexist with reflective surfaces and translucent, water-like imagery, constructing a space suspended between external reality and inner perception. Rather than presenting fixed narratives, Two Trees and a Flock of Birds invites viewers into a quiet emotional landscape shaped by moments of closeness, stillness, and distant observation.

-

▎BACK_Y 2F
橫山麻衣 Mai Yokoyama : Solar Phantasm

橫山麻衣長期以「何謂真實」作為創作核心，透過數位繪圖、水彩與油畫之間的轉譯關係，探討圖像、時間與存在之間持續變動的狀態。本次展覽以藝術家於義大利與希臘考察期間所接觸的古代遺跡與出土文物為主要靈感，延伸其對「圖層（layer）」與時間痕跡的關注。

Centered on the question of authenticity and perception, Yokoyama’s practice examines the shifting relationship between digital image-making, painting, and time. Through works that move between iPad drawings, watercolor studies, and oil painting, the artist constructs layered visual structures in which images continuously evolve through accumulation, transformation, and residue.

-

Explore : https://yiriarts.com.tw/
May 21 – July 4, 2026
Opening Reception｜May 23 (Sat.) 3-7pm

-
Photo Credit : Courtesy of the artist

畫廊公告 Gallery Announcement｜YIRI ARTS Taipei & BACK_Y感謝各位對當期展覽的熱烈反應。因畫廊建築體例行保養之安排，伊日藝術計劃台北空間與伊日後樂園之當期展覽，展期原訂至 5 月 9 日（六），將...
05/05/2026

畫廊公告 Gallery Announcement｜YIRI ARTS Taipei & BACK_Y

感謝各位對當期展覽的熱烈反應。因畫廊建築體例行保養之安排，伊日藝術計劃台北空間與伊日後樂園之當期展覽，展期原訂至 5 月 9 日（六），將提前一天於 5 月 8 日（五） 結束。

造成您的不便，敬請見諒。

Thank you for the enthusiastic response to our current exhibitions. Please be advised that due to scheduled building maintenance, the exhibitions at YIRI ARTS Taipei and BACK_Y will now conclude on May 8, instead of the originally scheduled date of May 9.

We apologize for any inconvenience this may cause.

-

▎ YIRI ARTS Taipei 1F
納法爾・阿布沙爾 Naufal Abshar : Meanwhile

▎YIRI ARTS Taipei B1
林政佑 Lin, Cheng-Yu : 夜路 ∙ 載體 Night Ride

▎BACK_Y 1F
陳為榛 : 家飾 2026
Chen Wei-Chen : Household Items 2026

▎BACK_Y 2F
坪山小百合 Sayuri Tsuboyama : Reconnect

Explore : https://yiriarts.com.tw/
March 26 – May 8, 2026

Photo Credit : Courtesy of the artist

一件物品，究竟是為了被使用，還是為了被觀看？在熟悉的家居輪廓裡，我們總以為功能與造型各有其位。但當形式被轉化，當觀看的方式被改變，那些再日常不過的物件，也可能開始變得陌生、迷人，甚至像雕塑一樣站在我們面前。陳為榛《家飾 2026》從家具與室...
13/04/2026

一件物品，
究竟是為了被使用，
還是為了被觀看？

在熟悉的家居輪廓裡，
我們總以為功能與造型各有其位。
但當形式被轉化，
當觀看的方式被改變，
那些再日常不過的物件，
也可能開始變得陌生、迷人，
甚至像雕塑一樣站在我們面前。

陳為榛《家飾 2026》
從家具與室內物件出發，
重新檢視日常物件如何被定義、使用與觀看。
它不只是在談設計，
也在談我們如何理解生活裡那些
最靠近身體、也最容易被忽略的存在。

你會先注意一件物品的功能，
還是它的形狀？

留言告訴我們。

——

陳為榛《家飾 2026》
2026.03.26 — 2026.05.09
BACK_Y

#陳為榛 #家飾2026 #當代藝術 #日常物件

Now on View｜BACK_Y 2F坪山小百合 Sayuri Tsuboyama : Reconnect透過繪畫，我希望能與觀者共享一段放慢日常節奏、回歸內在寧靜的時光。 作品試圖將流動於自我與自然、身體與意識之間的無形律動具象化，並...
08/04/2026

Now on View｜BACK_Y 2F
坪山小百合 Sayuri Tsuboyama : Reconnect

透過繪畫，我希望能與觀者共享一段放慢日常節奏、回歸內在寧靜的時光。 作品試圖將流動於自我與自然、身體與意識之間的無形律動具象化，並成為一個讓觀 者回到自身「靜靜的聲音」之中的場所。 我認為，「療癒」並非只是填補失落的溫柔，而是一種取回本來屬於自己的節奏的行 為。 期盼本展能成為一段時間，讓我們再次面向這個世界。

Through painting, I hope to share a moment in which the pace of everyday life slows and we return to an inner stillness. By making visible the unseen rhythms that flow between self and nature, body and consciousness, the exhibition creates a space for viewers to return to the "quiet voice" within themselves. I believe that healing is not a kindness that simply fills a sense of loss, but an act of reclaiming one's original rhythm. It is my hope that this exhibition may become a time through which we once again face the world.

-

Explore : https://yiriarts.com.tw/
March 26 – May 9, 2026
BACK_Y 2F

-

Photo Credit : Courtesy of the artist,BACK_Y and YIRI ARTS

Now on View｜BACK_Y 1F 陳為榛 : 家飾 2026Chen Wei-Chen : Household Items 2026當家俱褪去功能的束縛，物件將如何自我定義？藝術家陳為榛延續對物質性的深層探究，將目光投向室內家俱。...
07/04/2026

Now on View｜BACK_Y 1F

陳為榛 : 家飾 2026
Chen Wei-Chen : Household Items 2026

當家俱褪去功能的束縛，物件將如何自我定義？

藝術家陳為榛延續對物質性的深層探究，將目光投向室內家俱。她在「功能」與「造型」的權衡間精準游移，透過材質的反串與形式轉譯，挑戰大眾對日常物件的既定認知。

這些作品既是具備功能性的家飾，亦是純粹的雕塑存在。陳為榛以獨有的諷刺筆觸與自我調侃，帶領觀者穿透物質表象，在日常與非常、實用與審美之間，重啟一場關於物件本質與自我文化的內在對話。

邀請蒞臨現場，一同在翻轉的日常中，看見物質的反面。

When furniture is liberated from the constraints of utility, how does an object redefine its own existence?

Artist Chen Wei-Chen extends her profound inquiry into materiality, shifting her focus toward the architecture of interior furniture. Navigating the delicate tension between "form" and "function," Chen employs material subversion and formal translation to challenge entrenched perceptions of the everyday.

These works exist in a dual state—at once functional domestic items and pure sculptural entities. Through a lens of irony and self-reflection, Chen invites us to pierce through the material surface, initiating a dialogue on the essence of objects and cultural identity within the space between the utilitarian and the aesthetic.

Join us to witness the transformation of the mundane and discover the "other side" of matter within a reimagined reality.

-
Explore : https://yiriarts.com.tw/
March 26 – May 9, 2026
BACK_Y 1F
-
Photo Credit : Courtesy of the artist,BACK_Y and YIRI ARTS

Now on View｜ 伊日後樂園 BACK_Y 1&2F誠摯邀請大家參與本周六下午3–7 PM，我們全新展覽的開幕茶會。We cordially invite you to join us on Saturday, 28 March,...
27/03/2026

Now on View｜ 伊日後樂園 BACK_Y 1&2F

誠摯邀請大家參與本周六下午3–7 PM，我們全新展覽的開幕茶會。
We cordially invite you to join us on Saturday, 28 March, from 3–7 PM, for the opening reception of our new exhibitions.

-

▎BACK_Y 1F
陳為榛 : 家飾 2026
Chen Wei-Chen : Household Items 2026

在一件物品之中，「造型」與「功能」如何各司其職，才能回應其被設計出來的初衷？藝術家陳為榛嘗試在兩者的邊界之間游移，探究設計究竟是為了服務使用者，抑或是為了定義物件本身？ 透過對家俱形式的轉化與再詮釋，本展重新檢視日常物件如何被定義、使用、與觀看，並呈現了「家飾」作為功能物或雕塑品的多重可能性。

Within a single object, how can “form” and “function” each fulfill their roles in a way that responds to the original intention of its design? Artist Chen Wei-Chen navigates the boundary between these two dimensions, questioning whether design ultimately serves the user or defines the object itself. Through the transformation and reinterpretation of furniture forms, the exhibition reconsiders how everyday objects are defined, used, and perceived, while revealing the multiple possibilities of “household items” as both functional objects and sculptural forms.

-

▎BACK_Y 2F
坪山小百合 Sayuri Tsuboyama : Reconnect

在情感與資訊高速流動的當代，人們的注意力不斷被推擠，與自然及自身更深的根源逐漸拉開距離。焦慮、憤怒與孤立不僅是個體的內在波動，也瀰漫成為一種集體氛圍，悄然影響我們對自我與世界的感知。

In an era defined by the accelerated circulation of emotion and information, human attention is continually fragmented and displaced, gradually estranging us from both nature and our own deeper origins. Anxiety, anger, and isolation are no longer confined to individual psychological states; they have diffused into a broader collective atmosphere, subtly shaping how we perceive ourselves and the world around us.

-

Explore : https://yiriarts.com.tw/
March 26 – May 9, 2026
Opening Reception｜03.28 (Sat.) 3-7pm
YIRI ARTS Taipei 1F

-

Photo Credit : Courtesy of the artist,BACK_Y and YIRI ARTS

UPCOMING｜BACK_Y 2F坪山小百合 Sayuri Tsuboyama : Reconnect在情感與資訊高速流動的當代，人們的注意力不斷被推擠，與自然及自身更深的根源逐漸拉開距離。焦慮、憤怒與孤立不僅是個體的內在波動，也瀰漫成為...
19/03/2026

UPCOMING｜BACK_Y 2F

坪山小百合 Sayuri Tsuboyama : Reconnect

在情感與資訊高速流動的當代，人們的注意力不斷被推擠，與自然及自身更深的根源逐漸拉開距離。焦慮、憤怒與孤立不僅是個體的內在波動，也瀰漫成為一種集體氛圍，悄然影響我們對自我與世界的感知。

一九八三年出生於福岡。繪畫作品關注人與自然的關係，透明感筆觸、鮮明色彩極具個人風格，獨樹一幟。常以「人」與「植物」的融合為借喻，呈現並傳達層次豐富的思考與情感。作品曾多次於日本國內外美術館和畫廊展出，並屢次藝術獎項提名及獲獎。

In an era defined by the accelerated circulation of emotion and information, human attention is continually fragmented and displaced, gradually estranging us from both nature and our own deeper origins. Anxiety, anger, and isolation are no longer confined to individual psychological states; they have diffused into a broader collective atmosphere, subtly shaping how we perceive ourselves and the world around us.

Born in Fukuoka, Japan in 1983, Sayuri Tsuboyama’s painting practice centers on the intrinsic relationship between humanity and nature. Distinguished by her luminous transparency and vivid chromatic sensibility, her work articulates a highly personal and recognizable visual language. Through the poetic interweaving of human and vegetal forms, Tsuboyama constructs layered metaphors that convey complex emotional and conceptual dimensions. Her works have been widely exhibited in museums and galleries both in Japan and internationally, and have received multiple nominations and awards across prominent art platforms.

-

Explore : https://yiriarts.com.tw/
March 26 – May 9, 2026
Opening Reception｜03.28 (Sat.) 3-7pm
BACK_Y 2F

-

Photo Credit : Courtesy of the artist

UPCOMING｜BACK_Y 1F陳為榛 : 家飾 2026Chen Wei-Chen : Household Items 2026本展從室內家俱出發，思考功能性與造型之間的權衡關係。在一件物品之中，「造型」與「功能」如何各司其職，才能回...
15/03/2026

UPCOMING｜BACK_Y 1F

陳為榛 : 家飾 2026
Chen Wei-Chen : Household Items 2026

本展從室內家俱出發，思考功能性與造型之間的權衡關係。

在一件物品之中，「造型」與「功能」如何各司其職，才能回應其被設計出來的初衷？藝術家陳為榛嘗試在兩者的邊界之間游移，探究設計究竟是為了服務使用者，抑或是為了定義物件本身？ 透過對家俱形式的轉化與再詮釋，本展重新檢視日常物件如何被定義、使用、與觀看，並呈現了「家飾」作為功能物或雕塑品的多重可能性。

This exhibition takes interior furniture as its point of departure, examining the balance between functionality and form.

Within a single object, how can “form” and “function” each fulfill their roles in a way that responds to the original intention of its design? Artist Chen Wei-Chen navigates the boundary between these two dimensions, questioning whether design ultimately serves the user or defines the object itself. Through the transformation and reinterpretation of furniture forms, the exhibition reconsiders how everyday objects are defined, used, and perceived, while revealing the multiple possibilities of “household items” as both functional objects and sculptural forms.

-

Explore : https://yiriarts.com.tw/
March 26 – May 9, 2026
Opening Reception｜03.28 (Sat.) 3-7pm
BACK_Y 1F

-

Photo Credit : Courtesy of the artist

畫廊公告｜Gallery Announcement馬年伊始，感謝您一路相伴。願新歲如駿馬展步，視野遼闊，步履篤定。Wishing you a prosperous Year of the Horse.May it be a year of ...
12/02/2026

畫廊公告｜Gallery Announcement

馬年伊始，
感謝您一路相伴。
願新歲如駿馬展步，
視野遼闊，步履篤定。

Wishing you a prosperous Year of the Horse.
May it be a year of momentum, vision, and meaningful journeys.

2026 年 2 月 15 日（日）至 2 月 23 日（一）為農曆春節連假期間，畫廊將暫停對外開放。並於 2 月 24 日（二）起恢復正常開放。

Please note that the gallery will be closed for the Lunar New Year holiday from 15–23 February 2026, and will reopen on Tuesday, 24 February 2026.

-

▎BACK_Y 1F
陳家邦 : 安棲之所
Chen Jia-Bang : The Guise Of A Haven

▎BACK_Y 2F
伊瑟爾·佩羅 Iseult Perrault : Domestic Nature

Explore : https://yiriarts.com.tw
29 January to 14 March 2026
Tuesday – Saturday 2 – 7 pm
( Last entry at 6:30pm )

Now on View｜BACK_Y 2F伊瑟爾·佩羅 Iseult Perrault : Domestic Nature在台北的首次個展中，伊瑟爾·佩羅 Iseult Perrault 呈現《Domestic Nature》，這是一件以繪...
05/02/2026

Now on View｜BACK_Y 2F
伊瑟爾·佩羅 Iseult Perrault : Domestic Nature

在台北的首次個展中，伊瑟爾·佩羅 Iseult Perrault 呈現《Domestic Nature》，這是一件以繪畫為核心的裝置作品，建立在一個刻意營造的悖論之上：人們試圖將自然景觀納入、收容的欲望，同時也承認自然終究無法被真正地掌控或封閉。展名本身即是一組矛盾修辭：家居與野性、室內與戶外、可知與不可抵達之間的交會。繪畫在此成為最理想的媒介—一個允許衝突並存的場域，使被想像的自然得以在受控的框架中完全顯形。

For her first solo exhibition in Taipei, Iseult Perrault presents Domestic Nature, a painted installation built on an intentional paradox: the desire to contain the landscape while acknowledging that it can never truly be contained. The title functions as an oxymoron-an encounter between the domestic and the wild, the interior and the exterior, the known and the unreachable. Painting becomes the ideal medium for this union: a space where contradictions can coexist and where imagined nature can fully materialize within a controlled frame.

-

Explore : https://yiriarts.com.tw/
29 January to 14 March 2026
BACK_Y 2F

-

Photo Credit : Courtesy of the artist and BACK_Y

Now on View｜BACK_Y 1F陳家邦 : 安棲之所Chen Jia-Bang : The Guise Of A Haven《安棲之所》探問生命如何在持續變動的世界中，尋找得以停留、隱身與共存的狀態。本系列木雕作品以「擬態」為核心...
04/02/2026

Now on View｜BACK_Y 1F

陳家邦 : 安棲之所
Chen Jia-Bang : The Guise Of A Haven

《安棲之所》探問生命如何在持續變動的世界中，尋找得以停留、隱身與共存的狀態。本系列木雕作品以「擬態」為核心概念，透過昆蟲、植物與日常器物的交織，形塑介於自然與人造之間的混合形象，回應生存、適應與安放自身的經驗。

在作品中，昆蟲的身體融入葉脈與枝節，器物的輪廓轉化為殼、巢與遮蔽結構，彼此不再是可被清楚區分的個體，而呈現一種相互依存的存在狀態。這些形象並非為了偽裝而消失，而是透過「像」另一種事物，在縫隙中找到棲身的可能。

木材保留其天然紋理與生長痕跡，承載時間與自然的記憶；經由雕刻重構，材料如同生命在環境壓力下調整自身形態。《安棲之所》並非指向一個具體的場所，而是一種狀態。在界線模糊、身份流動之中，仍能安心存在的可能。

The Guise of a Haven explores how life, within a constantly shifting world, seeks conditions in which it can pause, withdraw, and coexist. Centered on the concept of mimicry, this series of wood sculptures interweaves insects, plants, and everyday objects to form hybrid figures that exist between the natural and the man-made, reflecting processes of survival, adaptation, and self-placement.

In these works, insect bodies merge with veins and branches, while the contours of domestic objects transform into shells, nests, and protective structures. Rather than presenting distinct entities, the sculptures reveal modes of interdependence. These forms do not disappear through camouflage; instead, by becoming like something else, they locate spaces in which to remain.

Wood retains its grain and growth marks, carrying time and the memory of nature. Through carving, the material is reconfigured, echoing how life adjusts its form under environmental pressure. Here, a “haven” is not a fixed place but a condition—one in which, despite blurred boundaries and shifting identities, existence can still take shape with a sense of ease.

-

Explore : https://yiriarts.com.tw/
29 January to 14 March 2026
📍 BACK_Y 1F

-

Photo Credit : Courtesy of the artist,BACK_Y and YIRI ARTS

Address

內湖區新明路66號
Taipei
114

Opening Hours

Tuesday 14:00 - 19:00
Wednesday 14:00 - 19:00
Thursday 14:00 - 19:00
Friday 14:00 - 19:00
Saturday 14:00 - 19:00

Telephone

+886227905058

Website

Alerts

Be the first to know and let us send you an email when Back_y伊日後樂園 posts news and promotions. Your email address will not be used for any other purpose, and you can unsubscribe at any time.

Contact The Museum

Send a message to Back_y伊日後樂園:

Shortcuts

Share

Category