Back_y伊日後樂園

Back_y伊日後樂園 A contemporary art gallery that offers an experimental space for art openness, while unveiling what the future gallery could become.

《伊日後樂園 BACK_Y 》
2022年成立於臺北內湖,以當代藝術為主軸的藝廊。取自於後花園(Back Yard),其中多樣化的有機體互相串連並隨著時間變化,散發出瞬息萬變的能量感染周遭環境。此刻,什麼樣的藝術正在發生,人們正在想些什麼,而想像又如何進入此場域。BACK_Y 是一條路徑,暗示著充滿生機、時刻有新事物發生的樂園。

我們尋找世界上最令人興奮的藝術家,捕捉當代藝術那稍縱即逝的魔幻特質,並以展覽策劃做為最即時的回應。致力傳達當今藝術與文化上最迫切與渴望的重要訊息,我們期許成為推動當代藝術機器中的那關鍵齒輪。

A contemporary art gallery that offers an experimental space for art openness, while unveiling what the future gallery could become.

Now on View| 伊日後樂園 BACK_Y 1F袁心元 : 兩棵樹與群鳥 Yuan Hsin-Yuan : Two Trees and a Flock of Birds本次展出的新作中,袁心元進一步回應木材自身的生命歷程。作品中的孔...
06/06/2026

Now on View| 伊日後樂園 BACK_Y 1F

袁心元 : 兩棵樹與群鳥
Yuan Hsin-Yuan : Two Trees and a Flock of Birds

本次展出的新作中,袁心元進一步回應木材自身的生命歷程。作品中的孔洞與鏤空結構源自木材自然腐朽後留下的痕跡,藝術家在清除腐壞部分的過程中,保留了這些意外生成的空間,並將其轉化為作品的重要組成。

對袁心元而言,這些由材料自身形成的留白,如同兩棵樹之間、群鳥之間,或人與人之間所存在的距離。它們既是容納他者的空間,也是一處能夠安放自身感受的位置。相較於實體形態,這些空缺反而成為作品中最具張力的部分。

在此次創作中,藝術家將部分主導權交還給材料本身。木材的紋理、裂痕與自然變化不再只是媒材特性,而成為共同塑造作品的力量。透過形體與留白、存在與空缺之間的交錯關係,作品進一步探討關於共存、距離與連結的可能。

In this new body of work, Yuan Hsin-Yuan responds to the life of the material itself. The cavities and openings found throughout the sculptures originate from areas of natural decay within the wood. Rather than removing these traces entirely, the artist preserves them, allowing the resulting spaces to become an essential part of the work.

For Yuan, these voids serve as a metaphor for relationships—between two trees, among a flock of birds, or between one person and another. They suggest both a space that welcomes others and a place where one's own emotions may settle. More than an absence, these openings become active elements that shape how the works are experienced.

By relinquishing part of her control to the material, Yuan embraces the grain, cracks, and natural transformations of the wood as collaborators in the creative process. Through the interplay of form and void, presence and absence, the works explore ideas of coexistence, distance, and connection, while opening up new possibilities for seeing and inhabiting space.

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Explore : https://yiriarts.com.tw/
May 21 – July 4, 2026
BACK_Y 1F

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Photo Credit : Courtesy of the artist,BACK_Y and YIRI ARTS

Now on view |BACK_Y 2F橫山麻衣 Mai Yokoyama : Solar Phantasm展覽並不試圖回返某種單一且純粹的「原初真實」,而是關注事物如何在時間流動與物質轉變之中,逐漸成為一種介於存在與消逝之間的狀態。這...
27/05/2026

Now on view |BACK_Y 2F

橫山麻衣 Mai Yokoyama : Solar Phantasm

展覽並不試圖回返某種單一且純粹的「原初真實」,而是關注事物如何在時間流動與物質轉變之中,逐漸成為一種介於存在與消逝之間的狀態。這些古代遺跡如同幽靈般滯留於當代世界,在失去原有功能之後,仍以另一種形式持續存在。

對橫山麻衣而言,所謂的真實,或許並非來自固定不變的原貌,而是在不斷變形、覆寫與殘留之中,依然保有某種無法被完全抹除的存在痕跡。

In Solar Phantasm, the artist draws primarily from ancient ruins and archaeological artifacts encountered during extended periods of research in Italy and Greece. Confronted by these remnants shaped through centuries of erosion, burial, and excavation, the sensation of layering became increasingly tangible. What we now recognize as ”ruins“ are not preserved originals, but altered forms that have survived through immense spans of time. Their initial functions and meanings can only be inferred through fragmented remains and historical imagination.

Rather than attempting to recover an untouched or singular authenticity, the exhibition considers how objects persist while continuously undergoing transformation. These ancient structures occupy an ambiguous condition suspended between disappearance and endurance, existing like spectral presences within the contemporary world. Though their original purposes have faded, they continue to retain a form of existence beyond their former identities.

For Yokoyama, authenticity does not reside in permanence or an immutable origin, but instead emerges through processes of erosion, layering, and continual transformation, where traces of existence persist even as forms themselves remain in flux.

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Explore : https://yiriarts.com.tw/
May 21 – July 4, 2026
BACK_Y 2F

Photo Credit : Courtesy of the artist,YIRI ARTS and BACK_Y

Now on View| 伊日後樂園 BACK_Y 1F袁心元 : 兩棵樹與群鳥 Yuan Hsin-Yuan : Two Trees and a Flock of Birds《兩棵樹與群鳥》延續袁心元長期以木雕作為創作核心的脈絡,透過樸實...
26/05/2026

Now on View| 伊日後樂園 BACK_Y 1F

袁心元 : 兩棵樹與群鳥
Yuan Hsin-Yuan : Two Trees and a Flock of Birds

《兩棵樹與群鳥》延續袁心元長期以木雕作為創作核心的脈絡,透過樸實而安靜的雕塑語言,重新觀看人與人之間微妙而難以言說的距離。展覽以木的質地作為情感的媒介,描述自己與他者之間既靠近又疏離的關係,以及那些在日常相處之中,偶然閃現的溫柔片刻與情感光亮。

對袁心元而言,「他者」並不僅指向特定的人,也可能是一段關係、一種情緒,甚至是自身陌生而尚未被理解的內在狀態。藝術家經常從速寫本中的手稿出發,記錄生活中不經意的身影、姿態與瞬間,再將這些平面的觀察轉化為一件件木雕人物。那些站立、凝視、乘船、坐臥的人物,褪去了鮮明的表情與敘事,留下簡單而安靜的存在感,如同每個人內心深處難以被明確定義的情感狀態。

Two Trees and a Flock of Birds continues Yuan Hsin-Yuan's long-standing sculptural practice centered around wood as both material and emotional language. Through quiet and understated forms, the exhibition reflects on the subtle and often indescribable distances that exist between oneself and others. Using the warmth and texture of wood as a point of departure, the works explore relationships that are at once intimate and distant, as well as the fleeting moments of tenderness and emotional clarity that unexpectedly emerge within everyday life.

For the artist, the "other" does not refer solely to another person. It may also suggest a relationship, a memory, an emotional condition, or even an unfamiliar part of the self that has yet to be fully understood. Yuan Hsin-Yuan's practice often begins with sketches drawn in her notebooks, where she records gestures, figures, and fragments of scenes encountered in daily life. These observations gradually evolve into sculptural figures: standing bodies, gazing figures, people seated in boats, raised hands, or quietly reclining forms. Stripped of overt expressions and narrative details, these figures remain restrained and contemplative, embodying emotional states that resist simple definition.

May 21 – July 4, 2026
BACK_Y 1F
Photo Credit : Courtesy of the artist,BACK_Y and YIRI ARTS

UPCOMING|伊日後樂園 BACK_Y 伊日後樂園 BACK_Y 將於 2026 年 5 月 21 日推出台灣藝術家袁心元與日本藝術家橫山麻衣個展。展期自 05.21 至 07.04,並將於 05.23(週六)15:00 至 19:00...
07/05/2026

UPCOMING|伊日後樂園 BACK_Y

伊日後樂園 BACK_Y 將於 2026 年 5 月 21 日推出台灣藝術家袁心元與日本藝術家橫山麻衣個展。

展期自 05.21 至 07.04,並將於 05.23(週六)15:00 至 19:00 舉辦開幕茶會,誠摯邀請您蒞臨現場,共襄盛舉。

BACK_Y is pleased to present solo exhibitions by Taiwanese artist Yuan Hsin-Yuan and Japanese artist Mai Yokoyama, opening on May 21, 2026.

The exhibitions will be on view through July 4, with an opening reception taking place on Saturday, May 23, from 3 PM to 7 PM. We warmly invite you to join us for the occasion.

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▎BACK_Y 1F
袁心元 : 兩棵樹與群鳥
Yuan Hsin-Yuan : Two Trees and a Flock of Birds

袁心元長期以木雕作為創作核心,經常從日常生活中的速寫與片段觀察出發,將人物的姿態、動作與短暫瞬間轉化為簡潔而沉靜的雕塑形式。那些站立、凝視、乘船或坐臥的人物,褪去了鮮明的情緒與敘事,留下介於親密與疏離之間的情感狀態,也映照出個體面對他者與自身內在時的微妙感知。

《兩棵樹與群鳥》並不試圖提供明確的敘事或答案,而是在安靜而留白的空間之中,邀請觀者重新觀看那些存在於日常之中,關於靠近、停留與遙望的情感經驗。

Working primarily with camphor and birch wood, Yuan Hsin-Yuan transforms fleeting observations from daily life into restrained sculptural figures. Drawn from sketches of gestures, postures, and passing encounters, her works strip away overt narrative and expression, leaving behind contemplative forms that evoke states of solitude, memory, and emotional ambiguity.

Throughout the exhibition, warm wooden textures coexist with reflective surfaces and translucent, water-like imagery, constructing a space suspended between external reality and inner perception. Rather than presenting fixed narratives, Two Trees and a Flock of Birds invites viewers into a quiet emotional landscape shaped by moments of closeness, stillness, and distant observation.

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▎BACK_Y 2F
橫山麻衣 Mai Yokoyama : Solar Phantasm

橫山麻衣長期以「何謂真實」作為創作核心,透過數位繪圖、水彩與油畫之間的轉譯關係,探討圖像、時間與存在之間持續變動的狀態。本次展覽以藝術家於義大利與希臘考察期間所接觸的古代遺跡與出土文物為主要靈感,延伸其對「圖層(layer)」與時間痕跡的關注。

Centered on the question of authenticity and perception, Yokoyama’s practice examines the shifting relationship between digital image-making, painting, and time. Through works that move between iPad drawings, watercolor studies, and oil painting, the artist constructs layered visual structures in which images continuously evolve through accumulation, transformation, and residue.

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Explore : https://yiriarts.com.tw/
May 21 – July 4, 2026
Opening Reception|May 23 (Sat.) 3-7pm

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Photo Credit : Courtesy of the artist

畫廊公告 Gallery Announcement|YIRI ARTS Taipei & BACK_Y感謝各位對當期展覽的熱烈反應。因畫廊建築體例行保養之安排,伊日藝術計劃台北空間與伊日後樂園之當期展覽,展期原訂至 5 月 9 日(六),將...
05/05/2026

畫廊公告 Gallery Announcement|YIRI ARTS Taipei & BACK_Y

感謝各位對當期展覽的熱烈反應。因畫廊建築體例行保養之安排,伊日藝術計劃台北空間與伊日後樂園之當期展覽,展期原訂至 5 月 9 日(六),將提前一天於 5 月 8 日(五) 結束。

造成您的不便,敬請見諒。

Thank you for the enthusiastic response to our current exhibitions. Please be advised that due to scheduled building maintenance, the exhibitions at YIRI ARTS Taipei and BACK_Y will now conclude on May 8, instead of the originally scheduled date of May 9.

We apologize for any inconvenience this may cause.

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▎ YIRI ARTS Taipei 1F
納法爾・阿布沙爾 Naufal Abshar : Meanwhile

▎YIRI ARTS Taipei B1
林政佑 Lin, Cheng-Yu : 夜路 ∙ 載體 Night Ride

▎BACK_Y 1F
陳為榛 : 家飾 2026
Chen Wei-Chen : Household Items 2026

▎BACK_Y 2F
坪山小百合 Sayuri Tsuboyama : Reconnect

Explore : https://yiriarts.com.tw/
March 26 – May 8, 2026

Photo Credit : Courtesy of the artist

一件物品,究竟是為了被使用,還是為了被觀看?在熟悉的家居輪廓裡,我們總以為功能與造型各有其位。但當形式被轉化,當觀看的方式被改變,那些再日常不過的物件,也可能開始變得陌生、迷人,甚至像雕塑一樣站在我們面前。陳為榛《家飾 2026》從家具與室...
13/04/2026

一件物品,
究竟是為了被使用,
還是為了被觀看?

在熟悉的家居輪廓裡,
我們總以為功能與造型各有其位。
但當形式被轉化,
當觀看的方式被改變,
那些再日常不過的物件,
也可能開始變得陌生、迷人,
甚至像雕塑一樣站在我們面前。

陳為榛《家飾 2026》
從家具與室內物件出發,
重新檢視日常物件如何被定義、使用與觀看。
它不只是在談設計,
也在談我們如何理解生活裡那些
最靠近身體、也最容易被忽略的存在。

你會先注意一件物品的功能,
還是它的形狀?

留言告訴我們。

——

陳為榛《家飾 2026》
2026.03.26 — 2026.05.09
BACK_Y

#陳為榛 #家飾2026 #當代藝術 #日常物件

Now on View|BACK_Y 2F坪山小百合 Sayuri Tsuboyama : Reconnect透過繪畫,我希望能與觀者共享一段放慢日常節奏、回歸內在寧靜的時光。 作品試圖將流動於自我與自然、身體與意識之間的無形律動具象化,並...
08/04/2026

Now on View|BACK_Y 2F
坪山小百合 Sayuri Tsuboyama : Reconnect

透過繪畫,我希望能與觀者共享一段放慢日常節奏、回歸內在寧靜的時光。 作品試圖將流動於自我與自然、身體與意識之間的無形律動具象化,並成為一個讓觀 者回到自身「靜靜的聲音」之中的場所。 我認為,「療癒」並非只是填補失落的溫柔,而是一種取回本來屬於自己的節奏的行 為。 期盼本展能成為一段時間,讓我們再次面向這個世界。

Through painting, I hope to share a moment in which the pace of everyday life slows and we return to an inner stillness. By making visible the unseen rhythms that flow between self and nature, body and consciousness, the exhibition creates a space for viewers to return to the "quiet voice" within themselves. I believe that healing is not a kindness that simply fills a sense of loss, but an act of reclaiming one's original rhythm. It is my hope that this exhibition may become a time through which we once again face the world.

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Explore : https://yiriarts.com.tw/
March 26 – May 9, 2026
BACK_Y 2F

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Photo Credit : Courtesy of the artist,BACK_Y and YIRI ARTS

Now on View|BACK_Y 1F 陳為榛 : 家飾 2026Chen Wei-Chen : Household Items 2026當家俱褪去功能的束縛,物件將如何自我定義?藝術家陳為榛延續對物質性的深層探究,將目光投向室內家俱。...
07/04/2026

Now on View|BACK_Y 1F

陳為榛 : 家飾 2026
Chen Wei-Chen : Household Items 2026

當家俱褪去功能的束縛,物件將如何自我定義?

藝術家陳為榛延續對物質性的深層探究,將目光投向室內家俱。她在「功能」與「造型」的權衡間精準游移,透過材質的反串與形式轉譯,挑戰大眾對日常物件的既定認知。

這些作品既是具備功能性的家飾,亦是純粹的雕塑存在。陳為榛以獨有的諷刺筆觸與自我調侃,帶領觀者穿透物質表象,在日常與非常、實用與審美之間,重啟一場關於物件本質與自我文化的內在對話。

邀請蒞臨現場,一同在翻轉的日常中,看見物質的反面。

When furniture is liberated from the constraints of utility, how does an object redefine its own existence?

Artist Chen Wei-Chen extends her profound inquiry into materiality, shifting her focus toward the architecture of interior furniture. Navigating the delicate tension between "form" and "function," Chen employs material subversion and formal translation to challenge entrenched perceptions of the everyday.

These works exist in a dual state—at once functional domestic items and pure sculptural entities. Through a lens of irony and self-reflection, Chen invites us to pierce through the material surface, initiating a dialogue on the essence of objects and cultural identity within the space between the utilitarian and the aesthetic.

Join us to witness the transformation of the mundane and discover the "other side" of matter within a reimagined reality.

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Explore : https://yiriarts.com.tw/
March 26 – May 9, 2026
BACK_Y 1F
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Photo Credit : Courtesy of the artist,BACK_Y and YIRI ARTS

Now on View| 伊日後樂園 BACK_Y 1&2F誠摯邀請大家參與本周六下午3–7 PM,我們全新展覽的開幕茶會。We cordially invite you to join us on Saturday,  28 March,...
27/03/2026

Now on View| 伊日後樂園 BACK_Y 1&2F

誠摯邀請大家參與本周六下午3–7 PM,我們全新展覽的開幕茶會。
We cordially invite you to join us on Saturday, 28 March, from 3–7 PM, for the opening reception of our new exhibitions.

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▎BACK_Y 1F
陳為榛 : 家飾 2026
Chen Wei-Chen : Household Items 2026

在一件物品之中,「造型」與「功能」如何各司其職,才能回應其被設計出來的初衷?藝術家陳為榛嘗試在兩者的邊界之間游移,探究設計究竟是為了服務使用者,抑或是為了定義物件本身? 透過對家俱形式的轉化與再詮釋,本展重新檢視日常物件如何被定義、使用、與觀看,並呈現了「家飾」作為功能物或雕塑品的多重可能性。

Within a single object, how can “form” and “function” each fulfill their roles in a way that responds to the original intention of its design? Artist Chen Wei-Chen navigates the boundary between these two dimensions, questioning whether design ultimately serves the user or defines the object itself. Through the transformation and reinterpretation of furniture forms, the exhibition reconsiders how everyday objects are defined, used, and perceived, while revealing the multiple possibilities of “household items” as both functional objects and sculptural forms.

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▎BACK_Y 2F
坪山小百合 Sayuri Tsuboyama : Reconnect

在情感與資訊高速流動的當代,人們的注意力不斷被推擠,與自然及自身更深的根源逐漸拉開距離。焦慮、憤怒與孤立不僅是個體的內在波動,也瀰漫成為一種集體氛圍,悄然影響我們對自我與世界的感知。

In an era defined by the accelerated circulation of emotion and information, human attention is continually fragmented and displaced, gradually estranging us from both nature and our own deeper origins. Anxiety, anger, and isolation are no longer confined to individual psychological states; they have diffused into a broader collective atmosphere, subtly shaping how we perceive ourselves and the world around us.

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Explore : https://yiriarts.com.tw/
March 26 – May 9, 2026
Opening Reception|03.28 (Sat.) 3-7pm
YIRI ARTS Taipei 1F

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Photo Credit : Courtesy of the artist,BACK_Y and YIRI ARTS

UPCOMING|BACK_Y 2F坪山小百合 Sayuri Tsuboyama : Reconnect在情感與資訊高速流動的當代,人們的注意力不斷被推擠,與自然及自身更深的根源逐漸拉開距離。焦慮、憤怒與孤立不僅是個體的內在波動,也瀰漫成為...
19/03/2026

UPCOMING|BACK_Y 2F

坪山小百合 Sayuri Tsuboyama : Reconnect

在情感與資訊高速流動的當代,人們的注意力不斷被推擠,與自然及自身更深的根源逐漸拉開距離。焦慮、憤怒與孤立不僅是個體的內在波動,也瀰漫成為一種集體氛圍,悄然影響我們對自我與世界的感知。

一九八三年出生於福岡。繪畫作品關注人與自然的關係,透明感筆觸、鮮明色彩極具個人風格,獨樹一幟。常以「人」與「植物」的融合為借喻,呈現並傳達層次豐富的思考與情感。作品曾多次於日本國內外美術館和畫廊展出,並屢次藝術獎項提名及獲獎。

In an era defined by the accelerated circulation of emotion and information, human attention is continually fragmented and displaced, gradually estranging us from both nature and our own deeper origins. Anxiety, anger, and isolation are no longer confined to individual psychological states; they have diffused into a broader collective atmosphere, subtly shaping how we perceive ourselves and the world around us.

Born in Fukuoka, Japan in 1983, Sayuri Tsuboyama’s painting practice centers on the intrinsic relationship between humanity and nature. Distinguished by her luminous transparency and vivid chromatic sensibility, her work articulates a highly personal and recognizable visual language. Through the poetic interweaving of human and vegetal forms, Tsuboyama constructs layered metaphors that convey complex emotional and conceptual dimensions. Her works have been widely exhibited in museums and galleries both in Japan and internationally, and have received multiple nominations and awards across prominent art platforms.

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Explore : https://yiriarts.com.tw/
March 26 – May 9, 2026
Opening Reception|03.28 (Sat.) 3-7pm
BACK_Y 2F

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Photo Credit : Courtesy of the artist

Address

內湖區新明路66號
Taipei
114

Opening Hours

Tuesday 14:00 - 19:00
Wednesday 14:00 - 19:00
Thursday 14:00 - 19:00
Friday 14:00 - 19:00
Saturday 14:00 - 19:00

Telephone

+886227905058

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