26/08/2026
• ·̭ 《誰的遊戲》胡鈞荃個展 ·̭ •
𝑾𝒉𝒐𝒔𝒆 𝑮𝒂𝒎𝒆？𝐇𝐮 𝐂𝐡𝐢𝐧𝐠-𝐂𝐡𝐮𝐚𝐧 𝐒𝐨𝐥𝐨 𝐄𝐱𝐡𝐢𝐛𝐢𝐭𝐢𝐨𝐧
(for English, please scroll down)
展期：2026年9月15日至11月15日
開幕：2026年9月19日15：00
開館時間：週二至週日10:30-17:30 週一、中秋節（9/25）休館
鳳甲美術館年度青年錄像藝術家個展，呈現胡鈞荃「誰的遊戲」創作計畫。展覽關注人工智慧與演算系統悄然滲入日常之後，人與人之間的關係、照護與存在如何被重新定義。當情感逐漸成為可被優化的工具，親密也從私密經驗轉為可被調度的狀態，展覽便從這些細微而持續的「失真」出發，思考科技如何改變情感被感知與安放的方式。
本展包含四件作品。〈兒戲〉以孩童在網路上與陌生人玩「扮家家酒」為切面，探討虛擬陪伴如何被編碼為一套可運行的格式，展場以床單搭起營帳並擺放螢幕，讓觀眾自然進入遊戲中的觀看機制。〈樂園〉以3D掃描記錄孩童日常空間，靜止影像與嬉戲聲響彼此錯位，提問身體共在如何被科技延遲、抽離。〈它〉以似人非人的透明孕體，呈現生育從身體經驗轉為資料化流程的過程，試圖在理性運作邊緣留下情感的殘留。〈你的故事〉為多聲道聲音裝置，邀請AI資料標記者、內容審查員與安心專線接線人員錄製聲音，交織成一首異質搖籃曲，觀眾躺臥其中，成為被納入迴路的存在。四件作品分別從童年、生育與內在情感切入，共同指向同一提問：在事物都傾向被系統承接的時代，仍有某些「真實」只能透過感知與承擔來確認。展覽邀請觀者重新感知，自己如何選擇在關係之中「在場」。
👾藝術家介紹
胡鈞荃
1990年出生於台灣新北，畢業於國立臺北藝術大學新媒體藝術研究所。其創作聚焦人類、自然與科技之間的異質關係，擅長運用3D掃描等數位技術，發展兼具實驗影像、互動裝置與錄像特質的作品，探討虛擬與真實邊界，並反思當下與未來的存在處境。曾獲2018年高雄獎首獎及2019年ifva獨立短片及影像媒體展金獎等獎項肯定。作品曾於國立臺灣美術館「定製真實：數位藝術之魅」、高雄市立美術館、新北市美術館「拇指世代：點擊以開啟」、英國曼徹斯特CFCCA、奧地利林茨電子藝術節等國內外重要展會展出，並獲高雄市立美術館典藏。
贊助單位：國家文化藝術基金會、台北市文化局
𝑾𝒉𝒐𝒔𝒆 𝑮𝒂𝒎𝒆？𝐇𝐮 𝐂𝐡𝐢𝐧𝐠-𝐂𝐡𝐮𝐚𝐧 𝐒𝐨𝐥𝐨 𝐄𝐱𝐡𝐢𝐛𝐢𝐭𝐢𝐨𝐧
Date: 2026.09.15 – 11.15 10:30-17:30
Opening Reception: 2026.09.19 (Sat.) 15:00
Closed on Monday and Moon Festival (9/25)
Hong-Gah Museum is glad to present "𝘞𝘩𝘰𝘴𝘦 𝘎𝘢𝘮𝘦?" a solo exhibition by young video artist Ching-chuan Hu. The exhibition examines how relationships, care, and existence between people are being quietly redefined as artificial intelligence and algorithmic systems seep into daily life. As emotion is gradually turned into something optimizable, intimacy shifts from private experience into a state that can be scheduled and dispatched—and it is from these subtle, persistent "distortions" that the exhibition begins, considering how technology reshapes the way emotion is sensed and given a place to rest.
The exhibition comprises four works. 𝘈 𝘊𝘩𝘪𝘭𝘥'𝘴 𝘎𝘢𝘮𝘦 takes as its subject a child playing house-style games with strangers online, examining how virtual companionship is encoded into a runnable format; the installation builds a tent from bedsheets with a screen inside, drawing viewers naturally into this apparatus of looking within the game itself. 𝘞𝘰𝘯𝘥𝘦𝘳𝘭𝘢𝘯𝘥 uses 3D scanning to record children's everyday spaces, its still images and playful sounds falling out of sync, asking how bodily co-presence is delayed and displaced by technology.𝘐𝘛 presents a transparent, quasi-human gestational body, tracing how childbirth shifts from bodily experience into a datafied process, and attempting to preserve an emotional residue at the edge of this rational operation. 𝘛𝘩𝘦 𝘚𝘵𝘰𝘳𝘺 𝘠𝘰𝘶 𝘞𝘦𝘳𝘦 𝘎𝘪𝘷𝘦𝘯 is a multichannel sound installation that invites AI data labelers, content moderators, and crisis-line operators to record their voices, weaving them into a heterogeneous lullaby; viewers lie down within it, becoming presences drawn into the circuit itself. Moving through childhood, childbirth, and the placement of inner emotion, the four works converge on a single question: in an age when so much tends toward systemic absorption, some forms of "truth" can only be confirmed through perception and the willingness to bear something. The exhibition invites viewers to re-sense how they choose to remain "present" within relationships.
👾Artist Introduction
𝗛𝘂 𝗖𝗵𝗶𝗻𝗴-𝗖𝗵𝘂𝗮𝗻
Hu Ching-Chuan was born in 1990 in New Taipei City, Taiwan, and holds an MFA in New Media Art from Taipei National University of the Arts. Her work focuses on the heterogeneous relationships between humans, nature, and technology, employing digital techniques such as 3D scanning to develop pieces that combine experimental video, interactive installation, and moving image—probing the boundary between virtual and real, and reflecting on present and future conditions of existence. She received First Prize at the Kaohsiung Award in 2018, and the Gold Award at ifva (Incubator for Film and Visual Media in Asia) in 2019, among other honors. Her work has been shown at major exhibitions in Taiwan and abroad, including "Customized Reality: The Lure and Enchantment of Digital Art" at the National Taiwan Museum of Fine Arts, the Kaohsiung Museum of Fine Arts, "Generation T: Tap to Play" at the New Taipei City Art Museum, CFCCA (Centre for Chinese Contemporary Art) in Manchester, UK, and Ars Electronica in Linz, Austria, and is held in the collection of the Kaohsiung Museum of Fine Arts.
Sponsor：National Culture and Arts Foundation, Department of Cultural Affairs, Taipei City Government
