What are the opening hours?

Wednesday 15:00 - 20:00 Thursday 15:00 - 20:00 Friday 15:00 - 20:00 Saturday 15:00 - 20:00 Sunday 15:00 - 20:00

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窯座 Yáo, 台中市西區民生路126巷9號2樓, West District, Taichung (2026)

05/10/2026

不完整的章節 𝙋𝙞𝙘𝙠𝙞𝙣𝙜 𝙐𝙥 𝙞𝙣 𝙩𝙝𝙚 𝙈𝙞𝙙𝙙𝙡𝙚

我們好像很習慣將事情整理完整。

一段經歷有了前因後果，一個故事有了開始和結束，就連記憶也常常在回想和講述的過程裡，被慢慢整理成一個說得通的版本。但真正經歷事情的時候，好像不是這樣。很多東西本來就是零散的，有些忘了，有些只記得一個畫面，有些甚至不知道為什麼會一直留著。

或許完整並不是事情原本的樣子，而是後來才被整理出的形狀。

這次先不急著把這些東西組裝好。比起找到一個完整的故事，我們更想讓它們暫時維持原來的樣子。

We seem to have a habit of making things complete.

An experience is given a cause and an outcome, a story a beginning and an end. Even memories are slowly shaped into versions that make sense as we recall and retell them. But when we are actually living through something, it rarely feels that way. So much of it is scattered. Some things are forgotten, some remain only as a single image, and some stay with us for reasons we cannot quite explain.

Perhaps completeness is not the original shape of things, but a form they are given afterward.
This time, there is no need to put everything together just yet. Rather than searching for a complete story, we want to let these fragments remain as they are, at least for a while.

Photo © YÁO
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執行策展 Curatorial team / 窯座 YÁO
藝術家 Artist / 劉詩敏Lau SzeMan、康力升Kang LiSheng 、石孟鑫 Shih MengHsin

展覽日期 Dates / 2026.09.12-2026.10.11
開放時間 Time / 15:00-20:00（週一、二公休）
展覽地點 Venue / 窯座 Yáo

*不完整的章節
*最後一週
*謝謝大家

21/09/2026

不完整的章節 𝙋𝙞𝙘𝙠𝙞𝙣𝙜 𝙐𝙥 𝙞𝙣 𝙩𝙝𝙚 𝙈𝙞𝙙𝙙𝙡𝙚

不完整反而讓觀看少了一些負擔。因為沒有前面，不需要先知道什麼才能開始；因為看不到後面，也不用急著知道它最後會走去哪裡。少了完整結構，好像也少了一點非得把事情弄懂的壓力。眼前有什麼就看什麼，享受一些片段或許就夠了，沒什麼大不了的。

完整的東西讓人安心，不完整卻讓人可以隨時進入，也隨時離開。從任何地方開始，在任何地方停下，不一定要把所有東西都接起來。

Incompleteness can make looking feel a little less demanding. With no beginning, there is nothing you need to know before you start. With no ending in sight, there is no need to rush toward where it is going. Without a complete structure, there is also less pressure to make sense of everything. Maybe it is enough to simply take in what is in front of you and enjoy a few fragments. It is no big deal.

Complete things can be reassuring, while incomplete things let us enter and leave whenever we want. We can begin anywhere and stop anywhere, without having to connect everything together.

Photo © YÁO
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執行策展 Curatorial team / 窯座 YÁO
藝術家 Artist / 劉詩敏Lau SzeMan、康力升Kang LiSheng 、石孟鑫 Shih MengHsin

展覽日期 Dates / 2026.09.12-2026.10.11
開放時間 Time / 15:00-20:00（週一、二公休）
展覽地點 Venue / 窯座 Yáo

*接不起來
*沒關係
*有天會用自己方式
*接起來

14/09/2026

不完整的章節 𝙋𝙞𝙘𝙠𝙞𝙣𝙜 𝙐𝙥 𝙞𝙣 𝙩𝙝𝙚 𝙈𝙞𝙙𝙙𝙡𝙚

這次展覽從「不完整」的角度出發。我們對那種沒有前後、只留下中間的片段很有興趣。日常裡其實常常會遇到：一段不知道從哪裡開始的對話、一張不知道前因後果的照片、一個記得不太完整的畫面。它們沒有辦法拼成一個完整的故事，但也不妨礙我們對它產生想像。

就像小時候在小兒科診所裡候診時，架子上永遠只有中間幾集的漫畫一樣。那時候也不太在意，拿起來就看了。看著看著，好像本來就熟悉那些角色，很自然地進入那個世界，不會覺得自己是半途才加入這個故事的。

This exhibition began with an interest in the idea of “incompleteness.” We are drawn to fragments that have no clear beginning or end, only something left in the middle. We come across them all the time in everyday life: a conversation we hear without knowing how it started, a photograph with no context, a half-remembered image. They may never come together as a complete story, but that does not stop us from imagining what might be around them.

It reminds us of waiting at the paediatrician’s office as children, where the shelf always seemed to have only a few volumes from the middle of a comic series. We did not really mind. We simply picked one up and started reading. After a while, the characters somehow felt familiar, and we naturally found our way into their world. It never really felt like we had joined the story halfway through.

Photo © YÁO
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執行策展 Curatorial team / 窯座 YÁO
藝術家 Artist / 劉詩敏Lau SzeMan、康力升Kang LiSheng 、石孟鑫 Shih MengHsin

展覽日期 Dates / 2026.09.12-2026.10.11
開放時間 Time / 15:00-20:00（週一、二公休）
展覽地點 Venue / 窯座 Yáo

*回憶一下
*以前等待看醫生的時候
*你看過哪些漫畫

07/09/2026

不完整的章節 Picking Up in the Middle

咖啡廳或小兒科診所的架子上，常常放著集數不齊的漫畫，我們還是可能因為好奇，或只是無聊，隨手拿起一本來看。讀著讀著，開始理解人物關係、猜想前後發生了什麼。

不完整的章節 𝙋𝙞𝙘𝙠𝙞𝙣𝙜 𝙐𝙥 𝙞𝙣 𝙩𝙝𝙚 𝙈𝙞𝙙𝙙𝙡𝙚 便從這樣的閱讀經驗出發。當物件、畫面與材料失去前後文，它們是否仍需要一個完整的故事才能被理解？又或者，理解並非建立於完整，而是在觀看、猜想與連結的過程中逐漸形成。
本次展覽邀請石孟鑫、劉詩敏與康力升，分別從拾取與重組、觀看的誤讀與重寫，以及材料的構築出發。三人創作方法各不相同，也為觀看留下空間，讓觀看者自行建立事物之間的關係。

꒰ 展覽將於 9 月 12 日下午 3 點開幕，歡迎蒞臨 ꒱

In cafés and pediatric clinics, you might find incomplete sets of comics sitting on a shelf. Out of curiosity, or simply because we are bored, we might pick one up and start reading. As we read, we begin to understand the relationships between the characters and imagine what happened before and after.

𝙋𝙞𝙘𝙠𝙞𝙣𝙜 𝙐𝙥 𝙞𝙣 𝙩𝙝𝙚 𝙈𝙞𝙙𝙙𝙡𝙚 begins with this familiar experience. When objects, images, and materials lose their context, do they still need a complete story to be understood? Or perhaps understanding does not depend on completeness, but gradually takes shape through looking, imagining, and making connections.

The exhibition brings together Shi Meng-Hsin, Liu Shih-Min, and Kang Li-Sheng, whose practices approach picking up and reassembling, misreading and rewriting what we see, and constructing with materials. Their methods are different, but each leaves room for viewers to make their own connections between things.

The exhibition opens on September 12 at 3 PM. We hope to see you there!

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執行策展 Curatorial team / 窯座 YÁO
藝術家 Artist / 劉詩敏Lau SzeMan、康力升Kang LiSheng 、石孟鑫 Shih MengHsin

展覽日期 Dates / 2026.09.12-2026.10.11
開放時間 Time / 15:00-20:00（週一、二公休）
展覽地點 Venue / 窯座 Yáo

*9.12
*期待相見

04/09/2026

Mix Inn 雜居客棧

李大成的《NIRVANA》系列從藝術家與母親關於輪迴的對話出發，回望1970年代成長的韓國女性生命經驗。作品既是對母親的致敬，也是對一代女性的集體肖像，將「脫離輪迴」轉化為對不再以犧牲定義人生的渴望，同時歌頌她們的韌性、幽默與在困境中尋找歡樂的能力。

郭柏云的《另一個存在》以影子探索存在與缺席之間流動的界線；《香爐》將女性身體轉化為承載儀式的器皿，揭示宗教實踐與語言中的性別權力與厭女結構；《神佛跟我一起走》則反思神明看似靜止不動，卻始終伴隨我們移動與穿越距離的奇妙現象。三件作品共同思考信仰如何形塑我們對身體、空間與日常生活的感知。

Daesung Lee’s 𝘕𝘐𝘙𝘝𝘈𝘕𝘈 series begins with a conversation between the artist and his mother about reincarnation, reflecting on the lives of Korean women who came of age in the 1970s. The series is both a tribute to his mother and a collective portrait of a generation of women. It transforms the idea of escaping reincarnation into a longing for lives no longer defined by sacrifice, while celebrating their resilience, humour, and capacity to find joy in difficult circumstances.

Po-Yun Kuo’s 𝘛𝘩𝘦 𝘖𝘵𝘩𝘦𝘳 𝘉𝘦𝘪𝘯𝘨 uses shadow to examine the shifting boundary between presence and absence. 𝘐𝘯𝘤𝘦𝘯𝘴𝘦 𝘉𝘶𝘳𝘯𝘦𝘳 transforms the female body into a ritual vessel, exposing gendered power and misogynistic structures within religious practice and language. 𝘗𝘰𝘳𝘵𝘢𝘣𝘭𝘦 𝘋𝘦𝘪𝘵𝘺 reflects on the curious phenomenon of deities that appear to remain still, yet accompany us as we move and travel across distances. Together, the three works consider how belief shapes our perception of bodies, space, and everyday life.

Photo © YÁO
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藝術家 Artist / 韓旼璟 Han Minkyung、郭柏云 Kuo PoYun、朝彤 Aura Sun、劉詩盟 Liu Shimeng、Lee Daesung
策展人 Curator / sept.

展覽日期 Dates / 2026.08.21-2026.09.06
開放時間 Time / 15:00-20:00（週一、二公休）
展覽地點 Venue / 窯座 Yáo

*地上的香灰
*是跟關公借的
*特別叮嚀
*只能拿一點點喔
*（可愛）

01/09/2026

Mix Inn 雜居客棧

朝彤的《清明柳枝的驅逐之歌》把枯萎的柳枝變成一個抵抗的形象，結合羽毛與鈴鐺，帶出清明時節召喚與驅逐的意象；另一件作品《謎題信日曆》則把散落的石粒與符文硬幣聚集成一座許願池。召喚、驅逐、許願，這些帶著儀式感的動作，讓時間、希望與願望在現實與夢境之間流動。

韓旼璟在《The Poise of the Sharp and the Round》中，將她在首爾與台中收集的廢棄碎片帶回展場重新排列。這些留下記憶、勞動與時間痕跡的東西，在彼此支撐、又隨時可能失去平衡的狀態裡，暫時找到自己的位置。平衡在這裡不是一個固定的結果，而是不斷調整與協商的過程。

劉詩盟的《唸唸不忘》與《離心》把革命意象、糖果與氣味放在一起。歷史不只留在檔案或圖像裡，也可能透過味道、氣味和身體重新出現。那些關於慾望、政治與記憶的東西沒有真正離開，而是不斷以不同的方式回來。

Aura Sun’s Songs of 𝘉𝘢𝘯𝘪𝘴𝘩𝘮𝘦𝘯𝘵 𝘍𝘳𝘰𝘮 𝘢 𝘞𝘪𝘭𝘭𝘰𝘸 transforms a withered willow branch into a figure of resistance, combining a feather lure and bells to evoke summoning and banishment during Qingming. Her other work, Puzzle Purse Calendar, gathers scattered stones and rune coins into a wishing well. Summoning, banishment, and wishing are ritualistic gestures that allow time, hope, and desire to move between reality and dreams.

In 𝘛𝘩𝘦 𝘗𝘰𝘪𝘴𝘦 𝘰𝘧 𝘵𝘩𝘦 𝘚𝘩𝘢𝘳𝘱 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘙𝘰𝘶𝘯𝘥, Minkyung Han brings discarded fragments collected in Seoul and Taichung into the exhibition space and rearranges them. Carrying traces of memory, labour, and time, these fragments temporarily find their place as they support one another while remaining on the verge of losing balance. Here, equilibrium is not a fixed result, but an ongoing process of adjustment and negotiation.

Shimeng Liu’s 𝘈𝘯 𝘌𝘤𝘩𝘰 𝘛𝘩𝘢𝘵 𝘕𝘦𝘷𝘦𝘳 𝘍𝘢𝘥𝘦𝘴 𝘗𝘢𝘳𝘵 𝟥 and 𝘊𝘦𝘯𝘵𝘳𝘪𝘧𝘶𝘨𝘢𝘵𝘪𝘰𝘯 weave revolutionary imagery, confectionery, and scent together. History does not remain only in archives or images, but can return through taste, scent, and the body. Desire, politics, and memory never fully disappear, but continue to return in different forms.

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藝術家 Artist / 韓旼璟 Han Minkyung、郭柏云 Kuo PoYun、朝彤 Aura Sun、劉詩盟 Liu Shimeng、Lee Daesung
策展人 Curatorial team / sept.

展覽日期 Dates / 2026.08.21-2026.09.06
開放時間 Time / 15:00-20:00（週一、二公休）
展覽地點 Venue / 窯座 Yáo

*展場還有
*策展團隊設計的
*小互動
*歡迎參與

25/08/2026

Mix Inn 雜居客棧

✴︎ 活動回顧

開幕之夜，郭柏云 Po-Yun Kuo 郭柏云於 YÁO 帶來現場行為表演《另一個存在》。透過肢體動作及現場道具以水同身體的光影與觀眾互動，創造出不同的圖樣與「符咒」，彷彿捕捉了環繞在我們身邊、無法被看見的存在。

當日的策展人對談邀請到島聚創辦人萬豐Chris Chris Wan，與我們分享鬼神、信仰同展覽之間的關聯。由地理區域的特性、台南同香港圍村打醮等習俗作為策展人及藝術家的創作來源，到如何將客家人社群在地的習俗轉化為展覽空間中的作品及藝術經驗；亦談及不同地方對這些「迷信」所保留的態度，以及藝術如何從中作為一種方法，為我們的身份與記憶提供保留及延續的力量。

開幕期間更設有策展人導賞，由 sept. sept. 的成員帶領觀眾遊走於窯座不同的房間之間，介紹五位藝術家的作品內容、彼此的關聯，以及作品如何回應展覽主題。

星期六的放映環節，《極樂》的導演李昊李昊線上出席，分享一路以來的創作脈絡如何以生死、靈魂等主題作為串連，談及電影《失城三部曲》的靈感來源，以及戲中故事創作的心得。下一場電影放映將於 8 月 29 日於倫敦舉行，期待屆時幾部短片的導演再次與大家分享。

✴︎ 𝗘𝘃𝗲𝗻𝘁 𝗥𝗲𝗰𝗮𝗽

On the opening night, Kuo Po-Yun Po-Yun Kuo 郭柏云 brought a live performance titled The Other Being to the YÁO space. Interacting with the audience through movement, water, light and shadow, Kuo created patterns and “talismanic symbols”, seemingly capturing the invisible beings that may surround us.

We were also joined by Chris Wan Feng Chris Wan, founder of Daoju, for a curatorial conversation exploring spirits, beliefs and local traditions from Tainan to Hong Kong, and how these practices can shape artistic and curatorial processes. We also reflected on how art can preserve and carry forward identities, memories and traditions.

Members of sept. sept. also led a curatorial tour through the YÁO space, introducing the five artists and the connections between their works and the exhibition’s themes.

On Saturday, director 李昊李昊 of The Land of Bliss joined us online for a screening and conversation, sharing his creative journey and the recurring themes of life, death and the soul in his films.

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藝術家 Artist / 韓旼璟 Han Minkyung、郭柏云 Kuo PoYun、朝彤 Aura Sun、劉詩盟 Liu Shimeng、Lee Daesung
策展人 Curator / sept.

展覽日期 Dates / 2026.08.21-2026.09.06
開放時間 Time / 15:00-20:00（週一、二公休）
展覽地點 Venue / 窯座 Yáo

*真是個忙碌的週末
*謝謝參與的大家
*（鞠躬）

17/08/2026

Mix Inn 雜居客棧

✴︎ 座談：鬼魂、信仰與策展實踐

鬼魂、神靈與民間信仰，如何幫助我們理解當代生活？本次對談將邀請《Ghostly, Godly / 人間》的策展人Chris Wan 與《Mix Inn 雜居客棧》的策展團隊sept.，從地方信仰與日常生活出發，分享展覽的背景、構思與經驗。我們將從香港、台灣及東亞不同地區的文化經驗出發，分享如何建立展覽的敘事與空間、如何將地方故事與社群經驗帶進展覽場域等議題。

特邀嘉賓（線上參與）：島聚 | daoju.art Chris Wan

萬豐，香港策展人、藝術評論人與寫作者。近期項目包括廣東時代美術館、香港巴塞爾藝術展、阿布扎比藝術博覽會等。他以注重結構脈絡與系統性的策展方法見稱，研究關注現代性、流動性、地方性與藝術生態系統的交織。除策展外，萬豐亦創辦「島聚」（Daoju），一個聚焦香港的非營利當代藝術寫作平台，並經常為《Artforum》、《ArtReview》、《Ocula》等國際藝術刊物撰寫評論。2025年10月起，他出任亞洲協會香港中心（Asia Society Hong Kong Center）藝術館及展覽主管。

✴︎ Exhibition Talk：Ghosts, Beliefs, and Curatorial Practice

How can ghosts, spirits, and folk beliefs help us understand contemporary life? This conversation brings together curator Chris Wan of Ghostly, Godly / 人間 and the curatorial team sept. of Mix Inn 雜居客棧. Drawing on local beliefs and everyday life, they will share the background, concepts, and experiences behind their exhibitions. Drawing on cultural experiences from Hong Kong, Taiwan, and other parts of East Asia, the speakers will discuss how curators develop exhibition narratives and spaces, and how local stories and community experiences can be brought into exhibition contexts.

Special Guest（join the event remotely）: Chris Wan Feng

Chris is a Hong Kong–based curator, art critic, and writer. Wan has created curatorial projects that span local and international institutions, including recent exhibitions at the Guangdong Times Museum, Art Basel Hong Kong, and Abu Dhabi Art. He is known for his structured, systemic curatorial approach, with research interests centered on the intersections of modernity, mobility, locality, and art ecosystems. In addition to curating, Wan founded Daoju (島聚), a nonprofit platform dedicated to contemporary art writing with a focus on Hong Kong. He is a frequent contributor to international art publications, such as Artforum, ArtReview, and Ocula. Since October 2025, Wan has served as Head of Gallery and Exhibitions at Asia Society Hong Kong Center.

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座談日期 Dates / 2026.08.21（五）18:00
座談地點 Venue / 窯座天臺 Rooftop

*你覺得
*自己是個
*迷信的人嗎？

16/08/2026

Mix Inn 雜居客棧

✴︎ 開幕演出：另一個存在

在農曆七月，人與不可見世界之間的界線被重新想像，人們開始承認那些平時無法被看見的存在。《另一個存在》以影子作為一種介於存在與不存在之間的形體，探索人如何辨認、確認與理解那些不可見之物。

✴︎ 表演藝術家：郭柏云 Po-Yun Kuo

郭柏云，台灣跨領域藝術家、影像工作者。創作橫跨錄像裝置、行為表演與紀錄片。其作品多具有場域限定特質，透過身體、移動與空間的關係，探索日常環境中的感知經驗與權力結構。他關注東亞社會議題，特別是女性身體、性別與文化處境，並常以現成物與公共空間為媒介，重新組構日常場景。透過幽默與反諷的手法，試圖擾動既有秩序，開啟對空間與身體經驗的重新想像。

✴︎ Opening Performance：The Other Being

During the seventh lunar month, the boundary between the visible and the invisible is reimagined, as unseen beings are acknowledged. The Other Being uses the shadow as a form suspended between presence and absence, exploring how we recognize and relate to what cannot be seen.

✴︎ Performance Artist：Po-Yun Kuo

Po-Yun Kuo is a Taiwanese interdisciplinary artist working across sculpture, video installation, and performance art. Her practice explores social issues in East Asia, particularly women‘s bodies, gender, and cultural circumstances, and often uses found objects and public spaces as mediums to reconstruct everyday scenes. Through humor and irony, Kuo attempts to disrupt the existing order and initiate a reimagining of spatial and bodily experiences.

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演出日期 Dates / 2026.08.21（五）17:00
演出地點 Venue / 窯座天臺 Rooftop

*來天臺
*看表演喔

15/08/2026

Mix Inn 雜居客棧
電影放映 screening program

《臨界之間》呈現三部來自南韓、香港與伊朗的短片。作品遊走於虛擬與現實的距離、生與死的邊界，以及想像與失落之間的空間，探索年輕一代如何運用想像力回應創傷。呼應展覽《雜居客棧》，本放映計畫亦探討在面對不確定、失落與離散之際，迷信與信仰如何提供慰藉與安定感。

𝙊𝙣 𝙩𝙝𝙚 𝙏𝙝𝙧𝙚𝙨𝙝𝙤𝙡𝙙 presents three short films from South Korea, Hong Kong, and Iran. Moving between the distance of the virtual and the real, the boundary between life and death, and the space between imagination and loss, the programme explores how a younger generation uses imagination to respond to trauma.

In dialogue with the exhibition Mix Inn, the programme also considers how superstition and belief can offer comfort in times of uncertainty, loss, and displacement.

✴︎ 放映作品 𝗙𝗲𝗮𝘁𝘂𝗿𝗲𝗱 𝗙𝗶𝗹𝗺𝘀

𝙎𝙚𝙤𝙪𝙡 𝘼𝙣𝙜𝙚𝙡’𝙨 𝙋𝙤𝙚𝙢
Seoul | 2025 | Colour | 35’ | In Korean with Chinese and English subtitles
Dir.: Hiju Yoon

𝙏𝙝𝙚 𝙇𝙖𝙣𝙙 𝙤𝙛 𝘽𝙡𝙞𝙨𝙨 極樂
Hong Kong | 2024 | Colour | 30’ | In Cantonese with Chinese and English subtitles
Dir.: Steve Li 李昊李昊

𝙄𝙣 𝙩𝙝𝙚 𝘾𝙡𝙤𝙪𝙙𝙨
Iran, UK | 2025 | Colour | 14’ | In English and Persian with English subtitles
Dir: Alexandra Bahíyyih Wain In The Clouds Alex Bahiyyih Wain

✴︎ 映後座談 𝗣𝗼𝘀𝘁-𝘀𝗰𝗿𝗲𝗲𝗻𝗶𝗻𝗴 𝗤&𝗔

導演李昊（Steve Li）將出席映後座談。
Followed by a Q&A with director Steve Li.

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放映日期 Dates / 2026.08.22（六）17:00
放映地點 Venue / 窯座天臺 Rooftop
策展團隊 Curator / sept.

*來天臺
*看電影喔

窯座 Yáo

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