窯座 Yáo

窯座 Yáo 一棟兼差做展場/工作室/活動空間的公寓
目前替代空間執行中,聚落集散中

Mix Inn 雜居客棧 李大成的《NIRVANA》系列從藝術家與母親關於輪迴的對話出發,回望1970年代成長的韓國女性生命經驗。作品既是對母親的致敬,也是對一代女性的集體肖像,將「脫離輪迴」轉化為對不再以犧牲定義人生的渴望,同時歌頌她們的...
04/09/2026

Mix Inn 雜居客棧

李大成的《NIRVANA》系列從藝術家與母親關於輪迴的對話出發,回望1970年代成長的韓國女性生命經驗。作品既是對母親的致敬,也是對一代女性的集體肖像,將「脫離輪迴」轉化為對不再以犧牲定義人生的渴望,同時歌頌她們的韌性、幽默與在困境中尋找歡樂的能力。

郭柏云的《另一個存在》以影子探索存在與缺席之間流動的界線;《香爐》將女性身體轉化為承載儀式的器皿,揭示宗教實踐與語言中的性別權力與厭女結構;《神佛跟我一起走》則反思神明看似靜止不動,卻始終伴隨我們移動與穿越距離的奇妙現象。三件作品共同思考信仰如何形塑我們對身體、空間與日常生活的感知。

Daesung Lee’s 𝘕𝘐𝘙𝘝𝘈𝘕𝘈 series begins with a conversation between the artist and his mother about reincarnation, reflecting on the lives of Korean women who came of age in the 1970s. The series is both a tribute to his mother and a collective portrait of a generation of women. It transforms the idea of escaping reincarnation into a longing for lives no longer defined by sacrifice, while celebrating their resilience, humour, and capacity to find joy in difficult circumstances.

Po-Yun Kuo’s 𝘛𝘩𝘦 𝘖𝘵𝘩𝘦𝘳 𝘉𝘦𝘪𝘯𝘨 uses shadow to examine the shifting boundary between presence and absence. 𝘐𝘯𝘤𝘦𝘯𝘴𝘦 𝘉𝘶𝘳𝘯𝘦𝘳 transforms the female body into a ritual vessel, exposing gendered power and misogynistic structures within religious practice and language. 𝘗𝘰𝘳𝘵𝘢𝘣𝘭𝘦 𝘋𝘦𝘪𝘵𝘺 reflects on the curious phenomenon of deities that appear to remain still, yet accompany us as we move and travel across distances. Together, the three works consider how belief shapes our perception of bodies, space, and everyday life.

Photo © YÁO
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藝術家 Artist / 韓旼璟 Han Minkyung、 郭柏云 Kuo PoYun、 朝彤 Aura Sun、 劉詩盟 Liu Shimeng、Lee Daesung
策展人 Curator / sept.

展覽日期 Dates / 2026.08.21-2026.09.06
開放時間 Time / 15:00-20:00(週一、二公休)
展覽地點 Venue / 窯座 Yáo

*地上的香灰
*是跟關公借的
*特別叮嚀
*只能拿一點點喔
*(可愛)

Mix Inn 雜居客棧 朝彤的《清明柳枝的驅逐之歌》把枯萎的柳枝變成一個抵抗的形象,結合羽毛與鈴鐺,帶出清明時節召喚與驅逐的意象;另一件作品《謎題信日曆》則把散落的石粒與符文硬幣聚集成一座許願池。召喚、驅逐、許願,這些帶著儀式感的動作,讓...
01/09/2026

Mix Inn 雜居客棧

朝彤的《清明柳枝的驅逐之歌》把枯萎的柳枝變成一個抵抗的形象,結合羽毛與鈴鐺,帶出清明時節召喚與驅逐的意象;另一件作品《謎題信日曆》則把散落的石粒與符文硬幣聚集成一座許願池。召喚、驅逐、許願,這些帶著儀式感的動作,讓時間、希望與願望在現實與夢境之間流動。

韓旼璟在《The Poise of the Sharp and the Round》中,將她在首爾與台中收集的廢棄碎片帶回展場重新排列。這些留下記憶、勞動與時間痕跡的東西,在彼此支撐、又隨時可能失去平衡的狀態裡,暫時找到自己的位置。平衡在這裡不是一個固定的結果,而是不斷調整與協商的過程。

劉詩盟的《唸唸不忘》與《離心》把革命意象、糖果與氣味放在一起。歷史不只留在檔案或圖像裡,也可能透過味道、氣味和身體重新出現。那些關於慾望、政治與記憶的東西沒有真正離開,而是不斷以不同的方式回來。

Aura Sun’s Songs of 𝘉𝘢𝘯𝘪𝘴𝘩𝘮𝘦𝘯𝘵 𝘍𝘳𝘰𝘮 𝘢 𝘞𝘪𝘭𝘭𝘰𝘸 transforms a withered willow branch into a figure of resistance, combining a feather lure and bells to evoke summoning and banishment during Qingming. Her other work, Puzzle Purse Calendar, gathers scattered stones and rune coins into a wishing well. Summoning, banishment, and wishing are ritualistic gestures that allow time, hope, and desire to move between reality and dreams.

In 𝘛𝘩𝘦 𝘗𝘰𝘪𝘴𝘦 𝘰𝘧 𝘵𝘩𝘦 𝘚𝘩𝘢𝘳𝘱 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘙𝘰𝘶𝘯𝘥, Minkyung Han brings discarded fragments collected in Seoul and Taichung into the exhibition space and rearranges them. Carrying traces of memory, labour, and time, these fragments temporarily find their place as they support one another while remaining on the verge of losing balance. Here, equilibrium is not a fixed result, but an ongoing process of adjustment and negotiation.

Shimeng Liu’s 𝘈𝘯 𝘌𝘤𝘩𝘰 𝘛𝘩𝘢𝘵 𝘕𝘦𝘷𝘦𝘳 𝘍𝘢𝘥𝘦𝘴 𝘗𝘢𝘳𝘵 𝟥 and 𝘊𝘦𝘯𝘵𝘳𝘪𝘧𝘶𝘨𝘢𝘵𝘪𝘰𝘯 weave revolutionary imagery, confectionery, and scent together. History does not remain only in archives or images, but can return through taste, scent, and the body. Desire, politics, and memory never fully disappear, but continue to return in different forms.

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藝術家 Artist / 韓旼璟 Han Minkyung、 郭柏云 Kuo PoYun、 朝彤 Aura Sun、 劉詩盟 Liu Shimeng、Lee Daesung
策展人 Curatorial team / sept.

展覽日期 Dates / 2026.08.21-2026.09.06
開放時間 Time / 15:00-20:00(週一、二公休)
展覽地點 Venue / 窯座 Yáo

*展場還有
*策展團隊設計的
*小互動
*歡迎參與

Mix Inn 雜居客棧 ✴︎ 活動回顧開幕之夜,郭柏云 Po-Yun Kuo 郭柏云 於 YÁO 帶來現場行為表演《另一個存在》。透過肢體動作及現場道具以水同身體的光影與觀眾互動, 創造出不同的圖樣與「符咒」,彷彿捕捉了環繞在我們身邊、無...
25/08/2026

Mix Inn 雜居客棧

✴︎ 活動回顧

開幕之夜,郭柏云 Po-Yun Kuo 郭柏云 於 YÁO 帶來現場行為表演《另一個存在》。透過肢體動作及現場道具以水同身體的光影與觀眾互動, 創造出不同的圖樣與「符咒」,彷彿捕捉了環繞在我們身邊、無法被看見的存在。

當日的策展人對談邀請到島聚創辦人萬豐Chris Chris Wan,與我們分享鬼神、信仰同展覽之間的關聯。由地理區域的特性、台南同香港圍村打醮等習俗作為策展人及藝術家的創作來源,到如何將客家人社群在地的習俗轉化為展覽空間中的作品及藝術經驗;亦談及不同地方對這些「迷信」所保留的態度,以及藝術如何從中作為一種方法,為我們的身份與記憶提供保留及延續的力量。

開幕期間更設有策展人導賞,由 sept. sept. 的成員帶領觀眾遊走於窯座不同的房間之間,介紹五位藝術家的作品內容、彼此的關聯,以及作品如何回應展覽主題。

星期六的放映環節,《極樂》的導演李昊 李 昊 線上出席,分享一路以來的創作脈絡如何以生死、靈魂等主題作為串連,談及電影《失城三部曲》的靈感來源,以及戲中故事創作的心得。下一場電影放映將於 8 月 29 日於倫敦舉行,期待屆時幾部短片的導演再次與大家分享。

✴︎ 𝗘𝘃𝗲𝗻𝘁 𝗥𝗲𝗰𝗮𝗽

On the opening night, Kuo Po-Yun Po-Yun Kuo 郭柏云 brought a live performance titled The Other Being to the YÁO space. Interacting with the audience through movement, water, light and shadow, Kuo created patterns and “talismanic symbols”, seemingly capturing the invisible beings that may surround us.

We were also joined by Chris Wan Feng Chris Wan, founder of Daoju, for a curatorial conversation exploring spirits, beliefs and local traditions from Tainan to Hong Kong, and how these practices can shape artistic and curatorial processes. We also reflected on how art can preserve and carry forward identities, memories and traditions.

Members of sept. sept. also led a curatorial tour through the YÁO space, introducing the five artists and the connections between their works and the exhibition’s themes.

On Saturday, director 李昊 李 昊 of The Land of Bliss joined us online for a screening and conversation, sharing his creative journey and the recurring themes of life, death and the soul in his films.

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藝術家 Artist / 韓旼璟 Han Minkyung、 郭柏云 Kuo PoYun、 朝彤 Aura Sun、 劉詩盟 Liu Shimeng、Lee Daesung
策展人 Curator / sept.

展覽日期 Dates / 2026.08.21-2026.09.06
開放時間 Time / 15:00-20:00(週一、二公休)
展覽地點 Venue / 窯座 Yáo

*真是個忙碌的週末
*謝謝參與的大家
*(鞠躬)

Mix Inn 雜居客棧 ✴︎ 座談:鬼魂、信仰與策展實踐鬼魂、神靈與民間信仰,如何幫助我們理解當代生活?本次對談將邀請 《Ghostly, Godly / 人間》的策展人Chris Wan 與《Mix Inn 雜居客棧》的策展團隊sept...
17/08/2026

Mix Inn 雜居客棧

✴︎ 座談:鬼魂、信仰與策展實踐

鬼魂、神靈與民間信仰,如何幫助我們理解當代生活?本次對談將邀請 《Ghostly, Godly / 人間》的策展人Chris Wan 與《Mix Inn 雜居客棧》的策展團隊sept.,從地方信仰與日常生活出發,分享展覽的背景、構思與經驗。我們將從香港、台灣及東亞不同地區的文化經驗出發,分享如何建立展覽的敘事與空間、如何將地方故事與社群經驗帶進展覽場域等議題。

特邀嘉賓(線上參與):島聚 | daoju.art Chris Wan

萬豐,香港策展人、藝術評論人與寫作者。近期項目包括廣東時代美術館、香港巴塞爾藝術展、阿布扎比藝術博覽會等。他以注重結構脈絡與系統性的策展方法見稱,研究關注現代性、流動性、地方性與藝術生態系統的交織。除策展外,萬豐亦創辦「島聚」(Daoju),一個聚焦香港的非營利當代藝術寫作平台,並經常為《Artforum》、《ArtReview》、《Ocula》等國際藝術刊物撰寫評論。2025年10月起,他出任亞洲協會香港中心(Asia Society Hong Kong Center)藝術館及展覽主管。

✴︎ Exhibition Talk:Ghosts, Beliefs, and Curatorial Practice

How can ghosts, spirits, and folk beliefs help us understand contemporary life? This conversation brings together curator Chris Wan of Ghostly, Godly / 人間 and the curatorial team sept. of Mix Inn 雜居客棧. Drawing on local beliefs and everyday life, they will share the background, concepts, and experiences behind their exhibitions. Drawing on cultural experiences from Hong Kong, Taiwan, and other parts of East Asia, the speakers will discuss how curators develop exhibition narratives and spaces, and how local stories and community experiences can be brought into exhibition contexts.

Special Guest(join the event remotely): Chris Wan Feng

Chris is a Hong Kong–based curator, art critic, and writer. Wan has created curatorial projects that span local and international institutions, including recent exhibitions at the Guangdong Times Museum, Art Basel Hong Kong, and Abu Dhabi Art. He is known for his structured, systemic curatorial approach, with research interests centered on the intersections of modernity, mobility, locality, and art ecosystems. In addition to curating, Wan founded Daoju (島聚), a nonprofit platform dedicated to contemporary art writing with a focus on Hong Kong. He is a frequent contributor to international art publications, such as Artforum, ArtReview, and Ocula. Since October 2025, Wan has served as Head of Gallery and Exhibitions at Asia Society Hong Kong Center.

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座談日期 Dates / 2026.08.21(五)18:00
座談地點 Venue / 窯座天臺 Rooftop

*你覺得
*自己是個
*迷信的人嗎?

Mix Inn 雜居客棧 ✴︎ 開幕演出:另一個存在在農曆七月,人與不可見世界之間的界線被重新想像,人們開始承認那些平時無法被看見的存在。《另一個存在》以影子作為一種介於存在與不存在之間的形體,探索人如何辨認、確認與理解那些不可見之物。✴︎...
16/08/2026

Mix Inn 雜居客棧

✴︎ 開幕演出:另一個存在

在農曆七月,人與不可見世界之間的界線被重新想像,人們開始承認那些平時無法被看見的存在。《另一個存在》以影子作為一種介於存在與不存在之間的形體,探索人如何辨認、確認與理解那些不可見之物。

✴︎ 表演藝術家:郭柏云 Po-Yun Kuo

郭柏云,台灣跨領域藝術家、影像工作者。創作橫跨錄像裝置、行為表演與紀錄片。其作品多具有場域限定特質,透過身體、移動與空間的關係,探索日常環境中的感知經驗與權力結構。他關注東亞社會議題,特別是女性身體、性別與文化處境,並常以現成物與公共空間為媒介,重新組構日常場景。透過幽默與反諷的手法,試圖擾動既有秩序,開啟對空間與身體經驗的重新想像。

✴︎ Opening Performance:The Other Being

During the seventh lunar month, the boundary between the visible and the invisible is reimagined, as unseen beings are acknowledged. The Other Being uses the shadow as a form suspended between presence and absence, exploring how we recognize and relate to what cannot be seen.

✴︎ Performance Artist:Po-Yun Kuo

Po-Yun Kuo is a Taiwanese interdisciplinary artist working across sculpture, video installation, and performance art. Her practice explores social issues in East Asia, particularly women‘s bodies, gender, and cultural circumstances, and often uses found objects and public spaces as mediums to reconstruct everyday scenes. Through humor and irony, Kuo attempts to disrupt the existing order and initiate a reimagining of spatial and bodily experiences.

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演出日期 Dates / 2026.08.21(五)17:00
演出地點 Venue / 窯座天臺 Rooftop

*來天臺
*看表演喔

Mix Inn 雜居客棧 電影放映 screening program《臨界之間》 呈現三部來自南韓、香港與伊朗的短片。作品遊走於虛擬與現實的距離、生與死的邊界,以及想像與失落之間的空間,探索年輕一代如何運用想像力回應創傷。呼應展覽 《雜居...
15/08/2026

Mix Inn 雜居客棧
電影放映 screening program

《臨界之間》 呈現三部來自南韓、香港與伊朗的短片。作品遊走於虛擬與現實的距離、生與死的邊界,以及想像與失落之間的空間,探索年輕一代如何運用想像力回應創傷。呼應展覽 《雜居客棧》,本放映計畫亦探討在面對不確定、失落與離散之際,迷信與信仰如何提供慰藉與安定感。

𝙊𝙣 𝙩𝙝𝙚 𝙏𝙝𝙧𝙚𝙨𝙝𝙤𝙡𝙙 presents three short films from South Korea, Hong Kong, and Iran. Moving between the distance of the virtual and the real, the boundary between life and death, and the space between imagination and loss, the programme explores how a younger generation uses imagination to respond to trauma.

In dialogue with the exhibition Mix Inn, the programme also considers how superstition and belief can offer comfort in times of uncertainty, loss, and displacement.

✴︎ 放映作品 𝗙𝗲𝗮𝘁𝘂𝗿𝗲𝗱 𝗙𝗶𝗹𝗺𝘀

𝙎𝙚𝙤𝙪𝙡 𝘼𝙣𝙜𝙚𝙡’𝙨 𝙋𝙤𝙚𝙢
Seoul | 2025 | Colour | 35’ | In Korean with Chinese and English subtitles
Dir.: Hiju Yoon

𝙏𝙝𝙚 𝙇𝙖𝙣𝙙 𝙤𝙛 𝘽𝙡𝙞𝙨𝙨 極樂
Hong Kong | 2024 | Colour | 30’ | In Cantonese with Chinese and English subtitles
Dir.: Steve Li 李昊 李 昊

𝙄𝙣 𝙩𝙝𝙚 𝘾𝙡𝙤𝙪𝙙𝙨
Iran, UK | 2025 | Colour | 14’ | In English and Persian with English subtitles
Dir: Alexandra Bahíyyih Wain In The Clouds Alex Bahiyyih Wain

✴︎ 映後座談 𝗣𝗼𝘀𝘁-𝘀𝗰𝗿𝗲𝗲𝗻𝗶𝗻𝗴 𝗤&𝗔

導演李昊(Steve Li)將出席映後座談。
Followed by a Q&A with director Steve Li.

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放映日期 Dates / 2026.08.22(六)17:00
放映地點 Venue / 窯座天臺 Rooftop
策展團隊 Curator / sept.

*來天臺
*看電影喔

Mix Inn 雜居客棧迷信,(ㄇㄧˊ ㄒㄧㄣˋ;mí xìn; Superstitious)常指涉文化中世代流傳的信念與禁忌。它們未必有可考的起源,也未必能以科學驗證,卻悄然滲入日常生活:不踩門檻、不在室內打開雨傘、不送鞋與鐘、避諱某些日...
06/08/2026

Mix Inn 雜居客棧

迷信,(ㄇㄧˊ ㄒㄧㄣˋ;mí xìn; Superstitious)常指涉文化中世代流傳的信念與禁忌。它們未必有可考的起源,也未必能以科學驗證,卻悄然滲入日常生活:不踩門檻、不在室內打開雨傘、不送鞋與鐘、避諱某些日子的字詞⋯⋯這些看似微小的儀式與習慣,在理性與現代性的夾縫間延續,成為人們理解世界、安放情感的隱性語言。

此次展覽《𝙈𝙞𝙭 𝙄𝙣𝙣 雜居客棧》匯聚五位東亞藝術家,循著迷信的文化脈絡,探問記憶、失落與身分如何在代際傳承中交織。作品既彼此對話,也各自展開敘事,透過帶有儀式性的創作,在個人與集體、情感與現實之間游移。迷信在此成為一種面對未知的感知方式,一種仍然活在當代、持續生長的文化語言。

Do not step on the threshold.
Do not open an umbrella inside.
Do not whistle.
Do not swim in the sea.

Míxìn (迷信), commonly translated as ”superstition,“ refers to the inherited beliefs and practices that shape everyday behaviour across East Asia despite lacking scientific basis or a clear, traceable origin. These are the small prohibitions and gestures passed down through generations: a warning against whistling at night, a reluctance to gift shoes or clocks, a habit of avoiding certain words on certain days. Though often dismissed as irrational holdovers from the past, mixin continues to inform decisions, rituals and relationships in the present, operating alongside modern, rational life.

Gathering five East Asian artists–Han Minkyung, Kuo Po-Yun, Aura Sun, Liu Shimeng and Lee Daesung–in the Mix Inn, this exhibition considers how such inherited beliefs continue to shape personal and collective identity today.

The works presented in Mix Inn form simultaneously a dialogue and their own individual narratives of reconciling the emotional and the factual, the personal and the collective, through ritualistic practices. These practices are informed both by the artists’ cultural experiences and by individual encounters with loss, uncertainty and inherited memory. The exhibition traces how mixin persists not as blind belief, but as a lived, adaptive language for navigating what cannot otherwise be explained.

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藝術家 Artist / 韓旼璟 Han Minkyung、 郭柏云 Kuo PoYun、 朝彤 Aura Sun、 劉詩盟 Liu Shimeng、Lee Daesung
策展人 Curator / sept.

展覽日期 Dates / 2026.08.21-2026.09.06
開幕活動 Opening Reception / 2026.8.21(五)17:00-20:00
開幕表演 Opening Performance / 郭柏云 Kuo Po-Yun《另一個存在》The Other Being 2026.8.21 (五)17:00

策展人分享 Curators’ Talk / 2026.08.21(五)18:00-19:00
電影放映 Film Screening / 2026.08.22(六)18:00
開放時間 Time / 15:00-20:00(週一、二公休)
展覽地點 Venue / 窯座 Yáo

*這次展覽
*活動豐富又多元
*歡迎參加

成天空隊形  散開 Sky as Formation, Then Scattering我不確定我是在觀看,還是只是把不同的觀看方式放在同一個時間裡。身體在移動,但視線並不完全跟隨。眼睛在前方,而另一種觀看被放在頭頂、牆面、聲音裡,或某個我無...
13/07/2026

成天空隊形  散開 Sky as Formation, Then Scattering

我不確定我是在觀看,還是只是把不同的觀看方式放在同一個時間裡。

身體在移動,但視線並不完全跟隨。眼睛在前方,而另一種觀看被放在頭頂、牆面、聲音裡,或某個我無法直接觸及的位置。這些感知彼此分開,卻又共享同一段時間。我一直在嘗試讓一些原本不會同時發生的東西,同時存在。不是為了讓它們變成一樣,而是讓它們在錯開之中,仍然能夠彼此被感覺到。

鳥的聲音,風箏的線,落在室內的葉子,從過去回到牆上的光。它們沒有真正被連接,也沒有完全分離。在這之間,我讓身體持續移動,讓觀看持續偏離,也讓想像持續發生。

I am not sure whether I am truly looking, or simply placing different modes of seeing within the same moment in time.

The body is in motion, yet the gaze does not fully follow. The eyes are directed forward, while another mode of seeing is placed above the head, on the wall, within sound, or in a place I cannot directly reach. These perceptions are separated from one another, yet share the same duration of time.

I keep trying to let things that would not normally occur at the same time exist together. Not in order to make them the same, but so that, within their misalignment, they can still be sensed in relation to one another. The sound of birds, the line of a kite, leaves falling inside a room, and a light returning from the past onto a wall. They are never truly connected, nor completely separated. Within this space, I let the body continue to move, let the act of seeing keep drifting, and let imagination keep taking place.

Photo © YÁO
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藝術家 Artist /蕭安宏 Hsiao Anan

展覽日期 Dates / 2026.06.26-2026.07.19
開幕活動 Event / 2026.07.05(日) 16:00-18:00
開放時間 Time / 15:00-20:00(週一、二公休)
展覽地點 Venue / 窯座 Yáo

*在散開之前
*趕快來看

成天空隊形  散開 Sky as Formation, Then Scattering坐在陽台,幻想自己也能夠與牠們在同樣的高度翱翔。騎機車的路途中,我將手機固定在安全帽上,鏡頭朝外錄影。眼睛看著前方的路,手機鏡頭則記錄著頭頂那片我無法在當...
06/07/2026

成天空隊形  散開 Sky as Formation, Then Scattering

坐在陽台,幻想自己也能夠與牠們在同樣的高度翱翔。

騎機車的路途中,我將手機固定在安全帽上,鏡頭朝外錄影。眼睛看著前方的路,手機鏡頭則記錄著頭頂那片我無法在當下親眼看見的天空。騎行的過程中,我分心想像安全帽上方所錄下的天空影像,它與我的視線彼此分離,卻共享著同樣的時間與移動的速度。

回看手機錄下的畫面,雲、樹、電線桿、飛鳥,一幕幕景象再次喚起騎車時的速度感。當下無法看見的天空,在之後透過影像重新出現,與騎車時眼前所見的景物彼此錯開,卻又在記憶中短暫重疊,頓時間產生一種彷彿離開地面的感覺。

我選擇以手機螢幕播放這段影像,讓螢幕面向牆面,微弱而流動的光暈映照在牆上鉛筆繪製的小鳥身影之上。影像來自過去,光則映照於此刻,它們原本彼此錯開,卻在同一個空間裡面對面。

I sat on the balcony, imagining that I, too, could fly at the same height as them.

On the way while riding a scooter, I attach my phone to my helmet, with the camera facing outward to record. My eyes stay on the road ahead, while the phone records the sky above my head—the part I cannot directly see at that moment. As I ride, I find myself distracted, imagining the sky recorded above the helmet. It is separated from my gaze, yet shares the same time and speed of movement.

When I look back at the recorded footage, clouds, trees, streetlights, and birds appear one after another, reactivating the sense of speed from riding. The sky I could not see at the time reappears later through the video, and it shifts in and out of alignment with what I saw while riding. It briefly overlaps in memory, producing a sensation as if I had left the ground.

I choose to play this video on a mobile phone screen, placing it facing a wall. A faint, flowing glow from the screen casts onto pencil-drawn birds on the wall. The image comes from the past, while the light belongs to the present. They were originally out of sync, yet now meet within the same space, facing each other.

Photo © YÁO
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藝術家 Artist /蕭安宏 Hsiao Anan

展覽日期 Dates / 2026.06.26-2026.07.19
開幕活動 Event / 2026.07.05(日) 16:00-18:00
開放時間 Time / 15:00-20:00(週一、二公休)
展覽地點 Venue / 窯座 Yáo

*騎車的浪漫
*台灣人最懂

成天空隊形  散開 Sky as Formation, Then Scattering某次跟我爸一起去三峽滿月圓爬山時,我們走到一處可看到瀑布的地方,雙手撐著假的翻模樹幹搭成的觀景台護欄,眼前瀑布流水持續以規律的節奏流往下個目的地,調整呼吸...
30/06/2026

成天空隊形  散開 Sky as Formation, Then Scattering

某次跟我爸一起去三峽滿月圓爬山時,我們走到一處可看到瀑布的地方,雙手撐著假的翻模樹幹搭成的觀景台護欄,眼前瀑布流水持續以規律的節奏流往下個目的地,調整呼吸的喘息間,一句「你投胎想做什麼?」像是穿過水牆的小鳥,帶著半濕的羽毛停在我的左側肩膀,等待我的回應,我說「我想當一隻小鳥到哪都用飛的」,說給自己聽,也像是說給某隻停在樹林枝頭間,東張西望,ㄉㄡ˙、ㄉㄡ˙、ㄉㄡ˙、 嘰、嘰、 嘰的小鳥聽,我爸沒回應我,小鳥叫了一聲,應該也不是在回應我。

One time, while hiking with my father at Manyueyuan National Forest  in Sanxia, we stopped at a viewing platform facing a waterfall. Leaning against a railing made of imitation tree trunks, I watched the water flow downward in a steady rhythm toward its next destination.

Between breaths adjusted to the climb, a question — “What would you want to be in your next life?” — arrived like a small bird passing through a wall of water, landing on my left shoulder and waiting for a response.

“I want to be a bird,” I said, “so I could fly everywhere.” I said it to myself, but also as if speaking to a bird somewhere among the branches, restless and looking around — dou, dou, dou, ji, ji, ji. My father did not respond. The bird called once. It was not clear whether it was responding to me.

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藝術家 Artist /蕭安宏 Hsiao Anan

展覽日期 Dates / 2026.06.26-2026.07.19
開幕活動 Event / 2026.07.05(日) 16:00-18:00
開放時間 Time / 15:00-20:00(週一、二公休)
展覽地點 Venue / 窯座 Yáo

*這禮拜天
*有開幕活動喔
*來玩

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