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Artnutri Store, 文心南五路一段395號, Nantun District (2026)

14/04/2026

Artnutri Select Vol.9

Upcoming Exhibition 展覽預告 | 冷感介面編碼後的慾望殘像 Cold Sensation Interface : Residual Image of Encoded Desires
藝術家 Artists | 呂名軒 Lu Ming Hsuan
展期 Duration | 2026.05.02-05.13
展覽地點 Venue | 408005台中市南屯區文心南五路一段395號 (養心藝術)
No. 395, Sec. 1, Wenxin S. 5th Rd., Nantun Dist., Taichung City 408005, Taiwan (ARTNUTRI GALLERY)

「虛實」，即虛擬世界與現實世界之間的界限愈發模糊，敘事和表達往往形成了對現實的選擇性建構，部分信息經過過濾和再創造，造成真實與虛構之間的交疊與重疊。而媒材的介入產生了物質性，使畫面在影像物質化與物質影像化之間擺盪。
這種狀態詮釋了影像與媒材的來回穿梭與體現，異化與同化的過程。畫面中的流動、有機的筆觸和顏料色域，經過了精心的設計與規劃。

The boundary between the virtual and the physical—the "void and the solid"—is becoming increasingly blurred. Narratives and expressions often form a selective construction of reality, where information is filtered and re-created, leading to a profound layering and overlapping of truth and fiction.
The intervention of medium introduces a distinct materiality, causing the visual plane to oscillate between the "materialization of imagery" and the "imagification of matter." This state interprets the constant shuttling and embodiment between image and medium, reflecting a process of both alienation and assimilation. Within the composition, the fluid, organic brushstrokes and the chromatic fields of pigment are the result of meticulous design and deliberate planning.

14/04/2026

Artnutri Select Vol.9

Upcoming Exhibition 展覽預告 | 冷感介面編碼後的慾望殘像 Cold Sensation Interface : Residual Image of Encoded Desires
藝術家 Artists | 呂名軒 Lu Ming Hsuan
展期 Duration | 2026.05.02-05.13
展覽地點 Venue | 408005台中市南屯區文心南五路一段395號 (養心藝術)
No. 395, Sec. 1, Wenxin S. 5th Rd., Nantun Dist., Taichung City 408005, Taiwan (ARTNUTRI GALLERY)

「虛實」，即虛擬世界與現實世界之間的界限愈發模糊，敘事和表達往往形成了對現實的選擇性建構，部分信息經過過濾和再創造，造成真實與虛構之間的交疊與重疊。而媒材的介入產生了物質性，使畫面在影像物質化與物質影像化之間擺盪。
這種狀態詮釋了影像與媒材的來回穿梭與體現，異化與同化的過程。畫面中的流動、有機的筆觸和顏料色域，經過了精心的設計與規劃。

The boundary between the virtual and the physical—the “void and the solid”—is becoming increasingly blurred. Narratives and expressions often form a selective construction of reality, where information is filtered and re-created, leading to a profound layering and overlapping of truth and fiction.
The intervention of medium introduces a distinct materiality, causing the visual plane to oscillate between the “materialization of imagery” and the “imagification of matter.” This state interprets the constant shuttling and embodiment between image and medium, reflecting a process of both alienation and assimilation. Within the composition, the fluid, organic brushstrokes and the chromatic fields of pigment are the result of meticulous design and deliberate planning.

10/04/2026

Upcoming exhibition | HAYDONNA

From April 11 to April 29, ArtNutri Gallery is transforming its upper-floor project space into a visual sanctuary filled with surprises and healing energy, featuring a curated selection of works by artist Haydonna. This exhibition invites you to step into his signature paradise of vibrant color.
On Haydonna’s canvases, the most captivating presence is undoubtedly that fuzzy, minimalist dog. More than just a muse, it has become his quintessential visual symbol. Through bold color contrasts and rugged black outlines, the artist anthropomorphizes this ”fuzzy friend,“ capturing its various everyday personas: sometimes a quiet companion, sometimes a playful wanderer, or a humorous observer interacting with daily objects.
Shifting away from representational realism, these works utilize simplified totems to release a profound emotional resonance. As those ”fuzzy“ lines flow across the canvas, one can almost feel a sense of silent comfort and unadulterated joy.
This is a visual dialogue centered on ”companionship“ and ”the humor of life.“ We warmly invite you to join us and be healed by this touch of ”fuzzy“ warmth.

”再次遇見那隻毛茸茸”
養心藝術於4/11-4/29將樓上小空間化身為一個充滿驚喜與療癒的視覺場域，集結藝術家Haydonna 的系列創作。這場展覽，將帶領我們走進他標誌性的色彩樂園。
在 Haydonna 的畫布上，最引人注目的莫過於那隻毛茸茸、線條簡潔的狗。這不僅僅是他的靈感繆思，更成為他獨特的視覺符號。藝術家運用大膽的色塊對比與粗獷的黑色輪廓，將這隻毛茸茸的朋友擬人化，捕捉它在日常生活中的各種姿態：或是安靜地陪伴、或是調皮地行走、或是幽默地與日常物件互動。
這些作品不追求具象的寫實，而是透過簡約的圖騰，釋放出飽滿的情緒能量。看著那些毛茸茸的線條在畫布上流動，彷彿能感受到一種無聲的安慰與快樂。
這是一場關於「陪伴」與「生活幽默」的視覺對話。邀請您，與我們一同被這抹毛茸茸的溫暖給療癒。

藝術家Artist| Haydonna
展期 Dates | April 11 – April 29, 2026
地點Location | 台中市南屯區文心南五路一段395號 ( 閣樓 ) No. 395, Sec. 1, Wenxin S. 5th Rd., Nantun Dist., Taichung City 408005, Taiwan ( Upper Floor )

03/04/2026

Currentl on view 當期展覽｜
Beyond Use 有用之用之外
Chita Lu 2026 Solo Exhibition

什麼是真正的自由？在Chita Lu的「垃圾堆」系列創作裡，我們找到了答案。
當一個物件被賦予「有用」的標籤，它的生命便被限制在既定的框架中。但當它被遺棄、成為「無用」之物時，一種超越（Beyond Use）的可能性才真正開啟。
不需要向任何人解釋，這是不受審美與商業標準束縛的「自在」。莊子筆下的那棵散木，正是因為無用而得以長青；而生活中的廢棄物，也因為脫離了功能性，轉化為生活態度的延伸。
自由就在你的視線裡，在你選擇如何生活的每一個念頭裡。

What does true freedom look like? Chita Lu’s Piles of Junk series offers an answer.
Labeling an object as ”useful“ limits its life to a set frame. But when it is cast aside as ”useless,“ it opens up a realm Beyond Use.
This is a ”freedom of being“ that needs no explanation, untethered from commercial or aesthetic demands. Just as Zhuangzi’s ”worthless“ tree lived forever because it was of no use to others, these scraps of life transform into a personal statement once they are freed from their functions.
Freedom is in your vision, and in every thought that defines your way of life.

地點｜養心藝術
地址｜台中市南屯區文心南五路一段395號
日期｜2026/3/28 - 4/9
時間｜11:00-17:00
特殊日期&時間｜
4/5 11:00-19:00
4/6 11:00-19:00

25/03/2026

Artnutri Select Vol.8
Beyond Use 有用之用之外｜
Chita Lu 2026 Solo Exhibition

從一系列『垃圾堆』的創作裡，看見自由。

莊子裡記有一棵大樹，因為長得扭曲、不合規矩，無法被作為樑柱、傢俱，而被判定為『無用』，得以在曠野中長得無比巨大。

而路邊的大型廢棄物，最初被創造之時，已經被賦予『有用』的價值，『如何用』也是理所當然的有答案。
當物品失去它的功能，成為廢棄物，回到『無用』的狀態後，馬桶可以拿來種花，冰箱可以當書櫃，

任何使用方式都無需符合大眾審美或商業標準，它只服務於使用者的自在。

超越它原本的用途——Beyond Use。無需向任何人解釋，自由在如何看見裡，自由在你選擇如何生活裡，喜悅也在裡頭。

｜展覽資訊｜
地點｜養心藝術
地址｜台中市南屯區文心南五路一段395號
日期｜2026/3/28 - 4/9（3/30週一公休）
時間｜11:00-17:00
特殊日期&時間｜
3/29 11:00-19:00
4/5 11:00-19:00
4/6 11:00-19:00

開幕活動
3/29特別邀請 .inspo 為開幕嘉賓
時間：15:00-19:00 可預約現場刺青

藝術家在廊時間另行公布
展期開始後歡迎索取線上作品清單
-

Exhibition Concept

Finding freedom within a series of ”piles of junk.“
Zhuangzi contains a story of a great tree—twisted and non-conforming, it could not be hewn into pillars or furniture. Deemed ”useless,“ it was left alone to grow magnificent and vast in the open wilderness.

In contrast, the large-scale discarded objects we see by the roadside were imbued with ”usefulness“ the moment they were created; their purpose was predetermined and unquestioned. However, when an object loses its function and returns to a state of ”uselessness“ as waste, it gains new life: a toilet can become a planter; a refrigerator can serve as a bookshelf.In this state, its utility no longer needs to conform to public aesthetics or commercial standards; it exists solely for the user’s ease and spontaneity. This is Beyond Use.

There is no need for explanation. Freedom lies in how you perceive, and in how you choose to live. Within that choice, there is joy.

| Exhibition information |
Location｜Artnutri Gallery
Address｜ No. 395, Sec. 1, Wenxin S. 5th Rd., Nantun Dist., Taichung City
Dates:｜March 28 – April 09, 2026 (Closed on Monday, March 30)
Hours:｜11:00 – 17:00
Special Dates & Hours｜
March 29—11:00 – 19:00
April 05— 11:00 – 19:00
April 06:—11:00 – 19:00

Opening Event:
March 29, featuring special guest .inspo
On-site tattoo appointments available.
Time: 15:00 – 19:00

The artist’s gallery hours will be announced separately.

An online catalog will be available upon request once the exhibition begins.

14/12/2025

Upcoming exhibition 展覽預告｜The Smiling Highway微笑國道

《微笑國道》以長途駕駛為靈感，描繪人在高速移動中的心理風景。藝術家因南北往返的經驗，在四至五小時的路程中捕捉意識的碎片：短暫的視覺刺激、疲憊、壓迫與恍惚，這些看似微小卻張力十足的感知構成了駕駛的內在旅程。作品以繪畫為核心，結合噴槍、壓克力筆刷與現成物改造，重塑駕駛視角、後照鏡與道路符號，並以「梅花笑臉」轉化國道標誌，介於真實路景與心理風景之間。展覽邀請觀者如乘客般進入移動的私密空間，體驗這段由現實觸發、由意識編織的旅程，重新思考人在日常移動中的心智運作。
“Smile Highway” draws inspiration from long-distance driving to depict the psychological landscapes formed in high-speed movement. Based on the artist’s frequent travels between the north and south, the four- to five-hour journeys reveal fragments of consciousness—fleeting visual stimuli, fatigue, pressure, and moments of drifting focus. These subtle yet tension-filled perceptions shape an inner journey behind the wheel. Centered on painting and combined with airbrushing, acrylic brushwork, and modified found objects, the works reconstruct the driver’s perspective, rearview mirrors, and road symbols, transforming highway signage into the personal motif of the “Plum Blossom Smile.” Situated between real road scenes and mental scenery, the exhibition invites viewers to enter this private, moving space as passengers, experiencing a journey woven from reality and drifting awareness, and reconsidering how the mind forms and disperses in everyday movement.

Artist藝術家| 梁祐寧 LIANG, Yu-Ning
Date展期| Dec.13.2025-Jan.18.2026
Opening 開幕| Dec.14.2025 2:30PM
Venue地點| 台中市南屯區文心南五路一段395號 (養心藝術) No. 395, Sec. 1, Wenxin S. 5th Rd., Nantun Dist., Taichung City 408005, Taiwan

02/12/2025

ARTNUTRI SELECT 2026｜徵件倒數｜截止日延至 2025/12/31
感謝藝術家們熱烈的詢問與支持，
ARTNUTRI SELECT 2026 徵件截止日正式延長至 2025/12/31。
ARTNUTRI SELECT 旨在支持台灣藝術家的創作能量與展覽實踐，並開放 ARTNUTRI STORE 2F 空間以「租用展覽方式」申請，為創作者提供一個專業、開放且具質感的展示平台，讓作品能在現場與觀者真正相遇。
這不僅是一個展出機會，更是一個讓藝術被看見、讓創作被理解的起點。
無論你是初試啼聲的新銳創作者，或是尋求新舞台的獨立藝術家，”今年更開放兩到三位藝術家一起呈現的策展提案”，我們都誠摯邀請你參與，一同在此開啟屬於你的藝術篇章。
申請對象與資格
1.具藝術創作實踐之藝術家，且目前未與任何畫廊簽訂任何形式合約（本畫廊保留最終審核權）。
2.作品須具原創性、獨特性與個人風格辨識度。
3.完整創作個展計畫。
4.若為聯展需額外提供策展提案。
報名表索取請來信至 [email protected] 或私訊索取完整報名表與申請說明。
申請方式
1. 請填寫完整報名資料。
2. 創作媒材不限，但以近兩年創作為主。
3. 請提交以下資料：報名表高清作品圖檔至少五件（以上）以上資料請以雲端資料夾或連結方式寄至： [email protected] 信件標題請註明：「ARTNUTRI SELECT 2026 申請」。
4.展覽日程規劃 2026年4月~12月，展期將由畫廊協商安排。
截止日期
申請截止日期為2025年12月31日止
信件標題請註明：「ARTNUTRI SELECT 2026申請」。如有任何問題，歡迎來信或私訊官方FB，IG帳號洽詢。

23/11/2025

Artnutri Select Vol.7
Upcoming Exhibition 展覽預告 | 土層記憶 Layer of Clay, Layer of Memory
藝術家 Artists | 王瑞竺 JuiChu Wang
展期 Duration | 2025.11.29-12.7
展覽地點 Venue | 408005台中市南屯區文心南五路一段395號 (養心藝術)
No. 395, Sec. 1, Wenxin S. 5th Rd., Nantun Dist., Taichung City 408005, Taiwan (ARTNUTRI GALLERY)

土壤，是由層層水平堆疊的土層
經由時間的累積，逐漸形成孕育生命的容器與場所。

以土板成型的技法為基礎，將土板視為堆疊的單元，試圖打破並給予雙手限制，仿效自然地層的水平堆疊，在不斷堆疊土板的過程中加入自己雙手的節奏，創作出能跟空間產生自然流動與微妙平衡對話的空間物件。水平堆疊的土板，在經由高溫燒製完成後，將物件垂直或自由擺放後來呈現給觀者，也藉以突顯陶的材料本質。

《土層記憶》呈現了過去與當下的交疊，從日本回到台灣後，生活在城市與鄉間往返的節奏裡。伴隨著時間和生活的累積，讓屬於台灣的新系列土層多了光、生活與風景，於是這些日常風景與旅行和身體的記憶，被輕柔地堆疊進土層裡。每一片看似重複堆疊的過程中，從土板的輪廓、厚薄、色彩到土板之間流動的縫隙，生命的場所逐漸成形。以低彩度的色調為主要創作色彩，希望能突顯自然生命的明亮色彩，並靜謐低調的存在於生活之中。

Soil is formed through the horizontal accumulation of layers—built up over time, gradually becoming a container and cradle for life.

Using slab-building techniques as the foundation, each clay slab is treated as a unit of layering. By imposing constraints on the hands and mimicking the natural process of geological stratification, the artist incorporates her own rhythm into the repetitive act of stacking. Through this process, she creates spatial objects that engage in a naturally flowing and subtly balanced dialogue with their surroundings. Once fired at high temperatures, these horizontally stacked slabs are presented vertically or freely arranged, further highlighting the fundamental qualities of clay.

Layer of Clay, Layer of Memory reflects the convergence of past and present. After returning to Taiwan from Japan, the artist’s life began to alternate between the city and the countryside. As time and daily life accumulated, this new series of Taiwanese soil layers became infused with light, landscapes, and lived experiences. Everyday scenery, travels, and bodily memories are gently folded into the layers of clay.

Within the seemingly repetitive act of stacking, the contours, thickness, colors, and the flowing gaps between slabs gradually shape a place where life can exist. By choosing low-saturation tones as the primary palette, the artist seeks to accentuate the subtle brightness found in natural life—quietly, calmly, and organically inhabiting the spaces we live in.

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