05/06/2025
2024 WHATZ ART FAIR
ROOM 916 - tamtamART
「我們為何停留」為 tamtamART 於 2024 Whatz Art Fair 中對於飯博展會的回應，本檔展覽討論個人旅行移動經驗的匯集與重疊，旅行從表象的身體移動轉化為自身與回憶的對話，飯店在旅行中扮演著停靠與轉運的角色，匯聚各國旅人並替旅行中的漂泊增添了一絲生活感，藝術作品在這樣的空間呈現突破了白盒子的距離感，空間、藝術品與各類人士的交織,無形的軌跡 形成交匯點，「我們為何停留」邀請藝術家展出對旅行或移動中對記憶交匯的觀察紀錄作為展品，以及現地製作藝術家於飯店房間內回應本次主題而生的作品，文件式作品、聲音記錄、現成物及訪問繪畫以多種形式打開觀眾的觀看方式。
"Why Do We Linger?" is tamtamART's response to the Whatz Art Fair 2024 regarding the exhibition at the hotel. This exhibition explores the accumulation and intersection of personal travel experiences, where travel evolves from mere physical movement into a conversation between the self and memories. Hotels play a crucial role as stopovers and transit points in travel, bringing together travelers from different countries and adding vibrancy to the journey of exploration. Artworks presented in such spaces disrupt the traditional confines of the white cube by intertwining space, artwork, and people, creating invisible trajectories that intersect. "Why Do We Linger?" The event invites artists to exhibit observational records of memories intersecting during travel or movement, as well as artworks produced on-site in response to the theme within hotel rooms. Documentary- style works, sound recordings, ready-mades, and interview drawings offer diverse viewing experiences for the audience.
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洪信瑋 HUNG Hsin-Wei
來春，妳好嗎？
Lai-Chun ，How are you ？
法薩琳線、黃銅、攝影、自製紙、PVC膠布、木質物件、壓克力上彩
20 x 26 x 9 cm
旅行袋裡藏著什麼樣的風景？在那已逝去的時光裡，透過相簿裡的影像於住屋中發掘當時的物件，藉由這些線索回顧祖母已淡忘的記憶，將旅行袋裡的物件化為幾何積木，反映祖母目前精神狀態能懂的語彙，運用藝術家之書的創作形式記錄遺忘的回憶，使用攝影翻拍的手法相互詮釋幾何積木裡的意態。當再次讓祖母閱讀此作品時是否能在其中找尋自己，或是積木的模樣讓祖母用不一樣的觀看方式瀏覽自己的時光。
What kind of scenery lies within the travel bag? In the bygone times, as I uncover objects from that era within the house through the images in the photo album, I rediscover the forgotten memories of my grand-mother through these clues.
Transforming the items in the travel bag into geometric blocks reflects the vocabulary that my grandmother can currently comprehend. Utilizing the format of artist’s books to document forgotten memories and employing photography to reinterpret the emotions encapsulated within the geometric blocks. When my grand-mother reads this work again, will she see herself reflected in it, or will the structure of the building blocks enable her to
perceive her own timeline differently?
攝影 ：吳俊賢
Tamtam ART Taiwan
