金馬賓館當代美術館 ALIEN Art Centre

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金馬賓館當代美術館 ALIEN Art Centre 比永遠多一天
life abounds a day beyond eternity.
- The name ‘ALIEN’ is inspired by the plot ‘E.T.
(2)

永添藝術
ALIEN Art

ALIEN Art 永添藝術,思想美學流淌著結構、幾何、極簡、光與生活,企業識別為一扇象徵未知領域之門,當穿越了這扇門,我們與存在連結、轉化,並為生活帶來驚喜與靜心。英文名 "ALIEN" 以 E.T. phone home 手指相連的神奇瞬間為聯想,相信虛空間,自有一股導引力量,引人前進。
成立於2016年,ALIEN Art 著力於透過藝術與建築空間的融合,反映在地與世界的文化景觀,合作藝術家不限國籍,致力透過藝術為生活帶來詩意。
經營平台含括金馬賓館當代美術館ALIEN Art Centre、晶英國際行館SILKS CLUB,與御盟國際驛館YUIMOM RESIDENCE,
成為城市中新時代藝術的搖籃。



金馬賓館當代美術館
ALIEN Art Centre

歷史地標「金馬賓館」,籌建於1959(八二三炮戰隔年),於1967年分別於高雄及基隆落成。於1967 - 1998年間,作為軍士官前往戰線前的中轉站,亦為服役結束後平安歸來與親重逢的地點。今日基隆金馬賓館已拆除,僅留下全台碩果僅存的高雄金馬賓館紀念冷戰過往。「金」、「馬」分別代表金門與馬祖離島,金馬前線相隔台灣與中國,在冷戰時期,與柏林圍牆及北緯38.5度線具有同時代的歷史意涵。高雄金馬賓館於1998年退役,曾移轉給交通部鐵工局作為高雄鐵路地下化指揮總部,直至2012年鐵工局搬遷,從此被淡忘。

2016年,高雄市都發局重新公開招標,由 ALIEN Art 永添藝術團隊出面保留,歷時兩年規整,重新於2018年11月28日以 ALIEN Art Centre 永添藝術.金馬賓館美術館對外面世。原本規矩的軍事格局轉化為與自然融合的綠色建築,在其方圓內豐富著幾何元素,交織著來自過去與現代的故事。經過改造的賓館保留著古典的力量,同時交融優雅與當代。

今日,金馬賓館當代美術館ALIEN Art Centre 帶來了記憶、藝術、樹林、空間體驗、以及當代設計。隱身二樓的ALIEN All-Day Lounge,比永遠多一天的愜意所在,提供自然有機的新鮮輕食與咖啡,在設計與藝術的氛圍裡,邀請訪客沉浸在舒適的靈感之間。



ALIEN Art

ALIEN Art’s perception for the aesthetic is woven with structure, geometry, minimalism, light, and life. Its identity is a door to the unknown, through which people connect and transform with existence and our life is provided with surprise and inner peace. phone home’ when the fingers are connected the magic moment happens, echoing its belief in the void where there is a force that leads everyone forward. Established in 2016, ALIEN Art elevates sense of space by integrating artistic experience into architecture. Projects carried out one after another embody contemporary issues found in grassroot movements and around the world. ALIEN Art collaborates with artists regardless of their nationality, aiming to make contemporary art accessible and present the poetic quality of life. Art platforms now operating include ALIEN Art Centre, SILKS CLUB and YUIMOM RESIDENCE, which explore the promise of contemporary art development in the city. ALIEN Art Centre

The construction of Kin-Ma Military Hostel, a historical landmark, commenced in 1959, one year following the August 23rd Artillery Battle, and was completed in 1967. The hostel used to be an intermediate stop and residency for the army. The word “Kin” and “Ma” represents the outlying islands Kinmen and Matsu, the front line between Taiwan and China during the Cold War. The boundary held the spirit similar to that of the Berlin Wall and the 38.5th Parallel Line that separates North and South Korea. What the hostel stood for was gradually forgotten by the world, as time went by and the political and economic situations changed. Following the end of the Cold War, in 1998 the Kaohsiung Kin-Ma Military Hostel was handed over to the Ministry of Transportation Railway Reconstruction Bureau, serving as the command center for the Kaohsiung railway underground construction project until the bureau’s relocation in 2012. In 2016 the Kaohsiung Urban Development Bureau solicited open bids; ALIEN Art Co. Ltd undertook the rights to preserve the property, conducting the restoration work and operation. Following two years of preparation and restoration, the Kin-Ma Military Hostel was reborn as the ALIEN Art Centre on November 28, 2018. The rigid layout of a military housing was transformed into a green building that is integrated into nature. On the perimeter are various geometric elements - dots, lines, and planes, stitching together stories from the past to present. The renovated hostel retains the strength of the early days, while incorporates the gracefulness of modern times. Today, ALIEN Art Centre brings together memory, art, trees and plants, architectural experience, and contemporary design. Sitting on the second floor of the Centre is ALIEN All-Day Lounge, which is a cozy place that feels beyond eternity, provides natural and organic delights and coffee, and with its surrounding infuses design and art, which allows visitors immerse themselves in the chill vibes as inspirations flow in.

當建築消失,地方也會隨之消失嗎?When a Building Disappears, Does a Place Disappear with It? 一棟建築可以被拆除,但曾在其中發生的生活、形成的關係與留下的記憶,是否也會一同消失?九月...
07/09/2026

當建築消失,地方也會隨之消失嗎?
When a Building Disappears, Does a Place Disappear with It?

一棟建築可以被拆除,但曾在其中發生的生活、形成的關係與留下的記憶,是否也會一同消失?

九月, #影像沙盒國際交流計畫 澳門藝術家 #李卓媚,
從展覽《空地》中的錄像作品〈嘉翠麗〉與〈鄰居〉出發,
分享她透過長時間的凝視,記錄人與地方之間細微而深刻的連結。

座談將進一步從「空間」與「地方」的差異展開,
當嘉翠麗的建築實體消失,居民卻仍回到原址相聚,地方是否仍存在於人的關係之中?
作品裡長者的口述、孩子的聲音,以及牆面上斑駁剝落的痕跡,
也呈現出不同世代感知城市與接收記憶的方式。

我們邀請您走進作品與對話之間,一起思考:
當親歷一個地方的人逐漸老去,記憶將如何被下一代接收?
而一個地方,又從何時開始不再是原來的地方?

A building may be demolished, but do the lives, relationships, and memories it once held disappear with it? This September, the International Exchange Programme Image Sandbox presents Macao artist Lee Cheuk Mei. Drawing on her video works Edificio Iau Tsui Lai and Neighbour, Lee reflects on the subtle bonds between people and place. Through residents returning to a demolished housing estate, the voices of older people and children, and traces left on weathered walls, the discussion explores how places endure through relationships—and how their memories pass from one generation to the next.

🎥影像沙盒「國際交流計畫」|牛房倉庫
Video Sandbox International Exchange Programme|Ox Warehouse
藝術家 Artist|李卓媚 Cheok Mei Lei
作品 Work|《空地》Ground Without Borders
展期 Exhibition Period|2026.09.01-09.30
地點 Venue|金馬賓館當代美術館 ALIEN Art Centre 1F《記憶 Memory》展間

金馬賓館當代美術館 ALIEN Art Centre
牛房倉庫 Ox Warehouse

存在的手勢|當一處地方被反覆書寫,留下的是什麼?The Gesture of Being|When a Place Is Written and Rewritten, What Remains? 藝術家  #葉偉立 長期以生活、勞動與攝影進...
04/09/2026

存在的手勢|當一處地方被反覆書寫,留下的是什麼?
The Gesture of Being|When a Place Is Written and Rewritten, What Remains?

藝術家 #葉偉立 長期以生活、勞動與攝影進入不同地方,
回應空間如何承載時間與記憶。

他的創作始於居住與行動。
從清理廢棄空間、修繕建築,到整理物件、建立工作場域,
他耗費數年參與地方最後留下的記憶,可能只是少數幾張影像。
攝影因此不只是現場的紀錄,更是一段關係經過長時間累積後所留下的痕跡。

如同「複寫本」上被反覆刮除與書寫的文字,
一處地方也不斷經歷使用、遺忘與新生。
舊有痕跡並未真正消失,而是與後來的人、物和故事彼此重疊。

在葉偉立的作品中,紀實與虛構的界線變得模糊。
他不試圖還原地方唯一的原貌,而是在既有的記憶之上,
再寫下自己曾經生活、記憶與故事的篇章。

Artist engages with different places through lived experience, labor, and photography, exploring how spaces hold time and memory.

His practice often begins with inhabiting a site and working within it. He may spend years clearing abandoned spaces, repairing buildings, sorting objects, and creating places to live and work—only to produce a handful of photographs. Photography thus becomes more than a record of a site; it is the trace of a relationship formed over time.

Like a palimpsest—a manuscript repeatedly erased and rewritten—a place undergoes continual cycles of use, forgetting, and reinterpretation. Earlier traces never fully disappear but overlap with the people, objects, and stories that follow.

In Yeh’s work, the boundary between documentation and fiction remains deliberately ambiguous. Rather than restoring a place to a single, definitive past, he adds another layer to its existing memories—one shaped by his own acts of living, laboring, and remembering.

年度展覽|存在的手勢
展覽期間|2026.09.12 – 2027.08.29
了解更多|https://www.alien.com.tw/u/zh-tw/pages/The_Gesture_of_Being
Exhibition|The Gesture of Being
Exhibition Period|2026.09.12 – 2027.08.29
Learn More|https://www.alien.com.tw/u/en/pages/The_Gesture_of_Being

金馬賓館當代美術館 ALIEN Art Centre

御盟集團YUIMOM GROUP

存在的手勢|當一段傳說被重新繡寫,留下的是什麼?The Gesture of Being|What Remains When a Legend Is Re-Embroidered? 藝術家  #張恩滿 從原住民族的歷史、文化與生活經驗出發,...
01/09/2026

存在的手勢|當一段傳說被重新繡寫,留下的是什麼?
The Gesture of Being|What Remains When a Legend Is Re-Embroidered?

藝術家 #張恩滿 從原住民族的歷史、文化與生活經驗出發,透過刺繡、編織與田野研究,
回應族群記憶如何被記錄、轉述與理解。

在她的創作中,針線不只是媒材,更是一種緩慢而持續的書寫。
隨著雙手反覆穿梭,口傳的故事、土地的記憶,以及曾被外來語言記錄的歷史,重新回到身體的行動之中。

相較於快速而直接的文字記錄,刺繡需要投入漫長的時間與專注,也無法被更有效率的方式取代。
這份緩慢,正是張恩滿創作的重要部分,透過一次次重複的動作,重新連結身體、土地與記憶。

Artist draws on Indigenous histories, cultures, and lived experiences. Through embroidery, weaving, and field research, she examines how collective memory is recorded, retold, and understood.

In her practice, thread is more than a material—it becomes a form of slow, sustained writing. Through the repetitive movement of her hands, oral traditions, memories of the land, and histories once recorded in external languages are returned to the body.

Unlike the immediacy of written documentation, embroidery requires time and sustained attention; its process cannot be accelerated without losing its meaning. This slowness is central to Chang’s practice, reconnecting body, land, and memory through repeated gestures.

年度展覽|存在的手勢
展覽期間|2026.09.12 – 2027.08.29
了解更多|https://www.alien.com.tw/u/zh-tw/pages/The_Gesture_of_Being
Exhibition|The Gesture of Being
Exhibition Period|2026.09.12 – 2027.08.29
Learn More|https://www.alien.com.tw/u/en/pages/The_Gesture_of_Being

金馬賓館當代美術館 ALIEN Art Centre

#張恩滿
御盟集團YUIMOM GROUP

青春同行|兩人同行・一人免票Growing Together|Student 2-for-1 Admission金馬庭院的大樟樹旁,悄悄長出了一棵小樟樹。它承接一片樹蔭,也向光伸展自己的枝葉。那些曾被大樹陪伴的時刻,或許不會立即顯現,卻會在...
31/08/2026

青春同行|兩人同行・一人免票
Growing Together|Student 2-for-1 Admission

金馬庭院的大樟樹旁,悄悄長出了一棵小樟樹。
它承接一片樹蔭,也向光伸展自己的枝葉。

那些曾被大樹陪伴的時刻,或許不會立即顯現,
卻會在往後的歲月裡,以另一種方式繼續發生。

#金馬賓館當代美術館 推出 #青春同行 #學生觀展計畫,
兩人同行・一人免票,
邀請同學、朋友或學習夥伴一起走進美術館,在作品前停留、觀察,交換彼此不同的感受。
讓每一次觀看,成為理解藝術、認識世界與重新觀看自己的起點。

🎫 兩人同行・一人免票
兩位學生同行並出示有效學生證,即享一人免票。

👥 小班制團體同行
10 位學生同行,其中 5 人免票,帶隊教師另享免票。

📅 活動期間|即日起至 2027.09.01
週二至週日 10:00–18:00
週一休館,逢國定假日開館

📞諮詢了解
07- 9721685 #6101

A young camphor tree has quietly taken root beside the old tree in the ALIEN Art Centre courtyard—sheltered by its shade, yet reaching toward the light. With our , students are invited to experience art alongside friends and classmates, exchanging perspectives and discovering new ways of seeing.

🎫 Student 2-for-1 Admission
Two students visiting together receive one complimentary admission upon presenting valid student IDs.

👥 Small-Group Visits
Groups of 10 students receive five complimentary admissions, plus free admission for one accompanying teacher.

📅 Now through 1 September 2027
Tuesday–Sunday, 10:00–18:00
Closed Mondays; open on public holidays.

📞 Enquiries
07-9721685 ext. 6101

金馬賓館當代美術館 ALIEN Art Centre
ALIEN ALL DAY LOUNGE 金馬咖啡廳 - Cafe & Shop

存在的手勢|裂縫,如何成為新的開始?The Gesture of Being|How Can a Crack Become a New Beginning?一件陶瓷被敲碎之後,是否就失去了原有的價值?藝術家  #李受徑 從韓國陶瓷工藝追求完...
27/08/2026

存在的手勢|裂縫,如何成為新的開始?
The Gesture of Being|How Can a Crack Become a New Beginning?

一件陶瓷被敲碎之後,是否就失去了原有的價值?

藝術家 #李受徑 從韓國陶瓷工藝追求完美的傳統出發,
收集匠人親手敲碎、未達理想標準的陶瓷碎片。
這些被捨棄的殘片,在她的手中不再只是未完成的器物,而是作品重新生成的起點。

不預設完成後的形體,而是順著碎片的輪廓,讓作品選擇與接合中自然生長。
裂縫不被掩蓋,反而以 24K 金箔細細描摹,成為作品最醒目的痕跡。

在韓語中,「裂縫」與「金」同為 금(geum)。
當金色線條沿著破口延展,裂縫也從缺陷轉化為新的書寫,
如同無法重來的筆觸,記錄每一次修補與相遇。

李受徑並不是將破碎的器物恢復原狀,而是讓不同來源的碎片建立新的關係,
形成一件過去從未存在的作品。

Does a ceramic object lose its value once shattered?
Artist collects fragments broken by Korean ceramic artisans for not meeting their standards. In her hands, these discarded pieces become the starting point for something new.

Following their contours without predetermining the final form, she joins the fragments and traces each crack in 24K gold leaf.

In Korean, “crack” and “gold” are both pronounced geum (금). As gold extends along each break, the crack becomes a form of writing—an unrepeatable mark recording every repair and encounter.

Rather than restoring the vessels, Yeesookyung creates new relationships between fragments, forming something that has never existed before.

年度展覽|存在的手勢
展覽期間|2026.09.12 – 2027.08.29
了解更多|https://www.alien.com.tw/u/zh-tw/pages/The_Gesture_of_Being
Exhibition|The Gesture of Being
Exhibition Period|2026.09.12 – 2027.08.29
Learn More|https://www.alien.com.tw/u/en/pages/The_Gesture_of_Being

金馬賓館當代美術館 ALIEN Art Centre


#楠弘集團 御盟集團YUIMOM GROUP

影像沙盒國際交流計畫|在城市的空地,留下的人與記憶Video Sandbox International Exchange Programme|In the City’s Empty Spaces, Traces of Life and M...
26/08/2026

影像沙盒國際交流計畫|在城市的空地,留下的人與記憶
Video Sandbox International Exchange Programme|In the City’s Empty Spaces, Traces of Life and Memory Remain

九月, #影像沙盒國際交流計畫 將迎來澳門藝術家暨電影導演 #李卓媚,
以《空地》延續金馬賓館當代美術館與澳門牛房倉庫藝術空間 EXiM 的合作。

長期往返柏林、台北與澳門,李卓媚從家庭記憶、移動經驗與日常觀察出發,
透過非虛構影像、檔案與田野調查,凝視居住環境與社會變遷中的個人情感。

展覽呈現〈嘉翠麗〉與〈鄰居〉兩件錄像裝置,
從澳門公共房屋的清拆,到人與非人生命共享城市的日常,
探問建築消失、生活場域改變之後,地方記憶將如何留存。

📢 本次國際交流計畫唯一一場藝術家座談,將於 9 月 1 日舉行。
把握與李卓媚現場交流的機會,參加座談即可 #免費觀展,
聆聽她分享如何以鏡頭記錄城市變遷,以及空間與人的故事。

This September, the welcomes Macao artist and filmmaker . Presented in collaboration with EXiM, Ox Warehouse Art Space, Ground Without Borders explores memory, migration, and urban change. Featuring two video installations, A Farewell to Julieta and Neighbor, the exhibition reflects on how people, communities, and memories endure as familiar spaces disappear.

📢 The programme’s only artist talk takes place on September 1. Meet Cheok-Mei Lei, hear about her creative process, and enjoy to the exhibition.

📽️ 影像沙盒「國際交流計畫」|牛房倉庫
Video Sandbox International Exchange Programme|Ox Warehouse
藝術家 Artist|李卓媚 Cheok Mei Lei
作品 Work|《空地》Ground Without Borders
展期 Exhibition Period|2026.09.01-09.30
地點 Venue|金馬賓館當代美術館 ALIEN Art Centre 1F《記憶 Memory》展間
·
◎ 藝術座談時間 Time|2026.09.01 14:00 - 15:30
◎ 藝術座談報名 Art Talk Registration|https://www.surveycake.com/s/Q4RAL
◎ 展覽資訊 Exhibition|https://www.alien.com.tw/u/zh-tw/pages/Ground_Without_Borders

金馬賓館當代美術館 ALIEN Art Centre
牛房倉庫 Ox Warehouse

《塵與金》展覽倒數|再次觀看,是否仍會遇見相同的風景?Dust and Gold Exhibition Countdown|Will the Same Works Reveal a Different View? 在不同的時刻走進展間,作品...
24/08/2026

《塵與金》展覽倒數|再次觀看,是否仍會遇見相同的風景?
Dust and Gold Exhibition Countdown|Will the Same Works Reveal a Different View?

在不同的時刻走進展間,作品也可能呈現不同的風景。

第一次走進《塵與金》,看見的是礦物顏料與金屬箔映照出的光,與陶土經火焰留下的痕跡;
再次回來,隨著光線、距離與心境改變,曾經凝視的作品,將展開出另一種風景。

展覽期間,花藝回應作品中的自然姿態,樂聲穿行於展間。
不同的感官與相遇,讓《塵與金》一次次延伸,留下屬於每個當下的回響。

《塵與金》進入好評倒數!
無論是初次到訪,或再次回來,都邀請您把握相遇的時光,走近光線、礦物與時間交織而成的內在空間。

Each visit may reveal a different landscape.
On your first visit to Dust and Gold, you may notice light reflected by mineral pigments and metal leaf, or traces shaped by earth and fire. Return again, and changes in light, distance, and perspective may reveal something new. Throughout the exhibition, flowers and music extended the experience beyond sight, creating new resonances within the ALIEN Art Centre. Dust and Gold runs through August 30. Whether visiting for the first time or returning, we invite you to experience a landscape shaped by light, earth, and time.

✨
展覽資訊|塵與金:藤村真、道川省三
展覽期間|展期倒數至08.30
Exhibition|Dust and Gold : Makoto Fujimura, Shozo Michikawa
Exhibition Period|until 08.30

金馬賓館當代美術館 ALIEN Art Centre

存在的手勢|當一支鉛筆被走完,留下的是什麼?The Gesture of Being|What Remains When a Pencil Reaches the End of Its Walk? 藝術家  #石晉華 以身體作為丈量的工具,...
21/08/2026

存在的手勢|當一支鉛筆被走完,留下的是什麼?
The Gesture of Being|What Remains When a Pencil Reaches the End of Its Walk?

藝術家 #石晉華 以身體作為丈量的工具,
將行走與時間的消耗,轉化為書寫生命的方法。

17歲確診糖尿病後,測量血糖、記錄飲食與注射劑量,成為他必須反覆進行的日常。
這些與身體共存的經驗,也逐漸發展為創作中的核心——測量血糖、測量步伐,
也測量一支鉛筆從完整到耗盡的一生。

在《走鉛筆的人》與〈走筆 #1〉中,他先設定規則,再以身體長時間執行,
隨著腳步不斷往返,線條逐漸覆滿畫面,鉛筆則愈來愈短,直到完全耗盡,
作品真正留下的,不只是完成後的痕跡,更包含曾被投入其中的時間、身體與專注。

對石晉華而言,重複並不是機械性的動作,而是一種修行。
行走不為了抵達終點,而是在每一次往返之間,感受生命如何如何留下存在的證明。

Artist used his body as an instrument of measurement, transforming walking and spiritual practice into a way of writing life.

Diagnosed with diabetes at seventeen, he turned the daily routines of measuring and recording into the core of his practice—measuring blood sugar, footsteps, and the life of a pencil until it was completely worn away.

In Pencil Walker and Pen Walking #1, repeated movement gradually covered the surface with lines while consuming the pencil itself. What remains is not only an image, but also the time, bodily effort, and concentration invested in its making.

For Shi, walking was not about reaching a destination, but leaving proof of existence.

年度展覽|存在的手勢
展覽期間|2026.09.12 – 2027.08.29
了解更多|https://www.alien.com.tw/u/zh-tw/pages/The_Gesture_of_Being
Exhibition|The Gesture of Being
Exhibition Period|2026.09.12 – 2027.08.29
Learn More|https://www.alien.com.tw/u/en/pages/The_Gesture_of_Being

金馬賓館當代美術館 ALIEN Art Centre


#楠弘集團 御盟集團YUIMOM GROUP

換一個角度,作品也有了表情A Different Angle Reveals Another Expression觀看  #權純益 的「隙-積・研」系列時,不妨除了停留在正面,也試著往作品側邊移動。隨著角度改變,層疊於畫面之間的縫隙逐漸顯現...
20/08/2026

換一個角度,作品也有了表情
A Different Angle Reveals Another Expression

觀看 #權純益 的「隙-積・研」系列時,
不妨除了停留在正面,也試著往作品側邊移動。

隨著角度改變,層疊於畫面之間的縫隙逐漸顯現。
藏在藍色肌理中的黑色深處,彷彿一張微微張開、正在嘆息的嘴,
原本平面的色彩產生如呼吸般的深度與表情。

這道「隙」,既是顏料與結構之間留下的空間,也讓人聯想到情緒尚未出口的片刻。
靠近作品、移動腳步,你會發現有些細節,只有離開正面之後,才會慢慢浮現。

When viewing Soonik Kwon’s Interstice-Pile up & Rub series, try moving beyond the frontal view. From the side, a dark opening emerges between layers of blue, resembling a mouth caught in a quiet sigh. What first appears flat begins to reveal depth, movement, and emotion. Step closer and shift your viewpoint—some details only appear when seen from another angle.

金馬賓館當代美術館 ALIEN Art Centre
白石畫廊・台北 Whitestone Gallery Taipei

讓《塵與金》多了一場聲音的共振Dust and Gold, in Resonance當音樂加入,作品與空間之間產生了新的關係。四位來自台灣表演藝術協會,持續投入演奏、創作與音樂推廣的音樂家——蔡佩真、黃凱盈、黃詠雩與沈柏均, 以琴弦與琴鍵,...
17/08/2026

讓《塵與金》多了一場聲音的共振
Dust and Gold, in Resonance

當音樂加入,作品與空間之間產生了新的關係。
四位來自台灣表演藝術協會,持續投入演奏、創作與音樂推廣的音樂家——蔡佩真、黃凱盈、黃詠雩與沈柏均, 以琴弦與琴鍵,從 #藤村真 與 #道川省三 的作品出發,讓原本以視覺感受的展覽,也多了一條由聲音延伸出的路徑。

有人在旋律之中再次望向作品,有人隨著聲音探究作品細節。
音樂沒有改變作品本身,卻讓彼此之間的距離、節奏與關係,有了新的變化。展覽在接近尾聲之際,再次展開不同的樣貌。謝謝四位音樂家,也謝謝每一位來到現場、共同完成這場共振的觀眾。

展覽好評倒數中,邀請您把握最後的時間走進 #塵與金✨

With music, new connections emerged between the artworks and the space. Five Juilliard-trained musicians responded to works by Makoto Fujimura and Shozo Michikawa through strings and piano, opening another way to experience the exhibition through sound. As Dust and Gold enters its final weeks, thank you to the musicians and everyone who joined us in creating this moment of resonance. ✨

展覽資訊|塵與金:藤村真、道川省三
展覽期間|即日起至08.31
Exhibition|Dust and Gold : Makoto Fujimura, Shozo Michikawa
Exhibition Period|until 08.31

金馬賓館當代美術館 ALIEN Art Centre
ALIEN ALL DAY LOUNGE 金馬咖啡廳 - Cafe & Shop
#台灣表演藝術協會

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