The Pill

The Pill Site-Specific exhibitions and contemporary art gallery curating cutting-edge emerging and established artists in Istanbul

T H E  P I L L®️ is thrilled to host Austrian artist 𝐆𝐞𝐫𝐧𝐨𝐭 𝐖𝐢𝐞𝐥𝐚𝐧𝐝’s first solo exhibition in Paris on view from 24 Apr...
29/04/2026

T H E  P I L L®️ is thrilled to host Austrian artist 𝐆𝐞𝐫𝐧𝐨𝐭 𝐖𝐢𝐞𝐥𝐚𝐧𝐝’s first solo exhibition in Paris on view from 24 April to 30 May 2026. Titled 𝘔𝘪𝘯𝘰𝘳 𝘊𝘰𝘳𝘳𝘦𝘤𝘵𝘪𝘰𝘯𝘴, the exhibition follows the artist’s first monographic exhibition in France, 𝘚𝘰𝘯𝘨𝘴 𝘧𝘰𝘳 𝘵𝘩𝘦 𝘜𝘯𝘸𝘢𝘯𝘵𝘦𝘥, recently presented at MAMC+ Saint-Étienne, and launches the eponymous monograph.

𝘔𝘪𝘯𝘰𝘳 𝘊𝘰𝘳𝘳𝘦𝘤𝘵𝘪𝘰𝘯𝘴 centers on two short films, 𝘍𝘢𝘮𝘪𝘭𝘺 𝘊𝘰𝘯𝘴𝘵𝘦𝘭𝘭𝘢𝘵𝘪𝘰𝘯 𝘞𝘪𝘵𝘩 𝘈 𝘍𝘰𝘹 (2025) and 𝘉𝘪𝘳𝘥 𝘪𝘯 𝘐𝘵𝘢𝘭𝘪𝘢𝘯 𝘪𝘴 𝘜𝘤𝘤𝘦𝘭𝘭𝘰 (2021), presented alongside a selection of drawings, paintings, and ceramics interwoven with the moving image works. As the title suggests, the exhibition foregrounds mistakes, omissions, slippages, and corrections as sites where the power of the unconscious can be reclaimed to destabilize dominant narratives surrounding family, education, social life, mental health, and the history of Western thought and art.

A recurring method in Wieland’s schematic drawings involves half-written or misspelled words, struck through and rewritten—sometimes in altered form, sometimes in another language. In doing so, he not only positions the mistake, the slip of the tongue, or the impulse to correct oneself, as the place where the unconscious makes itself accessible, but also, these “failures” and their attempted corrections are precisely where the underlying, patriarchal power structures become visible in the process of their failed internalisation. A minor correction becomes a precise artistic strategy in the hands of Gernot Wieland, deployed across film, drawing and sculpture: it is where all errors, misunderstandings and misplacements are revealed to probe mechanisms of repression and embraced as unfaltering expressions of human creativity and humour.  

Credits
For inquiries: [email protected]
Courtesy of the artist & T H E P I L L®️

We are thrilled to present Gernot Wieland’s monograph published in collaboration with JBE Books & Museum Mamc+ St Etienn...
24/04/2026

We are thrilled to present Gernot Wieland’s monograph published in collaboration with JBE Books & Museum Mamc+ St Etienne with an original text by , a preface by Aurélie Voltz and an interview with Daniel Kurjakovic.
The book spans over a decade of work, featuring stills and scripts from films such as Ink in Milk and Thievery and Songs, alongside installations, texts, and diaristic drawings.
Blending absurdity, trauma, and humor, Songs for the Unwanted is a richly layered monograph on Austrian artist Gernot Wieland. Known for his voiceover-driven films that merge drawing, claymation, and philosophical narration, Wieland builds a world where autobiography, fiction, and psychoanalysis converge.

Join us for a book signing today on the occasion of the artist’s first solo show in Paris 🍸
6 — 8 pm

GERNOT WIELAND — OPENING TOMORROW IN PARIST H E  P I L L®️ is thrilled to host 𝐆𝐞𝐫𝐧𝐨𝐭 𝐖𝐢𝐞𝐥𝐚𝐧𝐝’s first solo exhibition in...
23/04/2026

GERNOT WIELAND — OPENING TOMORROW IN PARIS

T H E  P I L L®️ is thrilled to host 𝐆𝐞𝐫𝐧𝐨𝐭 𝐖𝐢𝐞𝐥𝐚𝐧𝐝’s first solo exhibition in Paris on view from 24 April to 30 May 2026.
Titled 𝘔𝘪𝘯𝘰𝘳 𝘊𝘰𝘳𝘳𝘦𝘤𝘵𝘪𝘰𝘯𝘴, the exhibition follows the artist’s first monographic exhibition in France, 𝘚𝘰𝘯𝘨𝘴 𝘧𝘰𝘳 𝘵𝘩𝘦 𝘜𝘯𝘸𝘢𝘯𝘵𝘦𝘥, recently presented at Museum MAMC+ Saint-Étienne, and the publication of eponymous monograph produced in partnership with JBE Books.

𝘔𝘪𝘯𝘰𝘳 𝘊𝘰𝘳𝘳𝘦𝘤𝘵𝘪𝘰𝘯𝘴 centers on two short films, 𝘍𝘢𝘮𝘪𝘭𝘺 𝘊𝘰𝘯𝘴𝘵𝘦𝘭𝘭𝘢𝘵𝘪𝘰𝘯 𝘞𝘪𝘵𝘩 𝘈 𝘍𝘰𝘹 (2025) and 𝘉𝘪𝘳𝘥 𝘪𝘯 𝘐𝘵𝘢𝘭𝘪𝘢𝘯 𝘪𝘴 𝘜𝘤𝘤𝘦𝘭𝘭𝘰 (2021), presented alongside a selection of drawings, paintings, and ceramics interwoven with the moving image works. As the title suggests, the exhibition foregrounds mistakes, omissions, slippages, and corrections as sites where the power of the unconscious can be reclaimed to destabilize dominant narratives surrounding family, education, social life, mental health, and the history of Western thought and art.

A recurring method in Wieland’s schematic drawings involves half-written or misspelled words, struck through and rewritten—sometimes in altered form, sometimes in another language. In doing so, he not only positions the mistake, the slip of the tongue, or the impulse to correct oneself, as the place where the unconscious makes itself accessible, but also, these “failures” and their attempted corrections are precisely where the underlying, patriarchal power structures become visible in the process of their failed internalisation. A minor correction becomes a precise artistic strategy in the hands of Gernot Wieland, deployed across film, drawing and sculpture: it is where all errors, misunderstandings and misplacements are revealed to probe mechanisms of repression and embraced as unfaltering expressions of human creativity and humour.  

Opening reception, Talk & Book signing
𝗧 𝗛 𝗘 𝗣 𝗜 𝗟 𝗟 ®️
𝟰 𝗣𝗹𝗮𝗰𝗲 𝗱𝗲 𝗩𝗮𝗹𝗼𝗶𝘀, 𝟳𝟱𝟬𝟬𝟭 𝗣𝗮𝗿𝗶𝘀
𝗔𝗽𝗿𝗶𝗹 𝟮𝟰𝘁𝗵
𝟲 𝗽𝗺 — 𝟴 𝗽𝗺

Special thanks to the Austrian Cultural Forum for their support.

T H E P I L L®️ is pleased to share that Mireille Blanc is still on view at Kunsthaus Baselland through 3 May as part of...
21/04/2026

T H E P I L L®️ is pleased to share that Mireille Blanc is still on view at Kunsthaus Baselland through 3 May as part of the duo exhibition 𝘚𝘰𝘶𝘯𝘥𝘪𝘯𝘨 𝘵𝘩𝘦 𝘐𝘯𝘵𝘦𝘳𝘪𝘰𝘳.

Bringing into dialogue the practices of Tamara Al-Samerraei and Mireille Blanc, the exhibition takes representations of domestic space and quotidian imagery as its point of departure. Through their respective approaches, the interior is articulated both as a realm of autonomous reflection and as a locus in which delicate, transient memories are inscribed.

Working frequently on a large scale, the artists translate these intimate subjects into painterly compositions that both stabilize their forms and open them onto nuanced fields of abstraction. The exhibition is structured around an underlying inquiry into the conditions of interiority: how thought, action, and projection may emerge from within.

𝘚𝘰𝘶𝘯𝘥𝘪𝘯𝘨 𝘵𝘩𝘦 𝘐𝘯𝘵𝘦𝘳𝘪𝘰𝘳 is curated by Ines Goldbach in collaboration with the artists.

📍Helsinki-Strasse 5
4142 Münchenstein/Basel
Switzerland

Installation views:
Kunsthaus Baselland 2025. ©️ 2025, ProLitteris, Zurich.
Photo: Finn Curry / Kunsthaus Baselland

Last day to visit 𝘚𝘪𝘯𝘨 𝘐𝘵 𝘉𝘢𝘤𝘬, Özlem Altin’s first solo exhibition in Paris with the gallery. Across the exhibition, fo...
18/04/2026

Last day to visit 𝘚𝘪𝘯𝘨 𝘐𝘵 𝘉𝘢𝘤𝘬, Özlem Altin’s first solo exhibition in Paris with the gallery.
Across the exhibition, forms and colors echo and reappear, shifting in relation to one another. Between the photographic and the painterly, the works open a space where images are not fixed, but continuously reconfigured through perception.

Courtesy of the artist & T H E P I L L®️


Credits :

“𝘛𝘩𝘦 𝘸𝘰𝘳𝘬 𝘳𝘦𝘧𝘭𝘦𝘤𝘵𝘴 𝘢 𝘤𝘺𝘤𝘭𝘦 𝘰𝘧 𝘵𝘳𝘢𝘯𝘴𝘧𝘰𝘳𝘮𝘢𝘵𝘪𝘰𝘯: 𝘧𝘳𝘰𝘮 𝘯𝘢𝘵𝘶𝘳𝘦 𝘵𝘰 𝘧𝘢𝘴𝘩𝘪𝘰𝘯, 𝘧𝘳𝘰𝘮 𝘧𝘢𝘴𝘩𝘪𝘰𝘯 𝘵𝘰 𝘸𝘢𝘴𝘵𝘦, 𝘢𝘯𝘥 𝘧𝘳𝘰𝘮 𝘸𝘢𝘴𝘵𝘦 𝘪𝘯𝘵𝘰 𝘢𝘯 𝘢𝘳𝘵 ...
16/04/2026

“𝘛𝘩𝘦 𝘸𝘰𝘳𝘬 𝘳𝘦𝘧𝘭𝘦𝘤𝘵𝘴 𝘢 𝘤𝘺𝘤𝘭𝘦 𝘰𝘧 𝘵𝘳𝘢𝘯𝘴𝘧𝘰𝘳𝘮𝘢𝘵𝘪𝘰𝘯: 𝘧𝘳𝘰𝘮 𝘯𝘢𝘵𝘶𝘳𝘦 𝘵𝘰 𝘧𝘢𝘴𝘩𝘪𝘰𝘯, 𝘧𝘳𝘰𝘮 𝘧𝘢𝘴𝘩𝘪𝘰𝘯 𝘵𝘰 𝘸𝘢𝘴𝘵𝘦, 𝘢𝘯𝘥 𝘧𝘳𝘰𝘮 𝘸𝘢𝘴𝘵𝘦 𝘪𝘯𝘵𝘰 𝘢𝘯 𝘢𝘳𝘵 𝘰𝘣𝘫𝘦𝘤𝘵.” — 𝐀𝐳𝐢𝐳𝐚 𝐒𝐡𝐚𝐝𝐞𝐧𝐨𝐯𝐚

We are pleased to share participation in 𝘕𝘰𝘵𝘩𝘪𝘯𝘨 𝘗𝘳𝘦𝘤𝘪𝘰𝘶𝘴 : 𝘗𝘳𝘦𝘤𝘪𝘰𝘶𝘴 𝘕𝘰𝘵𝘩𝘪𝘯𝘨, currently on view at the Sea Pavilion as part of Malta Biennale 2026, at Fort St. Elmo in Valletta, curated by Azad Asifovich and Vlad Sludskiy, with Asli Samadova as Pavilion Director.

Developed within the maritime context of Malta, the exhibition approaches the sea not as a simple setting, but as an active condition through which material, cultural, and symbolic meanings are in constant flux. The exhibition is grounded in a shared exploration of instability, examining how objects shift between relevance and disregard, and how frameworks of production and display shape perceptions of value.

𝐒𝐡𝐚𝐝𝐞𝐧𝐨𝐯𝐚 presents a large-scale installation composed of cotton shirt collars sourced from Uzbekistan, assembled into a chandelier-like structure. Evoking both domestic space and industrial histories, the work follows the trajectory of materials as they move through successive states—from raw resource to commodity, and ultimately to residue.

The Sea Pavilion is commissioned by Ta(r)dino 6 Art Platform in partnership with Private Institution (CULTURA) Eurasian Cultural Alliance, as part of Malta Biennale 2026.

Caption:
Aziza Shadenova
𝘞𝘩𝘪𝘵𝘦 𝘖𝘳𝘥𝘦𝘳, 2026
Site-specific installation
Wood, cotton shirt collars, nails & acrylic paint

Courtesy of the artist & T H E P I L L®️
_

Credit : ©️ Peter Lueders

LAST DAYS  𝘚𝘪𝘯𝘨 𝘐𝘵 𝘉𝘢𝘤𝘬 by Özlem Altın is on view through April 18 at T H E P I L L ®️ Paris.In this solo exhibition,  e...
15/04/2026

LAST DAYS  

𝘚𝘪𝘯𝘨 𝘐𝘵 𝘉𝘢𝘤𝘬 by Özlem Altın is on view through April 18 at T H E P I L L ®️ Paris.

In this solo exhibition, examines perception through a rigorously introspective framework. Her works investigates the tension between photography and painting, producing images that oscillate between construction and dissolution.

Constituting an archive of her own photographs and found images, including other artists’ works and material from museum collections, Özlem Altın selectively activates imagery through collages, photographs and painting. Abolishing any hierarchies within the source material, she develops a highly associative visual semantic that focuses on gestures as abstractions.

Altin’s work has been included in major international exhibitions including The Milk of Dreams, 59th International Art Exhibition of the Venice Biennale (2022); the 16th Istanbul Biennial (2019); the 10th Berlin Biennale (2018); the Göteborg International Biennial for Contemporary Art (2019). She received the Hannah-Höch-Förderpreis of the City of Berlin, with a solo exhibition at Berlinische Galerie, and the Tiemann Prize, both in 2024.

Courtesy of the artist & T H E P I L L®️
[email protected]
Credits:

✨ Soufiane Ababri in conversation with Anton Isiukov for .« 𝘐 𝘸𝘢𝘯𝘵 𝘵𝘰 𝘵𝘢𝘭𝘬 𝘢𝘣𝘰𝘶𝘵 𝘥𝘰𝘮𝘪𝘯𝘢𝘵𝘪𝘰𝘯 𝘸𝘪𝘵𝘩𝘰𝘶𝘵 𝘶𝘴𝘪𝘯𝘨 𝘵𝘩𝘦 𝘵𝘰𝘰𝘭𝘴 𝘰𝘧 𝘵...
07/04/2026

✨ Soufiane Ababri in conversation with Anton Isiukov for .

« 𝘐 𝘸𝘢𝘯𝘵 𝘵𝘰 𝘵𝘢𝘭𝘬 𝘢𝘣𝘰𝘶𝘵 𝘥𝘰𝘮𝘪𝘯𝘢𝘵𝘪𝘰𝘯 𝘸𝘪𝘵𝘩𝘰𝘶𝘵 𝘶𝘴𝘪𝘯𝘨 𝘵𝘩𝘦 𝘵𝘰𝘰𝘭𝘴 𝘰𝘧 𝘵𝘩𝘦 𝘥𝘰𝘮𝘪𝘯𝘢𝘯𝘵 𝘨𝘳𝘰𝘶𝘱. »

Through his intimate drawings in crayon and pastel, Ababri reclaims tenderness, desire, and defiance. Rejecting the traditional studio, he works in his room—most often in bed—transforming a space of privacy into both method and manifesto. His practice unfolds as a form of resistance as much as a gesture of care, building a visual language where vulnerability and politics are inseparable.

Read the full interview on collectorsagenda.com.

Credits: Elise Toide

We are happy to share that  is part of Textiles Fictions II, currently on view at Antre-Peaux Transpalette in Bourges — ...
04/04/2026

We are happy to share that is part of Textiles Fictions II, currently on view at Antre-Peaux Transpalette in Bourges — on view until May 31.
This exhibition brings together works that explore textile as a material capable of shifting the boundaries of the body and fragmenting its contours. Here, the body is imagined as unstable—constantly transforming, caught in a space of tension where flesh, surfaces, and sensitive envelopes oscillate between excess, fragility, desire, and threat.

Through diverse formats—sculpture, installation, performance, embroidery, and woven assemblages—Textiles Fictions II reveals how soft materials, often associated with decoration or delicacy, can become powerful tools for storytelling. These works propose new ways of weaving worlds in which the body emerges as both matter and presence.

Developed collectively by students from the École nationale supérieure d’art de Bourges and the École européenne supérieure d’art de Bretagne (Quimper), alongside artists and educators Ida Soulard and Eva Taulois, the exhibition stems from the ongoing seminar Les Intrigant·es. This research-driven project considers textiles not simply as objects, but as a cultural technology—tactile, abstract, functional, and sensuous—through which identities are shaped as evolving fictions rather than fixed forms.

Artworks :
Nefeli Papadimouli
Relational Cartography | Être Forêts (Tokyo, 2025), 2025
Pencil, color pencil, various papers
42 x 59.4 cm (framed)

Nefeli Papadimouli
Relational Cartography V Dream Coat (Taichung, 2024), 2025
Pencil, color pencil, various papers
42 x 59.4 cm (framed)

Nefeli Papadimouli
Relational Cartography III Correspondances (Reims, 2024),
2025
Pencil, color pencil, various papers
42 x 59.4 cm (framed)

Nefeli Papadimouli
Kind of Us (Chapeau à porter à trois ), 2025 Cardboard
and leather
58 x 150 x 12 cm

Exhibition views : Jean-Christophe Lett

For her solo exhibition at T H E  P I L L ®️ in Paris,  presents a selection of new and recent works that unfold as a fl...
03/04/2026

For her solo exhibition at T H E P I L L ®️ in Paris, presents a selection of new and recent works that unfold as a fluid space of memory, desire, and perception.

Sing It Back brings together painterly collages and canvases where translucent red-orange washes meet fragments of anatomical imagery—ears, mouths, eyes—evoking a subtle choreography of listening and response. Between the photographic and the painterly, images echo, shift, and transform, each one “singing back” to the next.

Presence remains in motion—circulating between surface, image, and viewer.

Courtesy of the artist & T H E P I L L®️


Credits :

SAVE THE DATE — LIVE PERFORMANCE AT THE GALLERY We are pleased to invite you to a live performance in Istanbul on the oc...
31/03/2026

SAVE THE DATE — LIVE PERFORMANCE AT THE GALLERY

We are pleased to invite you to a live performance in Istanbul on the occasion of İrem Günaydın’s exhibition “About the Artist,” title borrowed from a text written by İrem Günaydın.
The live where authorship, voice, and sound fold into one another will be performed together with Düsseldorf based artist Lena Willikens.

Free Entrance
Limited place
Rsvp [email protected]

📅Save the date: Friday, April 3,
8 — 9 pm
📍 THE PILL®️ İstanbul
Mürselpaşa Cad. No:181 Balat

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181 Mürselpasa Caddesi
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