Selma Feriani Gallery

Selma Feriani Gallery A cultural hub that places Tunisia on the contemporary art map, while revitalising its cultural legacies.

A contemporary art gallery based between Tunis and London that supports the growing art infrastructure in Tunisia and North Africa, offering artists a global platform within a nurturing environment and with exceptional local and international curation. Established in 2013 in London and then in Sidi Bou Saïd, Tunis, Selma Feriani’s ongoing mission has been to seek out both emerging and established

contemporary artists from the MENA region and beyond, supporting their long-term career development and facilitating their recognition financially, critically and historically. To date, the gallery has presented a progressive, politically and socially conscious programme, organising critically acclaimed exhibitions, installing public interventions internationally. Providing a platform for ongoing discourse between Europe and Africa, Selma Feriani’s aim is to create balanced opportunities for exploration, research and exchange between the two continents, for artists, professionals and the public. By supporting the growing art infrastructure in Tunisia and North Africa, the gallery offers artists a global platform within a nurturing environment and with exceptional local and international curation. Founded in 2021, the gallery’s residency programme, L’Atelier, is an integral part of its mission to nurture and showcase artists wishing to springboard their careers and regularly organises and participates in not-for-profit activities such as screenings, workshops, education programmes, and talks in collaboration with various institutions and art organizations. The gallery is behind the practice development of artists such as Maha Malluh, Nidhal Chamekh, Malek Gnaoui, M'barek Bouhchichi, Massinissa Selmani, Elena Damiani and Nicene Kossentini. In January 2024, the gallery launches a new purpose-built, museum-standard space in the rapidly growing Tunis Lake district, becoming Selma Feriani’s primary address. The first commercial space of its kind in North Africa, it is designed by architect Chacha Atallah and spans 2000m2. Boasting 800sqm of museum-quality exhibition space across three rooms, a library and bookshop and an annual outdoor sculpture commission in its adjoining garden, the gallery will host rich public and education programmes placing particular emphasis on local communities. The introduction of the new institutional standard exhibition space champions the further growth of a meaningful cultural network for emerging and established artists from Tunisia and beyond.

23/05/2026

ART BASEL BASEL

We are pleased to announce our return to Basel, in the Premiere sector, with a curated group presentation bringing together works by Monia Ben Hamouda, Mohamed Amine Hamouda, and Nidhal Chamekh.

Through painting, sculpture, and material experimentation, the booth explores fracture as both a material condition and a conceptual language. Positioned between personal and collective histories, the artists engage with questions of identity, ecology, memory, and political inheritance through distinct yet interconnected practices. From Monia Ben Hamouda’s large-scale gestural paintings grounded in ritual and spiritual symbolism, to Mohamed Amine Hamouda’s ecological investigations rooted in the endangered Gabès oasis, and Nidhal Chamekh’s assemblages interrogating historical and cultural taxonomies, the presentation unfolds as a polyphonic reflection on rupture, continuity, and transformation.

See you next month! 🇨🇭

16 – 21 June 2026.
Booth P12

ARTWORK FOCUS | JESSICA BOUBETRA: Steel Genetics Steel Genetics, 2025Coated aluminium and glazed ceramic290h x 97w x 97d...
21/05/2026

ARTWORK FOCUS | JESSICA BOUBETRA: Steel Genetics

Steel Genetics, 2025
Coated aluminium and glazed ceramic
290h x 97w x 97d cm
114.17h × 38.19w × 38.19d in

“Steel Genetics, a sculptural work by Jessica Boubetra, shares its title with the exhibition in which it is presented. Evoking the form of a tree, the piece emerges as a central figure within the show. The exhibition itself is conceived as a fictional collection of trees, an artificial, inverted arboretum, drawing from the visual language of science fiction cinema and assembling sculptural entities that exist beyond natural and conventional taxonomies.
Its structure, at once branching and constructed, reflects this conceptual framework while incorporating hand-painted ceramic elements that reference the traditional practices of Sejnane ceramics. In doing so, it articulates a passage from technical process to artisanal, human gesture.”

Excerpt of text written by Jessica Boubetra & Racha Khemiri

Exhibition on view until July 25th

M’BAREK BOUHCHICHI | Les mains des poètescurated by Hobisoa Raininoro24 April – 17 October 2026Fondation H, Antananarivo...
21/05/2026

M’BAREK BOUHCHICHI | Les mains des poètes
curated by Hobisoa Raininoro
24 April – 17 October 2026
Fondation H, Antananarivo, Madagascar

Currently on view at Fondation H, Madagascar (), Les mains des poètes presents a new body of work by M’barek Bouhchichi (), developed following an artistic residency in Antananarivo in 2025, where the works took shape through encounters with artisans, designers, musicians, and local communities.

Curated by Hobisoa Raininoro (), Bouhchichi’s exhibition reflects on transmission and craftsmanship, exploring gesture and language as interconnected forms of expression.

Through sculpture, installation, and material experimentation, Bouhchichi proposes a dialogue between territories, histories, and ancestral practices, unfolding a space where collective memory and lived experience continuously intersect.

Photos courtesy of Fondation H, Madagascar. by Fabio Thierry Andriamiarintsoa.

ZINEB SEDIRA | Les rêves n’ont pas de titre21 May – 27 September 2026At Friche la Belle de Mai Curated by Yasmina Reggad...
20/05/2026

ZINEB SEDIRA | Les rêves n’ont pas de titre
21 May – 27 September 2026
At Friche la Belle de Mai

Curated by Yasmina Reggad, Sam Bardaouil and Till Fellrath

Today in Marseille, Zineb Sedira opens « Les rêves n’ont pas de titre », an immersive film installation drawing from a rich cinematic vocabulary of reenactment, memory, and political history. Inspired by emblematic works of avant-garde and anti-colonial cinema, Sedira stages and performs scenes that blur the boundaries between fiction and reality, intimacy and collective memory.

Presented for the first time in France, the work was originally conceived for the French Pavilion at the 59th Venice Biennale, where it received a Special Mention from the jury. Through autobiographical storytelling, Sedira connects personal histories to broader geopolitical narratives and diasporic experiences.

📍 Opening Today, 20 May, starting 5 PM

Photo by Thierry Bal,

WE’RE HIRING!Selma Feriani Gallery is looking for a Gallery Assistant / Personal Assistant to join our team in Tunis.The...
19/05/2026

WE’RE HIRING!

Selma Feriani Gallery is looking for a Gallery Assistant / Personal Assistant to join our team in Tunis.

The role involves supporting the daily operations of the gallery, assisting with exhibitions and events, liaising with artists and institutions, and providing administrative and personal support to the Founder/Director.

The ideal candidate is highly organised, proactive, detail-oriented, and has excellent communication skills in English, French, and Arabic. Previous experience in galleries or the contemporary art sector is preferred.

Based in Tunis, Tunisia, the position requires five days a week, Tuesday–Saturday, during gallery hours (10 AM–1 PM & 2 PM–6 PM), with additional availability during exhibition installs and openings.

TO APPLY: Please send your CV and cover letter with the subject “Application: Gallery Assistant / Personal Assistant” to [email protected] by 29 May 2026.

ON VIEW | JESSICA BOUBETRA: Steel Genetics “The exhibition oscillates between the archaeology of a forgotten future and ...
19/05/2026

ON VIEW | JESSICA BOUBETRA: Steel Genetics

“The exhibition oscillates between the archaeology of a forgotten future and the projection of synthetic genetic worlds. It invites viewers to navigate uncertain forms and to imagine the possible futures of materiality, of the organic, and of the formal language in a post-Anthropocene context. Steel Genetics proposes a way of looking at the living through the prism of technology, where life is no longer biological but encoded, and genetics are no longer bound to the organic. An ambivalent field of observation is established, situated between programmed mutation and uncontrolled drift, where the arboretum becomes at once archive, incubator, and a living fiction. ”

Excerpt of text written by Racha Khemiri & Jessica Boubetra

Exhibitions on view until July 25 Exhibitions on view until July 25 in the main space, at Selma Feriani Gallery, Tunis.

Photos by .production

ON VIEW | DORA DALILA CHEFFI: A Never-Ending MasqueradeCurated by Racha Khemiri ( )“Staged through an intentional placem...
14/05/2026

ON VIEW | DORA DALILA CHEFFI: A Never-Ending Masquerade
Curated by Racha Khemiri ( )

“Staged through an intentional placement, her figures defy all expressive expectations, that is to say, what might otherwise appear as something entirely open, without friction or resistance. The expressions can be sterile at times. Almost stoic, evanescent, and deadpan. The closure of knowing the persona is withheld. Masquerading here extends beyond the equivalent of putting a tangible mask on, or of wearing a disguise or concealment. It is not the addition of a mask but something in the faces that display their volume and nature, those that are hybridised, alchemised, housed within (other) faces.”

Excerpt of text written by Racha Khemiri

Exhibition on view until July 25 in the mezzanine, at Selma Feriani Gallery, Tunis.

ON VIEW | DORA DALILA CHEFFI : A Never-Ending Masquerade curated by Racha Khemiri Born 1990. Helsinki, FinlandLives and ...
05/05/2026

ON VIEW | DORA DALILA CHEFFI : A Never-Ending Masquerade curated by Racha Khemiri

Born 1990. Helsinki, Finland
Lives and works between Helsinki, Finland and Tunis, Tunisia

Dora Dalila Cheffi’s work encompasses painting, video and installation.
Initially trained in art education, in which she obtained a BA from Aalto University School of Art, Design, and Architecture, where she also studied sculpture and painting, her practice developed to encompass a practice that centres on a highly personal approach to painting and video. Much of Cheffi’s work centres around observations and immediate experience, which are translated into works characterised by vivid colours and forms.

Her artwork has been part of group shows with Nuoret 2023, MACAAL – Museum of African Contemporary Art Al Maaden, Villa Medici, Talan L’Expo, Subliminal Projects, Selma Feriani Gallery, Institut finlandais, and shown online with Other Space by Andersen’s Contemporary and Taymour Grahne Projects.

Her most recent body of work, titled Paper Thorn and A Prickly Leaf, consisted of a video piece and a series of paintings. The works were partly produced during her residency at the Serlachius Residency in Finland and were first exhibited at Forum Box and Porvoo Art Hall in Finland in 2025. In 2026, she will exhibit at Selma Feriani Gallery in Tunis and at the Institut du Monde Arabe in Paris. She will also take part in an exhibition curated by the contemporary art museum Kiasma for Oulu, European Capital of Culture 2026.

Exhibitions on view until July 25 Exhibitions on view until July 25 in the mezzanine, at Selma Feriani Gallery, Tunis.

Portrait by .production

ON VIEW | JESSICA BOUBETRA: Steel GeneticsBorn. 1989Lives and works in Paris, FranceJessica Boubetra’s practice stands a...
05/05/2026

ON VIEW | JESSICA BOUBETRA: Steel Genetics

Born. 1989
Lives and works in Paris, France

Jessica Boubetra’s practice stands at the intersection of craft and digital field, notably through her use of 3D-printed ceramic. Her work resonates with themes often found in science fiction narratives, where technology enhances the natural world, and questions of materiality, memory, and the body are redefined through technological advancements.

Her works can be seen as fictive artifacts from a world where natural growth is no longer purely organic, but mediated by technology, questioning what is “natural” in a post-digital age. Her sculptures explore the consequences of blending organic life with digital processes. They echo speculative futures where nature itself had been reconstructed through a digital lens. Through her hybrid practice, she questions the role of the artist in a world where machines and AI can replicate, and even surpass, human abilities.

Jessica Boubetra’s work has been shown in several international institutions, including MO.CO La Panacée, Montpelier, France; Villa Noailles, Hyères, France; Fondation Thalie, Brussels, Belgium; Fondation Louis Vuitton, Paris, France; Cadaval Palace, Evora, Portugal, and MRAC de Sérignan, France.

Boubetra’s work can be found in many prestigious collections such as Fondation Thalie, Brussels, Belgium; Collection Villa Santo Sospir, Jean Cocteau, France; Fond municipal d’art contemporain de la ville de Pantin, France.


Exhibitions on view until July 25 in the main space, at Selma Feriani Gallery, Tunis.

Portrait by .production

Address

32 Rue Ibn Nafis
La Goulette
2015

Opening Hours

Tuesday 10:00 - 18:00
Wednesday 10:00 - 18:00
Thursday 10:00 - 18:00
Friday 10:00 - 18:00
Saturday 10:00 - 18:00

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