āđ‚āļ—āļĢ āđ€āļŠāđ‰āļ™āļ—āļēāļ‡ āđ€āļ§āđ‡āļšāđ„āļ‹āļ•āđŒ āļ•āļīāļ”āļ•āđˆāļ­ āļžāļīāļžāļīāļ˜āļ āļąāļ“āļ‘āđŒ

SAC Gallery Official page for SAC Gallery
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SAC Gallery (āđ€āļ­āļŠ āđ€āļ­ āļ‹āļĩ āđāļāļĨāđ€āļĨāļ­āļĢāļĩ) āļ„āļ·āļ­āļŦāļ­āļĻāļīāļĨāļ›āđŒāđ€āļ­āļāļŠāļ™āđ€āļžāļ·āđˆāļ­āļŠāļ™āļąāļšāļŠāļ™āļļāļ™āļ§āļ‡āļāļēāļĢāļĻāļīāļĨāļ›āļ°āđ„āļ—āļĒ āđƒāļŦāđ‰āļĻāļīāļĨāļ›āļīāļ™āđ„āļ”āđ‰āļĄāļĩāļžāļ·āđ‰āļ™āļ—āļĩāđˆāļˆāļąāļ”āđāļŠāļ”āļ‡āļœāļĨāļ‡āļēāļ™āļŠāļĢāđ‰āļēāļ‡āļŠāļĢāļĢāļ„āđŒ āđāļĨāļ°āđ€āļžāļ·āđˆāļ­āļ„āļ™āđ„āļ—āļĒāļˆāļ°āđ„āļ”āđ‰āļĄāļĩāļ­āļĩāļāļŦāļ™āļķāđˆāļ‡āļžāļ·āđ‰āļ™āļ—āļĩāđˆāļ‹āļķāđˆāļ‡āđ€āļ›āđ‡āļ™āļĻāļđāļ™āļĒāđŒāļĢāļ§āļĄāļĻāļīāļĨāļ›āļ°āļ„āļļāļ“āļ āļēāļž āđ€āļžāļ·āđˆāļ­āļžāļąāļ’āļ™āļēāļ§āļ‡āļāļēāļĢāļĻāļīāļĨāļ›āļ°āđƒāļŦāđ‰āđ€āļ•āļīāļšāđ‚āļ•āļāđ‰āļēāļ§āļŦāļ™āđ‰āļē

SAC Gallery, situated on Sukhumvit 39, is an art space aiming to promote Thai art and artists and to give them the opportunity and venue to exhibit their creativity and visions. Our aim is to give people the chance to enjoy art in its various forms, to learn more about it and to experience inspired pieces that they may not usually have the chance to experience. SAC wants to encourage local artists in their endeavours and to help strengthen the local art community.
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For more information, please contact
Website: www.sac.gallery
Artwork detail: https://www.artsy.net/partner/sac-gallery-bangkok
Google map: https://g.page/sacbangkok?we

(English is below)SAC GALLERY āļ›āļīāļ”āđƒāļŦāđ‰āļšāļĢāļīāļāļēāļĢāļŠāļąāđˆāļ§āļ„āļĢāļēāļ§SAC Gallery āļ‚āļ­āđāļˆāđ‰āļ‡āļ›āļīāļ”āđƒāļŦāđ‰āļšāļĢāļīāļāļēāļĢāļŠāļąāđˆāļ§āļ„āļĢāļēāļ§ āļ•āļąāđ‰āļ‡āđāļ•āđˆāļ§āļąāļ™āļ™āļĩāđ‰āđ€āļ›āđ‡āļ™āļ•āđ‰āļ™āđ„āļ› āļˆāļ™āļāļ§āđˆāļēāļˆāļ°...
03/09/2026

(English is below)

SAC GALLERY āļ›āļīāļ”āđƒāļŦāđ‰āļšāļĢāļīāļāļēāļĢāļŠāļąāđˆāļ§āļ„āļĢāļēāļ§

SAC Gallery āļ‚āļ­āđāļˆāđ‰āļ‡āļ›āļīāļ”āđƒāļŦāđ‰āļšāļĢāļīāļāļēāļĢāļŠāļąāđˆāļ§āļ„āļĢāļēāļ§ āļ•āļąāđ‰āļ‡āđāļ•āđˆāļ§āļąāļ™āļ™āļĩāđ‰āđ€āļ›āđ‡āļ™āļ•āđ‰āļ™āđ„āļ› āļˆāļ™āļāļ§āđˆāļēāļˆāļ°āļĄāļĩāļ›āļĢāļ°āļāļēāļĻāđ€āļžāļīāđˆāļĄāđ€āļ•āļīāļĄ āļ‚āļ­āļ­āļ āļąāļĒāđƒāļ™āļ„āļ§āļēāļĄāđ„āļĄāđˆāļŠāļ°āļ”āļ§āļ āđāļĨāļ°āļ‚āļ­āļ‚āļ­āļšāļ„āļļāļ“āļ—āļļāļāļ—āđˆāļēāļ™āļŠāļģāļŦāļĢāļąāļšāļ„āļ§āļēāļĄāđ€āļ‚āđ‰āļēāđƒāļˆ

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SAC GALLERY TEMPORARILY CLOSED

SAC Gallery is temporarily closed from today until further notice. We apologise for any inconvenience and thank you for your understanding.

(English is below)SAC Gallery āļĒāļīāļ™āļ”āļĩāļ­āļĒāđˆāļēāļ‡āļĒāļīāđˆāļ‡āļ—āļĩāđˆāđ„āļ”āđ‰āđ€āļ›āđ‡āļ™āļŠāđˆāļ§āļ™āļŦāļ™āļķāđˆāļ‡āļ‚āļ­āļ‡ CULTIVATE Module 3 āļĢāđˆāļ§āļĄāļŠāļ™āļąāļšāļŠāļ™āļļāļ™āļžāļ·āđ‰āļ™āļ—āļĩāđˆāļ”āļĩāđ† āļŠāļģāļŦāļĢāļąāļšāļāļēāļĢāđ€āļĢ...
02/09/2026

(English is below)

SAC Gallery āļĒāļīāļ™āļ”āļĩāļ­āļĒāđˆāļēāļ‡āļĒāļīāđˆāļ‡āļ—āļĩāđˆāđ„āļ”āđ‰āđ€āļ›āđ‡āļ™āļŠāđˆāļ§āļ™āļŦāļ™āļķāđˆāļ‡āļ‚āļ­āļ‡ CULTIVATE Module 3 āļĢāđˆāļ§āļĄāļŠāļ™āļąāļšāļŠāļ™āļļāļ™āļžāļ·āđ‰āļ™āļ—āļĩāđˆāļ”āļĩāđ† āļŠāļģāļŦāļĢāļąāļšāļāļēāļĢāđ€āļĢāļĩāļĒāļ™āļĢāļđāđ‰ āđāļĨāļāđ€āļ›āļĨāļĩāđˆāļĒāļ™ āđāļĨāļ°āđ€āļ•āļīāļšāđ‚āļ•āđ„āļ›āļ”āđ‰āļ§āļĒāļāļąāļ™āļ‚āļ­āļ‡āļ„āļ™āļ—āļģāļ‡āļēāļ™āļĻāļīāļĨāļ›āļ°āļˆāļēāļāļ—āļąāđˆāļ§āļ āļđāļĄāļīāļ āļēāļ„

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SAC Gallery is delighted to be part of CULTIVATE Module 3, supporting a space for arts professionals from across the region to learn, exchange ideas and grow together.

(English is below)āļ‚āļ­āļ‚āļ­āļšāļ„āļļāļ“ Forbes Thailand Magazine āļŠāļģāļŦāļĢāļąāļšāļšāļ—āļŠāļąāļĄāļ āļēāļĐāļ“āđŒāļ—āļĩāđˆāļšāļąāļ™āļ—āļķāļāļ­āļĩāļāļŦāļ™āļķāđˆāļ‡āļŠāđˆāļ§āļ‡āđ€āļ§āļĨāļēāļŠāļģāļ„āļąāļāļ‚āļ­āļ‡ SAC Galleryāļ­āđˆāļēāļ™āļšāļ—āļŠ...
05/08/2026

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āļ‚āļ­āļ‚āļ­āļšāļ„āļļāļ“ Forbes Thailand Magazine āļŠāļģāļŦāļĢāļąāļšāļšāļ—āļŠāļąāļĄāļ āļēāļĐāļ“āđŒāļ—āļĩāđˆāļšāļąāļ™āļ—āļķāļāļ­āļĩāļāļŦāļ™āļķāđˆāļ‡āļŠāđˆāļ§āļ‡āđ€āļ§āļĨāļēāļŠāļģāļ„āļąāļāļ‚āļ­āļ‡ SAC Gallery

āļ­āđˆāļēāļ™āļšāļ—āļŠāļ™āļ—āļ™āļēāļāļąāļš āļˆāļ‡āļŠāļļāļ§āļąāļ’āļ™āđŒ āļ­āļąāļ‡āļ„āļŠāļļāļ§āļĢāļĢāļ“āļĻāļīāļĢāļī āļœāļđāđ‰āļĢāđˆāļ§āļĄāļāđˆāļ­āļ•āļąāđ‰āļ‡ SAC Gallery āļ§āđˆāļēāļ”āđ‰āļ§āļĒāļāļēāļĢāđ€āļ”āļīāļ™āļ—āļēāļ‡āļ•āļĨāļ­āļ” 13 āļ›āļĩāļ—āļĩāđˆāļœāđˆāļēāļ™āļĄāļē āđāļ™āļ§āļ„āļīāļ”āđ€āļšāļ·āđ‰āļ­āļ‡āļŦāļĨāļąāļ‡āļāļēāļĢāļ—āļģāļ‡āļēāļ™ āđāļĨāļ°āļāļēāļĢāđ€āļ›āļĨāļĩāđˆāļĒāļ™āļœāđˆāļēāļ™āļŠāļđāđˆāļšāļ—āļšāļēāļ—āđƒāļŦāļĄāđˆāļ‚āļ­āļ‡āļŠāļ–āļēāļšāļąāļ™āļĻāļīāļĨāļ›āļ° āđ„āļ”āđ‰āļ—āļĩāđˆāļ™āļĩāđˆ

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Our sincere thanks to Forbes Thailand for featuring this interview, capturing another significant chapter in SAC Gallery’s journey.

Read the conversation with Jongsuwat Angsuvarnsiri, Co-founder of SAC Gallery, reflecting on the gallery’s 13-year journey, the ideas that have shaped its work, and its transition towards a new role as an art institution, here.

āļŦāļēāļāđƒāļ„āļĢāđ„āļ”āđ‰āđ€āļ”āļīāļ™āļ—āļēāļ‡āļœāđˆāļēāļ™āđ„āļ›āļĒāļąāļ‡āļ‹āļ­āļĒāļŠāļļāļ‚āļļāļĄāļ§āļīāļ— 39 āļĒāđˆāļ­āļĄāđ„āļ”āđ‰āđ€āļŦāđ‡āļ™āđāļāļĨāđ€āļĨāļ­āļĢāļĩāļ‚āļ™āļēāļ”āļĒāđˆāļ­āļĄāļ•āļąāđ‰āļ‡āļ­āļĒāļđāđˆāļ—āđ‰āļēāļĒāļ‹āļ­āļĒāļ āļēāļĒāđƒāļ•āđ‰āļŠāļ·āđˆāļ­ SAC Gallery āļ—āļĩāđˆāļ‹āļķāđˆāļ‡āļ™āļąāļšāđ€āļ›āđ‡āļ™āđāļŦāļĨāđˆāļ‡āđ€āļžāļēāļ°āļšāđˆāļĄāļĻāļīāļĨāļ›āļīāļ™āļĢāļļāđˆāļ™āđƒāļŦāļĄāđˆāđ€āļžāļ·āđˆāļ­āļĢāļ­āļŠāļĒāļēāļĒāļ›āļĩāļāđ€āļ•āļīāļšāđ‚āļ•āļ•āđˆāļ­āđ„āļ›āđƒāļ™āļ­āļ™āļēāļ„āļ•
āđāļāļĨāđ€āļĨāļ­āļĢāļĩāđāļŦāđˆāļ‡āļ™āļĩāđ‰āļāđˆāļ­āļ•āļąāđ‰āļ‡āļĄāļēāđ€āļ›āđ‡āļ™āđ€āļ§āļĨāļē 13 āļ›āļĩāđāļĨāđ‰āļ§āļ āļēāļĒāđƒāļ•āđ‰āļāļēāļĢāļšāļĢāļīāļŦāļēāļĢāļ‚āļ­āļ‡ āļˆāļ‡āļŠāļļāļ§āļąāļ’āļ™āđŒ āļ­āļąāļ‡āļ„āļŠāļļāļ§āļĢāļĢāļ“āļĻāļīāļĢāļī āļŠāļēāļĒāļŦāļ™āļļāđˆāļĄāļ§āļąāļĒ 36 āļ›āļĩ āļ—āļĩāđˆāļĄāļĩāđāļ§āļ§āļ•āļēāļĄāļļāđˆāļ‡āļĄāļąāđˆāļ™ āđ€āļ‚āļēāđ€āļ›āđ‡āļ™āļšāļļāļ•āļĢāļŠāļēāļĒāļ‚āļ­āļ‡āļ™āļąāļāļŠāļ°āļŠāļĄāļĻāļīāļĨāļ›āļ°āļŠāļ·āđˆāļ­āļ”āļąāļ‡āļ‚āļ­āļ‡āđ„āļ—āļĒ â€œāļĻāļļāļ āđ‚āļŠāļ„ āļ­āļąāļ‡āļ„āļŠāļļāļ§āļĢāļĢāļ“āļĻāļīāļĢāļī” āļ—āļĩāđˆāļŠāļĢāđ‰āļēāļ‡āļŠāļ·āđˆāļ­āđ€āļŠāļĩāļĒāļ‡āļ—āļąāđ‰āļ‡āļ”āđ‰āļēāļ™āļ˜āļļāļĢāļāļīāļˆāļ­āļŠāļąāļ‡āļŦāļēāļĢāļīāļĄāļ—āļĢāļąāļžāļĒāđŒāđāļĨāļ°āļāļēāļĢāļ­āļ™āļļāļĢāļąāļāļĐāđŒāļĻāļīāļĨāļ›āļ°āļĄāļēāļ­āļĒāđˆāļēāļ‡āļĒāļēāļ§āļ™āļēāļ™
āļˆāļ§āļšāļˆāļ™āļšāļ—āļšāļēāļ—āļ›āļąāļˆāļˆāļļāļšāļąāļ™āļ—āļĩāđˆāļĢāļļāđˆāļ™āļĨāļđāļāļ‚āļ­āļ­āļēāļŠāļēāļŠāļĢāđ‰āļēāļ‡āļāļēāļĢāđ€āļ•āļīāļšāđ‚āļ•āđƒāļŦāđ‰āļāļąāļšāļĻāļīāļĨāļ›āļīāļ™āļŦāļ™āđ‰āļēāđƒāļŦāļĄāđˆ āļ‹āļķāđˆāļ‡āđāļ™āđˆāļ™āļ­āļ™āļ§āđˆāļēāđāļĢāļ‡āļ›āļĢāļēāļĢāļ–āļ™āļēāļ”āđ‰āļēāļ™āļ§āļ‡āļāļēāļĢāļĻāļīāļĨāļ›āļ°āļ™āļĩāđ‰āđ„āļ”āđ‰āļ–āđˆāļēāļĒāļ—āļ­āļ”āļĄāļēāļˆāļēāļāļšāļīāļ”āļēāļ­āļĒāđˆāļēāļ‡āđāļ—āļšāđ„āļĄāđˆāļ•āđ‰āļ­āļ‡āļŠāļ‡āļŠāļąāļĒ
āļ­āđˆāļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ”āđ„āļ”āđ‰āđƒāļ™āļ„āļ­āļĄāđ€āļĄāļ™āļ•āđŒ
#āļ‡āļēāļ™āļĻāļīāļĨāļ›āļ°

(English is below)SAC Gallery āļ‚āļ­āđāļˆāđ‰āļ‡āļ›āļīāļ”āđƒāļŦāđ‰āļšāļĢāļīāļāļēāļĢāļŠāļąāđˆāļ§āļ„āļĢāļēāļ§ āļĢāļ°āļŦāļ§āđˆāļēāļ‡āļ§āļąāļ™āļ—āļĩāđˆ 14 āļāļĢāļāļŽāļēāļ„āļĄ â€“ 4 āļāļąāļ™āļĒāļēāļĒāļ™ āļž.āļĻ. 2569 āđ€āļžāļ·āđˆāļ­āđ€āļ•āļĢāļĩāļĒāļĄāļ„āļ§āļēāļĄāļž...
14/07/2026

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SAC Gallery āļ‚āļ­āđāļˆāđ‰āļ‡āļ›āļīāļ”āđƒāļŦāđ‰āļšāļĢāļīāļāļēāļĢāļŠāļąāđˆāļ§āļ„āļĢāļēāļ§ āļĢāļ°āļŦāļ§āđˆāļēāļ‡āļ§āļąāļ™āļ—āļĩāđˆ 14 āļāļĢāļāļŽāļēāļ„āļĄ â€“ 4 āļāļąāļ™āļĒāļēāļĒāļ™ āļž.āļĻ. 2569 āđ€āļžāļ·āđˆāļ­āđ€āļ•āļĢāļĩāļĒāļĄāļ„āļ§āļēāļĄāļžāļĢāđ‰āļ­āļĄāļŠāļģāļŦāļĢāļąāļšāļ™āļīāļ—āļĢāļĢāļĻāļāļēāļĢāļ„āļĢāļąāđ‰āļ‡āļ–āļąāļ”āđ„āļ›

āļ‚āļ­āļ­āļ āļąāļĒāđƒāļ™āļ„āļ§āļēāļĄāđ„āļĄāđˆāļŠāļ°āļ”āļ§āļ āđāļĨāļ°āļ‚āļ­āļ‚āļ­āļšāļ„āļļāļ“āļ—āļļāļāļ—āđˆāļēāļ™āļŠāļģāļŦāļĢāļąāļšāļ„āļ§āļēāļĄāđ€āļ‚āđ‰āļēāđƒāļˆāđāļĨāļ°āļāļēāļĢāļŠāļ™āļąāļšāļŠāļ™āļļāļ™āđ€āļ›āđ‡āļ™āļ­āļĒāđˆāļēāļ‡āļ”āļĩ āđāļĨāđ‰āļ§āļžāļšāļāļąāļ™āļ­āļĩāļāļ„āļĢāļąāđ‰āļ‡āđ€āļĢāđ‡āļ§ āđ† āļ™āļĩāđ‰

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SAC Gallery will be temporarily closed from 14 July to 4 September 2026 as we prepare for our next exhibition.

We apologise for any inconvenience this may cause and sincerely thank you for your understanding and continued support. We look forward to welcoming you back soon.

(English is below)CULTIVATE Module 3: Leadership āļĢāļ§āļšāļĢāļ§āļĄāļ āļąāļ“āļ‘āļēāļĢāļąāļāļĐāđŒ āļœāļđāđ‰āļˆāļąāļ”āļāļēāļĢāļĻāļīāļĨāļ›āļ° āļ™āļąāļāļ§āļīāļˆāļąāļĒ āđāļĨāļ°āļ™āļąāļāļāļēāļĢāļĻāļķāļāļĐāļēāļ”āđ‰āļēāļ™āļĻāļīāļĨāļ›āļ°āļˆāļēāļāļ—āļąāđˆāļ§...
27/06/2026

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CULTIVATE Module 3: Leadership āļĢāļ§āļšāļĢāļ§āļĄāļ āļąāļ“āļ‘āļēāļĢāļąāļāļĐāđŒ āļœāļđāđ‰āļˆāļąāļ”āļāļēāļĢāļĻāļīāļĨāļ›āļ° āļ™āļąāļāļ§āļīāļˆāļąāļĒ āđāļĨāļ°āļ™āļąāļāļāļēāļĢāļĻāļķāļāļĐāļēāļ”āđ‰āļēāļ™āļĻāļīāļĨāļ›āļ°āļˆāļēāļāļ—āļąāđˆāļ§āđ€āļ­āđ€āļŠāļĩāļĒāļ•āļ°āļ§āļąāļ™āļ­āļ­āļāđ€āļ‰āļĩāļĒāļ‡āđƒāļ•āđ‰ āđ€āļžāļ·āđˆāļ­āļĢāđˆāļ§āļĄāđāļĨāļāđ€āļ›āļĨāļĩāđˆāļĒāļ™āļ­āļ‡āļ„āđŒāļ„āļ§āļēāļĄāļĢāļđāđ‰ āļžāļąāļ’āļ™āļēāļ āļēāļ§āļ°āļœāļđāđ‰āļ™āļģ āđāļĨāļ°āļŠāļĢāđ‰āļēāļ‡āđ€āļ„āļĢāļ·āļ­āļ‚āđˆāļēāļĒāļ„āļ§āļēāļĄāļĢāđˆāļ§āļĄāļĄāļ·āļ­āļ”āđ‰āļēāļ™āļĻāļīāļĨāļ›āļ°āļĢāđˆāļ§āļĄāļŠāļĄāļąāļĒ āļœāđˆāļēāļ™āļāļēāļĢāđƒāļŦāđ‰āļ„āļģāļ›āļĢāļķāļāļĐāļē āđ€āļ§āļīāļĢāđŒāļāļŠāđ‡āļ­āļ› āđāļĨāļ°āļāļēāļĢāđ€āļĢāļĩāļĒāļ™āļĢāļđāđ‰āļĢāđˆāļ§āļĄāļāļąāļšāļœāļđāđ‰āđ€āļŠāļĩāđˆāļĒāļ§āļŠāļēāļāļĢāļ°āļ”āļąāļšāļ™āļēāļ™āļēāļŠāļēāļ•āļī

SAC Gallery āļĄāļĩāļ„āļ§āļēāļĄāļĒāļīāļ™āļ”āļĩāļ—āļĩāđˆāđ„āļ”āđ‰āļĢāđˆāļ§āļĄāļŠāļ™āļąāļšāļŠāļ™āļļāļ™āđ‚āļ„āļĢāļ‡āļāļēāļĢāđƒāļ™āļāļēāļ™āļ° Program Partner āđāļĨāļ°āđ€āļ›āđ‡āļ™āļŠāđˆāļ§āļ™āļŦāļ™āļķāđˆāļ‡āļ‚āļ­āļ‡āļāļēāļĢāđ€āļŠāļĢāļīāļĄāļŠāļĢāđ‰āļēāļ‡āļĢāļ°āļšāļšāļ™āļīāđ€āļ§āļĻāļ—āļēāļ‡āļĻāļīāļĨāļ›āļ°āļ‚āļ­āļ‡āļ āļđāļĄāļīāļ āļēāļ„āđƒāļŦāđ‰āđ€āļ•āļīāļšāđ‚āļ•āļ­āļĒāđˆāļēāļ‡āļĒāļąāđˆāļ‡āļĒāļ·āļ™

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CULTIVATE Module 3: Leadership brings together curators, arts managers, researchers, and educators from across Southeast Asia for a programme of mentorship, dialogue, and collaborative learning with an international faculty.

SAC Gallery is proud to support CULTIVATE as a Program Partner, contributing to the exchange of knowledge and the continued growth of a stronger, more connected arts ecosystem across the region.

Announcing Participants for CULTIVATE Module 3! Congratulations to Bea Belen-Ferrer, Liza Ho, Ong Kar Jin, Fiesta Ramadanti, Manithip Arlin, Nguyen Ngoc Lien, Momoko Sum Yuet San, Tsao Liang-Pin, Ibrahim Soetomo, Thanchanok Mar Benjajinda, Krittathat Folk Taveetanathada, Atinuj Atty Tantivit, and Ung Jongsuwat Angsuvarnsiri.

CULTIVATE Module 3, focuses on 'Leadership', bringing together 13 curators, arts managers, researchers, and educators from across Southeast Asia into extended conversation with a panel of expert faculty to engage in targeted curriculum, group discussion, and focused 1-on-1 mentorship. Participants are selected through a competitive process, based on their leadership potential, capacity for mentorship, and the relevance of their work to this module’s focus. The module facilitates online mentorship from 1 July - 30 September, 2026, with an in-person intensive seminar hosted on-site at Bangkok Art and Culture Center from 21 - 23 August, 2026.

This module of CULTIVATE examines how to be leader-full in designing, directing, implementing, inspiring, and sustaining holistic structures of support in the Arts, with particular reflection on the financial, intellectual and ethical impact of its assumptions on the growth of an arts ecology. In a global landscape where the political instrumentalization of the arts is increasingly prevalent, where the corporatization of art has our artists also fearing loss of autonomy in livelihood, where institutional business models of museums and galleries lack the ability to be responsive, nimble and effective on social levels of cultural impact, how do we lead our creative communities towards growth with innovative honesty?

With gratitude to Bangkok Art and Culture Centre Bacc āļŦāļ­āļĻāļīāļĨāļ›āļ§āļąāļ’āļ™āļ˜āļĢāļĢāļĄāđāļŦāđˆāļ‡āļāļĢāļļāļ‡āđ€āļ—āļžāļĄāļŦāļēāļ™āļ„āļĢ for their co-hosting of CULTIVATE Module 3. And to our CULTIVATE Program Partners, ATTA Gallery and SAC Gallery whose patronage of this program helps sustain the necessary know-how and networks to elevate our arts infrastructure on an international stage. CULTIVATE is also grateful for venue support from The Jim Thompson Art Center and Siri Sala Private Thai Villa.

With additional thanks to the following individuals/organizations for their sponsorship of participants in Module 3: Natasha Sidharta, Valentine Willie, Dogma Collection, and Elevations Laos

Read more about the program and its Faculty and participants here: https://in-tangible.org/news_cultivate-module-3-announcement/

(English is below)āļ‚āļ­āđāļŠāļ”āļ‡āļ„āļ§āļēāļĄāļĒāļīāļ™āļ”āļĩāļāļąāļš āļ™āļĢāļ āļąāļ—āļĢ āļĻāļąāļāļ”āļīāđŒāļ­āļēāļ˜āļĢāļ—āļĢāļąāļžāļĒāđŒ āđƒāļ™āđ‚āļ­āļāļēāļŠāļ—āļĩāđˆāđ„āļ”āđ‰āļĢāļąāļšāļāļēāļĢāļ›āļĢāļ°āļāļēāļĻāđ€āļ›āđ‡āļ™āļŦāļ™āļķāđˆāļ‡āđƒāļ™āļĻāļīāļĨāļ›āļīāļ™āļœāļđāđ‰āđ€āļ‚āđ‰āļēāļĢāđˆāļ§āļĄ Bangk...
26/06/2026

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āļ‚āļ­āđāļŠāļ”āļ‡āļ„āļ§āļēāļĄāļĒāļīāļ™āļ”āļĩāļāļąāļš āļ™āļĢāļ āļąāļ—āļĢ āļĻāļąāļāļ”āļīāđŒāļ­āļēāļ˜āļĢāļ—āļĢāļąāļžāļĒāđŒ āđƒāļ™āđ‚āļ­āļāļēāļŠāļ—āļĩāđˆāđ„āļ”āđ‰āļĢāļąāļšāļāļēāļĢāļ›āļĢāļ°āļāļēāļĻāđ€āļ›āđ‡āļ™āļŦāļ™āļķāđˆāļ‡āđƒāļ™āļĻāļīāļĨāļ›āļīāļ™āļœāļđāđ‰āđ€āļ‚āđ‰āļēāļĢāđˆāļ§āļĄ Bangkok Art Biennale 2026 āļ āļēāļĒāđƒāļ•āđ‰āđāļ™āļ§āļ„āļīāļ” â€œāļ™āļēāļ‡āļŸāđ‰āļēāļœāļˆāļāļĄāļēāļĢ (ANGELS & MARA)”

āļ™āļĢāļ āļąāļ—āļĢāļˆāļ°āļĢāđˆāļ§āļĄāđ€āļ›āđ‡āļ™āļŠāđˆāļ§āļ™āļŦāļ™āļķāđˆāļ‡āļ‚āļ­āļ‡āļšāļ—āļŠāļ™āļ—āļ™āļēāļĢāļ°āļ”āļąāļšāļ™āļēāļ™āļēāļŠāļēāļ•āļī āļœāđˆāļēāļ™āļœāļĨāļ‡āļēāļ™āļ—āļĩāđˆāļŠāļ°āļ—āđ‰āļ­āļ™āļĄāļļāļĄāļĄāļ­āļ‡āļĢāđˆāļ§āļĄāļŠāļĄāļąāļĒāđāļĨāļ°āļ‚āļĒāļēāļĒāļžāļ·āđ‰āļ™āļ—āļĩāđˆāļāļēāļĢāļ•āļąāđ‰āļ‡āļ„āļģāļ–āļēāļĄāļ•āđˆāļ­āđ‚āļĨāļāļ—āļĩāđˆāđ€āļĢāļēāļ­āļēāļĻāļąāļĒāļ­āļĒāļđāđˆ āđ€āļ„āļĩāļĒāļ‡āļ‚āđ‰āļēāļ‡āļĻāļīāļĨāļ›āļīāļ™āļˆāļēāļāļ›āļĢāļ°āđ€āļ—āļĻāđ„āļ—āļĒāđāļĨāļ°āļ™āļēāļ™āļēāļ›āļĢāļ°āđ€āļ—āļĻ

āđ€āļĢāļēāļ āļđāļĄāļīāđƒāļˆāđ€āļ›āđ‡āļ™āļ­āļĒāđˆāļēāļ‡āļĒāļīāđˆāļ‡āļ—āļĩāđˆāđ„āļ”āđ‰āļĢāđˆāļ§āļĄāļŠāļ™āļąāļšāļŠāļ™āļļāļ™āļāļēāļĢāđ€āļ”āļīāļ™āļ—āļēāļ‡āļ‚āļ­āļ‡āļ™āļĢāļ āļąāļ—āļĢ āđāļĨāļ°āļ•āļąāđ‰āļ‡āļ•āļēāļĢāļ­āļ—āļĩāđˆāļˆāļ°āđ„āļ”āđ‰āļŠāļĄāļœāļĨāļ‡āļēāļ™āļŠāļļāļ”āđƒāļŦāļĄāđˆāļ‚āļ­āļ‡āđ€āļ‚āļēāđƒāļ™ Bangkok Art Biennale 2026

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We are delighted to share that Naraphat Sakarthornsap has been announced as one of the participating artists in Bangkok Art Biennale 2026, joining an outstanding international line-up under the theme “ANGELS & MARA.”

Through his distinctive artistic practice, Sakarthornsap continues to expand conversations around contemporary art from Thailand, contributing a thoughtful perspective to this year’s dialogue between light and darkness, hope and despair, virtue and temptation.

We warmly congratulate Sakarthornsap on this exciting milestone and look forward to seeing his new work as part of Bangkok Art Biennale 2026.

(English is below)āļ‚āļ­āđāļŠāļ”āļ‡āļ„āļ§āļēāļĄāļĒāļīāļ™āļ”āļĩāļāļąāļš āļ›āļĢāļ°āļžāļąāļ—āļ˜āđŒ āļˆāļīāļ§āļ°āļĢāļąāļ‡āļŠāļĢāļĢāļ„āđŒ āļ—āļĩāđˆāđ„āļ”āđ‰āļĢāļąāļšāļĢāļēāļ‡āļ§āļąāļĨ Gold Winner – Portfolio āļˆāļēāļ Contemporary Coll...
12/06/2026

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āļ‚āļ­āđāļŠāļ”āļ‡āļ„āļ§āļēāļĄāļĒāļīāļ™āļ”āļĩāļāļąāļš āļ›āļĢāļ°āļžāļąāļ—āļ˜āđŒ āļˆāļīāļ§āļ°āļĢāļąāļ‡āļŠāļĢāļĢāļ„āđŒ āļ—āļĩāđˆāđ„āļ”āđ‰āļĢāļąāļšāļĢāļēāļ‡āļ§āļąāļĨ Gold Winner – Portfolio āļˆāļēāļ Contemporary Collage Magazine Awards 2026

SAC Gallery āļĢāļđāđ‰āļŠāļķāļāđ€āļ›āđ‡āļ™āđ€āļāļĩāļĒāļĢāļ•āļīāļ­āļĒāđˆāļēāļ‡āļĒāļīāđˆāļ‡āļ—āļĩāđˆāđ„āļ”āđ‰āļĢāđˆāļ§āļĄāļžāļēāļœāļĨāļ‡āļēāļ™āļˆāļēāļāļŠāļļāļ”āļ™āļĩāđ‰āđ„āļ›āļˆāļąāļ”āđāļŠāļ”āļ‡ āļ“ āļāļĢāļļāļ‡āļĨāļ­āļ™āļ”āļ­āļ™ āđāļĨāļ°āđƒāļ™āļ‚āļ“āļ°āļ™āļĩāđ‰ āļœāļĨāļ‡āļēāļ™āļšāļēāļ‡āļŠāđˆāļ§āļ™āļˆāļēāļāļŠāļļāļ”āđ€āļ”āļĩāļĒāļ§āļāļąāļ™āļāļģāļĨāļąāļ‡āļˆāļąāļ”āđāļŠāļ”āļ‡āļ­āļĒāļđāđˆāļ—āļĩāđˆ Front Room, SAC Gallery

āļœāđˆāļēāļ™āļāļēāļĢāļ™āļģāļ āļēāļžāļ–āđˆāļēāļĒāļ—āļĩāđˆāļ–āļđāļāļŦāļĨāļ‡āļĨāļ·āļĄāļāļĨāļąāļšāļĄāļēāļ›āļĢāļ°āļāļ­āļšāļŠāļĢāđ‰āļēāļ‡āđƒāļŦāļĄāđˆ āļ›āļĢāļ°āļžāļąāļ—āļ˜āđŒāļŠāļ§āļ™āđ€āļĢāļēāļŠāļģāļĢāļ§āļˆāļ„āļ§āļēāļĄāļŠāļąāļĄāļžāļąāļ™āļ˜āđŒāļĢāļ°āļŦāļ§āđˆāļēāļ‡āļ„āļ§āļēāļĄāļ—āļĢāļ‡āļˆāļģ āļ­āļąāļ•āļĨāļąāļāļĐāļ“āđŒ āđāļĨāļ°āļ›āļĢāļ°āļ§āļąāļ•āļīāļĻāļēāļŠāļ•āļĢāđŒāļ—āļĩāđˆāļĒāļąāļ‡āļ„āļ‡āļŠāđˆāļ‡āļ­āļīāļ—āļ˜āļīāļžāļĨāļ•āđˆāļ­āļŠāļąāļ‡āļ„āļĄāļĢāđˆāļ§āļĄāļŠāļĄāļąāļĒ

SAC Gallery āļ‚āļ­āļĢāđˆāļ§āļĄāđāļŠāļ”āļ‡āļ„āļ§āļēāļĄāļĒāļīāļ™āļ”āļĩāļāļąāļšāļĻāļīāļĨāļ›āļīāļ™āļ­āļĩāļāļ„āļĢāļąāđ‰āļ‡āļŠāļģāļŦāļĢāļąāļšāļ„āļ§āļēāļĄāļŠāļģāđ€āļĢāđ‡āļˆāļ­āļąāļ™āļ™āđˆāļēāļ āļēāļ„āļ āļđāļĄāļīāđƒāļˆāđƒāļ™āļĢāļ°āļ”āļąāļšāļ™āļēāļ™āļēāļŠāļēāļ•āļīāļ™āļĩāđ‰

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Congratulations to Prapat Jiwarangsan on receiving the Gold Winner – Portfolio award at the Contemporary Collage Magazine Awards 2026.

SAC Gallery is honoured to have presented works from this body of work in London, and we are delighted that selected pieces from the same series are currently on view at the Front Room, SAC Gallery.

Through the recomposition of forgotten photographs, Jiwarangsan invites us to explore the relationships between memory, identity, and history, and how these continue to shape contemporary society.

SAC Gallery warmly congratulates the artist once again on this remarkable international achievement.

What’s on at SAC Gallery!Front Room:Art Cart 2026“The Shape of Memory” āđ‚āļ”āļĒ āļ›āļĢāļ°āļžāļąāļ—āļ˜āđŒ āļˆāļīāļ§āļ°āļĢāļąāļ‡āļŠāļĢāļĢāļ„āđŒāļāļīāļ•āļīāļāđ‰āļ­āļ‡ āļ•āļīāļĨāļāļ§āļąāļ’āđ‚āļ™āļ—āļąāļĒāļ§āļīāļ ...
04/06/2026

What’s on at SAC Gallery!

Front Room:

Art Cart 2026
“The Shape of Memory”

āđ‚āļ”āļĒ āļ›āļĢāļ°āļžāļąāļ—āļ˜āđŒ āļˆāļīāļ§āļ°āļĢāļąāļ‡āļŠāļĢāļĢāļ„āđŒ
āļāļīāļ•āļīāļāđ‰āļ­āļ‡ āļ•āļīāļĨāļāļ§āļąāļ’āđ‚āļ™āļ—āļąāļĒ
āļ§āļīāļ āļđ āļĻāļĢāļĩāļ§āļīāļĨāļēāļĻ

30 āļžāļĪāļĐāļ āļēāļ„āļĄ â€“ 11 āļāļĢāļāļŽāļēāļ„āļĄ āļž.āļĻ. 2569

āđ€āļ›āļīāļ”āļ§āļąāļ™āļ­āļąāļ‡āļ„āļēāļĢ–āđ€āļŠāļēāļĢāđŒ āđ€āļ§āļĨāļē 11:00 – 18:00 āļ™.
(āļ›āļīāļ”āļ§āļąāļ™āļ­āļēāļ—āļīāļ•āļĒāđŒ āļ§āļąāļ™āļˆāļąāļ™āļ—āļĢāđŒ āđāļĨāļ°āļ§āļąāļ™āļŦāļĒāļļāļ”āļ™āļąāļāļ‚āļąāļ•āļĪāļāļĐāđŒ)

āļŠāļ­āļšāļ–āļēāļĄāļ‚āđ‰āļ­āļĄāļđāļĨāđ€āļžāļīāđˆāļĄāđ€āļ•āļīāļĄ āļāļĢāļļāļ“āļēāļ•āļīāļ”āļ•āđˆāļ­
092-455-6294

__________

What’s on at SAC Gallery!

Front Room:

Art Cart 2026
“The Shape of Memory”

by Prapat Jiwarangsan
Kitikong Tilokwattanotai
Vipoo Srivilasa

30 May – 11 July 2026

Open Tuesday–Saturday, 11:00 – 18:00
(closed Sunday, Monday, and public holidays)

For enquiries
092-455-6294

(English is below)āļĄāļļāļĄāļĄāļ­āļ‡āļ—āļĩāđˆāđ„āļ”āđ‰āļŦāļĨāļąāļ‡āļĄāļ­āļ‡āđ€āļĄāļ·āļ­āļ‡āļ‚āļ­āļ‡ āļ—āļēāļŠāļī āļšāļĢāļēāļ§āđ€āļ­āļ™ āđƒāļ™ â€œSecond Pass” āļ‡āļēāļ™āļ—āļĩāđˆāļŠāļ§āļ™āđƒāļŦāđ‰āđ€āļĢāļēāļŠāļ°āļĨāļ­āļˆāļąāļ‡āļŦāļ§āļ°āļŠāļĩāļ§āļīāļ• āđāļĨāļ°āļāļĨāļąāļšāļĄāļēāļ—āļšāļ—āļ§...
05/05/2026

(English is below)

āļĄāļļāļĄāļĄāļ­āļ‡āļ—āļĩāđˆāđ„āļ”āđ‰āļŦāļĨāļąāļ‡āļĄāļ­āļ‡āđ€āļĄāļ·āļ­āļ‡āļ‚āļ­āļ‡ āļ—āļēāļŠāļī āļšāļĢāļēāļ§āđ€āļ­āļ™ āđƒāļ™ â€œSecond Pass” āļ‡āļēāļ™āļ—āļĩāđˆāļŠāļ§āļ™āđƒāļŦāđ‰āđ€āļĢāļēāļŠāļ°āļĨāļ­āļˆāļąāļ‡āļŦāļ§āļ°āļŠāļĩāļ§āļīāļ• āđāļĨāļ°āļāļĨāļąāļšāļĄāļēāļ—āļšāļ—āļ§āļ™āļ„āļ§āļēāļĄāļŦāļĄāļēāļĒāļ‚āļ­āļ‡āļŠāļīāđˆāļ‡āļĢāļ­āļšāļ•āļąāļ§āļ­āļĩāļāļ„āļĢāļąāđ‰āļ‡

āđƒāļ™āđ€āļĄāļ·āļ­āļ‡āđƒāļŦāļāđˆāļ­āļĒāđˆāļēāļ‡āļāļĢāļļāļ‡āđ€āļ—āļžāļŊ āđ€āļĢāļēāļĄāļąāļāļˆāļ”āļˆāļģāđ€āļžāļĩāļĒāļ‡āļŠāļīāđˆāļ‡āļ—āļĩāđˆāđ‚āļ”āļ”āđ€āļ”āđˆāļ™ āđāļĨāļ°āļŦāļĨāļ‡āļĨāļ·āļĄāļĢāļēāļĒāļĨāļ°āđ€āļ­āļĩāļĒāļ”āđ€āļĨāđ‡āļāđ† āļ—āļĩāđˆāļ­āļĒāļđāđˆāļĢāļēāļĒāļĢāļ­āļš āļāļēāļĢāđ€āļ”āļīāļ™āļœāđˆāļēāļ™āļŠāļ–āļēāļ™āļ—āļĩāđˆāđ€āļ”āļīāļĄāļ‹āđ‰āļģāđ† āļ­āļēāļˆāļ—āļģāđƒāļŦāđ‰āļŦāļĨāļēāļĒāļŠāļīāđˆāļ‡āļāļĨāļēāļĒāđ€āļ›āđ‡āļ™āđ€āļžāļĩāļĒāļ‡āļ‰āļēāļāļŦāļĨāļąāļ‡āļ‚āļ­āļ‡āļŠāļĩāļ§āļīāļ•āļ›āļĢāļ°āļˆāļģāļ§āļąāļ™āđ‚āļ”āļĒāđ„āļĄāđˆāļĢāļđāđ‰āļ•āļąāļ§

“Second Pass” āđ€āļāļīāļ”āļ‚āļķāđ‰āļ™āļˆāļēāļāļāļēāļĢāļ­āļ­āļāđ€āļ”āļīāļ™āđ‚āļ”āļĒāđ„āļĄāđˆāļĄāļĩāļˆāļļāļ”āļŦāļĄāļēāļĒ āļāļēāļĢāļŠāļąāļ‡āđ€āļāļ•āļŠāļīāđˆāļ‡āđ€āļĨāđ‡āļāđ† āļĢāļ°āļŦāļ§āđˆāļēāļ‡āļ—āļēāļ‡ āļ—āļąāđ‰āļ‡āļĢāļđāļ›āļ—āļĢāļ‡ āļŠāļĩāļŠāļąāļ™ āđāļĨāļ°āđ€āļĻāļĐāđ€āļŠāļĩāđ‰āļĒāļ§āļ‚āļ­āļ‡āļ āļēāļžāļ—āļĩāđˆāļ”āļđāđ€āļŦāļĄāļ·āļ­āļ™āđ„āļĄāđˆāļŠāļģāļ„āļąāļ āļāđˆāļ­āļ™āļˆāļ°āļ–āļđāļāļ™āļģāļāļĨāļąāļšāļĄāļēāļ—āļģāļ‡āļēāļ™āļ•āđˆāļ­āļœāđˆāļēāļ™āđ€āļ—āļ„āļ™āļīāļ„āļ āļēāļžāļžāļīāļĄāļžāđŒāđāļĨāļ°āļāļēāļĢāđƒāļŠāđ‰āļ§āļąāļŠāļ”āļļāļ­āļĒāđˆāļēāļ‡āļ™āļīāļ•āļĒāļŠāļēāļĢāđ€āļāđˆāļē āļ āļēāļžāļ–āđˆāļēāļĒāđ€āļĄāļ·āļ­āļ‡ āļˆāļ™āļāļĨāļēāļĒāđ€āļ›āđ‡āļ™āļ­āļĩāļāļ§āļīāļ˜āļĩāļŦāļ™āļķāđˆāļ‡āļ‚āļ­āļ‡āļāļēāļĢāļĄāļ­āļ‡āđ€āļĄāļ·āļ­āļ‡

āļšāļ—āļ„āļ§āļēāļĄāļ™āļĩāđ‰āļžāļēāđ€āļĢāļēāļĒāđ‰āļ­āļ™āļāļĨāļąāļšāđ„āļ›āļĒāļąāļ‡āļ›āļĢāļ°āļŠāļšāļāļēāļĢāļ“āđŒāļ‚āļ­āļ‡āļ—āļēāļŠāļīāļĢāļ°āļŦāļ§āđˆāļēāļ‡āļāļēāļĢāļžāļģāļ™āļąāļāđƒāļ™āļāļĢāļļāļ‡āđ€āļ—āļžāļŊ āđāļĨāļ°āđ€āļŠāļĩāļĒāļ‡āđƒāļŦāļĄāđˆ āļ•āļąāđ‰āļ‡āđāļ•āđˆāļāļēāļĢāđ€āļ”āļīāļ™āļŠāļģāļĢāļ§āļˆāđ€āļĄāļ·āļ­āļ‡ āļˆāļąāļ‡āļŦāļ§āļ°āļŠāļĩāļ§āļīāļ•āļ‚āļ­āļ‡āļœāļđāđ‰āļ„āļ™āđƒāļ™āđāļ•āđˆāļĨāļ°āļĒāđˆāļēāļ™ āđ„āļ›āļˆāļ™āļ–āļķāļ‡āļāļĢāļ°āļšāļ§āļ™āļāļēāļĢāļŠāļĢāđ‰āļēāļ‡āļŠāļĢāļĢāļ„āđŒāļœāļĨāļ‡āļēāļ™āđƒāļ™āļ™āļīāļ—āļĢāļĢāļĻāļāļēāļĢāļ„āļĢāļąāđ‰āļ‡āļ™āļĩāđ‰

āļšāļēāļ‡āļŠāļīāđˆāļ‡āļ—āļĩāđˆāđ€āļĢāļēāđ€āļ„āļĒāļĄāļ­āļ‡āļœāđˆāļēāļ™ āļ­āļēāļˆāļāļĨāļąāļšāļĄāļēāđƒāļŦāđ‰āđ€āļĢāļēāđ€āļŦāđ‡āļ™āļ­āļĩāļāļ„āļĢāļąāđ‰āļ‡ āđ€āļĄāļ·āđˆāļ­āđ€āļĢāļēāļĒāļ­āļĄāļŠāļ°āļĨāļ­āđāļĨāļ°āļĄāļ­āļ‡āđƒāļŦāđ‰āļĨāļ°āđ€āļ­āļĩāļĒāļ”āļ‚āļķāđ‰āļ™

āļ­āđˆāļēāļ™āļšāļ—āļ„āļ§āļēāļĄāļ‰āļšāļąāļšāđ€āļ•āđ‡āļĄāđ„āļ”āđ‰āļ—āļĩāđˆāļĨāļīāļ‡āļāđŒāļ”āđ‰āļēāļ™āļĨāđˆāļēāļ‡

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A perspective shaped by Tashi Brauen’s way of seeing the city in Second Pass, an exhibition that invites us to slow our pace and reconsider the meaning of what surrounds us.

In a city as vast as Bangkok, we often remember only what stands out, while the smaller details that lie all around us quietly fade from view. Passing through the same places again and again, many things begin to settle into the background of daily life without us quite noticing.

Second Pass begins with the simple act of walking without a fixed destination. Along the way, small observations emerge. Shapes, colours, and fragments of images that might otherwise seem insignificant are gathered, then reworked through printmaking techniques and the use of materials such as old magazines and photographs of the city, becoming another way of seeing the urban landscape.

This article traces Brauen’s experience during his residency in Bangkok and Chiang Mai, from wandering through different parts of the city and observing the rhythms of daily life, to the process behind the works presented in this exhibition.

Some things we may once have overlooked may return to us, if we allow ourselves to slow down and look a little more closely.

Read the full article via the link below.

(English is below) āđƒāļ™āđ€āļĄāļ·āļ­āļ‡āđƒāļŦāļāđˆāļ­āļĒāđˆāļēāļ‡āļāļĢāļļāļ‡āđ€āļ—āļžāļŊ āļŦāđ‰āļēāļ‡āļĢāđ‰āļēāļ™āļ—āļĩāđˆāđ€āļ„āļĒāļœāđˆāļēāļ™ āļĢāļīāļĄāļ–āļ™āļ™āļŦāļ™āļ—āļēāļ‡āļ—āļĩāđˆāļāđ‰āļēāļ§āđ€āļ—āđ‰āļē āđ€āļĢāļēāļ­āļēāļˆāļˆāļ”āļˆāļģāđāļ„āđˆāļšāļēāļ‡āļŠāļīāđˆāļ‡āļ—āļĩāđˆāļ”āļđāļĒāļīāđˆ.....

āļ—āļĩāđˆāļ­āļĒāļđāđˆ

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Bangkok
10110

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