Ravnikar Projects

08/05/2026

🅡 — 16 Ruhr
Big news! Gasper Kunsic has been selected for Manifesta 16 Ruhr, the 2026 edition taking place across the Ruhr region in Germany, known for its site-responsive and socially engaged curatorial framework.

Kunšič’s practice draws on visual fragments from the countryside of his upbringing, alongside folk motifs and pop-cultural imagery from the former Yugoslavia and wider diasporic Balkan context. Through painting, sculpture, works on paper and spatial interventions, he transforms exhibition environments into emotionally charged, immersive settings that disrupt conventional readings of space and instead propose new, speculative folklore worlds and ways of belonging. His inclusion in this year’s programme brings his practice into dialogue with a broad spectrum of contemporary approaches to place, memory and collective imagination.

Read more via ArtReview coverage.

The nomadic biennial is set to open on 21 June

05/05/2026

🅡 — Aurélien Potier & Neja Zorzut: Proximity | Bližnjost
25/03 — 16/05/2026
Curated by Olesia Shuvarikova

In the exhibition, the works of Aurélien Potier and Neja Zorzut create an affective environment, where conflict does not erupt but persists as constant tension between opposing forces […] organising attention towards potential outcomes.

Embedded in Zorzut’s installation, a choreography of emotional and bodily control held in a state of anticipation correlates with the pervasive affective and physical tension in Potier’s works, articulated through materials like steel, wax, cables, and organic matter. As his sculptures pierce and protrude from the walls or hang suspended, sharp spikes and exposed wires articulate anger and violence, while red beeswax lends a sense of fragility and potential disintegration — together holding a fundamental paradox at the core of Potier’s practice.

Proximity can be understood as force held in suspension, charged with the risk of transgression. In Zorzut’s work, it is neither intimate nor safe, but becomes a danger activated through touch. In Potier’s practice, touch still carries the possibility of repair — wax, mending open wounds, holds out a tentative hope for the healing of relations.

Aurélien Potier
Last instant, 2026
Industrial cables, Steel, Wax, Unique
Variable dimensions





📸

25/04/2026

🅡 — Aurélien Potier & Neja Zorzut: Proximity | Bližnjost
25/03 — 16/05/2026
Curated by Olesia Shuvarikova

In the exhibition, the works of Aurélien Potier and Neja Zorzut create an affective environment, where conflict does not erupt but persists as constant tension between opposing forces […] organising attention towards potential outcomes.

Embedded in Zorzut’s installation, a choreography of emotional and bodily control held in a state of anticipation correlates with the pervasive affective and physical tension in Potier’s works, articulated through materials like steel, wax, cables, and organic matter. As his sculptures pierce and protrude from the walls or hang suspended, sharp spikes and exposed wires articulate anger and violence, while red beeswax lends a sense of fragility and potential disintegration — together holding a fundamental paradox at the core of Potier’s practice.

Proximity can be understood as force held in suspension, charged with the risk of transgression. In Zorzut’s work, it is neither intimate nor safe, but becomes a danger activated through touch. In Potier’s practice, touch still carries the possibility of repair — wax, mending open wounds, holds out a tentative hope for the healing of relations.

Aurélien Potier
Control, 2024
Steel, Unique
40 x 60 x 20 cm

Aurélien Potier
Silence, 2024
Steel, Unique
55 x 25 x 15 cm




📸

23/04/2026

🅡 — Art Brussels
Preview day is here at , with the VIP opening today. We’re delighted to welcome you to the Discovery section at booth 5A21, where we present a solo project by from her ongoing Love Letter series.

We look forward to seeing you over the coming days, 24–27 April, in Brussels.

17/04/2026

ᴅᴇᴀʀ ꜰᴀᴛʜᴇʀ
For what we remember, what we carry, and what we are still trying to understand.

Opening tonight, 5–9 pm at , Berlin, DE

Thank you , , and the artists .aleksovski .

Image
Curated by

15/04/2026

🅡 — Aurélien Potier & Neja Zorzut: Proximity | Bližnjost
25/03 — 16/05/2026
Curated by Olesia Shuvarikova

In the exhibition, the works of Aurélien Potier and Neja Zorzut create an affective environment, where conflict does not erupt but persists as constant tension between opposing forces […] organising attention towards potential outcomes.

Embedded in Zorzut’s installation, a choreography of emotional and bodily control held in a state of anticipation correlates with the pervasive affective and physical tension in Potier’s works, articulated through materials like steel, wax, cables, and organic matter. As his sculptures pierce and protrude from the walls or hang suspended, sharp spikes and exposed wires articulate anger and violence, while red beeswax lends a sense of fragility and potential disintegration — together holding a fundamental paradox at the core of Potier’s practice.

Proximity can be understood as force held in suspension, charged with the risk of transgression. In Zorzut’s work, it is neither intimate nor safe, but becomes a danger activated through touch. In Potier’s practice, touch still carries the possibility of repair — wax, mending open wounds, holds out a tentative hope for the healing of relations.


Stubble Field, 2026
Leather, plexiglass, charcoal & damar resin on cardboard
Unique




📸 Zupanov

08/04/2026

🅡 — Aurélien Potier & Neja Zorzut: Proximity | Bližnjost
25/03 — 16/05/2026
Curated by Olesia Shuvarikova

In the exhibition, the works of Aurélien Potier and Neja Zorzut create an affective environment, where conflict does not erupt but persists as constant tension between opposing forces (...) organising attention towards potential outcomes.

Embedded in Zorzut’s installation, a choreography of emotional and bodily control held in a state of anticipation correlates with the pervasive affective and physical tension in Potier’s works, articulated through materials like steel, wax, cables, and organic matter. As his sculptures pierce and protrude from the walls or hang suspended, sharp spikes and exposed wires articulate anger and violence, while red beeswax lends a sense of fragility and potential disintegration — together holding a fundamental paradox at the core of Potier’s practice.

Proximity can be understood as force held in suspension, charged with the risk of transgression. In Zorzut’s work, it is neither intimate nor safe, but becomes a danger activated through touch. In Potier’s practice, touch still carries the possibility of repair — wax, mending open wounds, holds out a tentative hope for the healing of relations.

Aurélien Potier
Last instant, 2026
Industrial cables, Steel, Wax, Unique
Variable dimensions


Neja Zorzut
Stubble Field, 2026
Charcoal and Damar Resin on Cardboard, Unique
160 x 263 x 4 cm




📸 Zupanov

30/03/2026

🅡 — e-flux
FULL CIRCLE ⎯⎯ The milestone fifth edition of Ljubljana Art Weekend returns May 21–24, 2026!

Across the city, exhibition openings, performances, discussions, screenings, guided tours and other events will unfold alongside a main curated programme led by ETC. Magazine. The curatorial framework takes its cue from the magazine's fifth issue, Full Circle, grappling with personal, political and historical cycles, and questioning whether we are destined to repeat history or if we can return to the past to rethink the future. READ MORE

Mark your calendars and take a sneak peek at the preliminary programme — now online!

Ljubljana Art Weekend presents 2026 edition Full Circle, May 21–24.

21/03/2026

Big news: we’re taking part in this year’s LISTE Basel with artist Mladen Stropnik. For a gallery from Ljubljana, representing Slovenia on this stage is a huge honour and a reminder that dedication and care truly matter.

To everyone who has supported us, and even those who challenged us along the way, thank you. You have shaped our journey and made us stronger.

Here is to the work, the risks, and the moments that make it all worth it. Let’s go!